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Lot 645
Central Bank of Ceylon, a initial engravers workings on transparent acetate showing the outlines of plate designs for a proposed 2 Rupees, c.1980, outline of the portrait W. R. D. Bandaranaike, design similar to the 50 and 100 Rupees of 1970, each of these is unique and they are remarkable survivors, as most were simply treated as printers waste Pick 77 for design £100-£150 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 903
Banque du Liban, an initial engravers working on transparent acetate showing the outline of a plate design for the reverse 500 Livres, 1988, showing the outline of the design as issued, each of these is unique and they are remarkable survivors, as most were simply treated as printers waste TBB B510, Pick 68 for type £80-£120 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Lot 108
AR * Tunnicliffe (Charles Frederick, 1901-1979). The Sitting Hare, 1926, etching on laid paper with partial watermark, printed with plate tone, from the published edition of 75 impressions, signed and numbered 39/75 in pencil, plate size 13.7 x 18.7 mm (5.4 x 7.3 ins), sheet size 17 x 21 cm (6 3/4 x 8 1/4 ins), the sheet untrimmed, hinge-mountedQTY: (1)NOTE:Provenance: From the Collection of Robert Gilmor (1936-2022).Meyrick & Heuser, Charles Tunnicliffe: Prints : A Catalogue Raisonne? (2017), 29.
Lot 117
* Austen (Winifred Marie Louise, 1876-1964). Shrewmouse, etching, signed in pencil lower right, titled lower left 12.5 x 15.5 cm mount aperture, framed and glazed, together with Leighton (Clare, 1898-1989). Blackbird fledgling, wood-engraving, signed lower right, numbered 2/30, 4.5 x 7.5 cm mount aperture, framed and glazedQTY: (2)
Lot 123
* Carreck (Libby, 20th century). Wild Poppies, colour etching, titled, signed and numbered '67/250', framed and glazed, together with 17 other engravings, etchings, and pencil drawings by artists including: M.J. Mott, G Brender à Brandis, D. Hackman, Roybooney, A. Swan, Boyd Hanna, Christopher Cunliffe, H.J. Jackson, Anne Haywad etc., sizes from 6 x 6 cm to 29 x 23.5 cmQTY: (18)
Lot 135
* McEwen (Rory, 1932-1982). Spring Wind, 1978, etching and aquatint on paper, signed in pencil and dated lower right, titled and numbered 44/150, mount stain, some light toning and few tiny spots, plate size 23 x 56.5 cm, mounted, framed and glazed (42.5 x 73 cm), with Christie's Certificate of Authentication (undated)QTY: (1)
Lot 209
* Mezzotint Drolls. Laurie (R. & Whittle J. publishers). Affection, 20th July 1801, mezzotint printed in colours, eight lines of verse below the image, 360 x 255 mm, framed and glazed, together with Sayer (R. & Bennett J. publishers). Scene in the School for Scandal. "Lady Teazel by all that's Damnable" 1783, mezzotint with contemporary hand colouring, slight creasing and toning, 355 x 255 mm, framed and glazed, with Darly (Matthew). Tight Lacing or Hold Fast Behind, 1777, hand-coloured etching, slight toning, 350 x 245 mm, framed and glazedQTY: (3)
Lot 218
* Rowlandson (Thomas). Peace and Plenty, Thomas Tegg, 1814, etching with contemporary hand-colouring, slight staining, 350 x 250 mm, framed and glazed, together with Heath (William). The Guard wot Looks after the Sovereign, Thomas McLean, 1829, etching with contemporary hand-colouring, some staining, 350 x 245 mm, framed and glazed, with Elmes (William). The Yankee Torpedo, Thomas Tegg, circa 1813, etching with contemporary hand-colouring, trimmed inside plate marks and laid on later card, 240 x 340 mm, framed and glazedQTY: (3)
Lot 361
Wilson (Timothy). The Golden Age of Italian Maiolica-Painting, catalogue of a private collection, 1st edition, Turin: Allemandi, 2018, numerous colour illustrations, original cloth in dust jacket, covers very lightly rubbed to head & foot, large 4to, together with:Bromberg (Ruth), Canaletto's Etching, revised and enlarged edition of the catalogue raisonné, San Francisco: Alan Wofsy Fine Arts, 1993, numerous monochrome illustrations, original cloth in dust jacket, small mark to the front cover, large 8vo, plusFried (Michael), The Moment of Caravaggio, 1st edition, Princeton: University Press, 2010, numerous colour illustrations, original cloth in dust jacket, large 4toAfter Caravaggio, 1st edition, New Haven: Yale University Press, 2016, numerous colour illustrations, original cloth in dust jacket, 4to, andNorman (Diana, editor), Siena, Florence and Padua, art, society and religion 1280-1400, 2 volumes, New Haven: Yale University Press, 1995, numerous colour & monochrome illustrations, both in original wrappers, large 8vo, plus other Italian Renaissance & Old Master art reference & related, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo/folioQTY: (6 shelves)
Lot 95
* Segerstrale (Lennart, 1892-1975). Hare/Vinterlandskap,1924, etching, signed to lower left margin, artist's proof, image size 16 x 22 cm, sheet size 29.5 x 39 cm, hinge-mounted, together with A pair of geese, 1926, etching, signed to lower right margin, artist's proof, image size 16 x 24 cm, sheet size 27 x 37.5 cm, a little light marginal spotting and toning, mounted, plus Geese departing, etching, signed to lower right margin, artist's proof, image size 16 x 23.5 cm, sheet size 27 x 37.5 cm, light marginal spotting, mounted QTY: (3)NOTE:From the Collection of Robert Gilmor (1936-2022).
