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Lot 9

JOHN CROME (1768-1821, BRITISH) “Front of the New Mills” black and white etching, circa 1834 8 ½ x 11 ½ ins

Lot 10

JOHN CROME (1768-1821, BRITISH) “The Lake Wickerswell – Near Somerleyton” (or Back of New Mills) black and white etching, circa 1834 8 ½ x 6 ½ ins

Lot 11

JOHN CROME (1768-1821, BRITISH) “Near Hingham” black and white etching, circa 1834 6 ¼ x 6 ½ ins

Lot 12

JOHN CROME (1768-1821, BRITISH) “Large Trees on a Mound” black and white etching, circa 1834 6 ½ x 6ins

Lot 14

JOSEPH STANNARD (1797-1830, BRITISH) “Boats on Breydon c 1825” black and white etching 5 ¼ x 8 ¼ ins together with a further etching After J S Cotman (2)

Lot 192

MINNA BOLINGBROKE (1857-1939, BRITISH) Chickens in a Field black and white etching, signed lower left 6 x 8ins Footnote: Minna Bolingbroke was the wife of fellow artist Charles John Watson

Lot 202

CHARLES MAYES WIGG (1889-1969, BRITISH) “Norfolk Wherries on Breydon” black and white etching, signed in pencil lower right and inscribed with title lower left 8 ½ x 10ins together with two further signed etchings by the same artist (3)

Lot 301

*HENRY JAMES STARLING, ARE (1905-1996, BRITISH) “Little Walsingham, Norfolk” black and white etching, signed and dated 1952 lower right, Numbered 4/100 and inscribed with title lower left 8 ½ x 11ins together with HENRY JAMES STARLING, ARE (1905-1996, BRITISH) “Marlingford Mill, Norfolk” black and white etching, signed lower right and inscribed with title lower left 8 ½ x 10 ½ ins (2)

Lot 641

Wallace Hester, Graphite Signed Etching "Wellingborough School", 17 x 25cms, after Charton, pair of rice field prints and Baalbec prints. (5)

Lot 387

A quantity of etching and engravings to include view of Rye

Lot 299

Backhouse (James) A NARRATIVE OF A VISIT TO THE MAURITIUS AND SOUTH AFRICA 8vo (230 x 150 mm) 648 + lvi pages appendix, frontispiece View of Table Bay - an etching from a drawing by Thomas Bowler, 2 folding maps - 1 large folding at the end (465 x 890 mm) with the author`s travels marked in red, 16 etched plates and 28 woodcuts in the text, original blind stamped blue-grey cloth, gilt tilting on the spine, many gatherings are unopened. The volume has been neatly rebacked with the original backstrip laid down, the original yellow endpapers have been preserved and the hinges strengthened. Contents bright, a very good copy. Mendelssohn (Sydney) South African Bibliography, volume 1, page 62, `The book is in the form of a diary and the author seems to have traversed every part of South Africa where there was a mission station or a missionary. In this way he appears to have met every prominent man connected with mission work in South Africa at this time. From June 1838 to December 1840 the author was constantly travelling, visiting almost every inhabited town and district, carefully noting every point of interest in the country and its inhabitants. There is a good description of Kaffraria and of the Basutos, Griquas and Bechuana countries. There is also a narrative of a journey to Great Namaqualand`. Very good London Hamilton, Adams & Co. 1844

Lot 135

Elyse-Lord (British, 1900-1971) An oriental dancer, signed and numbered in pencil 63/85, coloured etching, 29cm x 22cm, together with a landscape etching by John Fullwood (2)

Lot 127

William Huggins (1820-1884), British, a pencil sketch of chicks, signed in pencil WH, 8.5cms x 14cms, framed and another by the same hand "cattle resting", pencil and chalk, signed with initials, 7.5cms x 15cms each inscribed lower left in pencil No: 40, framed (2), and by another hand, 19th century watercolour, "Masted vessels with a castle in the distance", 4cms x 7.5cms framed, and After Edwin Landseer, "Farmyard Animals", three framed as one, etching, signed EL 1837, each 9cms x 13cms (4)

Lot 85

J Waloon-Nichol "When a man`s single, he lives at his ease", etching and heightened with watercolour, etched by V. Lahuiller, 20cms x 26cms, framed.

