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Bonhams
Lot 154

Etel Adnan (Lebanon, 1925-2021)L'Express Beyrouth-Enfer Etching in colours, 2021, on wove paper, signed, dated and numbered 89/100 in pencil, published by Galerie Lelong & Co., Paris, the full sheet; together with the accompanying book L'Express Beyrouth-Enfer, published by Galerie Lelong & Co., Paris, both housed within the original blue solander boxSheet 295 x 195mm (11 5/8 x 7 5/8in) Overall 320 x 223 x 26mm (12 5/8 x 8 3/4 x 1in)(2)For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- two pin-sized registration holes to the plate (as issued)Otherwise, in very good condition, colours are fresh and bright.

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Bonhams
Lot 158

Antony Gormley R.A. (British, born 1950)Loose Etching, 2016, on Fabriano Tiepolo paper, signed, dated and numbered 6/25 in pencil verso, published by Cristea Roberts Gallery, London, the full sheet, framedImage 230 x 158mm (9 1/8 x 6 1/4in)Sheet 340 x 265mm (13 3/8 x 10 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- attached to the backing board in places versoOtherwise, in very good condition. Unexamined outside of the frame. The full sheet visible within the frame.

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Bonhams
Lot 162

Lynette Yiadom-Boakye (British, born 1977)The World for a Wilderness Etching, 2020, on Somerset wove paper, signed, dated, titled and numbered 16/50 in pencil, published by Tate, London, the full sheetPlate 332 x 300mm (13 1/8 x 11 3/4in)Sheet 506 x 461mm (19 7/8 x 18 1/8in)Footnotes:'I've never liked being told who I am, how I should speak, what to think and how to think it... But the idea of infinity, of a life and a world of infinite possibilities, where anything is possible for you, unconstrained by the nightmare fantasies of others, to have the presence of mind to walk as wildly as you will, that's what I think about most.'Lynette Yiadom-BoakyeThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:In very good, original condition, within the original wrapping.

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Bonhams
Lot 163

Dame Paula Rego R.A. (British, 1935-2022)Messenger, from The Children's Crusade (Rosenthal 150) Etching and aquatint, 1996-98, on Somerset wove paper, signed and numbered 25/25 in pencil (there were also 14 artist's proofs), printed by Culford Press, London, with their blindstamp, co-published by the artist, Marlborough Graphics, London, and Galería Marlborough, Madrid, with full margins, framedPlate 293 x 198mm (11 1/2 x 7 3/4in)Sheet 503 x 355mm (19 7/8 x 14in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- affixed to the backing board in several places verso, with associated sheet undulation- a few pin-sized fox-spots in the marginsOtherwise, the printed area in very good condition, a finely inked impression.

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Roseberys London
Lot 1210

German School, 19th century- Am brandenburger Thor in Berlin; hand-coloured etching, 31.2 x 51 cm. Condition Report: Framed, mounted, and glazed. Unexamined out of frame. Minor chips and scuffs to the frame generally. Very light cockling of the sheet within the mount. A vertical crease running down the centre of the sheet. Possible light spots of foxing to the sheet in areas. Colours appear fresh and bright and details are well-preserved. Otherwise in good condition overall.  

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Roseberys London
Lot 1275

David Haughton,  British 1924-1991-  Carne Bosavern;  etching on paper, signed, titled and numbered lower right 'David Haughton, Carne Bosavern, 37/50', 27 x 77 cm (ARR) Condition Report: The sheet is slightly loose within the frame. Minor discolouration/browning in areas, particularly towards the edges of the paper. A minor possible vertical tear upper right, and a minor vertical crease upper left. Possible very minor spots of foxing in areas.  Overall in good condition. 