Lot 161
A Baume incabloc 17 jewels gold tone wristwatch. The watch having a circular champagne coloured dial with gold tone baton & elongated Arabic numeral indices, subsidiary dial to six & dauphine style hands to a bracelet strap. Personalised etching to verso. Ticking when movement applied, hands wind & set. Total weight approx 51.3g. Case including crown measures approx 3.5cm.
Lot 60
Italian school of the second half of the 18th century."Possible sketch for the series of Funeral Monuments".Ink on paper.With old inscription in graphite.It has a drawing on the back.Provenance: private collection conceived since the 70s between London and Madrid.Measurements: 36 x 25,4 cm.The work is very reminiscent of the series of monuments created by Piranesi, a famous engraver. After studying architecture, he studied etching with Giuseppe Vasi in Rome. In 1743 he published his first series of prints, "Prima Parte di Architettura e Prospettiva". Produced at the age of 23, it already revealed his mastery as an engraver. Combining descriptive zeal and fantasy, his interpretations of ancient Roman monuments made an important contribution to the development of neoclassicism. In the collection "Carceri d'Invenzione" he transformed the ruins into vast dungeons full of passages and steep staircases that would greatly influence Romanticism and even Surrealism. Palatial architecture and English country houses are also indebted to Piranesi's engravings. Many plates were passed on to the present-day "Calcografia Nazionale" in Rome. In Spain, engravings by Piranesi are kept in the Biblioteca Nacional and the Museo de Bellas Artes in Valencia.
Lot 16
Julian Trevelyan R.A. (British, 1910-1988), Camel Corps, 1972, etching with aquatint, signed in pencil lower right and numbered 25/250, on T.H. Saunders woven paper, printed by Studio Prints London, published by Christies Contemporary Arts, London with their blindstamp to lower right margin, H.35cm W.47.5cm, full sheet H.59cm W.77cm ARR
Lot 256
Contemporary British SchoolHaiku: point of contact; Frequent II; a paireach indistinctly signed, inscribed and limited edition numbered to lower margincolour etchingsthe sights 26 x 24cm and 21 x 19cm respectively;together with another colour etching of a Scandinavian horse, signed and numbered, 23 x 22.5cm
![* Dame Elizabeth Blackadder RA [1931-2021]A Coastal Scenesigned lower right margin, edition numbered 23/30etchingimage 13 x 1](https://cdn.globalauctionplatform.com/14a0dfc2-fb22-4fb8-a977-af3901211caa/83b23f13-d65c-4fc5-920d-afb500c5a4e9/468x382.jpg)
![*Barbara Vincent [British, Contemporary School]Goats in Poppy Field, Tuscanysigned and numbered 18/18 lower marginlimited edi](https://cdn.globalauctionplatform.com/14a0dfc2-fb22-4fb8-a977-af3901211caa/0c906df1-9133-4c9f-958a-afb500c5aad1/468x382.jpg)
Lot 285
*Barbara Vincent [British, Contemporary School]Goats in Poppy Field, Tuscanysigned and numbered 18/18 lower marginlimited edition lino cut17 x 27.5cm; and a limited edition colour etching by Dilys Hallybone (fl. 20th century), White Peonies, signed and numbered 6/50 to lower margin, 35 x 27cm [2]
Lot 93
A WWI period drawing by Harry E. Few titled “The Lights, An Impression”, pencil on paper, signed, inscribed, & dated 8.10.16, 7½” x 5¾”; a black & white etching of a harbour, after Eugene Bejot “La Crozie”, 6¾” x 10”; & a contemporary black & white lithograph of a harbour, after Andrew Davies “Aberaeron”, 9¾” x 15½”; each framed & glazed.
