Albany E Howarth ARE, British 1872-1936- Venice; etching with drypoint, signed in pencil, 18.5x21cm: Princess Augusta Sophia, British 1768-1840- Head of a woman; etching in sepia, signed with monogram, inscribed, and dated 1785 within the plate, 21x18cm: Percy Thomas, British 1846-1922- Two Women seated by a window; etching with drypoint, signed within the plate, 7x11cm: After Alfred Dawson, British act 1858-1922- "Charles Kinglsey`s House & Church, Eversley Hants"; photogravure, signed in pencil, 11.5x17cm: Joseph Knight, British 1837-1909- Figure on a country lane at dusk; etching, signed and dated 1884 in pencil, 16x12cm: L Russell Conway, British b.1882- "Arlington Row at Bibury, Gloucester", 1934; etching, 12.8x15.5cm: together with three other etchings by the same hand, "The Church and Almshouses at Chipping Campden, Gloucester", "Arlington Row, Bibury, Gloucester" and a view of an old Tudor house, the latter signed and dated 1912 in pencil, 15.5x13cm, 6x8cm and 19x15cm: Axel Hermann Haig RE, Swedish 1835-1921- Figures in the doorway of a cloister; etching, signed with monogram and dated 1916 within the plate, signed in pencil, 38.5x25cm: Thomas James Harriss, British 1901-1930- "Interlude"; etching, signed, inscribed and dated 1928 in pencil, 24.5x16cm: Thomas James Harriss, British 1901-1930- "Haslemere, Surrey"; etching, signed, titled and dated 1927 in pencil, 25x16cm: Frances Sylvester Walker RHA RE, Irish 1848-1916- Tranquil river landscape; etching with drypoint, signed in pencil, 23x17cm., (12) (may be subject to Droit de Suite) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
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John Brunsdon ARCA ARE, British, b.1933- "Houses of Parliament"; etching with aquatint printed in colours, signed, titled and inscribed `Artist Proof 4/15` in pencil, 38x42.5cm: together with three further etchings with aquatints printed in colours by the same hand entitled "Tower Bridge", "Tower of London" and "Hampton Court from the River", each signed, titled and inscribed in pencil, ea. approx. 38.42cm, (4), (unframed), (may be subject to Droit de Suite)
Julian Otto Trevelyan RA, British 1910-1988- "Villa Joyosa" (Turner 277); etching with aquatint printed in colours, signed, titled and numbered 35/50 in pencil, 35.4x47.5cm: Note: a number of proofs were taken in 1973 and signed `Artist Proof`, the plate was editioned in 1982 as part of the portfolio 35 Artists Printmaking, edition 50, 5 APs and 1 HC, on Whatman mouldmade, published Royal College of Art, London: Carl Toms, British 1927-1999- Covent Garden Opera House; lithograph printed in colours, signed and numbered 97/100 in pencil, 76x56cm, (2), (unframed), (rolled) (maybe subject to Droit de Suite)
Walter James Steggles, British 1908-1997- "Norton Hill Colliery" c.1927-8; etching, signed in pencil beneath the plate, 14x20cm., (unframed), (may be subject to Droit de Suite) Note: These works were exhibited at the Whitechapel Art Gallery no.103 A certificate of authenticity accompanies this lot, signed by the niece of the artist
Jacob Krämer (1892-1962): Bust Portrait, charcoal signed and dated '18 inscribed 'To Harold from Jacob' 30cm x 27cm; Bust Portrait, black ink inscribed 'To Harold from Jacob' 25cm x 20cm; 'The Blind Beggar', second impression artist's etching titled signed and dated 1918 in pencil also inscribed 'To J H Wood' 19cm x 22cm (all unframed) Provenance: Gift from the artist to John Harold Wood artist, author (Jamaican Palette 1955) and Landscape Gardener (Gold medal winner RHS Chelsea Flower Show 1913) DDS - Artist's resale rights may apply to this lot
An early 19th century hunting hanger, straight SE blade 19”, with traces of etching, brass hilt with scalloped irregular shell guard, crossguard and hoof quillon, knucklebow and hoof terminal into plain pommel and backstrap, bone grips secured by 3 oval studs. GC (hilt a little loose and bent). Plate 9
A silver hilted smallsword, c 1775, hollow triangular section blade 32½”, with traces of etching, pierced oval guard with studded panels around the edge and scrolled inner panel, the crossguard, token pas d’ane rings, hollow centre section, knucklebow and hollow ball pommel studded and engraved overall, simulated cord and crimped band grip, maker’s mark WK and lion to underside of guard and traces of marks to pas d’ane rings (William Kersill, London 1749-77). GC for age (blade cleaned over pitting, minor repairs to guard and damage to pommel) Plate 9
