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Lot 448

Dame Laura Knight, RA, RE (British, 1877-1970) The Bareback Rider signed lower right “Laura Knight” etching 40 x 27cm (15.60 x 10.53in)

Lot 96

VALERIE THORNTON (BRITISH, 1931-1991), “Serrabone” ecclesiastical architectural study, coloured etching signed in pencil, no 59 of 60. 25.5” x 15”.

Lot 441

Victoria Burroughs. Sunflower, watercolour, signed on verso 12 June 1976, 11 x 14.5in (28 x 37cm); Marione Sharma-Levy, still life, watercolour and gouache, signed and dated 86; R Mayo, 1991, Collected at Cadgeput Gorge Camp Kimberly Region Western Australia, etching, 30 x 22.25in (76 x 56.5cm). (3)

Lot 375

John Brunsdon ARCA RE (b.1933) MONET’S GARDEN Etching, signed, inscribed and numbered 60/100 29 x 11cm; RIVER DEBEN AT WOODBRIDGE Etching, signed, inscribed and numbered 9/50 30 x 60cm (2)

Lot 390

Norman Ackroyd CBE RA ARCA RE MA (b.1938) LITTLE SKELLING Aquatint etching, signed ‘07 and inscribed 6.5 x 9.5cm; TWO SIGNED POSTCARDS (3)

Lot 334

ZSI CHIMERA (b.1978, Hungary), `Grasshopper chest`, photo etching on Somerset paper, 21cm x 29.5cm, limited edition of 20, signed and numbered 1/20, framed.

Lot 335

ZSI CHIMERA (b.1978, Hungary), `Octopus chair`, photo etching on Somerset paper, 21cm x 29.5cm, limited edition of 20, signed and numbered 1/20, framed.

Lot 343

JEAN AUGUSTE VYBOUD (b.1872), `Nude study`, etching, 25cm x 13cm, signed in pencil, framed.

Lot 344

JEAN AUGUSTE VYBOUD (b.1872), `Nude study`, etching, 25cm x 13cm, signed in pencil.

Lot 290

JAMES HAMILTON HAY (1874-1916), MARIA HAY, etching, signed, titled and dated 1916, unframed. 27cm by 33cm. Provenance: By descent in the family of the artist.

Lot 444

Modern Masters of Etching, Anders Zorn, Sketches of The Beaufort Hunt, a small quantity of 19th Century and later collectable books etc.

Lot 461

Francis Dodd Etching "Greenwich Thames at Low Tide"

Lot 462

Harold Wylie Etching "Harbour Scene with Sailing Vessels"

Lot 463

Herbert Dicksee- Sepia Etching "Head of Lion"

Lot 477

Continental Modernist Etching Indistinctly Signed and Dated 1975 2/10 9" x 12"

Lot 515

W Hole after J Farquharson, Through the Calm and Frosty Air, black and white etching, published by Frost and Reed, plate size 21” x 29 1/4”, stained wood frame

Lot 677

19TH/20TH CENTURY SCHOOL River scene, etching, possibly Montreal, signed possibly J Smart in the margin and monogrammed lower right, 9" x 14"

Lot 681

AFTER COROT A landscape etching published in Berlin 1905 and two other etchings, each signed in pencil by the publisher to the mount, 7" x 9"

Lot 2135

MAX OPPENHEIMER (1885-1954) AUSTRIAN Violin and Music. Signed. Etching. 21/200. 5.75 x 11ins.

Lot 822A

After Paul Cesar Helleu, etching, `Reading by lamplight`, unsigned, 9.75 x 7.25", (not seen out of frame), PROVENANCE: William Weston Gallery label verso.

Lot 823A

After Adolphe Appian, etching, `Barques de Cabotage`, 6.5 x 9.5", (not seen out of frame), PROVENANCE: William Weston Gallery label verso.

Lot 911

GRAHAM CLARKE (1941- ), Alfred King, coloured etching, limited edition 359/400, signed and inscribed in pencil, 11" x 12 3/4", together with a pair of smaller etchings inscribed October and September, 6 3/4" x 8 1/4", gilt frames (3)

Lot 392

WILLIAM LIONEL WYLLIE (1851-1931); Artist signed Etching of sailing vessels with the London skyline in the background. 5" (13cms) x 12" (30cms).

Lot 393

W I WALKER; An artist signed Etching "Off Polperro", another "Clovelly Harbour" and another etching of a shipping scene.

Lot 459

A 19th century engraving after Morland "The Horse Feeder"; an etching of a church

Lot 468

Claude Rowbotham, Port of London and another, signed coloured etchings; a monochrome etching and 3 other prints

Lot 775

EDWARD SHARLAND SIGNED COLOUR ETCHING "BRUGES CATHEDRAL" 20" X 12"

Lot 482

After James Mackintyre, "The Lodge Gate, Formackin", monochrome etching, pencil-signed and after Wallace Hester , "Felstead School", monochrome etching, pencil-signed and titled, (2).

