![Untitled, Printed by Jeryl Parker, New Paltz 1986color etchingplate mark: 90.5 x 119 cm (35 5/8 x 46 7/8 in.) [each]; full sh](https://cdn.globalauctionplatform.com/e542482b-a7ba-4cd0-a7a0-ae7f01391c8a/49597d48-425d-46ba-816c-ae8201582931/468x382.jpg)
Untitled, Printed by Jeryl Parker, New Paltz 1986color etchingplate mark: 90.5 x 119 cm (35 5/8 x 46 7/8 in.) [each]; full sheet when aligned: 215 x 153 cm (84 5/8 x 60 1/4 in.)unframedsigned and dated lower right, edition 1/75 lower left all in pencilPROVENANCEAcquired directly from BAM (Brooklyn Academy of Music)Private Brooklyn Heights collection since 1987-1988LOT NOTES on two sheets aligned top to bottomCONDITIONThe color etching, overall foxing, surface soiling and waviness. Each on separate sheets but align along the top and bottom.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
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1263 Heads From the Portfolio, Dante, I had Not Known That Death Had Undone So Many 1979colored etchingplate mark: 42 x 30 cm (16 1/2 x 11 3/4 in.) framed dimensions: 76 x 63.5 cm (29 7/8 x 25 in.)each signed lower right and edition 84/110 lower left all in pencilPROVENANCEAcquired directly from BAM (Brooklyn Academy of Music)Private Brooklyn Heights collection since 1987-1988CONDITIONEach observed in frame, matte and under acrylic, the etchings are in very good condition.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
1263 Heads From the Portfolio, Dante, I had Not Known That Death Had Undone So Many 1979colored etchingplate mark: 42 x 30 cm (16 1/2 x 11 3/4 in.) framed dimensions: 76 x 64 cm (29 7/8 x 25 1/4 in.)each signed lower right and edition 84/110 lower left all in pencilPROVENANCEAcquired directly from BAM (Brooklyn Academy of Music)Private Brooklyn Heights collection since 1987-1988CONDITIONEach observed in frame, matte and under acrylic, the etchings are in very good condition.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
![Self-Portrait 2013archival pigment on Hahnemmugle German etching paper47 x 35.5 cm (18 1/2 x 14 in.) [image size]framed dimen](https://cdn.globalauctionplatform.com/e542482b-a7ba-4cd0-a7a0-ae7f01391c8a/3bedb0b8-0db0-4988-b443-ae820156ab91/468x382.jpg)
Self-Portrait 2013archival pigment on Hahnemmugle German etching paper47 x 35.5 cm (18 1/2 x 14 in.) [image size]framed dimensions: 57 x 47 cm (22 1/2 x 18 1/2 in.)edition of 75CONDITIONObserved in frame and under acrylic, the archival pigment work is in very good condition.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
20th century British, Rye, East Sussex, etching, unsigned, 12cm x 22.5cm, framed and glazed CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
