![* Gillray (James). A Calm [and] A Squall. H. Humphrey, May 16th. 1820 [but H. G. Bohn edition] circa 1850, a pair of hand-col](https://cdn.globalauctionplatform.com/910db78b-cd1e-4760-a5d0-b0dc011def41/ae1d54da-c640-4879-b4b5-b11e011e8cd8/468x382.jpg)
* Gillray (James). A Calm [and] A Squall. H. Humphrey, May 16th. 1820 [but H. G. Bohn edition] circa 1850, a pair of hand-coloured etchings, each approximately 275 x 375 mm, together with The Fashionable Mamma - or - The Convenience of Modern Dress, vide The Pocket Hole etc. H. Humphrey, Feby. 15th. 1796 [but H. G. Bohn edition] circa 1850, hand-coloured etching, 350 x 250 mm, with Hero's recruiting at Kelsey's - or - Guard - Day at St. James's, H. Humphrey June 9th. 1797 [but H. G. Bohn edition] circa 1850, hand-coloured etching, 360 x 265 mm, all with an additional uncoloured caricature printed on verso, plus another twelve smaller caricatures, including examples by or after Isaac Cruikshank, Charles Williams, James Gillray, W. Davison, Bowles & Carver and George Hunt, including some published in 'London and Paris', small format, but various sizes and conditionQTY: (16)
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![* Thackeray (Lance). A Billiard Match, "Left", "Kissing", "The Cannon" [and] "Snookered", Landeker & Brown, 1902, a set o](https://cdn.globalauctionplatform.com/910db78b-cd1e-4760-a5d0-b0dc011def41/2beaf32d-5d5d-4677-8258-b11e011ecbd0/468x382.jpg)
* Thackeray (Lance). A Billiard Match, "Left", "Kissing", "The Cannon" [and] "Snookered", Landeker & Brown, 1902, a set of four humorous photolithographs of an attempted courtship during a game of billiards, interrupted by a cleric, overall each approximately 385 x 505 mm, uniformly framed and glazed, together with Chabet (C. publisher). The Interior of a Billiard Room, with Thurston's Table, Improved Revolving lamp and Furniture Complete, circa 1870, hand-coloured lithograph, old folds, 250 x 380 mm, mounted, framed and glazed, with Ansell (Charles). A new way of paying Debts of Honor, S. W. Fores, June 28th 1800, etching with contemporary hand-colouring, some spotting, 230 x 345 mm, mounted, framed and glazedQTY: (6)
* Dighton (Robert). The Specious Orator; Will your Ladyship do me the honor to say £50-00, A mere trifle - a brilliant of the first water, an unheard of price for such a lot, surely, 1794, etching with contemporary hand-colouring, 195 x 150 mm, mounted, framed and glazedQTY: (1)NOTE:A portrait of the Scottish auctioneer, James Christie, the founder of Christie's. The image is the basis for Christie's logo design. The Parker Gallery label to verso of frame.
AUGUSTUS EDWIN JOHN OM RA (1878-1961)A female head, (Campbell Dodgson 88), etching printed with tone, signed in pencil, Pl.4 x 3 1/2 inDateable to 1904/5Provenance: with Goldmark Gallery, Uppingham, RutlandFor another example of this etching cf. Christie's, Prints and Multiples 25 October 2006 lot 97
A Collection of 18th and 19th-Century prints, drawings, and watercolours of musical and theatrical subjectsIncluding John Smith (1652-1743) after Domenico Tempesti (Italian c.1655-1737); Frontispiece for Sonate da camera by Nicolo Cosimi; Mezzotint; 24.3 x 33.6cm; 9½ x 13¼in (sheet); Unframed; Georgiana Keate (1771-1850); Edwin in the Character of Caleb; Signed and dated Georgiana Keate 1786 (lower right); Pen and ink with watercolour; 24.7 x 17.2cm; 9¾ x 6¾in; Unframed; George Cruikshank (1792–1878); The Opera Boxes During the time of the Great Exhibition; Etching; 21.9 x 26.5cm; 8½ x 10½in (sheet); Unframed; Thomas Rowlandson (1756-1827); Dr Syntax at Covent Garden Theatre; Aquatint with hand-colouring; 10.7 x 18.1cm; 4¼ x 7in (sheet); Unframed; and twenty-one further unframed works (25)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s;Woolley and Wallis, Salisbury, Old Masters, British and European Paintings, 5 September 2023, lot 199, where purchased by the present owner
