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Lot 230

Maggi Hambling. British b. 1945. Etching titled 'Colour for Kosovo'. Signed lower right by Hambling and marked 'A.P' (artists proof) in pencil. This image was reproduced in 'Colour for Kosovo' a colouring in book published 1999. Hambling was among a number of artists who submitted work to the publication; Damien Hirst, Patrick Caulfield, and Richard Wentworth were also featured in the book. This print was never edition and probably only and few were printed. Framed and glazed. H.42 x W.32 cm.

Lot 140

Hughie O'Donoghue RA (b.1953)The Round Lake IIEtching and aquatint, 29 x 42.5cm Edition 12/35Signed, inscribed and dated (19)'91/'93

Lot 104

G 14, Farbradierung auf Papier, 38,5 cm x 52 cm Plattenmaß, 5/75 nummeriert, signiert, Blattrand minimal abgegriffen, Literatur: Wvz. Schmücking 43Hans Hartung (1904 Leipzig - 1989 Antibes) (F)G 14, color etching on paper, 38,5 cm x 52 cm plate size, 5/75 numbered, signed, sheet margin minimally worn, literature: Wvz. Schmücking 43

Lot 106

'Gartenmauer', Radierung auf Papier, 22 cm x 17,5 cm Plattenmaß, 30,5 cm x 24,5 cm Passepartoutinnenmaß, aus einer Auflage von 31 Exemplaren, signiert, 63 datiert, betitelt, partiell leicht stockfleckig, Literatur: Wvz. Ebner/Gabelmann 1049 RErich Heckel (1883 Döbeln - 1970 Radolfzell) (F)'Garden wall', etching on paper, 22 cm x 17,5 cm plate size, 30,5 cm x 24,5 cm mount inside, signed, 63 dated, titled, from an edition of 31 copies, partly a little bit stained, literature: Wvz. Ebner/Gabelmann 1049 R. Erich Heckel is regarded as one of the main representatives of German Expressionism. During his studies of architecture the artist began to paint autodidactically under the influence of Munch, van Gogh and the Fauves. With his fellow students Karl Schmidt-Rottluff and Ernst Ludwig Kirchner, Heckel founded the artists' group ''Die Brücke'' in 1905. Strong forms and equally strong colours formed his works at this time. However, they became increasingly milder. His graphic work includes woodcuts as well as etchings, such as that of the ''Garden Wall''. The structure of the individual wall stones can be seen on the printed plate, so the viewer is brought very close. The left margin of the sheet shows an open flower, the plants sprouting from the ground in the garden, and two small figures placed on the wall like toy figurines. In terms of scale, it seems to be inspired by the idea of Romanticism: the small human being juxtaposed with the great splendour of nature. Based on the date (1963), the print can be classified as one of the artist's late works and could well have been observed in the garden at home. Almost as if through the eyes of a child, who himself is hardly taller than a garden wall and lets the figures on the wall play in just cheerful, childlike fantasy.

Lot 139

Gepackt, Radierung auf festem Karton, 36,5 cm x 56 cm Plattenmaß, im Druck signiert und 86 datiert, verso 1129 bezeichnet, an den Ecken leicht knickfaltig, Stecknadellöcher, leicht gebräuntWahed Khakdan (1950 Tehran)Packed, etching on strong cardboard, 36,5 cm x 56 cm plate size, signed and dated 86 in print, inscribed 1129 on verso, slightly creased at corners, pinholes, slightly browned

Lot 157

'Das Grab des Orpheus', Farbradierung auf Bütten, 35 cm 52, Plattenmaß monogrammiert, 17/25 nummeriert,Provenienz:im Druckbereich minimal gewellt, Provenienz: ARTES Kunsthandlung, Rheda-Wiedenbrück (verso Galerieetikett)Markus Lüpertz (1941 Liberec/Bohemia) (F)'Das Grab des Orpheus', colour etching on handmade paper, 35 cm x 52 cm plate size, monogrammed, numbered 17/25, minimally wavy in print area, Provenance: ARTES Kunsthandlung, Rheda-Wiedenbrück (gallery label on verso)

Lot 176

Schwarzer Kreis, Farbradierung auf Papier, 49,5 cm x 65 cm Blattmaß, 7/100 nummeriert, signiert, L'OEuve Gravée (Trockenstempel), partiell stockfleckig, verso KlebestreifenZoran Antonio Music (1909 Gorizia - 2005 Venice) (F)Black circle, color etching on paper, 49,5 cm x 65 cm sheet size, 7/100 numbered, signed, L'OEuve Gravée (dry stamp), partly foxing, tape on verso