20 Graphiken und Zeichnungen mit Markthändlern und Schaustellern 1) Jean Jacques de Boissier, Radierung, "Die großen Scharlatane", 25 x 19 cm. – 2) Ferdinand Götz (1874–1936), handkolorierter Andruck, 1918, "Der Riese Jonathan", für die Meggendorfer Blätter, 17 x 23 cm. – 3) Martin Claus, Bleistiftzeichnung auf Pergament, "Schwertschlucker", datiert 22.4.1936, vom Künstler selbst signiert, für die Fliegenden Blätter, 22 x 25 cm. – 4) 3 altkolorierte Lithographien, um 1850, "Fahrende Händler", Maße jeweils 26 x 18 cm. – 5) Eugen Kirchner (1865–1938), Tuschfederzeichnung, um 1925, "Im Biergarten", für die Meggendorfer Blätter, Verso mit Verlagsstempel, 17 x 22 cm. – 6) Elsa Niemeyer-Moxter, Aquarell, datiert 13.7.1937, "Spielzeugbude auf dem Jahrmarkt", von der Künstlerin selbst signiert, für die Fliegenden Blätter, Verso mit Verlagsstempel, 22 x 25 cm. – 7) Carl Storch, Original-Zeichnung, 1922, "In der Schaubude", vom Künstler selbst signiert, für die Fliegenden Blätter, 18 x 14 cm. – 8) Hugo Frank (1892–1962), Tuschfeder- und Pinselzeichnung, "Bierhalle", für die Fliegenden Blätter, Verso mit Verlagsstempel, 12 x 11 cm. – 9) E. Regler, Tuschfederzeichnung, um 1900, "Bauchladen Verkäufer", 21 x 29 cm. – 10) Hugo Frank (1892–1962), Aquarell über Bleistift, "Marktschreier", vom Künstler selbst signiert, für die Meggendorfer Blätter, 32 x 27 cm. – 11) 2 x Heinrich Fick, Tuschfederzeichnungen, um 1900, "Der Jahrmarkt Jongleur", für die Meggendorfer Blätter, Maße jeweils 16 x 22 cm. – 12) Hugo Frank (1892–1962), Tuschfederzeichnung, "Ringkampfbude", für die Fliegenden Blätter, Verso mit Verlagsstempel, 21 x 13 cm. – 13) Hugo Frank (1892–1962), Tuschfederzeichnung, "Kasperl-Theater", 12 x 11 cm. – 14) 2 Blätter, unsigniert, Tuschfederzeichnung, datiert 9.12.1918, "Storch, der Nasendoktor", Maße jeweils 23 x 9 cm. – 15) Hugo Frank (1892–1962), kolorierte Bleistiftzeichnung, 1925, "Jahrmarkt", vom Künstler selbst signiert, für die Meggendorfer Blätter, Verso mit Verlagsstempel, 21 x 13 cm. – 16) P.O. Engelhard, Tuschfederzeichnung, 1903, "Froschmeier's Affen und Hunde Zirkus", für die Meggendorfer Blätter, Verso mit Verlagsstempel, 35 x 45 cm. – Und: 17) Hans Kalmsteiner, handkolorierter Andruck, um 1910, "Jahrmarkt", für die Meggendorfer Blätter, 17 x 24 cm. Start Price: EUR 280 Zustand: (2-3/-)20 Prints and Drawings of Market Traders and Showmen 1) Jean Jacques de Boissier, etching, "The Great Charlatans", 25 x 19 cm. – 2) Ferdinand Götz (1874–1936), hand-colored proof, 1918, "Der Riese Jonathan", for the Meggendorfer Blätter, 17 x 23 cm. – 3) Martin Claus, pencil drawing on vellum, "Schwertschlucker", dated 22.4.1936, signed by the artist, for the Fliegende Blätter, 22 x 25 cm. – 4) 3 colored lithographs, c. 1850, "Fahrende Händler", each measuring 26 x 18 cm. – 5) Eugen Kirchner (1865–1938), pen-and-ink drawing, c. 1925, "Im Biergarten", for the Meggendorfer Blätter, publisher's stamp on verso, 17 x 22 cm. – 6) Elsa Niemeyer-Moxter, watercolor, dated 13.7.1937, "Spielzeugbude auf dem Jahrmarkt", signed by the artist, for the Fliegende Blätter, publisher's stamp on verso, 22 x 25 cm. – 7) Carl Storch, original drawing, 1922, "In der Schaubude", signed by the artist, for the Fliegende Blätter, 18 x 14 cm. – 8) Hugo Frank (1892–1962), pen-and-ink drawing, "Bierhalle", for the Fliegende Blätter, publisher's stamp on verso, 12 x 11 cm. – 9) E. Regler, pen-and-ink