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Lot 6595

Leonard Howells (British 19th/20th century): 'The Belfry Bruges' and 'Bruges', pair etching signed and titled together with Frederick Marriott (British 1860-1941): 'The Chateau at Dieppe', coloured etching signed and titled pub. 1918, max 21cm x 28cm (3)

Lot 6592

Sir Francis Seymour Haden (British 1818-1910): 'Egham Lock', etching signed in pencil, titled on the mount 15cm x 23cm

Lot 6596

Ernest Stephen Lumsden (British 1883-1948): 'The Palace at Jodhpur', etching signed in the plate, titled in pencil 26cm x 20cm

Lot 6610

After James Gillray (British 1756-1815): 'Buonaparte Hearing of Nelson's Victory Swears by his Sword to Extirpate the English from off the Earth.', etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 38cm x 27cm

Lot 6605

After James Gillray (British 1756-1815): 'A Cognocenti Contemplating Ye Beauties of Ye Antique', etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 26cm x 35cm

Lot 6607

After James Gillray (British 1756-1815): 'John Bull taking a Luncheon: -or- British Cooks Sramming Old Grumble-Gizzard with Bonne-Chére', etching and aquatint with hand-colouring, Henry G Bohn edition pub. c.1847-1851, 26cm x 35cm

Lot 202

Benedicto Cabrera (Filipino b.1942) Sabel Etching Signed in pencil, inscribed, titled and dedicated 24.5 x 24.5cm (9½ x 9½ in.) Unframed Provenance: Acquired directly from the artist Thence by descent to the present owner

Lot 207

λ Berenice Sydney (British 1944-1983) Untitled (Orange & Green) Etching and aquatint printed in colours, 1972 Signed in pencil, dated 7'72 and inscribed AP Plate 50 x 40cm (19½ x 15½ in.) Together with two smaller etchings by Berenice Sydney and two works on paper by another hand, various sizes, the largest 76 x 46cm (5) Condition Report: Berenice Sydney (orange & green) - Unexamined out of glazed frame. Undulation to the sheet with some handling creases. Berenice Sydney, both etchings - Unexamined out of glazed frame. Undulation to the sheet with some handling creases. Other two works - Unexamined out of glazed frame. Appear to be in good original condition. Condition Report Disclaimer

Lot 224

λ Pablo Picasso (Spanish 1881-1973) Vieux Modele (Bloch 1404) Etching and aquatint, 1966 Stamped with signature and numbered 14/50 Plate: 22 x 32cm (8½ x 12½ in.) Provenance: Connaught Brown, London

Lot 53

Coloured etching in diorama frame of Seaton Hole, 3/125, by Roger St. Barbe, local artist

Lot 23

Vinyl - Led Zeppelin 2 LP's to include One (K 40051) green and orange Atlantic label, small sticker to top right rear of sleeve, and Three (2401002) red and purple Atlantic label, catalogue number, Jimmy Page & Peter Grant credits to top of label. Etching in dead wax. Sleeves & Vinyl Vg+

Lot 167

Mid-20th century etching, surrealist composition, unsigned, plate 17cm x 15cm, framed

Lot 182

Hubert Von Herkomer, portrait of a lady, etching, signed in pencil, image 21" x 16.5", published 1888, framed

Lot 189

Mary Fedden, hand coloured etching, still life, signed in pencil, no. 8/100, plate 17cm x 12.5cm, framed

Lot 1013

Mathilde de Cordoba (1875-1942) AmericanPortrait of a young girl wearing a pale blue dress and seated on a sofaSigned in pencil, coloured etching, together with a further coloured etching of a young child, a further signed coloured etching of young child standing in a landscape and two further monochromatic renditions depicting a crawling baby and a head and shoulders portrait of a young girl in profile, 38.5cm by 26.5cm, 42.5cm by 30cm, 14cm by 18.5cm & 14.5cm by 19cm respectively (4)