Lot 229

Selbstbildnis, Radierung auf Velin, 43,5 cm x 31 cm Blattmaß, signiert, leicht lichtrandig, partiell Kleberrückstände, montiertRenée Sintenis (1888 Glatz/Silesia - 1965 Berlin) (F)Self-portrait, etching on wove paper (papier vélin), 43,5 cm x 31 cm, signed, light margins, glue residues in places, mounted

Lot 23

Hirsch und Hut, Radierung auf Papier, 9,9 cm x 10,9 cm Plattenmaß, 38 cm x 28 cm Blattmaß, XII/XXXV nummeriert, signiert, gewidmet, partiell minimal fleckig, an den oberen Ecken montiertJoseph Beuys (1921 Kleve - 1986 Düsseldorf) (F)Stag and hat, etching on paper, 9,9 cm x 10,9 cm plate size, 38 cm x 28 cm sheet size, XII/XXXV numbered, signed, dedicated, partly minimally stained, mounted at upper corners

Lot 230

Kleiner Bär, Radierung auf Papier, 22 cm x 17 cm Plattenmaß, 25,5 cm x 19,5 cm Passepartoutinnenmaß, signiert, montiert, leicht nachgedunkelt und stockfleckigRenée Sintenis (1888 Glatz/Silesia - 1965 Berlin) (F)Small bear, etching on paper, 22 cm x 17 cm plate size, 25,5 cm x 19,5 cm mount inside, signed, mounted, slightly darkened and foxed

Lot 235

'Tanz', Radierung auf Bütten, 35 cm x 43,5 cm Blattmaß, im Druck signiert, 1910 datiert, verso Nachlassstempel Heinrich Steinhagen, partiell stockfleckig, Kanten leicht aufgeworfenHeinrich Steinhagen (1880 Wismar - 1948 Rahlstedt, Hamburg)'Dance', etching on handmade paper, 35 cm x 43,5 cm sheet dimension, signed in print, dated 1910, on verso estate stamp Heinrich Steinhagen, partly foxing, edges slightly raised

Lot 56

'Elijah', aus der Serie: 'our historical Heritage', Farbradierung auf chamoisfarbenem Japanpapier, 40 cm x 56 cm Plattenmaß, 57 cm x 77,5 cm Blattmaß, 111/250 nummeriert, signiert, Knicke und Bereibungen im Randbereich, verso Reste von Montierung, Literatur: Wvz. Michler/Löpsinger 758Salvador Dalí (1904 Figueres/Spain - 1989 ibid.) (F)'Elijah', from the series: 'our historical Heritage', color etching on buff Japanese paper, 40 cm x 56 cm plate size, 57 cm x 77,5 cm sheet size, 111/250 numbered, signed, creases and rubbing in margins, verso remains of mounting, literature: Wvz. Michler/Löpsinger 758

Lot 57

Santa Lucia - Le Triomphe de la Lumière, Farbradierung auf Papier, 75,5 cm x 54 cm Plattenmaß, 106 cm x 81 cm Rahmenmaß, E.A. nummeriert, signiertSalvador Dalí (1904 Figueres/Spain - 1989 ibid.) (F)Santa Lucia - Le Triomphe de la Lumière, color etching on paper, 75,5 cm x 54 cm plate size, 106 cm x 81 cm frame size, E.A. numbered, signed

Lot 59

Hortensien in Glasvasen, Radierung auf Papier, 49 cm x 69,5 cm Sichtmaß, 42/100 nummeriert, signiert, 1979 datiert, unbekannter TrockenstempelPeter Dreher (1932 Mannheim - 2020 Freiburg im Breisgau) (F)Hydrangeas in glass vases, etching on paper, 49 cm x 69,5 cm visible size, 42/100 numbered, signed, dated 1979, unknown dry stamp

Lot 94

Der Gefäßchirurg, Radierung auf Bütten, 37,5 cm x 30 cm Blattmaß, signiert, 88 datiert, im Druck monogrammiert, 88 datiert und 222 nummeriert, Blatt partiell minimal berieben und verschmutzt, leichte KnickspurenJohannes Grützke (1937 Berlin - 2017 ibid.) (F)The Vascular Surgeon, etching on handmade paper, 37,5 cm x 30 cm sheet size, signed, dated 88, monogrammed in print, dated 88 and numbered 222, sheet partly minimally rubbed and soiled, slight signs of creasing

Lot 266

ETCHING - THE NIGHT BEFORE LARRY WAS STRETCHED

Lot 390

† ELYSE ASHE LORD (1885-1971); signed limited drypoint etching with woodblock colour, 'The Immortals No 2', signed lower right and numbered 66/75, details on labels verso, 44.5 x 57cm, framed and glazed.