drawing, c. 1900, "Bauchladen Verkäufer", 21 x 29 cm. – 10) Hugo Frank (1892–1962), watercolor over pencil, "Marktschreier", signed by the artist, for the Meggendorfer Blätter, 32 x 27 cm. – 11) 2 x Heinrich Fick, pen-and-ink drawing, c. 1900, "Der Jahrmarkt Jongleur", for the Meggendorfer Blätter, 16 x 22 cm. – 12) Hugo Frank (1892–1962), pen-and-ink drawing, "Ringkampfbude", for the Fliegende Blätter, publisher's stamp on verso, 21 x 13 cm. – 13) Hugo Frank (1892–1962), pen-and-ink drawing, "Kasperl-Theater", 12 x 11 cm. – 14) 2 sheets, unsigned, pen-and-ink drawing, dated 9.12.1918, "Storch, der Nasendoktor", 23 x 9 cm each. – 15) Hugo Frank (1892–1962), colored pencil drawing, 1925, "Jahrmarkt", signed by the artist, for the Meggendorfer Blätter, publisher's stamp on verso, 21 x 13 cm. – 16) P.O. Engelhard, pen-and-ink drawing, 1903, "Froschmeier's Affen und Hunde Zirkus", for the Meggendorfer Blätter, publisher's stamp on verso, 35 x 45 cm. – And: 17) Hans Kalmsteiner, hand-colored proof, c. 1910, "Jahrmarkt", for the Meggendorfer Blätter, 17 x 24 cm. Start Price: EUR 280 Condition: (2-3/-)
Georg Daniel Heumann (1691 Nürnberg - 1759 ebenda. 1740-1753 Hofkupferstecher in Göttingen)"Ritterspiel das in Sr. Königlichen Majestät Georg I. Gegenwart auf der Göttingenschen Universität den 1. August 1748 gehalten worden ist". OriginaltitelKupferstich (u. Radierung?)/Papier, 1748. Einblattdruck mit vielfiguriger szenischer Darstellung. Unterhalb deutsch-lateinische Legende mit Sign.; 22 cm x 42 cm (Passepartoutausschnitt). Rahmen.Weitere Exemplare befinden sich im Germanischen Nationalmuseum in Nürnberg und in der Royal Collection in England.Copper engraving (and etching?) depicting the tournament for George II King of Great Britain held at the University of Göttingen, August 1748.
Jacques-Philippe Le Bas (1707 Paris - 1783 ebenda)"L'Après Dinée". OriginaltitelRadierung/Papier. Nach einem Gemälde von Nicolaes Berchem. In der Platte sign. u. betitelt. Plattenmaß ca. 37 cm x 46 cm. Rahmen. Etching on paper. After a painting by Nicolaes Berchem. Signed and titled on the plate.
Daniel Hopfer (1471 Kaufbeuren - 1536 Augsburg. Ab 1493 als Meister ansässig ebenda)"Solimanus Imperator Turcarum" (Soliman Herrscher der Türken). OriginaltitelEisenradierung/Papier. 1526-1536. Monogr. "D. H", Künstler-Symbol. Dargestellt ist Suleyman I. (1520-1566 zehnter Sultan des osmanischen Reiches) zu Pferde, neben ihm ein einfacher Fußsoldat mit Lanze. Das seltene Blatt stammt aus einer Folge von fünf Blättern mit Darstellungen osmanisch-türkischer Reiter nach 1526 geschaffenen Holzschnitten von Jan Swart van Groningen. Beschnitten, am rechten Rand oberhalb rest., auf Hinterlegkarton kaschiert. Blatt ca. 22 cm x 15 cm. Rahmen.Vgl. Hollstein 66.I, Bartsch VIII.487.58.Weitere Exemplare befinden sich im Victoria & Albert Museum und im Britischen Museum in London.Etching on paper, 1526-1536. Signed with monogram "DH" in the plate, further artist's symbol. Cut to margins, restored to the upper right margin, laid down on a backing board.