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Roseberys London
Lot 1326

Dorothy Mead, British 1928-1975, Seated Nude, 1973; Figure, 1973; Abstract, 1973; (i) etching on wove, signed, dated and numbered 8/20 in pencil, plate: 19.5 x 15 cm, (ii) etching on wove, signed, dated and numbered 3/20 in pencil, plate: 14.7 x 19.7 cm, (iii) etching on wove, signed, dated and numbered 13/20 in pencil, plate: 27.5 x 30.2 cm, (framed)(ARR)(3)

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Roseberys London
Lot 1327

Michael Ayrton,British 1921-1975,Female portrait; Crouching woman, both from the Minotaur suite;each etching in black and white,each numbered 5/75 in pencil and stamp signed,sheet: 46.7 x 38.8 cm; 45 x 51.5 cm,(unframed)(ARR)(2)

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Roseberys London
Lot 1342

Teizo Ogaki,Japanese 1936-2020 - 1974;etching with tint, signed and dated

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Roseberys London
Lot 1343

Gordon House, British 1932-2004- Bridges, 1985; etching and aquatint on rivs wove,signed, dated and numbered 26/30 in pencil,printed by by Kelpra studios,51.5 x 40.5 cm,(unframed)(ARR) (VAT charged on the hammer price) 

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Roseberys London
Lot 1344

Gordon House, British 1932-2004- Mumbles, Pontarawe, Penrhos, 1984; Bridges, 1985; each etching and aquatint on rivs wove,each signed, dated and numbered 30/30; 29/30 in pencil,each printed by by Kelpra studios,each 51.5 x 40.5 cm(unframed)(ARR)(2) (VAT charged on the hammer price) 

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Roseberys London
Lot 1345

John Duffin,British b.1965-Badlands, 1989;etching on wove,signed, dated and numbered 5/50,image: 49 x 67 cm,(framed)(ARR)Note: purchased at the RA summer exhibition.

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Roseberys London
Lot 1348

Leonard Rosoman RA, British 1913-2012- Looking through a window; lithograph printed in colours, signed and numbered 5/160 in pencil, 76.2 x 50.9 cm. Provenance: Business Art Galleries, Royal Academy of Arts, London.: Jennifer Dickson RA, South African/British b.1936- Secret Water Games, Villa Garzoni; etching with aquatint printed in colours, signed, titled and numbered 8/30 in pencil, 30.5 x 24.2 cm. (2) (ARR) Note: The second work is accompanied by printed biographical details about the artist. 

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Roseberys London
Lot 1360

Sergei Firer,Russian b.1954- Seated female nude; etching, signed and numbered 118/150 in pencil,bears publisher's blind stamp,24.6 x 31.9 cmCondition Report: Framed and glazed, unexamined out of frame. Minor marks and scuffs to the frame generally. No evidence of creasing, tearing, or water damage to the work. Appears to be in very good condition overall. 

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Roseberys London
Lot 1361

Brian McAfee, British school, 20th century- Sheet of Studies; drypoint etching on paper,signed, titled, and numbered '24/70' in pencil,29.5 x 41 cm(ARR) Condition Report: Framed, mounted, and glazed, and unexamined out of frame. Minor marks and scuffs to the frame generally. Very minor spots of foxing to the sheet in areas, alongside light creases. No evidence of further creases, or of tears or water damage. Otherwise in good condition overall. 

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Roseberys London
Lot 1362

Donald Sultan, American b.1951-Morning Glory, 1991;etching with aquatint on wove,initialled, dated, titled and numbered A/P 10/13 in pencil,sheet: 123.5 x 155.4 cm(unframed) (VAT charged on the hammer price) Condition Report: There are light handling indentations, very small creases, mainly to the margins and corners, and very minor surface marks, otherwise in good condition. 

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Roseberys London
Lot 1365

Ray Richardson, British b.1964- The Orator, 1992; etching, signed, dated, titled, and numbered '33/40' in pencil, 25.2 x 25.2 cm. (ARR) Condition Report: Framed and glazed, and unexamined out of frame. Possible very minor cockling and creasing to the sheet in areas. No evidence of creasing, tearing, or water damage. Otherwise appears to be in very good condition overall. 

