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Lot 756A
Local and Wiltshire Interest - A collection of engravings, 19th century and earlier, with three etchings and two architectural studies of masonry at St Peter's Church, Windrush and St John the Baptist Church, Latton, pen and watercolour, 20 x 28 cm each; Johannes Blaeu - 17th century hand-coloured engraving of Stonehenge, 27 x 43 cm; Four engravings of Malmsbury Abbey; Engraving of Maiden Bradley Priory by Storer, in birdseye maple veneer bevelled frame, 19 x 22.5 cm; together with: P.R. Collins - 'Auricula', etching signed and numbered 9/100 in pencil below; 19th century Dutch etching of windmills, indistinctly signed in pencil below; Clive Rose - signed artist's proof etching of a seashell (11)
Lot 755
A collection of 19th-20th century prints, to include: George III and Victorian fashion illustrations - four framed in two pairs and ten loose sheets, hand-coloured engravings, earliest dated 1799; J. Baily after T. Whitcombe - 'Battle off Cape St. Vincent, Feb. 14th 1797, aquatint in colours, published 1816 for J.Jenkins's Naval Achievements, mounted and glazed in hogarth frame, frame dimensions: 49.5 x 42.5 cm; together with Laura Simpson - 'Onions' single edition etching, signed, titled and numbered (1/1) in pencil below, framed
Lot 771
Pair of 18th century engravings, engraved by W. Byrne & J. Schuman. “Morning” and “Evening”. Published July 1794 by Darling & Thompson, London. Framed. 45x56cm, 18th century engraving, “View of Wansted House in Essex, the seat of the Earl of Tylney”. Framed. 16.5x21.5cm, 18th century coloured engraving, “View of the Collegiate Church of Holy Head, a Town and Cape of the Isle of Anglesea”. Published by Alexander Hogg. Framed. 16x18cm, Victorian 19th century Wesleyan Methodist, Twentieth Century Fund certificate. Signed to Hugh H Evans, 17 Station Road, Talysarn. John Hugh Evans, 1833-1886, was a Wesleyan Minister being admitted to the ministry in 1860. In original faux grain painted frame. Overall including frame 32x40cm, Arthur Uecker-Fensloff, d.1934 etching, titled in pencil lower left and signed lower right. Early 20th century. Framed and mounted. Overall including frame 32x36cm, 19th century coloured engraving. “Battle of Inkermann, November 5th 1854, the Guards resisting the attack on the two gun redoubt”, by R Hind and T Sherratt. Framed. Overall including frame 19x26.5cm, Cecil Aldin, 1870-1930. Coloured lithograph from a drawing, a view of The Old Quadrangle at Rugby School, one of the oldest parts of the complex built by Henry Hakewill in the first decades of the 19th century. Titled “Rugby School, The Old Quad”. Published by Richard Wyman & Co, London. Mounted and framed, Overall including frame 56x59cm, Pair of decorative lithographs, military processions, “Die Thuner” and “Der Hulfszug von Uri, Schwyz und Unterwalden”. Mounted and framed. Overall including frames 35.5x59.5cm (10)
Lot 500
Property of the late Countess Haig: Janet Patterson (Scottish, b. 1941), A Walk in the Woods, coloured etching, signed and titled in pencil, dated (19)82 and ed. 4/10, framed. Plate 13.25cm by 20.5cm. Provenance: The Scottish Gallery, Edinburgh, Christmas Exhibition 1982 (label verso). Note: this lot may be subject to ARR.
Lot 506
After William Frederick Mitchell (British, 1845-1914) "HMS Victory", coloured print in an oak frame with copper plaque inscribed "Made with the Original Timber and Copper Sheathing of H.M.S. Victory"; together with Frank Henry Mason (British, 1876-1965), H.M.S. Britannia at Dartmouth, etching, signed in pencil, framed. (2) 19.5cm by 24cm and 11cm by 27.5cm (plate).