A group of decorative pictures and prints to include a map of Picardie, 9cm x 15cm; David Ballardie 'The Bell', etching, framed and glazed, 9.5cm x 20.5cm; a Japanese wood block print, framed and glazed, 23cm x 16cm; an engraving of a French town and further (10) Qty: 10 Frame on map loose; woodblock print with some staining; frames with dents and scratches
CUNNINGHAME GRAHAM R. B. The District of Menteith. Ltd. ed. 59/250, signed by the author & the illustrator D. Y. Cameron. Slipped in orig. etching by Sir D. Y. Cameron & plates after wash drawings by Cameron. Folio. Leather backed brown marbled brds. with leather title label in d.w. Edition deluxe, Stirling, 1930.
After Charles Murray (1842 - 1923) A Busy Dockyard, etching; a coloured map of Wales and the friontispiece for The Marchants Mapp of Commerce, 1638, together with Edwin Hayes RHA RI ROI (1819-1904) Yarmouth Pier, signed and dated 1883, pencil, 7 x 12.5cm; three 18th/19th century coloured prints of Orford, an early 19th century print of the monastery at Dunwich and a print of Angel Lane, Ipswich
A Collection of Framed Pictures to include a French folk art style acrylic painting, depicting a stylised racecourse, together with a watercolour of a cottage marked F G Fraser, an etching depicting a cottage dated 1923 signed Wm. B Robins, and a Percy Lancaster engraving depicting an antique dealer, and a Rosalyn S Evans Limited Edition print No.2/50.
Rembrandt van Rijn, Harmensz.: (1606 Leiden - Amsterdam 1669). Christus und die Frau von Samaria in Ruinen. Radierung auf Bütten, dessen Struktur nur schwach sichtbar ist, 1634. Plgr. 12,3 x 10,7 cm. Mit Rändchen unter Passep. mont. New. Ho. 127 V (v. V). B. 71. W.-B. 71. Vorzügl. Abdruck des V. Zustands mit den endgültigen Überarbeitungen. - Sehr gut erhalten, vereinz. Fleckchen. - Christ and the Woman of Samaria. Etching on laid paper with small margins under passepartout. - Very well preserved, occasional small stains. D
Laymarie,J.: Marc Chagall. Monotypes 1961-1965. Catalogue établi par Gérald Cramer. Mit 1 Original-Radierung und zahlreichen, teils farbigen und montierten Abbildungen. Genf, Cramer, 1966. 4°. 131 S., [2] Bll. Original-Leinwand mit farbig illustr. Umschlag. In Lieferungs-Schuber und -Karton. Cramer 65. - Erste Ausgabe. - Eines von 100 numerierten Exemplaren der Vorzugsausgabe (GA 1575), von Chagall signiert und mit â•”der Original-Radierung "L'Apparition"â•— auf Japan. - Tadellos. - One of 100 numbered copies of the special edition (GA 1575), signed by Chagall and with the original etching "L'Apparition" on Japan. - Impeccable.
Rembrandt van Rijn, Harmensz: (1606 Leiden - Amsterdam 1669). Die Anbetung der Hirten mit der Lampe. Radierung auf Bütten, desssen Drahtlinien nur schwach sichtbar sind. um 1654. Blgr. 10,5 x 12,9 cm. Auf Plattenkante geschn. Unter Passep. mont. New Hoh. 279 III (von III). W.-B. 45. B. 45. Ganz ausgezeichn. Abdruck des III. Zustands mit den endgütltigen Überarbeitungen. Gut erhalten. - The Adoration of the Shepherds, with the lamp. Etching on handmade paper. Trimmed to platemark. Under passep. - Excellent impression of the III. state. D
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Bärtiger Mann, an einen Erdhügel gelehnt stehend. Radierung auf Bütten, um 1630. Plgr. 11,5 x 8 cm. Mit Rand unter Passep. mont. New Ho. 48 III (v.III). B. 151. W.-B. 151. Ausgezeichn. Abdruck des III. Zustands mit den Überarbeitungen. Gut erhalten. - Bearded Man in a Coat and Fur Cap Leaning against a Bank. Etching on laid. Mounted under passep. Excellent impression. D