Lot 392

† G. KING; signed limited edition etching, 'Venice II', 7/100, signed lower right, 17 x 32cm, framed and glazed.

Lot 75

† GEOFFREY SALMON; a limited edition black and white etching, 'St. Pancras Station', signed and dated Nov '95, 1/10, 20 x 30cm, framed and glazed.

Lot 183

Anthony Imre Alexander Gross CBE RA(1905-1984)"Large Forest",signed and inscribed in pencil,limited edition etching, 1/50,34.5 x 49.5cms, unframed.

Lot 174

Gabriel White(1902-1988)"A Garden at Lacour de Visa", pencil signed and inscribed, and dated '81, limited edition etching, 2/20, 26 x 35cms (plate size), unframed.

Lot 175

Dame Elisabeth Jean Frink CH DBE RA(1930-1993)"Herakles & the Bull",signed, titled, and numbered to the margin,limited edition etching, 19/20,54 x 37cms (plate), framed.Provenance: Bohun Gallery.

Lot 177

Anthony Gross CBE RA(1905-1984)"Charivari: Untitled",etching, unpublished plate, no edition known, 37.5 x 47.4cms (plate size), unframed.

Lot 153

Published by W Syckelmoore (d. circa early 19th Century) Maidstone, Eng by Newman & Co 48, Watling St. London, Untitled: View of a Straw Hut, etching, 5cm x 8cm together with an oval miniature Portrait of a Gentleman Sat next to a Lamb, a crook in his right hand, watercolour, 5cm x 4cm (2)Provenance: The Property of a Gentleman, from a Period Winchcombe Town House Etching with some foxing. Unidentifiable foreign objects under the glass. The frame with signs of wear consistent with age and use. The frame with evidence of glue. The frame with some marks and minor water damage. Watercolour is in generally good condition. The frame with signs of wear consistent with age and use.

Lot 521

PENCIL SIGNED ETCHING, W H SWEET, EXETER STREET TOGETHER WITH VARIOUS ANTIQUE ENGRAVINGS AND ORIGINAL PHOTOGRAPHS OF VIEWS OF OLD EXETER, TWO OLD COLOUR PRINTS OF THE GREAT FIRE AT THE NEW THEATRE IN 1887, ALL UNFRAMED, IN FOLDER, AVERAGE SIZE 14” X 11”

Lot 510

ROBERT CRESWELL BOAK ARCA; COLOURED ETCHING OF WHITEPARK BAY ON THE ANTRIM COAST, SIGNED AND INSCRIBED IN THE MARGIN IN PENCIL 14” X 20”

Lot 513

CLAUDE H ROWBOTHAM; A COLOURED PROOF ETCHING OF WESTMINSTER, SIGNED AND INSCRIBED IN PENCIL WITH LABEL TO REVERSE 15” X 20”

Lot 1

Jean Tinguely (1925-1991), 'Chaos no.1', limited edition, no. 281/300, monochrome etching, signed in pencil by the artist, circa 1972. 35 x 48cm approx. Later glazed frame with provenance to Sir John Cadogan CBE FRS verso.(B.P. 21% + VAT)

Lot 43

After Mondrian (20th Century), geometric study, print. 42 x 54cm approx. Together with Houdert, geometric study, limited edition monochrome etching no. 12/30, signed in pencil by the artist. 20.5 x 15cm approx. Framed. (2)(B.P. 21% + VAT)

Lot 338

A NINETEENTH OR TWENTIETH CENTURY BRITISH OFFICERS SWORD, the blade that is etched with decorations half way down has no visible proof marks or makers marks, some of the etching is rubbed in places and the blade is marked, the wire bound fish skin handle has suffered some damage, this sword comes complete with its scabbard, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request

Lot 373

Collection of Bob Hope Signed British Golf Classic items and related signed print (4) - to incl 3x Official Golf Caps each signed by Bob Hope and 1982 Bob Hope Classic Special Ltd ed no.95/200 etching created and signed by the artist Jeanne Down titled "Fore" - mf&g 12" x 11.75" Note: From The Estate of The Late Tommy Horton MBE, Former Ryder Cup Player and PGA Captain

Lot 627

Oliver McConnie, British, 20th centuryEcco Homo,monochrome etching, artist proof, signed and dated 2013,26x19cm,Vision of a fool,monochrome etching, artist proof, signed and dated 2016,Luna-cy,coloured etching, artist proof, signed and dated 2017,15x11cm,and two other coloured etchings.Qty: 5

Lot 317

Muriel Spark,The Portobello Road and other stories, Aurographica, signed and dated 10.2.90,Not to disturb, Observer Books 1971, with etching by Michael Ayton, signed by the author and illustrator, number 35,The French window and the small table, Colophon Press 1993, bound in full Indian goatskin, signed but not lettered, in slip case.Qty: 3

Lot 511

ANDRÉ ELLIS. 'Tiddly Tom Tope'. Coloured etching. Signed, titled & No. 95/100. Image size 40cm, diameter.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk.