Lot 1024

Samuel Cousins after Sir Edwin Landseer (1802-1873)Return from HawkingBlack and white engraving, together with an etching after Heywood Hardy (1842-1933) "A Real Good Story", signed in pencil, 64cm by 90cm and 82cm by 59cm respectively (2)

Lot 181

TOM MAXWELLIONAEtching with drypoint, signed in pencil, 17cm x 25cm, framed and under glass, along with a group of other etchings and various pictures

Lot 65

C. LENNOX,ARCHITECTURAL STUDY,watercolour on paper, signed, mounted, framed and under glass, along with two loose coloured etchings signed in pencil by E.H Barlow, and a coloured etching signed M. C Whishaw (4)

Lot 104

Grass (Günter) Drawings and Words 1954-1977, number B.52 of 100 from an edition of 250, with an original signed etching inserted in pocket at front, artist's ink signature to front free endpaper, illustrations, many full-page, original cloth, fractional bumping to spine extremities, dust-jacket, fractional creasing to edges, folio, 1982.

Lot 139

Property of a Gentleman.  Landscape with Fishermen. William Alfred Delamotte (1775-1863). Oil on canvas. In gilded frame. William Alfred Delamotte (Weymouth 1775-1863 Oxford) was an English painter and engraver. Delamotte was the son of a French refugee. His remarkable drawing skills were apparent from an early age and he enjoyed the royal patronage of King George III. After having exhibited at the Royal Academy in 1793, he enrolled at the Royal Academy Schools the following year, becoming a student of Benjamin West, another of the King's protégés and the President of the Royal Academy. Even during these years of study, Delamotte chose to turn his attention to architectural and landscape work. From the Academy he moved to Oxford, depicting its buildings in numerous sketches. In 1803 he accepted the post of Drawing-Master at the newly established Royal Military College, Sandhurst, a position he held for forty years. Besides producing watercolours and a few oils, he turned to printmaking by way of etching, lithography and soft-ground etching. Provenance:Swan Gallery, Sherborne Dimensions: (Frame) 23 in (H) x 30 in (W)(Canvas) 16.5 in (H) x 23.5 in (W)

Lot 523

WILLIAM LIONEL WYLLIE (1851-1931) 'Eel boats off the Tower' Thames scene, signed in pencil to the margin, drypoint etching, the image 20cm x 25cm

Lot 224

A signed Charles Bird etching, together with a study of Mr Wm Bruce Clark, attributed to Margot and other prints

Lot 282

J H Wiley, black and white etching, The Tower, London, 4.5ins x 9ins

Lot 289

John Fullwood, two drypoint etchings, view across water with windmills, and gathering the harvest, 9.25ins x 16ins, together with D Smart, two drypoint etchings, 1st Slate time proof, industrial scene with barges, 8.5ins x 12.5ins and dry moored boats, 8ins x 10.5ins, another black and white etching, Fishing Boats of Whitby, 9ins x 11.5ins

Lot 296

An etching, Leicester Hospital & Capel, Warwick, 12.5ins x 18ins, together with two fashion prints and two other prints

Lot 234

§ Anthony Gross CBE, RA (British 1905-1984) Harvesterssigned 'anthony gross' (lower right); from an edition of 50etching28 x 41.5cm Provenance:With Whitechapel Gallery, London, 'Pictures For Schools', 1960where acquired by Hertfordshire County CouncilSale; Cheffins,'The Curated Eye' - The Hertfordshire Collection, March 2019, lot 108, where acquired by the present owner

Lot 235

§ Anthony Gross CBE, RA (British 1905-1984) Miranda de Ebrosigned and dated 'anthony gross 1925' (lower right)etching21 x 28.5cm;French Streetsigned and dated 'anthony gross / 1923' (lower right); titled indistinctly (lower left)etching22 x 28cm

Lot 236

§ Anthony Gross CBE, RA (British 1905-1984) Children and Fencessigned 'anty gross' (lower right); numbered 19/40etching21 x 26cmCondition report: On laid paper. The surface is slightly undulating and toned throughout. The toning is mostly uniform, though there is a paler strip, around 2cm wide, running the breadth of the image along the top edge. There is a deepening of toning along the perimeter where the mount is touching the surface. Otherwise the image is clean and free of foxing. The mount is uniformly toned throughout.