Lot 5004
Henry Moore O.M., C.H. (British, 1898-1986), original grey linen covered portfolio containing two original prints signed and numbered by Henry Moore, comprising etching entitled 'Composition for a Poem by Herbert Read', on Auvergne paper, 535 x 387mm, and lithograph entitled 'Two Seated Women on Beach', on Rives paper, 500 x 650mm, both signed by Henry Moore and numbered 27 of 50 copies only, accompanied by the deluxe limited edition companion book 'Henry Moore: Prints and Portfolios', Introduction by David Mitchinson, Geneva, Patrick Cramer, 2010, deluxe edition, numbered 47 (of 50 copies only) to limitation page (p.406), 829 illustrations of works by Henry Moore in colour and black & white throughout, 407pp, large 4to, original grey linen covered boards lettered in silver, dust wrapper, orig. grey linen covered slipcase, orig. prospectus loosely inserted (numbered 27/50). The two signed original prints being Henry Moore's first etching ('Composition for a Poem by Herbert Read', c.1946, CGM 4), and his last lithograph ('Two Women Seated on Beach', 1984, CGM719). (2)
Lot 5028
Derek Southall (illustrated); Michael Hamburger: 'In Suffolk', Madley, Hereford, Five Seasons Press, 1982, limited edition (121/150), numbered and signed by Hamburger and Southall to limitation page, frontispiece etching by Derek Southall as called for, original quarter buckram over blue cloth, top edge gilt, orig. prospectus loosely inserted, original buckram slipcase
Lot 5030
J.G. Lubbock: 'The Sphere of Rocks and Water', London, Bertram Rota, 1983, limited edition, one of 80 copies only, this copy numbered 19 and signed by Lubbock to the limitation page, designed and printed by Will Carter at the Rampant Lions Press, Cambridge, 10 colour plates by Lubbock as called for (mainly double page), each tissue guarded and printed from copper-plates worked by aquatint, etching, and engraving, 50pp, folio, original quarter blue morocco gilt over blue pictorial cloth gilt by George Percival at Leicester, top edge gilt, others uncut, original acetate dust wrapper, original patterned paper covered slipcase. Joseph Guy Lubbock (1915-1929) moved to Suffolk in 1963, around the time he turned his full attention to painting and writing. His work drew on the beauty of the Suffolk landscape of his home near Woodbridge: the river, reed beds and marshes, the shingle banks and beaches. His travels to the remoter parts of the world, including the Himalayas, the Galapagos Islands and the Antarctic, were also a great influence on his work
Lot 5198
Birket Foster (1825-1899), collection of thirteen late 19th/early 20th Century titles, including H.M. Cundall: 'Birket Foster R.W.S.', London, A & C Black, 1906, limited edition de luxe (319/500), numbered and signed by the publisher, etching, portrait frontis, 73 colour plates + numerous other b/w plates & ills. as called for, 4to, original decorative cloth gilt, top edge gilt, others uncut; 'Poems by Thomas Hood. Illustrated by Birket Foster', L, Moxon, 1872, 22 fine steel engraved plates by Birket Foster as called for, 4to, original pictorial cloth gilt (worn), all edges gilt, together with another copy of the same title, orig. pictorial cloth gilt (worn, lacks lower part of backstrip); 'Birket Foster's Pictures of Landscape', L, Routledge, [1862], numerous wood engraved plates, 4to, recased retaining original decorative cloth gilt, all edges gilt; Oliver Goldsmith: 'The Traveller A Poem', L, David Bogue, [1856], 30 steel etched ills. by Birket Foster as called for, contemporary decorative full crimson morocco gilt, aeg; plus 8 others similar (13)
Lot 99
RAQUEL LUENGO (Salamanca, 1982).Untitled.Etching on paper. Copy P.A.Signed and justified in pencil.Provenance: private collection conceived since the 70s between London and Madrid.Size: 31,5 x 23,5 cm (print); 56 x 37 cm (paper); 75 x 57 cm (frame).Raquel Luengo graduated in Fine Arts at the University of Salamanca, although she broadened her academic training with numerous studies, including several courses in contemporary engraving, digital gouge engraving, silkscreen printing, lithography and alkogravure, among others. Throughout his career he has participated in numerous exhibitions, among which we can highlight: "El camino de la luz". Santibañez de la Sierra. Diputación de Salamanca and University of Salamanca (2015), Artists of the workshop. La Calcografía. Salamanca (2018), Retrospectiva Expolón. Consulado del Mar Hall. Burgos (2019), and El Trazo 3D. Casa Junco. Palencia (2019), among others
Lot 464
A BOX AND LOOSE PAINTINGS AND PRINTS ETC, to include an Ernest F. Hill (active 1897-1940 ) Cornish coastal landscape 'Gull Rock, Trebarwith' approximate size 16cm x 23cm, M. Trench pastel portrait of a young man dated 1986, watercolour depicting a cottage signed Wilmoth, a continental oil on canvas depicting a study of a building signed A. Galindo, Vanity Fair prints by Theobald T Chartran and Spy, etching of 'Derwent Water, Friars Crag', embellished print on canvas after Renoir 'Girl With Flowers' etc (1 box + loose)
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78391 item(s)/page