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Roseberys London
Lot 1366

Ray Richardson,British b.1964-The Fibber, 1992; He knows what he likes, 1992; One man, his dog and their maisonette, 1996;(i) etching in black and white, signed, titled, dated and numbered 19/40 in pencil, bearing blind stamp, sheet: 48.3 x 46 cm,(ii) etching in black and white, signed, titled, dated and numbered 17/40 in pencil, bearing blind stamp, sheet: 48.5 x 46 cm,(iii) lithograph in colours, signed, titled, dated and numbered 39/200 in pencil, sheet: 63 x 71.5 cm,(3)

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Roseberys London
Lot 1384

Francis Robert Kelly, American 1927-2012 - Oval Mirror; etching on wove,signed, titled and inscribed 'Artist's Proof' in pencil,image: 55.1 x 70.4 cm,(framed)Condition Report: There is some discolouration to the paper and mount burn, visible to the edges. Otherwise in good condition. 

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Roseberys London
Lot 1409

Mackenzie Thorpe, British b.1956-Once In A Blue Moon; This Little Heart Of Mine, 2019; Playing with Baby; The Shepard;(i) serigraph on wove, signed, titled and numbered 166/195 in pencil, image: 76.2 x 76.2 cm,(ii) soft ground etching with aquatint on wove, signed, titled and numbered 63/75 in pencil, plate: 44.8 x 60.6 cm,(iii) soft ground etching with aquatint on wove, signed, titled and numbered 64/75 in pencil, plate: 44.8 x 60.6 cm,(iv) mixed media with soft ground etching and screen print on wove, signed, titled and numbered 63/75 in pencil, sheet: 105.8 x 74.5 cm,(framed)(ARR)(4)

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Bourne End Auction Rooms
Lot 229

A group of etchings, prints and a watercolour to include Luther Roberts (1923-1988) - Don Quixote prints from life, etching, numbered 2/10, titled and signed in pencil to lower margin, 32cm x 21cm, mounted in glazed frame; Mollie Russell-Smith (1923-2014) - Between the Trees, artist proof etching, 11.5cm x 13,5cm, mounted in glazed frame; a print after Ito Jakuchu of chickens, an unsigned watercolour, and others Location:

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Golding Young & Mawer
Lot 693

Peter Bax (20thC). The Stage Door', etching, 1927, and various others, Perch Spots, 19cm x 8cm, etc., signed. (a quantity)

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Lyon & Turnbull
Lot 138

§ ROBIN TANNER (1904-1988) MARTIN'S HOVEL Etching, 13/50, signed and numbered in pencil, unframedDimensions:30cm x 34cmProvenance:Provenance: Mallams, Oxford, 8th December 2016, lot 614.Note: Note: From the edition published by the Penn Print Room in 1974.

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Lyon & Turnbull
Lot 194

§ ELYSE ASHE LORD (1900-1971) 'ARABIAN NIGHTS' hand-coloured etching, signed in pencil lower right and numbered 42/75Dimensions:35cm x 32cm

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Lyon & Turnbull
Lot 332

§ LOUIS ICART (1888-1950) 'MON MODÈLE' 1933 etching and drypoint, with hand-colouring, signed and inscribed in pencil, with the artist's blindstampDimensions:53cm x 41cm

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Roseberys London
Lot 756

Robert Charles Goff, British 1837-1922- View of Florence; etching, signed 'R. Goff' in pencil (lower right), faintly signed and dated 'R. Goff 1912' within the sheet, 20 x 30.5 cm.Condition Report: Framed and glazed, unexamined out of frame. Some marks and scuffs to the frame in areas. Light cockling to the sheet within the frame. Possible discolouration/browning to the sheet, and spots of foxing in areas. Otherwise in fair condition overall.  

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Roseberys London
Lot 760

Yasuhiko (Yuhan) Ito, Japanese 1867-1942- Boatmen on a river at sunset; watercolour, signed, 15.5 x 33 cm.: Stella Wright, British early/mid-20th century- Wells Cathedral, etching, signed, titled, and dated '1932' in pencil, 17 x 12.5 cm. (ARR) (2) 

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Lawrences Auctioneers of Crewkerne
Lot 365

HERBERT THOMAS DICKSEE (1862-1942). THE KILL. Etching with drypoint, signed in pencil 20.5 x 45cm. *CR The paper mottled with foxing and light time-toning.