Lot 237

§ Anthony Gross CBE, RA (British 1905-1984) The Wine Shopsigned and dated 'anthonygross27' (lower right)etching27 x 34cmCondition report: The mount foxed and toned, with a deepening of the discolouration towards the outer perimeteres. The sheet perhaps very slightly toned, but overall in good order. Perhaps some very minor undulation of the surface on the right hand edge, but in otherwise good, clean condition.

Lot 267

§ Dame Elizabeth Blackadder DBE, RA, RSA (British 1931-2021) Kikko on a Rugsigned 'Elizabeth Blackadder' (lower right); artist's proofetching and aquatint50 x 53.5cmCondition report: Not examined out of the frame. Appears to be stuck down to the board. Some debris caught beneath the glass, but otherwise in good, clean condition.

Lot 381

§ Marc Chagall (French/Russian 1887-1985) The Wolf, The Mother, and Her Child; from La Fontaine's Fables, 1952from an unnumbered edition of 85hand coloured etching32 x 25.5cmProvenance:With Goldmark Galleries, Uppingham

Lot 411

§ Stanley William Hayter CBE (British 1901-1988) Mooringsigned and dated 'SWHayter 70' (lower right); numbered 54/100etching and engraving61 x 48cmCondition report: Not examined out of the frame, edges obscured by the mount. Perhaps a little fading, and some light foxing, mostly located to the margins, but one spot present in the plate. The sheet appears to have slipped very slightly in the frame, making the lower margin slant down towards the right. Otherwise in good order.

Lot 298

An unframed etching of figures in an interior, titled 'The Waiting' signed and dated in pencil '96. H.58 W.76cm

Lot 1002

Cecil Aldin (1870-1935). Irish Wolfhound, artist signed and numbered etching 27/100, 23cm x 31cm Label verso The Horner Galleries Sheffield.

Lot 1003

Herbert Thomas Dicksee (1862-1942). Scottish Deerhound, artist signed etching, 17.5cm x 24cm Label verso The Horner Galleries Sheffield.

Lot 1006

Winifred Marie Louise Austen (1876-1964). Budgerigars, artist signed and titled coloured etching, 22cm x 27.5cm.

Lot 1012

Cecil Aldin (1870-1935). Susan the Pekingese, artist signed and numbered etching, 27/100, 21cm x 30cm. Label verso, The Horner Galleries.

Lot 1013

Cecil Aldin (1870-1935). Inseparable, artist signed and numbered etching, 59/100, 22cm x 30cm. Two labels verso, one The Horner Galleries, Sheffield.

Lot 1014

Cecil Aldin (1870-1935). Flop, artist signed and numbered etching, 24/150, 17cm x 25cm. Label verso.

Lot 1015

Cecil Aldin (1870-1935). Dalmation puppy, artist signed and numbered etching, 10/50, 15cm x 10cm.

Lot 1019

Percival Gaskell (1868-1934). Twilight scene, trees before lake and mountains, artist signed etching, 17cm x 24cm.

Lot 1051

Francis Seymour Haden (1818-1910). Harry Kelly's Putney, drypoint etching, signed, titled to the mount, 12cm x 18cm.

Lot 1118

Vincent Haddelsey (1934-2010). Horse racing steeplechase, artist signed limited edition, etching, 123/230, 20cm x 28cm.

Lot 1192

Tavik Frantisek Simon (1877-1942). Street scene, tinkers selling wares, probably Prague, artist signed coloured etching numbered 70 with watermark, 24cm x 30cm.

Lot 1194

Tavik Frantisek Simon (1877-1942).Left Bank, Paris street vendor with horse and cart in the distance, artist signed coloured etching, watermarked, 31cm x 41cm.

Lot 1239

Andre Devambez (1867-1944). Theatre, artist signed limited edition etching, 25/100, with printed annotation, 23cm x 29cm.