Giovanni Battista Piranesi (Italian 1720-1778)Cross section showing the Egyptian decoration of the Caffè degli Inglesi (Wilton-Ely 874); Cross section showing the Egyptian decoration of the Caffè degli Inglesi (Wilton-Ely 875); Design for a chimneypiece with Egyptian theme, featuring a scarab beetle above the mantlepiece and seated figures at each jamb (Wilton-Ely 871); Design for chimneypiece with Egyptian design, sphinxes, hieroglyphs and bulls (Wilton-Ely 872); Design for a chimneypiece with Egyptian figures playing a harp-style instrument, hieroglyphs and sphinxes (Wilton-Ely 867); Design for a chimneypiece with hieroglyph tablets, two sphinxes on the mantelpiece and standing figures on each jamb (Wilton-Ely 864)Six, each etching, from Diverse Maniere d'adornare i cammini...Largest 25.1 x 39cm; 10 x 15¼in; Smallest 24.1 x 28.1cm; 9½ x 11in (plate) (6)Exhibited:Three in Norwich, Sainsbury Centre, Visions of Ancient Egypt, September 2022 - January 2023
1820 A.D.. Willemin - Thèbes - Hypogées - Manuscrit sur papyrus en caractères hiéroglyphiques. Première partie - Proof etching on laid paper of plate 72 from La Description de l’Égypte: Antiquités, Volume II: Commission des sciences et arts d’Égypte with later backing sheet. Cf. Description de l'Égypte publié par les ordres de Napoléon Bonaparte, Köln, 1994, pp.250-251. Cf. Description de l'Égypte: ou recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand, Antiquités, planches, tome deuxième, Paris, 1822, planche 72. 360 grams, 128.5 x 87.5 cm (50 3/4 x 26 1/2 in.). From the collection of a North American priest.Acquired between 1981-1996.Property of a North American collector.The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from the underground chambers (hypogea). The original papyrus is now held in the Bibliothèque Nationale (1-19), Paris (Papyrus Cadet). (For this specific lot, 5% import VAT is applicable on the hammer price.)
1820 A.D.. Willemin - Thèbes - Hypogées - Manuscrit sur papyrus en caractères hiéroglyphiques. Deuxième partie - Proof etching on laid paper of plate 73 from La Description de l’Égypte: Antiquités, Volume II: Commission des sciences et arts d’Égypte with later backing sheet. Cf. Description de l'Égypte publié par les ordres de Napoléon Bonaparte, Köln, 1994, pp.250-251. Cf. Description de l'Égypte: ou recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand, Antiquités, planches, tome deuxième, Paris, 1822, planche 73. 360 grams, 135 x 69.5 cm (53 1/4 x 27 1/4 in.). From the collection of a North American priest.Acquired between 1981-1996.Property of a North American collector.Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from the underground chambers (hypogea). (For this specific lot, 5% import VAT is applicable on the hammer price.)
1820 A.D.. Willemin - Thèbes - Hypogées - Manuscrit sur papyrus en caractères hiéroglyphiques. Troisième partie - Proof etching on laid paper of plate 74 from La Description de l’Égypte: Antiquités, Volume II: Commission des sciences et arts d’Égypte with later backing sheet. Cf. Description de l'Égypte publié par les ordres de Napoléon Bonaparte, Köln, 1994, pp.250-251. Cf. Description de l'Égypte: ou recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand, Antiquités, planches, tome deuxième, Paris, 1822, planche 74. 360 grams, 136 x 66 cm (53 1/2 x 26 in.). From the collection of a North American priest.Acquired between 1981-1996.Property of a North American collector.Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from the underground chambers (hypogea). The original papyrus is now held in the Bibliothèque Nationale (1-19), Paris (Papyrus Cadet). (For this specific lot, 5% import VAT is applicable on the hammer price.)
