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Lot 1

A group of assorted paintings and prints, Including a chromolithograph of Spaniels putting up pheasant, a pencil sketch of a continental church, a lithograph of Muckruss Abbey, Killarney, a colour etching by Tatton Winter, ornithological prints, a watercolour loch scene and others. (qty)

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Mortimer Menpes, Indian scene, Etching, Signed in pencil, 13.5cm x 13cm.Best Bid

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Robert Walker MacBeth, after G J Pinwell, Medieval figures, Etching, Signed and inscribed by Macbeth, 41cm x 89cm.

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A Rowland Langmaid Artist's Proof Etching, Beachey Head, a Phyllis Blair artist's proof etchng, The Pied Piper of Hamelin, another by the same and two others (5)

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CYRIL FLEMING: Etching entitled Horse Guards, London, 6.75 x 9.25, framed.

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ETCHING. View Dumbarton shipyard and rock, indistinctly signed, 5 x 12, framed.

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PERCY ROBERTSON. Etching, near Trafalgar Square, signed in pencil, 7 x 5.5, framed.

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PERCY ROBERTSON. Etching, Hyde Park Corner, 1923, signed in pencil, 6.5 x 5.5, framed.

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CHARLES J WATSON. Etching, Cathedral interior, 1906, 8 x 9, framed.

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WALTER HENRY SWEET. (1889-1943). Etching, Worcester cathedral signed in pencil, 7 x 8.75.

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Set of four crystal wine flutes with vine etching and other glassware

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* Caricatures. McLean (Thomas, fl. 1816-32), 'A Parliamentary Game of Shuttlecock', c.1820s, hand coloured etching, approx. 240 x 345 mm, together with 'Patent Penny Knowledge Mill', c.1830s, hand coloured litho., approx. 255 x 355 mm, and 'A Scene in the Court of Chancery', c.1830s, hand coloured litho., approx. 235 x 330 mm, plus 'Run Neighbours Run - St Al-n's Is Quadrilling It', 1829, hand coloured etching, approx. 250 x 360 mm, together with Heath (Henry, fl.1822-42),'The Bull in Jeopardy; or, The Curs Triumphant', pub. S.Gans, 1829, and 'Protestant Descendency! A Pull at the Church', 1829, plus 'The Tory Band', pub. S.Gans, c.1830, three hand coloured etchings, approx. 255 x 350 mm, and another similar etched carictaure, all framed and glazed (8)

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VICTOR AMBRUS (LASZLO GYOZO AMBRUS) (B.1935) ADAM AND EVE etching, signed and dated 1959 25cm x 18cm

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Arderne Clarence early 20th century- 'Old Fisherman'; etching, signed in pencil and within the plate dated 1934, 22x40cm: After Thomas Rowlandson 1756-1827, Pheasant shooting and Grouse Shooting, hand-coloured engravings, a pair, 38x45cm: After Francois Boucher 1703-1770- 'Piaceri Della Vita Eampestre'; watercolour, a pair, 6x7cm: together with a quantity of other 18/19th century engravings by and after various hands, (a lot)

Lot 1

Edward G Slocombe 1850-1915- Canterbury Cathedral, publ 1905 by the Fine Art Society Limited; etching, signed in pencil, signed and dated within the plate, 47x64cm: After William Hatherell 1855-1928- 'Lord Kitchener's Home Coming', publ by Bovril Ltd.; photogravure, 68x94cm., (2)

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Italian School 20th century- Harbour scene; gouache and watercolour, inscribed 'Carella' and signed with initials 'MLRC', 35x52cm: Poucette, French b.1935- Portrait of pierrots; watercolour, pen and ink and acrylic, a pair, both signed, 43.5x18cm: Leslie Austin 19/20th century- 'We are Seven'; etching, signed and titled in pencil: Edward Sherry 19/20th century- Houses of Parliament; etching, signed in pencil, (5)

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Marcel Jacque, French 19/20th century- Logging; etching, signed, inscribed and dedicated in pencil, 13.8x28.8cm., (unframed)

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20th Century School c1960- View of European city terrace; etching with aquatint, 19.5x25cm: Thomas Edward Francis act 1899-1912- Hayricks; watercolour, signed, 16.5x23.5cm., (2)

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Julien Celos 1884-1953- Figures in a market square in winter, publ by Georges Petit Paris November 1913; etching printed in colours, signed and numbered in pencil, 37.5x32cm: together with two other etchings printed in colours by the same hand, both signed and numbered in pencil,(3)