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Bettler und Bettlerin im Gespräch. Radieurng auf Bütten 1630. Plgr. 7,8 x 6,6 cm. Mit kl. Rand unter Passep. mont. New Ho. 45 II (v. III). B. 164. w.-B. 164. Ausgezeichn. Abdruck des II. Zustands vor den starken Überarbeitungen. Gut erhalten. - Beggar Man and Beggar Woman Conversing. Etching on laid. Mounted under Passep. - Excellent impression of the II. state before the major revision. D
Grafikmappe der Städelschule Frankfurt.: 1995-97. Mappe mit 3 Serigraphien, 2 Lithographien u. 1 Kaltnadelradierung von verschiedenen Künstlern. Mit Impressum u. 6 typogr. bezeichneten Einlegebl. Alle Bl. sign. bzw. monogr., dat. u. num. Im Impressum nochmals num. Auf leichtem Karton. Je Blattgröße 49,5 x 69,5 cm. Lose in Olwd.-Kassette mit Rtit. (Gering berieb. u. best.). Eines v. 50 Ex. Vollständig. - Enthalten sind Arbeiten von Thomas Bayrle, Georg Herold, Jörg Immendorff, Per Kirkeby, Christa Näher und Hermann Nitsch. Herausgegeben von C&L Deutsche Revision AG. - In guter Erhaltung. - One of 50 copies. Portfolio with 3 serigraphies, 2 lithographies and 1 drypoint etching by various artists of the Städelschule Frankfurt. Each sheet signed or monogrammed, dated and numbered. Mounted on cardboard. Loose in original cloth case (slightly rubbed and bumped). - Good condition.
Rembrandt van Rijn, Harmensz.: (1606 Leiden - Amsterdam 1669). Auferweckung des Lazarus, kleine Platte. Radierung auf Bütten, dessen Drahtlinien nur undeutl. sichtbar sind, 1642. Plgr. 15 x 11,4 cm. Mit Rändchen unter Passep. mont. New Ho. 206 II (v. II). B. 72. W.-B. 72. Brillanter Abdruck des II. Zustands mit den endgültigen Überarbeitungen in sehr guter Erhaltung. - Vereinz. Fleckchen. - The Raising of Lazarus, small plate. Etching on laid paper. With margins. Fitted under passep. - Brilliant impression of the II. state with the final revisions. D
Rembrandt van Rijn, Harmensz: (1606 Leiden - Amsterdam 1669). Die Verkündigung an die Hirten. Radierung 1634. 25,7 x 21,7 cm., Blgr. 27,2 x 23,5 cm. Mit d. Namensz. in d. Platte. In den Ecken auf Papier geklebt. B-44. H-120. BB 34-J. - Abdruck des 19. Jhdts. aus einer Ausgabe von Basan's "Recueil de Rembrandt", aufgeklebt auf Papier mit WZ "Arches". - The Proclamation to the Shepherds. Etching. Glued to paper in the corners. Impression of the 19th century. with watermark. R
Full title: French school, after Abraham Bosse (1602-1676): 'The ratcatcher', oil on canvas in period frame, 17/18th C.Description:Dim.: 98,5 x 84 cm (the frame)Dim.: 72 x 58 cm (the work)Ê The present work is painted after the engraving 'Le marchand de mort aux rats', part of the series 'Les cris de Paris' (Cries of Paris).While it has lost most sense of perspective, due to the suppression of the surrounding landscape, the work remains highly attractive. The subject is quasi unknown on a painting.Ê Abraham Bosse (1602 - 14 February, 1676) was a French artist, mainly as a printmaker in etching, but also in watercolour. Roughly 1600 etchings are attributed to him, with subjects including: daily life, religion, literature, fashion, technology, and science. Most of his output was illustrations for books, but many were also sold separately.ÊRef.: The Metropolitan Museum, New York, Accession Number: 60.634.53, for the original engraving. (link available on rm-auctions.com)The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
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71174 item(s)/page