Chris Orr MBE RA, British b.1943- Pets in Control, 1993; Sixty-Six (66) Lost Pets & Their Problems, 1980; The M. of the Glen, 1991; I don't remember giving you permission to use my little wheelbarrow, 1992;each etching with aquatint on wove, (i) signed, dated, titled and numbered 1/75, image: 36 x 60 cm, (ii) signed, dated and inscribed 'trial proof' in pencil, image: 42.3 x 27.2 cm, (iii) signed, dated, titled and numbered 35/50 in pencil, image: 21.2 x 25.8 cm, (iv) signed, dated, titled and numbered 7/30 in pencil, image: 35.3 x 24.6 cm, (framed)(ARR)(4)
Bob Dylan, American b. 1941- Three Chairs, 2009; giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 138/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: together with COA issued by Washington Green Fine Art.
Graham Sutherland OM, British 1903-1980, The Grasshopper (The Bestiary or the Procession of Orpheus), 1978-79; etching with aquatint on wove, signed and inscribed 'Pour Maria Louisa Belleli' in pencil,a special edition aside from the standard edition of 75, printed by Eleonora and Valter Rossi at 2RC Editrice, Rome, co-published by Marlborough Fine Art and 2RC Editrice, Milan, image: 21.9 × 21.6 cm, (framed)(ARR)
Pablo Bronstein, Argentinian b.1977- Tea Urn Representing the Creation of the Primordial Gods, 2013; Cafetiere in the Piranesi Taste in Silver Gilt, 2011; each hand coloured etching on wove,(i) signed, dated and numbered 1/20 in pencil, plate: 21 x 15 cm, (ii) signed, dated and numbered 48/85 in pencil, plate: 31.5 x 20.3 cm, (unframed)(2)
Salvador Dalí, Spanish 1904-1989, Zebulun, from the 12 Tribes of Israel, 1972;etching in colours on BFK Rives wove, signed in pencil and numbered 172/195, printed by Ateliers Rigal, Paris, published by Transworld Art, New York, image: 50 x 37 cm, (framed) (ARR)Note: Albert Field, The Official Catalog of the Graphic Works of Salvador Dali, 72-6, H
Salvador Dalí, Spanish 1904-1989,La Porte Saint-Denis, 1963; etching with aquatint on Auvergne wove, signed and dated to the plate, signed, dated and numbered 66/100 in pencil to lower edge, together with 'The Official Catalog of the Graphic Works of Salvador Dali' by Albert Field, image: 72 x 54 cm, book: 29 x 22.3 cm, (framed) (ARR) (2)Note: Albert Field, The Official Catalog of the Graphic works, 63-2-CProvenance: Rouge Gallery, St Albans
Louise Bourgeois, French 1911-2010, Be Calm, 2005; screenprint with embroidery on linen tea towel, mounted and laid to backing board, signed in the plate, numbered 157/1000 in black pen, published by Third Drawer Down and Tate, London, with original paper packaging, sheet: 68 x 49.5 cm, (unframed) (ARR)Note: in 2005, Bourgeois created ''Be Calm'' a drypoint etching, after which this tea towel is reproduction. It was created two years prior to Louise Bourgeois's monumental exhibition at the Tate Modern, London in 2007.
Bob Dylan, American b.1941- Train Tracks (Red), 2010;giclée on Hahnemühle 350gsm Museum Etching paper, signed and numbered 281/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56cm, (framed)Note: together with a certificate of authenticity from Washington Green Fine Art
Bob Dylan, American b.1941- Train Tracks (Bright Red), 2012;giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 106/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 91.5 x 71 cm, (framed)Note: together with COA issued by Washington Green Fine Art.
Robin Tanner, British 1904-1988, Hedge Flowers, 1989; Weeds, 1989; Full Moon, 1977;(i)etching on wove, from 'Robin Tanner The Memorial Portfolio', numbered 85/100 in pencil, with portfolio blind stamp, published by Merivale Editions, image: 23 x 16.5cm, (ii)etching on wove, from 'Robin Tanner The Memorial Portfolio', numbered 85/100 in pencil, with portfolio blind stamp, published by Merivale Editions, image: 15.5 x 12.5cm, (iii)etching on wove, this lot is signed in pencil.image: 24.5 x 19cm, (all unframed)(ARR)(3)
Bob Dylan,American b.1941- Sidewalk Café, 2011; giclée print in colours on 350gsm Hahnemühle Museum Etching wove,signed and numbered 138/295 in pencil,printed by GTZ Fine Art Editions, New York,published by Washington Green Fine Art in association with Black Buffalo Artworks,sheet: 70 x 56 cm,(framed)Note: together with COA issued by Washington Green Fine Art.