Lot 1272

Robin Wheeldon (b.1944). Haymaking, artist signed limited edition print, 107/750, 30cm x 43cm, Arthur Spencer, York Minster etching, two decorative mirrors, After Wild, The Choir of Lincoln Cathedral and another (a quantity).

Lot 1301

After Pasmore. The Quiet River, print, 33cm x 49cm, various other prints, pictures, Aitat (20thC), Watchtower, Abu Dhabi, Lowry prints, Barlow, Parisian etching print, etc. bookplates, etc. (a quantity)

Lot 1308

Heather Bean (20thC). The Ridgeway, artist signed limited edition etching, 3/25, 16cm x 28cm and Ridgeway II, 1/25 (2).

Lot 1332

Lesley M. Ward (20thC). Figure before ruined cottage, artist signed etching 97, 13cm x 17cm, other pictures, prints, books, etc. (a quantity).

Lot 1334

Gillian Baunane (fl.1960). Mountainous landscape, mixed media, signed and dated 1960 to the mount, 13cm x 21cm, and an etching, figure smoking pipe (3).

Lot 1411

D. Delphton (20thC). St. Hughes Tower, Lincoln Cathedral, etching, indistinctly signed and titled, 18cm x 12cm, and another signed Frewndne***, 19/150, watermarked (2).

Lot 203

William Henry Prior (British, 1812-1882)The river front at Hammersmith from the eyot at Chiswick hand coloured etching on four sheets3.2 x 83.4cm (1 1/4 x 32 13/16in).For further information on this lot please visit Bonhams.com

Lot 15

Alley J. Adams etching of a partridge pair and Watercolours on material of exotic birds

Lot 734

An Imperial German Marine Naval Officers Sword. A generally good blade with minor black spotting, the etching to both sides of the blade faint with images of sailing ships and floriated patterns, blade length 82cm. The hilt with the classic naval style lions head with red and green jewelled eyes. Bone grip with all grip wire present but slightly loose to some of the grooves. The front folding shell guard has the angled and heavily detailed fouled anchor with Imperial crown above. On the reverse side the small folding langet has the original naval officers name, which appears to be A.Wininel. The leather to the scabbard is good, all stitching strong. The scabbard fittings without any damage or indentations. Subdued gilt overall to the sword and scabbard fittings, good condition £240-£280 --- Note: This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.

Lot 735

A German Second War Kriegsmarine Officers Sword with Etched Blade. A very good example of the normally private purchased WKC example of the naval officers sword for the Third Reich Kriegsmarine. Fully etched blade with scenes of battleships, smaller ships and the large down swept winged armed forces eagle and swastika above an anchor at the base of the etching on one side of the blade. On the opposite side of the blade are similar etched panels of submarines, heavy ships, at the base the Kiel Naval Memorial. The blade is 78cm in length very good condition. A small area of black spotting on the plain section of the blade just below the etched panel areas. Maker stamped of WKC. Standard naval hilt, the lions head with red and green jewelled eyes. Celluloid white grip with grip wire present, some strands slightly loose from the grip. The gilt subdued to both folding langets. The scabbard leather is excellent with a few minor scuffs. Good finish to the three gilded brass scabbard fittings. A very good example of a totally dedicated Third Reich issue naval officers sword, very good condition £1,400-£1,800 --- The WKC officers bladed swords have normally been considered to be private purchase items individually by officers, however this example has issue number 2693 stamped to the rear folding langet indicating this may have been a group of this type of sword purchased by the Kriegsmarine and then issued individually to officers. Note: This is an age restricted lot: the successful buyer will be required to either collect in person, or arrange specialist shipping.

Lot 857

WOLSELEY Doris Sleeping, signed, etching, 6 x 4cm J A GIRVAN cattle before a castle, 11 x 16cm, WOLSELEY Landscape, etching, 17 x 18cm and three others (6) Condition Report:Available upon request

Lot 861

SALOMON VAN ABBE The Fully-Licensed Man, signed, etching, 69/250, 30 x 30cm Condition Report:Available upon request

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