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British School, possibly Newlyn, late 19th century- Village street scene; etching, 35x25.3cm: together with one other example of the same print, (2), (unframed)

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Kurt Hilscher 1904-1980- Group of semi draped female nudes; hand-coloured etching, signed within the plate, signed and titled in pencil, 24.5x15.5cm

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William Strang RA RE 1859-1921- Portrait of John Craig Annan; etching, initialled and dated 1910 within the plate, signed in pencil, 34.8x25cm

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Lawrence Barnett Phillips 1842-1922 Venetian canal scene; etching, signed within the plate and in pencil, 24x15cm: together with two other etchings, one signed in pencil, (3)

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Henry Robertson ARE 1848-1930- East Anglian coastal scene, evening; etching four, each signed with initials and dated 1897 within the plate, 11.5x16.5cm., ea., in shared mount: together with a quantity of similar mounted etchings by the same hand, (a lot), (unframed)

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European School 19th century, possibly Colonial- Figures by cottages in a wooded mountain landscape; watercolour, 36x25.8cm: Johan Jacob Haid 1704-1767- 'The Great afhcolored (sic) Butcher Bird...', after P Paillou; hand-coloured etching on laid, 38.7x21cm., (2), (unframed)

Lot 1

Paul Cesar Helleu 1859-1927- Two women at a piano; etching with drypoint, signed in pencil, 39.5x29.8cm: together with one other etching of a portrait of a lady by the same hand, signed in pencil, 38x25cm., (2)

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Kane Cunningham (1961-): 'Scarborough', signed artist's etching, limited edition 10/35 from The Coast Series, plate size 25cm x 33cm.

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Kane Cunningham (1961-): 'Scarborough Harbour', signed artist's etching, limited edition 9/35 from The Coast Series, plate size 25cm x 33cm.

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William Lee Hankey (1869-1952): 'Corner of the Fishmarket', signed artist's etching with blind stamp 28cm x 23cm unframed.

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William Lee Hankey (1869-1952): 'Awake', signed artist's etching with blind stamp 31cm x 25cm unframed.

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William Lee Hankey (1869-1952): 'Magedienne', signed artist's etching with blind stamp 40cm x 30cm unframed.

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Frank Brangwyn (1867-1956): The Procession, signed artist's etching 39cm x 47cm

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Frank Henry Mason (1876 -1965): 'Off Scarborough', signed artist's etching with blind stamp 16cm x 24cm.

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A. R. Neal (20th Century), Ewe and lamb, etching, signed, titled and numbered 9/25, in pencil, 11cm x 12.5cm

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WALTER DENDY SADLER (1854-1923), "THE ANSWER", black and white etching, framed. 46cm by 35cm

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walter Spradbury (1889-1969) Downham Mill, Ely signed lower right Walter Spradbury etching 31 x 24cm walter Spradbury (1889-1969) The Cobblers Shop, Church Lane, Walthamstow the first signed lower right Walter Spradbury woodblock in colours 18 x 21cm; and 20 x 23cm (2); and olive Baylis and Vera Duxson Two other etchings; and v Timkiss (British, 20th Century) Marksburg signed lower right V Timkiss etching 41 x 30cm (6) marksburg Castle is the only hill castle on the Rhine that has never been destroyed. Rising above the town of Braubach, the castle has been lived in for over 700 years in which time it has served as a state prison and is now the home of the German Castles Association

Lot 1

captain Baillie after Rembrandt the Three Trees etching first state; and another, a later state each 21 x 28cm; and david Lucas after Constable landscape with Windmill mezzotint, and eleven other various pictures and prints, sizes vary (14)

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william Walcot (1874-1943) Newcastle signed lower right W Walcot etching 13 x 17cm

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douglas Portway (British, 20th Century) Abstract signed lower right Portway and numbered 38/50 etching 38 x 48cm

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valerie Thornton (British, 1931-1991) Amboise signed lower right Valerie Thornton and numbered 46/150 etching 58 x 75cm

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valerie Thornton (British, 1931-1991) Siena signed lower right Valerie Thornton and numbered 7/100 etching 30 x 38cm

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h Bunbury (19th Century) a Hail Storm, coloured etching caricature 13 x 18cm signed in the plate; and j L Marks (Publisher) richard Turpin surprised at the sight of a Gibbett coloured aquatint, 1836 18 x 29cm (2)