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Lawrences Auctioneers of Crewkerne
Lot 440

A GROUP OF SIX MODERN PRINTS. (d) Comprising `Portrait de Signac`, aquatint by Victor Joseph Roux Champion, 18.5 x 12.5cm.; `Moulin Debray a Montmartre`, etching by Eugene Delatre, 18.5 x 13.5cm.; `The Opera: The Harpist`, etching by Paul Renouard, 40.5 x 28.5cm., this unframed; `L'oiseau aet son Nid`, colour lithograph after Georges Braque, probably from `Derriere Le Miroir`, 33 x 49.5cm.; frame of five small wood engravings by Eric Ravilious, 3.5 x 4.5cm approx.; and a colour linocut, woman with an umbrella, in the style of William Nicholson, 17.5 x 20.5cm. (6). *CR Delatre, Renouard and Braque with foxing; Braque with central vertical fold as issued; the `Nicholson` fair only.

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Lawrences Auctioneers of Crewkerne
Lot 443

GRAHAM SUTHERLAND, OM, RA (1903-1980). BEE AND FLOWER (from BEES SUITE). (d) Etching with aquatint, part printed in colour, published by Marlborough Fine Art, 1976-1977, signed and numbered 56/66 40 x 31cm. *CR Very pale staining/soiling in margins.

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Lawrences Auctioneers of Crewkerne
Lot 451

JULIAN TREVELYAN, RA (1910-1988). GAME PARK. (d) Etching with aquatint printed in colour, 1966, signed, titled and numbered 9/125 Image 35 x 47cm. *CR Good condition.

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Toovey's
Lot 38

Axel Herman Haig - Statue of St John the Baptist (Baptismal Font in the Baptistry of St Mark's Basilica, Venice), etching on laid paper, signed in pencil, published by Robert Dunthorne 1899, 41cm x 27cm, within a stained wood frame, together with an etching by Alexander Joseph Finberg, 'Place d'Armes, Calais', and one further etching by Frederick Farrell, 'Westminster Abbey, London'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 81

Antonio Francesco Gori - 'Livio Mehus Pittore', 18th century etching with engraving and hand-colouring, 27cm x 17.5cm, together with twelve similar portrait engravings depicting Old Master artists, all within matching ebonized and gilt frames. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 139

Geoffrey Sneyd Garnier - 'The Seaweed Gatherer', 20th century etching with aquatint, signed and titled in pencil, sheet size 24.5cm x 28cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 26

John Bluck, after Henry Salt - 'The Town of Abha in Abyssinia', etching with aquatint and hand-colouring, published by William Miller circa 1809, 46cm x 60cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 117

Stanley Anderson - 'Ightham Mote, Kent (East Front)', etching on laid paper, signed in pencil and with Fine Art Trade Guild blindstamp recto, label verso, published 1919, 36.5cm x 26.5cm, within a painted wood frame. References: Stanley Anderson online catalogue Raisonné no. 101; Martin Hardie, 'Print Collector's Quarterly' (vol. 20, 1933) cat no. 56.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 30

Luigi Rossini - 'Veduta dell'Arco di Gallieno', 18th century etching with engraving on laid paper, published 1821, 39.5cm x 46cm, within a stained wood frame, together with another similar etching by the same hand, 'Interno del Pronao del Tempio di Vesta in Roma'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 135

Eve Domy - 'Topologie IV', 20th century mixed media etching with embossing in colours, signed, titled and editioned 19/30 in pencil, sheet size 37.5cm x 28cm, within a silvered frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 114

Rowland Langmaid - 'London, Westminster from the River', early 20th century etching, signed and inscribed in pencil recto, titled label verso, 16.5cm x 23cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 207

Ursula MacDonald - 'Howtown, Ullswater', watercolour, signed recto, titled artist's label verso, 16.5cm x 23.5cm, within a stained wood and gilt frame, together with an etching by Joseph Pennell and another etching by a different hand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 122

