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Lot 1

CATHERINE MAUD NICHOLS R E, SIGNED IN PENCIL TO MARGIN, BLACK & WHTIE ETCHING, A Norwich View (exhibited at the R A 1909), 12" x 7"

Lot 1

ALFRED R BLUNDELL, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION DRY POINT ETCHING (OF 80), 'The Wood at Swainsthorpe, Norfolk', 10" x 14" and PERCIVAL GASKELL, LIMITED EDITION BLACK & WHITE AQUATINT (OF 100), 'San Georgio Maggiore, Venice', 7" x 11", (2)

Lot 1

HANS THOMA, SIGNED BY ENGRAVER TO MARGIN, BLACK & WHITE ETCHING, Pastoral scene of a young man reclining under a tree, 10" x 9"

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STANLEY AUGOS, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING WITH DRY POINT, 'Bamburgh Castle' (Northumberland), 9" x 15"

Lot 1

HENRY WILKINSON, SIGNED LIMITED EDITION TINTED ETCHING (15/75), The Angler, 8" x 13"

Lot 1

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING AND MEZZOTINT 'Lowtide, The Evening Star and Rye's Long Pier Deserted' and 'Mildmay Seapiece', (see further details verso), (2)

Lot 1

HESTER FROOD, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING, A Church (indistinctly inscribed verso) and 19th CENTURY FRENCH COLOURED LITHOGRAPH, The Cavalry at Full Charge, 5" x 5", (2)

Lot 1

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK & WHITE ETCHING (8 OF 20), A Wherry on the Norfolk Broads and G HORSLEY, SIGNED AND DATED 1931, BLACK & WHITE WOOD BLOCK PRINT, Fisherfolk, 7" x 5", (2)

Lot 1

DOROTHY WOOLARD R E, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE DRY POINT ETCHING, 'Kew Bridge from Strand on the Green', 8" x 9"

Lot 1

SYDNEY LEE, SIGNED BLACK AND WHITE ETCHING, 'The Cowshed', 7" x 9", unframed

Lot 1

JOHN CROME AND HENRY NINHAM, PACKET OF FIVE ASSORTED NORWICH SCHOOL ETCHINGS AND ONE OTHER NORWICH SCHOOL ETCHING, various sizes, unframed, (6)

Lot 1

MORTIMER MENPES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, figures before a Tudor building, 15" x 9", mounted but unframed

Lot 1

HENRY NINHAM, BLACK AND WHITE DRYPOINT ETCHING, 'Composition - Bridge and Mill' (see Gallery label verso), 1 3/4" x 3 1/2", mounted but unframed

Lot 1

EARLY 20TH CENTURY BLACK AND WHITE ETCHING, busy street scene with figures, 7" x 10" and one other, (2)

Lot 1

ROLAND GREEN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, (65/75), Canada Geese (in flight), 11" x 13"

Lot 1

ROLAND GREEN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (4/20), 'Avocets', 6" x 6"

Lot 1

ROLAND GREEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Curlew' (landing), 6" x 10"

Lot 1

STANLEY ANDERSON, SIGNED LIMITED EDITION BLACK AND WHITE ETCHING, (NUMBER 70), 'The Blacksmith', 7" x 6"

Lot 1

REMBRANDT VAN RIJN, ETCHING, The Crucifixion, (laid down), 3 1/2" x 2 3/4"

Lot 1

A fine English sabre,Birmingham or Woodstock, circa 1780 with slender curved fullered blade double-edged towards the point and retaining traces of etching at the forte (pitted, rubbed), burnished steel hilt, incorporating a slotted guard, faceted globular pommel with prominent tang button, and spirally fluted ivory grip bound with patterned iron ribband, in its original leather scabbard, the outer face tooled, and fitted with reeded steel mounts, the locket incorporating a button applied with faceted studs in imitation of brilliants and with matching belt hook on its original suspension chain of burnished large decorative links 66cm; 26in blade

Lot 1

A German etched partizan,mid-18th century with small head formed with a central blade reinforced at the point, the base widening to a pair of up-turned flukes, and moulded neck with a pair of short straps, the blade decorated on each face with an etched panel of strapwork foliage, a trophy-of-arms on a faux-damascus ground, and with traces of gilding (haft replaced); another, mid-18th century, the etched decoration involving a double-eagle on one face, an allegorical figure on the other and trophies at the base (patches of pitting, haft replaced); another, mid-18th century (the fluke chipped, etching rubbed, haft replaced); and an Officer's undecorated partizan, late 17th/early 18th century (the haft replaced) the first: 29.3cm; 11.5in head (4)