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a G Coxhead (British, 20th Century) Harvest Chariot signed lower right A G Coxhead and numbered 3/40 etching 25 x 25cm

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charles Chaplin (British, 1907-1987) Night signed lower right Charles Chaplin 1946 etching 29 x 40cm exhibited: royal Academy, 1946 (letter refers); and the Lane, Mundon signed lower right C H A Chaplin 1931 etching 17 x 21cm; and r B Allen (British, 20th Century) Rickmansworth, 1947 signed lower right R B Allen etching 18 x 23cm (3) charles Chaplin (1907 - 1987) was an English artist, engraver, and printmaker. You teach me a little about engraving and I will teach you a little about art was the remarkable offer made by Robert Austin to his new student, Charles Chaplin. Austin, an eminent engraver himself, had become Chaplins tutor at the Royal College of Art in September 1947. Chaplin, a mature student, was a printers commercial engraver; he was also an amateur artist whose prints had already received some recognition and had been hung at the Royal Academy Summer Exhibitions. He had, however, had little formal education or art training. Austins encouragement was a major influence on Chaplins subsequent career as an artist. The years before the Second World War cover Chaplins birth into a large working-class family, his early love of drawing, the accident which left him with only one eye, and his apprenticeship in a large printing works. After the war, he enrolled as a Saturday student at the Royal College of Art and, thereafter, his style developed significantly. Following his retirement from the printing industry, his prolific output continued unabated, encouraged by new contacts in Sweden and Canada. A shy man who loved the countryside and recorded its trees, lakes, its farmyard, his family life is revealed in the detail of his work. his favourite technique was line engraving on copper, although he used several techniques during his career

Lot 1

christopher Richard Wynne Nevinson A.R.A (1889-1946) Barmouth Estuary etching, signed and titled below in pencil 14.5 x 19cm

Lot 1

pALMER, Samuel, The Minor Poems of John Milton with illustrations, London 1889 4to, twelve plates as listed, some staining to outer margins of the plates, untrimmed in somewhat worn cloth gilt; PALMER, A.H., Samuel Palmer A Memoire, London: The Fine Art Society 1882 with original etching frontispiece, title and plates as listed (gutta percha perished), foxing, in worn binding; LISTER, Raymond and A.H. PALMER, The Life and Letters of Samuel Palmer, 1972 and another (4)

Lot 1

dOBSON, Austin, (Poet and essayist). First state proof etching by William Strang of Christ comforting three figures, inscribed by the artist below to Dobson, 24 x 18.5cm (rather spotted); A pen and ink design for a bookplate by Hugh Thomson for Robert Baker, 19 x 16cm; and BEERBOHM, Sir Max. The Poets Corner, Heinemann 1904, folio, with 20 coloured litho caricature plates (covers rather soiled, spine damaged) (3)

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Figures in a town street, Etching, inscribed, "Tindall's Wynd", signed Richard Winter and two pencil Sketches, a Watercolour, landscape and a wool work of a boy, (5).

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ANTHONY OSLER, SIGNED WATERCOLOUR, 'Moonlight at Pinmill', 10" x 8" and AIDAN KIRKPATRICK, SIGNED AND DATED 1988 TO MARGIN, BLACK AND WHITE ARTIST'S PROOF ETCHING, 'Xylonite before the wind', 11" x 7" and one other unframed, (3)

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ANTON LOCK, FOLDER: FOUR DRAWINGS, ETCHING etc, equestrian subjects

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HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, (55/75), 'Pulls Ferry, Norwich', 9" x 12"

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HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Norwich Cathedral', 10" x 8"

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After James Nelson ?, an etching of the Camel Corps Mesopotamia

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A Norman Janes Artist's Proof Etching, Ships at Low Tide, signed

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A blown glass jug with primitive etching, 17.5cm (7.5") high and another jug, 17.5cm (7") high

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FRANK H MASON (1876-1965) Scarborough Harbour with sailing and steam vessels, etching, signed, 6" x 9 1/2"

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WILLIAM LIONEL WYLLIE (1851-1931) A dry point etching, 'Hunting the U Boat', label verso stating that the impression was limited to 150, signed in pencil, 4" x 13"

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THOMAS BUSH HARDY (1842-1897) Sailing vessels leaving harbour, etching, signed, 13 1/2" x 12"

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A 19TH CENTURY COLOURED PRINT of Isonomy after Harry Hall and an etching signed Robinson Macbeth (2)

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