Sonia Rollo - 'Within a Hare's Breath', 21st century etching in colours, signed, titled, and editioned 12/160 in pencil, 32.5cm x 50cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 63

Andrea Zucchi, after Silvestro Manaigo - 'Cibele coronata di Torri, opera dipinta a fresco sopra Palazzo Donato…' 18th century etching on laid paper, 45cm x 33cm, within an ebonized frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 116

Frank Brangwyn - A Procession, Genoa, etching, signed in pencil, published circa 1924, 25cm x 26.5cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 80

British School - 'Mr Emblin's Academy', 19th century etching with aquatint, 30cm x 44cm, within a gilt frame, together with four other prints and an architectural drawing. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 121

Aimée Birnbaum - 'Nocturnal Dance', 20th century soft-ground etching, signed, titled and editioned 8/95 in pencil, 25.5cm x 42.5cm, within a silvered frame, together with another etching by the same hand, 'Spring Procession', and one further etching by a different hand, 'Spring'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 65

John Bowles (publisher) - 'Charlotte, Queen of Great Britain &c, &c', late 18th century mezzotint, 36.5cm x 26cm, within an ebonized and gilt frame, together with an etching by Richard Dighton, 'The Father of the Corporation of Oxford Omnibus Carus'. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 75

Abraham Blooteling, after Peter Paul Rubens - Profile Portrait of Peter Paul Rubens' Son, 17th century etching with engraving on laid paper, 26.5cm x 19.5cm, within a Hogarth style frame, together with another similar etching by the same hand, 'Earl of Burford'. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 79

John Rogers, after A.M. Huffam - King George IV wearing Scottish Dress, oval miniature 19th century engraving with later hand-colouring, 12.5cm x 9.5cm, within an ebonized frame with gilt mounts, together with a 19th century stipple engraving by Thomas Fryer Ranson, after Charles James Scott, ''His Most Gracious Majesty, George the Fourth', within an ebonized and gilt frame, and a 19th century etching with aquatint by Joseph Stadler, after Rosenberg, 'His Most Excellent Majesty, George the Third', within an ebonized and gilt frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 109

Rembrandt van Rijn - The Golf or Kolf Player (Het Klosbaantje), etching on laid paper, circa 1654, second state, 9.5cm x 14.5cm. References: Biörklund's second state (of 2); Usticke's second state (i) (of 3), with the rust spots to the left and above the player; White and Boon's second state (of 2).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 77

William Daniell - The South-east View of Windsor Castle from the Deer Park, 19th century lithograph with hand-colouring, 28cm x 49.5cm, within a gilt frame, together with another similar lithograph by the same hand, Scene on the Virginia Water, and Laurent Guyot, after Louis Bélanger, 'A View of the Adelphi & Somerset House', an etching with aquatint and hand-colouring, published circa 1791, within a gilt frame, and a late 18th/early 19th century engraving with hand-colouring, within a Hogarth style frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Toovey's
Lot 74

Thomas Rowlandson - 'The Sculptor' (Preparations for the Academy, Old Joseph Nollekens and his Venus), etching with hand-colouring circa 1800, 29.5cm x 23.5cm, within a Hogarth style frame. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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Coronari Auctions
Lot 555

Full title: A varied collection of three maps relating to Brabant, Sluis and the County of Artois, 17th C.Description: Work: 52,3 x 42 cm Paper:ca.: 56 x 47 cm Frame: 72,5 x 65,2 cm Michael Floris Van Langren (1598-1675): 'Tertia Pars Brabantiae qua continetur Marchionat. S.R.I. horum urbs primaria Antverpia', hand-coloured copper engraving, published by J. Blaue in 'Novus Atlas, Das ist Abbildung und Beschreibung von allen Ländern des Erdreichs...', Amsterdam, 1642. Another version is part of the collection of the Bibliothèque nationale de France, object no.GE DD-2987 (4306) (link). Work: 50 x 38 cm Paper:ca.: 55 x 45 cm Frame: 57,3 x 47 cm W. & J. Blaue (16th-17th C.), 'Artesia Comitatus - Artois', copper engraving, ca. 1650. The former province of Artois in the northwestern part of France was located between Flanders (north) and Picardy (south). Joannes Janssonius excud. Work: 28,2 x 20 cm Paper:ca.: 31,5 x 24 cm Frame: 43 x 36,2 cm Workshop of Franz Hogenbergh (Frans Hogenberg, 1540-1592), 'Eigentliche Abbildung, der starcke Statt Sluys, mit allen ihren Forten, Schanßen, und durchgegraben Teychen, und Polders, wie sie ietzlauffend 1621. anzusehen sein, sampt des Konings Leger darumben',hand-coloured etching, 1621. Another, uncoloured print, is part of the collection of the Rijksmuseum, object no.RP-P-oB-78.785-381 (link).

