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Francisco Goya (Spanish, 1746-1828)'SI RESUCITARA?'Etching, 1814-1815, plate 80 from the portfolio ‘The Disasters of War’ (Los Desastres de la Guerra), comprising 82 prints. Five editions were published between 1863 and 1937, with a total of over 1000 impressions of each printplate 17 x 22cm
‡Edmund Blampied (1886-1966)Study of a horse thought to be a preparatory sketch for the etching ‘Restless’ 1957Signed and dated Aug 57Pen and ink with charcoal15 x 13cmLots 1 to 30 - The Property of a GentlemanSee lot 181 for a sculpture of a similar horse by the same hand and see lots 234-237 by the same hand++One or two thunderbugs under glass - don’t appear to have affected paper good condition
Heaney (Seamus) A good collection including four poem-posters, viz.* Land. Poem-of-the-Month Club, L. 1971, 14" x 11", signed by Heaney.* Servant Boy. Detroit 1971, Red Hanrahan Press, laid paper, with a woodcut, 12" x 8", apparently distributed free.* An Invocation. Bernard Stone, Turret Bookshop, L. 1992, single folio sheet folded.* A Latch Lifting. Ulsterbus Poetry-in-Motion series, 11" x 19", printed both sides, with a coloured etching by Beate Piombe; with the series leaflet.* Also The Northern Muse [vinyl record, Claddagh Records, 12", cover designed by Barrie Cooke]. Readings by Seamus Heaney and John Montague.Please note that only the first item is signed by Heaney. As a collection, w.a.f. (1)
A pair of royal coat of arm carvings, the oak models depicting lion rampant holding a shield with king's crown above harp, the other of a wyvern with shield and king's crown above rose, 42 cm and 40 cm high together with a copper plate engraving with the royal crest 15 cm x 9.5 cm (3)Wyvern wings glued, cracked and chipped. Lion showing signs of splitting, some rubbing, crown chipped. End of one of the lion's foot is missing, end of both dragon's feet missing. Large chip and split to the dragon's wing. Plate etching is still clear, some chips and scratches (however likely as a result of the construction process).
L.R.Davies (20th Century) watercolour on paper, 'Mousehole, Cornwall', signed 'L.R.DAVIES.' (lower right) and inscribed 'MOUSEHOLE' (lower left), 27 cm x 36.5 cm, framed and glazed. Together with Ron Slade (20th Century) watercolour on paper, 'Coastal Scene with Fishing Boats', signed '-RON SLADE' (lower right), 24 cm x 34 cm, framed and glazed; L. Ayres (20th Century) watercolour on paper, 'River Landscape', signed 'L.AYRES' (lower right), 24.5 cm x 36 cm, framed and glazed; and Henri Alexandre Saffrey (act. 1870-1881) etching, 'Saint-Cloud after the Seige of Paris', 19.5 cm x 24.5 cm, framed and glazed (4)
Andrew Watson Turnbull (1874-1957) three etchings, 'Lough Belshade, Donegal', signed and titled in pencil to margin, blind stamped, 17 cm x 24.5 cm; 'Deeside', signed and titled in pencil to margin, blind stamped, 21 cm x 30.3 cm; 'Canongate Clock, Edinburgh', signed in pencil to margin, 27.5 cm x 17.5 cm, all framed and glazed. Together with Wallace R. Hester (1866-c.1923) etching, 'City of London School', signed and titled in pencil to margin, artists proof no. 119, 25.7 cm x 17.4 cm, framed and glazed (4)
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71174 item(s)/page