Lot 88

Fred A Farrell, "Two artists etching, signed proofs, Westminster", 24cms x 37.5cms excluding outer margin, overall including frame 46cms x 61cms and a companion "The Tower Bridge with Shipping", signed in pencil (2) and a book of engravings after Hogarth

Lot 1016

A hand coloured etching signed and marked Somme 1919

Lot 182

Antique French Solid Silver and Gilt Spoons, the nine teaspoons with decorative floral etching to the bowls which still retain their gilding, the stem beaded terminating with floral finial`s with a larger serving spoon of similar design, approx 186 gms.

Lot 346

Miscellaneous Prints, including an etching of a Beggar, a print of the Great Exhibition by Le Blond, pencil and wash image of the `Bride` by Geoffrey Baxter amongst others. (5)

Lot 214

Edmund Blampied (Jersey, 1886-1966) `Carting Seaweed`, drypoint etching on wove paper, c.1913, signed and dated to plate, signed in pencil to margin, 3 3/8 x 7 1/8in. (8.5 x 18.2cm.). * Condition: In good condition. Two faint and very small fox marks above horse. Tiny pinhead sized impression to surface of paper just to right of fork handle above cart. In a modern frame.

Lot 216

Edmund Blampied (Jersey, 1886-1966) Chez Madame Dupont drypoint etching, signed and dated Dec.1931 to top of plate, signed and numbered 52/100 in ink to lower margin 8¼ x 12in. (21 x 30.5cm.)

Lot 187

Franz Xaver Wolf (1896-1989). European street sellers, artist signed number coloured etching 172/300, 28cm x 33cm.

Lot 259

Mary I. Hailwood (1908-1983). The Weight Lifter, etching, 15cm x 21cm, and six others. (7)

Lot 46

Vincent Haddelsey (1934-2010). Silver Band, artist signed etching 5/12, 17cm x 27.5cm

Lot 48

Vincent Haddelsey (1934-2010). Guardsman, artist signed etching, 24/50, 15cm x 20cm

Lot 49

Vincent Haddelsey (1934-2010). Shire Horses and Cart, artist signed etching, 6/12, 18cm x 24cm

Lot 50

Vincent Haddelsey (1934-2010). Horses and Sledge, artist signed etching, 12.5cm x 20cm

Lot 51

Vincent Haddelsey (1934-2010). Polo Match, artist signed etching, 25/50, 14.5cm x 19.5cm

Lot 46

Vincent Haddelsey (1934-2010). Silver Band, artist signed etching 5/12, 17cm x 27.5cm

Lot 48

Vincent Haddelsey (1934-2010). Guardsman, artist signed etching, 24/50, 15cm x 20cm

Lot 49

Vincent Haddelsey (1934-2010). Shire Horses and Cart, artist signed etching, 6/12, 18cm x 24cm

Lot 50

Vincent Haddelsey (1934-2010). Horses and Sledge, artist signed etching, 12.5cm x 20cm

Lot 51

Vincent Haddelsey (1934-2010). Polo Match, artist signed etching, 25/50, 14.5cm x 19.5cm

Lot 259

Mary I. Hailwood (1908-1983). The Weight Lifter, etching, 15cm x 21cm, and six others. (7)

Lot 133

DOUGLAS PORTWAY [1922-93]Untitled [C5], c.1970, etching, 38/50, signed, 50 x 70 cm

Lot 140

DOUGLAS PORTWAY [1922-93]Untitled, c.1970, etching, ed.75 [12/75], signed, 60 x 39 cm

Lot 161

MICHAEL AYRTON [1921-75]Minotaur Alone, 1971, etching, 17/75, signed in pencil, 52 x 73 cm [overall]Signed prints from this Minotaur series are rare

Lot 162

MICHAEL AYRTON [1921-75]Minotaur Consecrated, 1971, etching, 17/75, signed in pencil, 52 x 73 cm [overall]Signed prints from this series are rare

Lot 163

MICHAEL AYRTON [1921-75]Minotaur as Yearling, 1971, etching, 17/75, signed in pencil, 52 x 73 cm [overall]Signed prints from this series are rare

Lot 165

MICHAEL AYRTON [1921-75]Minotaur Full Grown, 1971, etching, 17/75, signed in pencil, 52 x 73 cm [overall]Signed prints from this series are rare

Lot 166

MICHAEL AYRTON [1921-75]Minotaur Pent, 1971, etching, 17/75, signed in pencil, 52 x 73 cm [overall]Signed prints from this series are rare

Lot 167

MICHAEL AYRTON [1921-75]Minotaur Revealed, 1971, etching, 17/75, signed in pencil, 52 x 73 cm [overall]Signed prints from this series are rare

