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Lot 450
Miscellaneous Framed and Glazed Pictures, including a black and white etching of the South West of Glasgow City, addressed to 'The Honorable Patrick Colquhoun Esq', approx 23 x 32 cms (io), a hand-coloured etching by Letitia Byrne, entitled 'View of Carclaze Tin Mine', approx 25 x 36 cms (io) together with an unsigned water colour depicting a river scene with sheep (possibly Victorian), approx 23 x 31 cms. (io)
Lot 912
Equestrian Interest Antique Framed Print Of An Etching 'Waiting For The Ferryboat' Large print engraved by Willam Giller after an original painting by J F Herring. Depicts several horses and other cattle waiting on the banks of a river for the ferryboat to arrive. Black sepia and grey tones with internal gilt wood mount, framed under glass. Approx dimensions, 22 x 34 inches.
Lot 342
Broadside.- Cochin (Nicolas) The Map of the Kingdom of Heaven, or 'La carte du royaume des cieux, avec le chemin pour y aller', after Stefano della Bella (1610-1664), etching and engraving, published by Nicolas Jean Baptiste de Poilly, [circa 1650, but a later impression from circa 1740], on laid paper with watermark of large rosary encircling a Maltese cross, two plates printed on two sheets, total platemark (incl. lettered title above) approximately 875 x 570 mm. (34 1/2 x 22 1/2 in), total sheet 1150 x 745 mm. (45 1/4 x 29 3/8 in), unframed. Literature: De Vesme/Massar 1056 ⁂ Religious broadside after a programme devised by Hierosme Chastelain presenting the division between Heaven, Purgatory, and Hell. The walled celestial city of Jerusalem, presided over by the Holy Trinity from a mountain summit, is featured at the top; the souls of Purgatory are shown below outside the gates of Heaven; and finally, the fiery rivers of hell are at the bottom presided over by Lucifer.
Lot 466
London.- Hollar (Wenceslaus) The Prospect of London and Westminster, taken from Lambeth..., etching, later state with rebuilt St.Paul's Cathedral, on three sheets only (of 4, lacking left hand sheet), laid paper with armorial watermark containing fleur-de-lis above the initials 'CR', sheet c. 345 x 1180 mm. (13 1/2 x 46 1/2 in), linen-backed, folding onto central sheet mounted on card, foxing and light soiling, vertical creases from previous additional folds, [circa 1647, but a later impression after 1697]. Literature: Pennington 1013.II
![[§] GERALD LESLIE BROCKHURST (BRITISH 1890-1978) THE MIRROR etching, 1920, signed, edition of 55 proofs 14.5cm x 10cm (5.](https://cdn.globalauctionplatform.com/5f1f773c-ef64-4bf7-9701-a7e70109def3/36f67a1f-eaba-4f17-803a-4d6237ca3568/468x382.jpg)
Lot 900
•Matthew Hilton (b. 1948) - collection of fourteen limited edition black and white etchings, 'First', abstract figurative subject, signed and inscribed, dated '91 (1991), numbered 2/25, limited edition black and white etching, 7" x 8" (pl); together with fifteen further companions entitled 'Second', 'Third', 'Fourth', 'Fifth', 'Sixth', 'Seventh' etc, the final print entitled 'Last', all numbered and accompanied with a booklet entitled 'Matthew Hilton, Flagships for New Reaches - A Baltic Sea Journey an exhibition held at The Ferens Art Gallery, Hull between 13th June and 19th July 1992 (14) *The artist was born in London and attended Bournemouth College of Art, he has had solo exhibitions throughout the world, biographical details on his career can be found in the back of the catalogue
Lot 905
Italian School (19th century) - 'Porto di Como', Italian harbour scene with figures and boats by a quayside, gouache over a print base, possibly an etching, 6.25" x 8.75"; together with nine further examples, three which have been laid onto black painted paper and inscribed 'Anfitoutro Flavio il Colosreo' The Colosseum, 'Il Pantheon' and 'Tempio di Vesta', others depicting 'Lago Maggiore' and Italian Villas (slight variations in size) (10) *The "Porto di Como" example contained within an elaborately decorated gilt plaster gold leaf frame, with foliate scroll and flower ornamentation, contained within a velvet lined glazed case
Lot 18
A COLLECTION OF PICTURES TO INCLUDE A FRAMED AND GLAZED ETCHING OF A STREET SCENE SIGNED TO THE LOWER RIGHT, A FRAMED AND GLAZED PORTRAIT PRINT OF REV. W. FARISY JACKSONIAN, A SMALL WATERCOLOUR OF A WOODLAND SCENE TITLED 'THE SILVER GLENNY' SIGNED B PITTAR?, A FRAMED AND GLAZED AQUATINT OF YORK WATERGATE TOGETHER WITH A FRAMED WOOD CUT BY FRAN VON BLOEMEN DET HORIZONTI, AND ALSO A PAIR OF FRAMED ENGRAVINGS OF PORTRAITS OF GENTLEMEN TOGETHER WITH A FRAMED ENGRAVING OF DIANA. (8)
Lot 83
δ Henry Moore (1896-1986) Mother and Child XIV (Cramer 684) Etching with aquatint printed in colours, 1983, signed and numbered from the edition of 65 in pencil, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadam, with full margins, plate 237 x 188mm (9 3/8 x 7 3/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 72
** δ Henry Moore (1896-1986) Mother and Child (Cramer 706) Etching printed in sepia, 1983, signed, titled, numbered and inscribed 'AP' in pencil, one of fifteen numbered artist's proofs aside from the edition of 75, on Arches paper, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company Ltd, for the Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, sheet 379 x 323mm (15 x 12 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 26
Claude Lorrain (1600-1682) Le Temps, Apollon et les Saisons (Time, Apollo and the Seasons) Etching, 1662, on cream laid paper without watermark, Mannocci's sixth state (of seven), an evenly inked impression, platemark 200 x 259 mm. (7 7/8 x 10 3/16 in), sheet unevenly trimmed but approx. 210 x 264 mm. (8 1/4 x 10 3/8 in), tipped onto paper support, unframed. Together with L'Apparition (The Vision), circa 1630 [M. 5 v/v], two variant states of La Fuite en Egypte (The Flight into Egypt), circa 1630-33 [M. 9 i/iv and iv/iv], and La Danse villageoise (The country dance, large plate), circa 1637 [M. 20 iv/iv], various sizes, all unframed; and with 12 etchings by Jean Georges Wille (1715-1808), (17).
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71082 item(s)/page