Lot 504
Property from the Estate of the Late Frank Pottinger: The Napier University Portfolio; a folio containing eight limited edition prints by 20th century Scottish artists originally sold on behalf of Napier University, Edinburgh to benefit Higher Education, comprising: Barbara Rae C.B.E., R.A., R.S.A. (Scottish, b. 1943), Fast Castle, etching, signed in pencil, ed. 17/60; Peter Howson O.B.E. (Scottish, b. 1958), Angus, lithograph, signed in pencil, dated (20)01, ed. 17/60; John Byrne R.S.A. (Scottish, b. 1950), J'Accuse, lithograph, signed and titled in pencil, ed. 17/60; Stuart Duffin (Scottish, b. 1959), Street of Prophets, etching, signed and dated (20)01 in pencil, ed. 17/60; Frank Pottinger R.S.A. (Scottish, 1932-2022), Untitled, etching, signed and dated (20)01 in pencil, ed. 17/60; Ian McKenzie Smith C.B.E., P.P.R.S.A., P.P.R.S.W., L.L.D. R.G.I. (Scottish, b. 1935), Untitled, screenprint, monogrammed in pencil, ed. 17/60; John Houston O.B.E., R.S.A., R.S.W., R.G.I., S.S.A. (Scottish, 1930 - 2008), Bass Rock, Evening Storm, lithograph, signed and titled in pencil, ed. 17/60; and Fiona Waston (b. 1952), Natural Progression, etching, signed and titled in pencil, ed. 17/60, each sheet 44cm by 56cm, printed on heavy wove paper by Glasgow Print Studio. (8) Note: the portfolio originally contained ten prints - the two missing artists from this example are William Baillie and Elizabeth Blackadder.
Lot 868
rare Marc Chagall etching (n°35/200) from the suite "Fables de Jean de la Fontaine" dd 1952 - signed (in the print) || CHAGALL MARC (1887 - 1985) zeldzame originele ets uit de suite "Fables de Jean de la Fontaine" van 1952 - 30 x 24 - genummerd 35 (op 200) en getiteld : "L'Oeil du Maître" getekend in de plaat
Lot 860
20th Cent. surrealistic Paul Delvaux mixed media (aquarelle) on etching on Japanese paper from the portfolio "Les derniers Beaux Jours" - signed Paul Delvaux || DELVAUX PAUL (1897 - 1996) met de hand ingekleurde (aquarel) ets op Japans papier n° 18/20 uit de suite "Les derniers Beaux Jours" - 37,5 x 29,50 cm getekend
Lot 869
rare Marc Chagall etching (n°35 of 200) from the suite "Fables de Jean de la Fontaine" dd 1952 - signed (in the print) || CHAGALL MARC (1887 - 1985) zeldzame originele ets uit de suite "Fables de Jean de la Fontaine" van 1952 - 30 x 24 - genummerd 35 (op 200) en getiteld "Le Cygne et le Cuisinier" getekend in de plaat
Lot 871
rare Marc Chagall etching (n°35 of 200) from the suite "Fables de Jean de la Fontaine" dd 1952 - signed (in the print) || CHAGALL MARC (1887 - 1985) zeldzame originele ets uit de suite "Fables de Jean de la Fontaine" van 1952 - 30 x 24 - genummerd 35 (op 200) en getiteld "Le Chevan et l'Âne" getekend in de plaat
Lot 812
Keith Haring signed "The Valley" etching on Twincrocker paper - framed with a sheet with scripture from W.S. Burroughs printed in red - dated (19)89 edited by George Mulder Fine Art - New York || HARING KEITH (1958 - 1990) print (ets) n° 73/80 (op Twincrocker papier) met een karakteristiek thema uit de suite "The Valley" en samen ingekaderd met een tekst van W.S. Burroughs (in het rood gedrukt) - 25,3 x 22,8 getekend en gedateerd (19)89 gepubliceerd door George Mulder Fine Art - New York
Lot 870
rare Marc Chagall etching (n°35 of 200) from the suite "Fables de Jean de la Fontaine" dd 1952 - signed (in the print) || CHAGALL MARC (1887 - 1985) zeldzame originele ets uit de suite "Fables de Jean de la Fontaine" van 1952 - 30 x 24 - genummerd 35 (op 200) en getiteld "Le Paon se plaignant à Junon" getekend in de plaat
Lot 861
20th Cent. surrealistic Paul Delvaux mixed media (aquarelle) on etching on Japanese paper from the portfolio "Les derniers Beaux Jours" - signed Paul Delvaux || DELVAUX PAUL (1897 - 1996) met de hand ingekleurde (aquarel) ets op Japans papier n° 18/20 uit de suite "Les derniers Beaux Jours" - 37,5 x 29,50 cm getekend
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71174 item(s)/page