Lot 168

MICHAEL AYRTON [1921-75]Minotaur Risen, 1971, etching, 17/75, signed in pencil, 52 x 73 cm [overall]Signed prints from this series are rare

Lot 169

MICHAEL AYRTON [1921-75]Minotaur Rising, 1971, etching, 17/75, signed in pencil, 52 x 73 cm [overall]Signed prints from this series are rare

Lot 170

MICHAEL AYRTON [1921-75]Minotaur as Calf, 1971, etching, 17/75, signed in pencil, 52 x 73 cm [overall]Signed prints from this series are rare

Lot 177

TERRY FROST, R.A. [1915-2003]Green Green, 1989, etching and aquatint with added hand-colouring, signed, artist?s proof [normal edition of 75], Kemp 107, 56 x 38 cm

Lot 192

HENRY MOORE [1898-1986]2 Interlocking Forms, 1969/70, etching, 37/100, signed, 37 x 49 cm [sheet], 23 x 28 cm [image]

Lot 193

HENRY MOORE [1898-1986]Imaginary Prisons, 1969/70, etching, 37/100, signed, 37 x 49 cm [sheet], 23 x 30 cm [image]

Lot 194

HENRY MOORE [1898-1986]View of a Male Torso, 1969/70, etching, 37/100, signed, 49 x 37 cm [sheet], 34 x 25 cm [image]

Lot 202

RICHARD SMITH, R.A. [b.1931]Butterfly V11, 1972, etching and aquatint, [A/P], 64 x 93 cm [unframed]The Tate Gallery collection includes this print

Lot 223

ALAN REYNOLDS [1926-2014]Black Moth, 1967, etching, 1/10, signed, 29 x 28 cm [image]Rare print, the first we have ever seen

Lot 224

ALAN REYNOLDS [1926-2014]Nocturne, 1967, etching, ed.10 [A/P 2/5], signed, 44 x 35 cm [overall], 18 x 19 cm [image] Rare print

Lot 29

ANTHONY BENJAMIN [1931-2002]Untitled, 1988, etching and aquatint, ed.100 [A/P], signed, 30 x 21 cm [sheet], 20 x 16 cm [image]

Lot 57

ELISABETH FRINK [1930-93]Baboon, 1985, etching and aquatint, 33/40, signed, 23 x 23 cmProvenance: Dominic Guerrini Gallery, 2009 [£1250]; private collection, LondonAnother sold at Bonhams auction, 3.7.2006, lot 8 [£780 hammer price]

Lot 81

JOHN WELLS [1907-2000]Untitled, 1951, etching, 3/50, signed and dated, 22 x 15 cm

Lot 88

MICHAEL AYRTON [1921-75]Small Minotaur, 1970, etching, 7/75, signed, 8 x 20 cm [image]Rare Minotaur etching, it is unlikely that the whole edition was printed, this is the first we have seen in the last 20 years

Lot 89

MICHAEL AYRTON [1921-75]Narcissus [Mirror Monster], etching, ed.75, signed, 14 x 17 cm [image]Rare etching, the first we have seen for many years

Lot 90

MICHAEL AYRTON [1921-75}Perseus Shield, etching, 4/75, studio stamp signature on reverse, 13 x 19 cm [image]Rare etching,

Lot 21

Stanley William Hayter (1901-1988) - Maternite (B.&M.132) engraving with soft-ground etching and screenprint in colours, 1940, signed, titled and inscribed San Fransico, Essai in pencil, an artist`s proof aside from the edition of 50, on japan paper, with full margins, 227 x 189 mm (9 x 7 1/2 in) The present work depicts the artist`s then wife Helen Phillips cradling their newborn son Augy, it is also notably Hayter`s first colour print. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 22

Stanley William Hayter (1901-1988) - Greeting card for 1940-41 (B.&M.135a) engraving with soft-ground etching, 1940, initialled recto, signed and dedicated verso in pencil, numbered 54/100, on wove paper, with full margins, 68 x 98 mm (2 7/8 x 3 7/8 in) The impressed foot in the plate belongs to that of Hayter`s infant son Augy who was born earlier in 1940. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 24

Stanley William Hayter (1901-1988) - Debris (B.&M.142) the rare engraving with soft-ground etching and scorper, 1941, signed, titled and dated and inscribed ET.III, a proof of the final state before the edition of 30, Black and Moorhead state that only 7 impressions are known, on wove paper, with full margins, 95 x 210 mm (3 3/4 x 8 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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