Lot 1

An officer's regulation spontoon, Hesse-Kassel,circa 1760-85 with leaf-shaped head etched with the cypher of Landgrave Friedrich II von Hessen-Kassel, on a moulded neck fitted with cross-guard, and extending to a pair of straps (light wear, the haft replaced); another, of the battalion hanau (sic), circa 1785-1802, the head etched with the battalion title and the cypher of Landgrave Wilhelm IX (etching rubbed, the haft replaced); and two German military partizans, late 17th century/early 18th century, each very similar, one on an early haft with iron shoe (worn, one strap incomplete, the other straps shortened) the first: 37.5cm; 14.75in head (4)

Lot 1

A rare German etched vamplate,circa 1560, probably from the workshop of Wolfgang and Franz Grosschedel of landshut of characteristic convex form, pierced with a pair of holes at the outer rim, etched with three broad radiating panels filled with differing arrangements of trophies-of-war, including armour, artillery and the abbreviated classical inscription 'SPQR', etched around the base and at top with an elaborate band of scrolling foliage, tendrils and flowers incorporating a cornucopia at the outer rim, all within distinctive plain grouped linear borders, and in fine condition throughout 30.5cm; 12 in diameterThe general character of the etching is very similar to the pattern on an armour made for the Imperial family by the celebrated Landshut armourers Wolfgang and Franz Grosschedel and now preserved in the Hofjagd-und Rustkammer, Vienna (inv. no. A1052).

Lot 1

A German etched circular shield of convex form, the outer surface equally divided between six very low segmental ridges radiating from a central conical boss, studded with pairs of rivets for attaching enarmes, and around the border for attaching a lining (some rivets missing, small laminations, cracks and internally patched repairs), the outer surface etched with six panels scrolling tendrils with grotesque mask terminals, inhabited by figures in classical and 16th century dress, exotic birds, and framed within hatched borders 61.2cm; 24 in diameter The style and the execution of the etching is related to a number of morions associated with Nuremburg and dating from the late 16th and early 17th century. For further examples formerly in the Sachsen-Weimar-Eisenach armoury in the Wartburg see A.D.von Schonberg, Berlin 1912, nos.157-8. See also Sotheby's New York 12th January 1993, Lot 444 and 15th January 1991, Lot 699. à

Lot 1

* [Coaching]. Brocas (Henry), English Travelling, or the Stage from Dover, pub. Dover, March 21st, 1786, hand coloured etching, 3 cm closed tear to lower margin, approx. 350 x 485 mm, framed and glazed (1)

Lot 1

ALFRED R. BLUNDELL, SUFFOLK SCHOOL, (1883-1968), ETCHING, ENTITLED 'KERSEY, THE HIGH STREET', signed, 10 3/4 ins x 13 3/4 ins, framed and glazed.

Lot 1

ALFRED R. BLUNDELL, SUFFOLK SCHOOL, (1883-1968), ETCHING, ENTITLED 'KERSEY, FROM THE CHURCH STEPS', signed, 6 1/4 ins x 8 3/4 ins, framed and glazed.

Lot 1

LEONARD R. SQUIRRELL, R.W.S., R.E., SUFFOLK SCHOOL, (1893-1979), ETCHING, ENTITLED 'CURTIS MILL, WRENTHAM', signed, 6 1/4 ins x 9 1/2 ins, framed and glazed.

Lot 1

LEONARD R. SQUIRRELL, R.W.S., R.E., SUFFOLK SCHOOL (1893-1979), ETCHING/ DRYPOINT, ENTITLED 'A BRIDGE AT ALNWICK', signed, 5 ins x 9 1/4 ins, framed and glazed.

Lot 1

LEONARD R. SQUIRRELL, R.W.S., R.E., SUFFOLK SCHOOL, (1893-1979), ETCHING, ENTITLED 'BRIDGNORTH BY THE SEVERN', signed, 6 1/2 ins x 9 3/4 ins, framed and glazed.

Lot 1

LEONARD R. SQUIRRELL, R.W.S., R.E., SUFFOLK SCHOOL, (1893-1979), ETCHING, ENTITLED 'BLYTHBURGH', signed, 2 3/4 ins x 3 3/4 ins, framed and glazed.

Lot 1

'View of the port and town of Newcastle upon Tyne, from the Rope Walk, Gateshead', etching and aquatint by Robert Havell after Thomas Miles Richardson, 1812, with hand-colouring.

Lot 1

'In Holland', etching, signed proof by George Horton.

Lot 1

'The Wellesley on Tyne', etching, signed proof by George Horton.