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Coronari Auctions
Lot 884

Full title: Four various graphic works, 20th C.Description: Paper: 52 x 46,5 cm Work: ca. 30 x 20,5 cm Gustave Moreau (1826-1898): 'L'apparition', chalcography Paper: 44 x 33,4 cm Work: 24 x 17 cm Fernand Khnopff (1858-1921): 'Sir Halewyn', chalcography Work: 19,5 x 15 cm Paper: 33 x 25,1 cm Marc Maet (1955-2000): Untitled, etching, ed. 58/75 B, dated (19)88 Work: 14,6 x 9,5 cm Paper: 38 x 27 cm Gaston Bertrand (1910-1994): Untitled, etching, ed. 173/200

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Coronari Auctions
Lot 888

Full title: Jules De Bruycker (1870-1945): 'Le Chateau des Comtes de Flandre Gand', etching, [1913]Description: Work: 74 x 62 cm Paper: ca. 82 x 65 cm Frame: 95,5 x 78,5 cm Ref.: - J.D.B. 49 (link; Sous le chateau des Comtes Gand / Autour du chateau des comtes Gand) - Le Roy, 37.

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Coronari Auctions
Lot 890

Full title: Roger Raveel (1921-2013): Profile with hatched square, etching, ed. 34/50Description: Work: 34,5 x 26,5 cm Frame: 87 x 68 cm

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Coronari Auctions
Lot 891

Full title: Jules De Bruycker (1870-1945): 'Cathedrale d'Audenaerde' (oudenaarde Cathedral), etching, ed. E.A., (1920)Description: Work: 39,4 x 42 cm Paper: 61,2 x 48 cm The etching is an 'epreuve d'artiste'. Ref.: - J.D.B. 117(B) (the etching also known as 'Autour de la cathedrale d'Audenaerde',link) - Le Roy, 82.

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Coronari Auctions
Lot 895

Full title: Roger Raveel (1921-2013): 'Gekooid maar niet onderworpen', etching, ed. 34/50, [1973]Description: Work: 33,5 x 25,5 cm Frame: 87 x 68 cm

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Coronari Auctions
Lot 896

Full title: Jef Van Tuerenhout (1926-2006): Naked lady, etching in colours, ed. 21/60Description: Work: ca. 39,5 x 30 cm Paper: ca. 59 x 49 cm Frame: 65,5 x 75,5 cm

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Coronari Auctions
Lot 914

Full title: Roland Devolder (1938): Beach cabin, mixed media on paper; added an etching (ed. 43/50) and the accompanying etching plate, dated (19)72 and (19)73Description: Work: ca. 35,5 x 27 cm Paper: ca. 53 x 36,5 cm Frame: 54,5 x 38,2 cm The etching plate: ca. 36 x 27 cm Frame:54,5 x 38,2 cm Work: ca. 34,5 x 24,7 cm Frame: 61,7 x 53,5 cm The etching plate with the following note by the artist: 'Van deze plaat zijn 50 afdrukken gedrukt genummerd van 1 tot 50 en 10 epreuves d'artistes'.

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John Nicholson's
Lot 480

OUCHI MAKOTO (1926-1989) JAPAN, 'FAN', ETCHING, signed in pencil and numbered 29 of 60, 21.5" x 15" (54 x 38cm).

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