Lot 204

GRAHAM CLARKE (b. 1941) “Johnny Garlic Sausage”, coloured etching, signed, inscribed & numbered 65/400 in pencil, 33cm x 53cm (image), framed & glazed (58.5cm x 78.5cm overall).

Lot 214

PHILIP YOUNGMAN CARTER (1904-1969) “Regent Street 1925”, etching, signed & dated ’25 in the plate, Signed & inscribed in pencil lower margin, 22.5cm x 12cm (image), framed & glazed (39cm x 28cm overall).

Lot 112

Thomas Rowlandson (1756-1827)'Exhibition 'Stare' Case, Somerset House'hand-coloured etching sheet 50 x 32cmProvenance: With Richard Green and Frank T Sabin;Mr Evan & Mrs Patricia Steadman - Mr Steadman was the former organiser of The Grosvenor House Antiques Fair.Condition ReportFramed: 71.5 x 50cmSheet:50 x 32.5cmRippling and light creasing. Small tears to the top and bottom of the sheet. There is a 3cm repaired tear to the top margin which slightly overlaps the printed area. Time staining and discolouration to the paper with small brown spots and speckles, please see images. A couple of spots of foxing in the top right corner. There is a plate mark to the right edge of the sheet but not the other edges which suggests the sheet has been cut down. The work has been attached to the board behind with small pieces of tape which are affixed to the reverse.

Lot 110

James Gillray (1756-1815), after Captain John Morse'Morning Promenade upon the Cliff, Brighton' hand-coloured etching, published by H Humphrey, St James's Street, 180636 x 55cm,together with a caricature by William Heath (1794-1830), after James Gillray 'The Grand-Signor Retiring' hand-coloured etching, signed with initials in the plate l.r. image 22 x 32cm (2)Condition ReportFramed: 55 x 74cm and 29 x 39cm'Morning Promenade', sheet: 37 x 57cm. Plate: 36 x 55.5. Time staining with light cockling. The margins are discoloured and dirty. The is a 3cm repaired tear to the top right edge which goes into the printed area. The print is on a medium weight wove paper.'The Grand-Signor Retiring', plate: 25 x 35cm. Light time staining with some small spots and speckles to the margins. Some faint brown staining abobe the Signor's head and to the bottom left corner, please see images. Not viewed out of galzed frame.

Lot 133

Leila Pedersen. Etching titled 'Gloria'. Signed numbered edition of 20. Framed and glazed. H.72 x W.72 cm.

Lot 131

Leila Pedersen. Etching titled 'Crazy Wife'. Signed in pencil and marked 'VP' in place of the edition number. Framed and glazed. H.79 x W.60 cm.

Lot 194

Etching titled 'Katedra' and dated 1981. Signed indistinctly by the artist. Framed and glazed. H.70 x W.50 cm.

Lot 272

Penny Siopis (South African b. 1953). Two hand coloured etching titled 'Get well soon' and dated 2004. Numbered edition of 20 copies only. This pair is numbered 11/20. Framed and glazed. Each measure H.48 x W.44 cm.

Lot 192

Jane Joseph (British b. 1942). Etching titled 'Island and Posts, Low Tide'. Framed and glazed. Edition of 25 copies. H.42 X W.43 cm.

Lot 128

Leila Pedersen. Etching titled 'The Stone of the Outcast and some Bez Dancing'. Signed and numbered edition of 6. Framed and glazed. H.66 x W.45 cm.

