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Lot 1
"Pierre Auguste Renoir (1841-1919) - Drypoint etching - “Le Chapeau Epingle"" - Half-length portrait of two young women, one fixing flowers in the other’s hat, 4.75ins x 3.25ins, signed in plate and also signed in pencil and titled in pencil to lower left and right corners, in gilt frame and glazed"
Lot 1
Adeline S Illingworth Etching Notre Dame de Marais, La Ferte-Barnard, signed in pencil to the margin, 51.5cm x 35.5cm; another by the same hand 'The Ponte Vecchio, Florence' signed in pencil to the margin, 28cm x 39.5cm; Scott After Nasmyth, an engraving of the monument intended to be erected on Carlton Hill, Edinburgh, in memory of the gallant Nelson, 56cm x 42cm; and a quantity of other prints etc.
Lot 1
Winifred Marie Louise Austen (1876-1964) "The Irish Elk" Signed artist's proof, black and white drypoint etching, 32cm by 56.5cm (16 1/2in by 22 1/4in) *Provenance. With Arthur Greatorex Ltd, Print Publishers - Dealers in Works of Art, 14 Grafton Street, (Corner of New Bond Street), London W1, also with Barnes (Fine Art Dealers) Ltd, Dealer in Works of Art, 69 Bradshawgate, Bolton also bearing the date "29th December 1926" on a letter from Arthur Greatorex to G Barnes Ltd.
Lot 1
F...W... (20th century) Study of a Chamois, Standing on a Hillside Signed with the artist's initials with a personal inscription "Kenneth", gouache and mixed media on tinted paper, unfinished, 13cm by 12.5cm (5in by 4 3/4in); together with three further pictures H. Griffiths after W.H. Bartlett "Taking a Stage, near Derrycunnihy Cascade, (Killarney) Inscribed verso "Bartlett's Scenery of Ireland, circa 1820", a coloured engraving, 15cm by 19cm (6in by 7 1/2in); After Samuel Howitt "Male Fallow-Deer" Inscribed "Republished by Edward Orme, Bond Street, 1812", coloured etching, 14.5cm by 19cm (5 3/4in by 7 1/2in); Robert Hainuch Mountain Goats on a Hillside in Winter Signed artist's proof, inscribed "Piz Albris, 13th October 1944", a limited edition proof 13/62, 37.5cm by 47.5cm (14 3/4in by 18 3/4in); Eileen Alice Soper (1905-1990) Study of a Young Deer Beside a Tree Signed, pencil and watercolour, unfinished, 28cm by 35cm (11in by 13 3/4in) (5) *The first example is possibly the work of Frank Wallace
Lot 1
William Lionel Wyllie R.A., R.I. (1851-1931) Italian Fishing Boats and Sea Birds off a Mountainous Coastline with Roman Ruins on a Hillside in the Distance, Signed artist's proof, also numbered "XC", black and white drypoint etching, 25cm by 35cm (9 3/4in by 13 3/4in) *Ex. collection Captain R. Glazebrook, The Prince of Wales Own, Naval and Military Club
Lot 1
William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "Newcastle Upon Tyne", a Busy River Scene with Figures on Coal Barges in the Foreground, Tugs and Other Shipping Nearby, Signed artist's proof, also inscribed on an old exhibition label verso with the artist's name and the title of the work, a black and white drypoint etching, 22.5cm by 37.5cm (9in by 14 3/4in) *Provenance. With James Connell & Sons Ltd, Fine Art Dealers & Publishers, 47 Old Bond Street, London
Lot 1
William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "Liverpool", Scene on the River Mersey with a Cunard Liner being Towed by Tugs past the Liver Buildings, Signed artist's proof, also inscribed on an old exhibition label verso with the artist's name and the title of the work, a black and white drypoint etching, 22cm by 37cm (8 3/4in by 14 1/2in) *Provenance. With James Connell & Sons Ltd, Fine Art Dealers & Publishers, 47 Old Bond Street, London
Lot 1
William Lionel Wyllie R.A., R.I., R.E. (1851-1931) "St. Paul's & Blackfriars", Tugs, a Hay Barge and Other Shipping on the Thames, with St. Paul's and Blackfriars Bridge in the Distance, Signed artist's proof, also inscribed on an old exhibition label verso with the artist's name and the title of the work, a black and white drypoint etching, 20cm by 24.5cm (8in by 9 3/4in) *Provenance. With James Connell & Sons Ltd, Fine Art Dealers & Publishers, 47 Old Bond Street, London
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71174 item(s)/page