Lot 1

'At the mouth of the Tyne', etching, signed proof by Frank Henry Mason.

Lot 1

'North Shields Harbour', etching, signed proof by Frank Henry Mason.

Lot 1

'A path of glitter' - yachts near the shore, etching and aquatint, signed proof by W.L.Wyllie.

Lot 1

'Riverside houses and warehouse at North Shields', etching, signed proof, by J.F. Slater, signed in pencil.

Lot 1

After Joseph Simpson, monochrome etching of a Continental girl with a bonnet and cloak, with a rose, signed on mount and inscribed, 30cms x 21cms, (12” x 8”).

Lot 1

ALLAN GWYNNE-JONES. Trinity Fair. Etching 1/50. Signed 5 5/8 x 4 7/8 inches image size

Lot 1

ALLAN GWYNNE-JONES. The unshaved man. Etching 1/50. Signed and dated 1928 3 1/2 x 2 7/8 inches image size

Lot 1

ALLAN GWYNNE-JONES. A farmyard in winter. Etching. Signed 11 7/8 x 14 1/4 image size

Lot 1

ALLAN GWYNNE-JONES. Blackfriars Bridge. Etching. Signed 3 3/4 x 10 1/4 image size

Lot 1

ALFRED CHARLES STANLEY ANDERSON R.A., R.E., 1884-1966. A travelling barber. Etching. Signed 7 x 8 1/2 inches image size

Lot 1

Benjamin W Leader - Cockle pickers at low tide, etching, published February 1893 by Arthur Tooth & Sons, Haymarket, signed to the margin, 49cm x 77cm

Lot 1

Albany E Howarth 1872-1936 - 'The Lady Chapel, Liverpool Cathedral' etching, 46cm x 32cm, signed in pencil to the margin; and one other 'The Chancel, Exeter Cathedral' (2)

Lot 1

William Walcot 1874-1943 - 'House of a Patrician' dry proof etching, signed in pencil to the margin, 43cxm x 47cm

Lot 1

William Walcot 1874-1943 - 'The Thames from Waterloo', dry point etching, signed in pencil to the margin, 11.5cm x 19cm

Lot 1

William Walcot 1874-1943 - 'Blackfriars Bridge, London?' dry point etching, signed in pencil to the margin, 11.5cm x 16cm

Lot 1

Frederick Farrell - Landscape scene with small mountain, etching, signed in pencil to the margin, 21cm x 46cm

Lot 1

Sir Frank Brangwyn 1867-1956 - 'Road to Figiac' dry proof etching, signed in pencil to the margin, 38cm x 28cm

Lot 1

Framed Colour Etching "Bishops Bridge, Norwich" By J. Lewis Stant

Lot 1

JUNIOR ETCHING CLUB (ills.) PASSAGES FROM MODERN ENGLISH POETS. William Tegg, London n.d. 4to. Red cloth, sightly soiled; top edge gilt. 47 illustrations, including a river scene by J. Whistler; some occasional very light spotting. SHAKESPEARE, William. A MIDSOMMER NIGHTS DREAME NEWLY PRINTED FROM THE FIRST FOLIO OF 1623. Ernest Benn Ltd, London 1924. Number 404 from an edition of 550. 4to. Linen backed grey paper boards a little rubbed. 5 colour plates by Paul Nash. (2)

Lot 1

EDGAR DEGAS, 'Madamoiselle Nathalie Wolkonska', etching, 4 3/4" x 3 1/2", Richard Demarco Gallery label verso.

Lot 1

ROBERT DIGHTON, 'A view taken from Christ Church Meadows Oxford', etching, handcoloured, published circa 1807, 12" x 8 1/4" and a plan of Oxford, both unframed. (2)

Lot 1

HENRY WILKINSON (b.1921), two spaniels in a field, etching in colours, pencil signed in the margin and numbered 86/130, 9 1/2" x 13 1/2", and another similar. (2)

Lot 1

JAMES ALPHEGE BREWER (fl.1909-1938), 'Oxford, (Magdalen from the Cherwell)', etching in colours, pencil signed in the margin, 15" x 7 1/2".

Lot 1

LOUIS WHIRTER, 'Durham Cathedral', etching, pencil signed and entitled in the margin, 9" x 11 1/2".

Lot 1

GERMAN SCHOOL, A football match, etching, pencil signed in the margin, ? .... Dou, 6 1/2" x 8 1/2".

Lot 1

Eileen A. Soper Children Playing round a Maypole, etching, signed 8in x 5in (20.3cm x 12.7cm)

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