Lot 256

G. C. Goldman (British). Etching signed. Unnumbered but marked 'A.P' (artists proof). Framed and glazed. H.61 x W.42 cm.

Lot 309

[L'EVEQUE, Henry].- Campaigns of the British Army in Portugal, under the command of General The Marquis of Wellington, K. B. Commander in Chief, &c &c. Dedicated by permission to His Lordship.- London: printed by R. Juigné, and published (for the proprietor) by Messrs. Colnaghi and Co., 1813.- [6], 18, [2, 1] p.: 1 retrato, 18, 1 gravuras; 57 cm.- E, Henry L'Évêque (1769-1832), born in Geneva, a painter, miniaturist, watercolourist and above all an engraver, was part of a group of artists who, following the French Revolution, wandered around Europe accompanying armies in campaign, recording for the posterity the most famous battles of the Napoleonic wars. Complete copy of the second edition, of the variant with the word “Marquis” on the title page (instead of “Earl”), consisting of a title page, a dedication and a list of subscribers; 18 pages follow. with the introduction and descriptions of 17 prints, plus a sheet (2 p.) with the description of the first print (embarkation of the royal family to Brazil). The following are the illustrations: engraving and etching portrait of Wellington, standing, dated 1815 and 18 engravings, in accordance with the descriptions, starting with the embarkation mentioned above. At the end, a double engraving (Plan of the battle of Albuera) and a description of the latter engraving, with the title “Reference” and a large allegorical vignette. These two smaller double sheets are not described in the bibliographies and catalogues consulted. Copy slightly dusty and with slight browning; the engravings retain good margins. Symbolic ex-libris of Abel d'Andrade. Simple contemporary half-binding(?), with leather spine and corners, slightly worn. Duarte de Sousa, 139.

Lot 205

Raoul DUFY (1877 - 1953). Schlafendes Mädchen mit Schmetterlingen am Strand.24 cm x 33 cm im Ausschnitt. Druck. Radierung / Lithographie. Rechts unten im Stein signiert. Versand kann organisiert werden.Raoul DUFY (1877 - 1953). Sleeping girl with butterflies on the beach. Print. Etching / lithograph. Signed lower right in the stone. Shipping can be organised.

Lot 129

OSSIP ZADKINE - ORIGINAL ETCHING 18/30 SIGNED - 30 X 18 CMS TO MOUNT

Lot 261

AN ETCHING OF LEEDS STATION, signed indistinctly bottom right, mounted in a frame and glazed 10cm x 7.5cm

Lot 263

JACQUES CALLOT (1592-1635) 'LA FACTORIA' Lieure 433, first state of two, etching on paper. Label to verso for Christopher Mendez, 51 Lexington Street London. Mounted in a frame and glazed.7.5cm x 5cm

Lot 310

Leon Danchin, signed etching of two red setters, circa 1930's

Lot 467

TWO BOXES OF METALWARE, BOOKS AND SUNDRIES, to include a cast 'The Queen' set of balance scales with brass pan and weights, a French Pe Ge coffee grinder, a circular silverplate serving tray, a 1932 second volume of Modern Masters of Etching by James McNeil Whistler, Caxton volume I and II of The Family Physician, etc. (s.d) (2 boxes)

Lot 710

William Lionel Wyllie (1851-1931) drypoint etching, 'The Tower of London', pencil signed, 39 x 27cm

Lot 748

Eileen Cooper R.A. (British, born 1953), etching and chine collé , 'Sunset', signed in pencil and dated '94, 10/50, sheet 27.5 x 28cm, unframed. From the Royal College of Art 1994 Printmaking Portfolio.

Lot 753

Helen Chadwick (British, 1953-1996), etching on embossed paper, 'Like A Virgin, 1995', signed in pencil verso and numbered 10/50, dated 1995, 28 x 28cm, unframed. From the 1994 RCA printmakers portfolio.

Lot 82

Francis Luis Mora (American, 1874 - 1940) "Wrestlers" Etching. Pencil signed and titled lower margin. Provenance: From the estate of the artist. Sight Size: 12 x 10 in. Overall Framed Size: 17.5 x 14.5 in. Framed behind glass.

Lot 105

After Rembrandt van Rijn (Dutch, 1606-1669) The Card Player, later state from the plate created 1641 Purchased via Park West Galleries From accompanying documentation: 'B. Holl. 136; H. 190; BB 41-M; Etching on Ingres d'Arches off-white laid paper (watermark) with wide margins. From the Millennium Edition limited to 2500 examples. Plate Size: 3.5 x 3.25 in. Overall Framed Size: 22 x 22 x 1.5 in. Framed behind glass.

Lot 111

Rembrandt Etching "Landscape with a Cow Drinking" Millennium Edition Park West label verso. Impression Size: 4 x 5 in. Overall Framed Size: 26 x 26 in. Framed behind plexiglass.

Lot 110

Rembrandt Etching "The Card Player" Millennium Edition. Park West label verso. Impression Size: 3.5 x 3.25 in. Overall Framed Size: 25 x 25 in. Framed behind plexiglass.

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