Stanley William Hayter Nautilus color etching Stanley William Hayter (British, 1901-1988) "Nautilus," 1969, color etching, 21.25" x 17.25", pencil signed, dated, titled and numbered, edition of 50, unframed taped to mat along upper and lower edges of verso; light creasing to paper; otherwise in good condition Starting Price: $250
James Coignard Composition color etching carborundum James Coignard (French, 1925-2008) "Composition," c. 1980, color etching with carborundum, 25.5" x 19", pencil signed lower right, numbered lower left, edition of 75, framed not examined out of frame; appears to be in good condition Starting Price: $100
E.T. Hurley etching Mt. Adams Through the Trees view from Kentucky E.T. Hurley etching, "Mt. Adams Through the Trees, (view from Kentucky)," 1936, 12" x 9", signed, framed, elaborate detail capturing Hurley`s ability as a world renowned etcher, great color and condition not examined out of frame; appears to be in good condition Starting Price: $250
JOAN MIRO (Spanish 1893-1983) Village d`Oiseaux, 1969 Aquatint etching on Arches paper Plate: 36.5 x 25 inches/ 92 x 63.5 centimetersSheet: 41.5 x 29.5 inches/ 105.5 x 75 centimeters Signed in pencil lower right "Miro" Numbered lower left "E. A." Publisher/Printer: Maeght, Paris Included: Original sales reciept from "Graphics 1 & Graphics 2, June 1985" Frame: 48 x 36.5 inches/ 122 x 92.7 centimeters PROVENANCE: Private Collection, San Francisco, California Starting Price: $3000
JOAN MIRO (Spanish 1893-1983) Grand Duc II, 1965 Colored etching on paper Plate: 27 x 20.9 inches/ 68.6 x 53 centimetersSheet: 35.25 x 25 inches/ 89.5 x 63.5 centimeters Signed in pencil lower right "Miro" Numbered lower left "63/75" Catalog Raisonne: 395, Dupin Frame: 37.25 x 27 inches/ 94.6 x 68.6 centimeters PROVENANCE: Private Collection, San Anselmo, California Starting Price: $1500
ROBERT MOTHERWELL (American 1915-1991) Untitled (State I), 1977 Etching & aquatint on paper Sheet: 12.9 x 12.6 inches/ 32.7 x 32.1centimetersPlate: 7.75 x 9.75 inches/ 19.7 x 24.8 centimeters Signed in pencil lower left "Robert Motherwell" Numbered lower right "I, 15/30" Embossed lower right "Robert Motherwell" Verso: Gumps label & Shirley Cerf Gallery label, San Francisco Frame: 18.10 x 17.1 inches/ 46.3 x 43.5 centimeters PROVENANCE: Private Collection, Kentfield, California Starting Price: $1500
WAYNE THIEBAUD (American b.1920) Slice of Pie, 1962 Etching on paper Plate: 5.75 x 4.25 inches/ 14.5 x 10.8 centimeters Signed in pencil lower right "Thiebaud" Numbered lower left "XII/XXV" Publisher: Parasol Press, New York Frame: 12.5 x 10.6 inches/ 31.7 x 27 centimeters PROVENANCE: Private Collection, Kentfield, California Starting Price: $1500
JIM DINE (American b.1935) The New French Tools 4 -Roussillon, 1984 Etching on BFK Rives paper Sheet: 42.25 x 29.5 inches/ 107.3 x 74.9 centimeters Plate: 23.5 x 19.5 inches/ 59.7 x 49.5 centimeters Numbered, signed & dated in pencil lower left "48/50, Dine, 1984" Verso: Gumps Gallery, San Francisco label Frame: 46.25 x 34.25 inches/ 117.4 x 87 centimeters PROVENANCE: Private Collection, San Francisco, California Starting Price: $400
Herbert Dicksee - a framed etching, signed of a lion drinking by a river bank, published by Mawson Swan & Morgan, 1st August 1895, later mounted in a glazed frame, 15" x 19 3/4", along with a similar unframed Herbert Dicksee etching of a lion walking in a bleak landscape, signed to margin and published in 1890 by Clifford & Co, 14 1/4" x 20"
Beardsley, Aubrey, Illustrator (1872-1898) Sir Thomas Malory`s Le Morte D`Arthur. London: Dent, 1893-1894. Three volumes, limited edition, preceding the trade edition, number 227 of 300 copies printed on Dutch handmade paper, initials and pages with borders printed in red and black, illustrated with twenty-four full page prints by Beardsley on French etching paper, with the prospectus inserted; bound in full publisher`s cloth, stamped in gold, corners bumped, some toning to interior pages, deckle edges throughout, ex libris John Platt, with his Clifton Lodge book plate, dated Christmas 1892, in each volume, 10 1/4 x 7 3/4 in. (3).
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