Lot 27

Frank H. Mason - Shipping fleet - drypoint etching, pencil signed to margin, 9 x 21 .5cm

Lot 45

After T. Yolen? - `Rose and Butterfly`, artist proof colour etching, indistinctly pencil signed to margin, inscribed `For Fran`, 34.5 x 23 cm (impression size) to/w after Kandinsky - Watermelon print?, 30 x 49 cm (2)

Lot 75

W - Egyptian view looking towards the pyramids, watercolour, 18 x 29 cm; to/w Mabel Oliver Parker - `Looe - The Ferry`, drypoint etching, pencil signed and titled to margin, 13 x 24 cm (2)

Lot 77

After J. Farquharson - Etching by W. Hole `On snow clad pastures`, 51 x 73 cm, wooden frame with oak leaf and acorn decoration

Lot 117

J. M. Wiley - `Brixham Harbour`, etching, signed and inscribed in pencil, 22 x 16 cm and another print

Lot 201

Edward J. Cherry, 19th century, Exeter Cathedral, etching, signed, together with another and various pictures and prints etc.

Lot 260

Alfred Bentley, Signed Black and White Etching depicting figures on riverbank with rain clouds coming in, signed in pencil, framed, 25cm x 31cm

Lot 262

Rowland Langmaid, Signed Black and White Etching "London Bridge", signed in pencil, in black frame, 14.5cm x 26cm

Lot 264

William Lionel Wyllie, Signed Black and White Etching "The Solent" signed in pencil, mounted but unframed, 19cm x 23.5cm

Lot 265

William Lionel Wyllie, Signed Black and White Etching "St. Catherine`s Wharf", signed in pencil, framed, 26cm x 31cm

Lot 266

William Lionel Wyllie, Signed Black and White Etching "Seine Fishing off Wimereux", signed in pencil, framed, 16.5cm x 21cm

Lot 267

William Lionel Wyllie, Signed Black and White Etching "Naval Engagement of the Hush Ship Probus Commissioned as a Q Ship First World War", signed in pencil, 18cm x 26cm

Lot 268

William Lionel Wyllie, Signed Black and White Etching "Off Valetta, Malta" depicting various 3-masted schooners, tug boats, steam ships, rowing boats, etc., signed in pencil in black frame, 18cm x 39cm

Lot 269

William Lionel Wyllie, Signed Black and White Etching depicting battle ships and other boats off Gibraltar, signed in pencil and framed, 20cm x 41.5cm

Lot 617

J. ALPHEGE BREWER: Coloured etching " York" 40 cm x 22 cm, signed in pencil to mount, framed, with another matching example "Oxford". (2).

Lot 627

R. GOFF: Etching figures on a street entitled "Chelsea" signed and dated 1901 in pencil to mount, 20 cm x 28 cm, framed. ILLUSTRATED.

Lot 2132

A C19th Etching of children and calves in a landscape.

Lot 2158

A framed original Sepia Etching of `Peter Pan`s Statue, Kensington Gardens`, signed by the artist to the lower right margin. 7 7/8`` x 5 7/8`` approx.

Lot 2163

A mounted etching of Abergavenny with the Skirrid in the distance

Lot 618

Frank Everett - a limited edition etching and print in colours "The Green Parrot" titled and signed to the mount. 17.5cms x 12.5cms. and another "The Song" 12cms. x 20cms. (2)

Lot 2736

"Hedley Fitton, `London Bridge`, etching, signed, 36x 39cm "

Lot 2818

"Heywood Sumner, etching, Eton School 1880, P. Simmonds, miniature portrait of a gentleman 1852 & five other watercolours and prints (7)"

Lot 48

19TH CENTURY ENGLISH SCHOOL, BLACK AND WHITE ETCHING, “Claude Duval”, 19” x 27”

Lot 62

DAVID LAW, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, In The Harvest Field, 11 ½” x 17”

Lot 94

AFTER J S COTMAN, ENGRAVED BY THE SAME, BLACK AND WHITE ETCHING, PUBLISHED 1821, “Church of St Nicholas, at Caen”, 13” x 8 ½”; and AFTER J S COTMAN, BLACK AND WHITE ETCHING, PUBLISHED 1817, “The Screen in the North Aisle of North Creak Church – Norfolk”, 7 ½” x 10” (2)

Lot 100

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “A Wherry Race, Barton Broad”, 6” x 8”, mounted but unframed

Lot 103

EARLY 20TH CENTURY EAST ANGLIAN SCHOOL, BLACK AND WHITE ETCHING, The Harbour at Gorleston in a Squall, 6 ½” x 9 ½”, mounted but unframed

Lot 104

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, Inscribed “On The Bure near Acle”, 6” x 8”

Lot 105

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (2/20) BLACK AND WHITE ETCHING, Inscribed “The Fishing Match, Horning”, 5” x 7”, mounted but unframed

Lot 106

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Horning Ferry”, 5” x 7”

Lot 108

JOHN CROME, BLACK AND WHITE ETCHING, PUBLISHED 1812, “At Hackford”, (see further details to gallery label verso), 6 ½” x 8 ½”

Lot 109

HENRY JAMES STARLING, ARE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING DATED 1972, Inscribed “Colegate, Norwich”, 10” x 13”, unframed (A/F); C M NICHOLS, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Thatched Cottages by a River, 6 ½” x 14”; and C M NICHOLS, RE, SIGNED, WATERCOLOUR, Heathland Scene (possibly Mousehold), 7” x 17”, unframed (A/F) (3)

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