David Hockney OM CH RA, British b. 1937-Rapunzel Growing in the Garden, from Illustrations from Six Fairy Tales Brothers Grimm (Scottish Arts Council 81; M.C.A. Tokyo 78), 1969; etching and aquatint on Hodgkinson handmade paper, watermarked PP, signed in pencil, and inscribed verso 'Grimm Ed. A. IX. A.P.' in ink, from book edition A, one of 20 artist's proofs aside from the numbered edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, lower and side margins have possibly been slightly cut down, sheet: 44.5 x 31 cm, (framed) (ARR)
Bob Dylan,American b. 1941- Man On A Bridge, 2011; giclée print in colours on 350gsm Hahnemühle Museum Etching wove,signed and numbered 138/295 in pencil,printed by GTZ Fine Art Editions, New York,published by Washington Green Fine Art in association with Black Buffalo Artworks,sheet: 70 x 56 cm,(framed) Note: together with COA issued by Washington Green Fine Art.
Salvador Dalí, Spanish 1904-1989, Levi, from the 12 Tribes of Israel, 1972;etching in colours on BFK Rives wove, signed in pencil and numbered 124/195, printed by Ateliers Rigal, Paris, published by Transworld Art, New York, image: 50 x 37 cm, (framed) (ARR)Note: Albert Field, The Official Catalog of the Graphic Works of Salvador Dali, 72-6, L
Henry Moore OM CH FBA, British 1898-1986, Reclining Figure 3, 1977-78; etching and aquatint on Richard de Bas paper, signed and numbered Pl.3 L15/25 in pencil, printed by Atelier Lacouriere et Frelaut, Paris, 1978, sheet: 54 x 46cm, (framed) (ARR) (2) Note: together with 'Henry Moore: The Graphic Work, 1976-1979, Volume III (Geneva, 1980)', catalogue ed. Patrick Cramer. Literature: Cramer Vol. 3, no. 474.Provenance: Clarendon Fine Art, London
Andrew Ingamells (British, b.1956) 'The Pavilion of Marylebone Cricket Club at Lord's', aqua tint copper etching, hand coloured, limited edition 150 of 195, with legend and signed in pencil on lower margin, mounted, glazed and framed, 63 x 87cm. Drawing of the famous pavilion designed by Thomas Verity in 1889, including close-up views of the terracotta heads which support the consoles on the upper Terrace. Ingamells has built an international reputation as an architectural etcher and his work can be found in the collections of the Tate Gallery, HRH the Prince of Wales, the National Trust, the Paul Mellon Centre, etc. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT. European Union’s Artist’s Resale Right Directive (adopted by the United Kingdom): An Artist's Resale Right would be applicable on this lot should the hammer price exceed the currency equivalent of 1,000 Euros (excluding buyer's premium & VAT). Under these circumstances a 4% resale royalty will be added to the buyer's invoice.
Radley College Oxfordshire cricket match, etching by FP Barraud and Fred Hunter, signed in pencil on lower margin, published by Dickinson & Foster, 1891, mounted glazed and framed, 55 x 69cm. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
(ar) Sir Frank Brangwyn RA (1867-1956) "The Walls of Avignon" 1913 (Les Murs d'Avignon), (Gaunt 'The Etchings of Frank Brangwyn' (225)) etching with drypoint. Signed indistinctly by the artist in pencil. Original frame and mount. Provenance:- With The Fine Art Society, London (Label Verso). 22 cm by 16 cm.
(ar) Stanley Roy Badmin (1906-1989), "Oxfordshire, Cottage", etching, signed within the plate and signed and titled in pencil to bottom margin, 10 cm x 15.5 cmA good, rich impression. Titled and signed to the margin "Oxfordshire Cottage SR Badmin" and signed with initials and dated within the plate "SRB '36". Well framed. Mounted sensitively with a good margin outside the plate. Label for modern framer verso.
(ar) Stanley Roy Badmin (1906-1989), "Burford, Oxfordshire", etching, titled within the plate and signed in pencil to bottom margin, (catalogue raisonee 25), 14 cm x 19 cmA good rich impression. Signed to the edge of the margin and the platemark. Well framed - mounted sensitively with a good margin outside the plate. Label verso for a modern framer.
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71174 item(s)/page