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Art folder (1976) Six painters, six poets, including print by Roger Raveel, edition Open Kring and Orange House with original etching by Karel DierickxKunstmap (1976) Zes schilders, zes dichters, met druk van Roger Raveel uitgave Open Kring en Oranjehuis met originele ets van Karel Dierickx40 x 32 & 25 x 18 cm
Gwen Bryson (British, second half 20th century) 'Cornish Tin Mine' lino cut print, signed, dated (19)84 and titled to lower margin, no. 2/12, limed wood frame 4½ x 4 7/8 in (11.5 x 12.4 cm); together with an etching by J. Mays, 'dusk on the river Dart', no. 2/10, signed and titled in pencil, 7 x 8¼ in (17.8 x 21 cm). (2)
Circle of Pierre le Boeff, Views of Cathedral cities, a pair, watercolour, each 56 x 37cm.; together with a pastel street scene in Verona, and a colout etching on the interior of Rheim Cathedral by E. Sharland.(4) All framed and glazed. Condition Report: All under glass, main pair rather discoloured, may benefit from a clean.
A Collection of Prints and Pictures; to include two monocromatic mixed media studies of a derelict house and an abandoned mill respectively, two watercolours of shipping scenes by Will Wedgewood, a black and white print of Guisborough Priory, an etching by Fred Cecil Jones Industrial Mills by the Leeds Canal, three signed and numbered coloured reproductions After Robert Leslie Howey, a framed map of North Yorkshire, etc... (quantity)
Holme (Charles), The Graphic Arts of Great Britain, Studio Ltd, 1917; Modern Masters of Etching, 3 volumes, The Studio, 1927-1932; Gombrich (E. H.), Art and Illusion, Phaidon, 1968; The Folio Society Book of the 100 Greatest Photographs; and others on art, graphic design and photography (27)
H. Vredeman de Vries, van Doetecum brothers - Castle Garden inside fortress wall / Description: This print is described by the Rijksmuseum (RP-P-1964-1642) and makes part of , a series of small architectural prints engraved by Johannes or Lucas van Doetecum , first published by Hieronymus Cock in 1562, then by Theodor Galle in 1601, and some decades later by his son Joan Galle. We see a view of a castle with a fortress wall on the left. To the right a corridor of latticework and a pavilion in front. The edition could not be established but based on the superior quality comparing to the Rijksmuseums example and the ones found elsewhere: this is certainly an early impression from 1601 or earlier. Rare in this early printing quality! / Dimensions: 15,20 x 21,00 cm / Condition: Very good impression with plate tone and ink smudges in the plate borders. With wide margins in the original full sheet of laid paper. / Literature: New Hollstein Dutch 281 Van Doetecum, Hollstein Dutch 99-Vredeman de Vries / Medium: Etching /Circa: 1562 260
Karel Dujardin - The Battlefield - 1652 / Description: The battlefield. Landscape with a naked man lying dead in foreground, a horseman looking down at the body at left, a man carrying spoils at the horse's rear, a clothed body lying face down and a dead horse at right, a troop of cavalry armed with lances in background and galloping away to the left; at top left: "K. DV. I. fe. / 1652". Second state with the number. / Dimensions: 16,80 x 19,80 cm / Condition: A good impressing on watermarked laid paper in good condition. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (28. II) ----- Barch 28 II / IV / Medium: Etching /Circa: 1652 220
Carel Dujardin-The hinny with the little bel / Description: The hinny with the little bell. Landscape with a mule standing at center, in profile to right, wearing a halter from which two bells hang, two other asses resting in right background, trees enclosed within a straw fence beyond; second state with number. 1653 Etching made by Carel Dujardin. / Dimensions: 19,80 x 16,40 cm / Condition: Excellent impression with good plate tone on a full sheet of watermarked laid paper with good margins. Excellent condition. / Literature: Bartsch / Le Peintre graveur (1.182.29) --- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (29.II) / Medium: Etching /Circa: 1653 180
Matthäus Merian, Gilles van Coninxloo - Stately fishing - RR / Description: Fishing. From a series of stately hunting scenes in the style of Gilles Coninxcloo. In an arm of the river that is separated by nets, fishing is carried out with hand nets and hand gaffs, a noble couple in courtly costume follows the event. Ref: Hollstein 468. Etching on Laid paper with a watermark. This fresh early impression dates from the first half of Merian his career (in his twenties). In his early works, he showed a great talent for landscape etching close to some Flemish Contemporains such as the master of the small landscapes and he made even work after Jan Breughel the younger. Here Gilles Coninxcloo is the inspirator. The landscape art from his early period deserves more attention as it is far superior to his later work. This is a very rare print, very hard to find, not found in the British Museum, not in the Rijksmuseum, one of the series in the Harvard Art Museum (Object Number M22312.70) and some mostly incomplete sets in famous German collections (Strassburg, Nuremberg, Coburg...).Matthäus Merian I (1593-1650), born in Basel, Switzerland moved to Oppenheim in 1617 and when the city of Oppenheim was destroyed in 1620 by fire during the Spanish occupation he moved back to Basel. Merian married the daughter of Theodor de Bry in 1617 and worked for his father-in-law. To be noted that Coninxcloo (the brother-in-law of Pieter Breughel the Younger) , also worked in Frankenthal (nearby Oppenheim) for a while, as also did Jan Breughel the Younger in Nuremberg. The Flemish artists have a footstep in the region. / Dimensions: 15,40 x 22,10 cm / Condition: Splendid impression on watermarked dense thin laid paper with full plate border and mostly tread margins. / Literature: Hollstein 468 - Wüthrich 236 / Medium: Engraving /Circa: C. 1616-1617 320
Jan Both (1618-1652) -Two mules on the road near the Rocca Aquatico in Ancona. / Description: Two mules on the road near the Rocca Aquatico in the province of Ancona. Landscape with the mules accompanied by a male figure and a dogs on a road, which follows steep cliffs at left, a view of a gorge with a bridge leading across a waterfall in centre background; from a series of four upright landscapes. Etching made by Jan Both, here in the rather rare third state with the publishers address of Theodor Matham. / Dimensions: 26,50 x 20,50 cm / Condition: Good impression on dense laid paper in very good condition. Top right corner slightly wrinkkled. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (4.III) --- Bartsch / Le Peintre graveur (V.207.4) / Medium: Etching /Circa: 1636-1652 150
Adriaen Van Ostade (1610-1685) - The Barn / Description: The interior of a barn. 1647. Signed with the artist's name, 'Av. ostade', and dated '1647' at bottom left. Excellent impression of the final state. This is one of van Ostades most famous etchings. Adriaen Van Ostade was born in Haarlem in Holland in 1610 and died there in 1685. His etchings are dated between 1647 and 1671. He was more prolific as a painter than an etcher, leaving us only 50 etchings. Nevertheless he is probably the most sought after 17th Century Dutch etcher after Rembrandt. / Dimensions: 16,00 x 19,40 cm / Condition: In excellent condition. A good dark impression on laid paper with good margins around the plate border. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (23.X) This is tenth state with area above woman's back shaded with horizontal lines --- Bartsch / Le Peintre graveur (I.362.23)--- Lit.: P. van der Coelen, 'Everyday life in Holland's Golden Age: The Complete Etchings of Adriaen van Ostade', ex. cat. Rembrandthuis, Amsterdam, 1998, no.23. / Medium: Etching /Circa: 1647 360
Matthäus Merian, Gilles van Coninxloo - Stately Deer Hunt - RR / Description: Deer Hunt. From a series of stately hunting scenes in the style of Gilles Coninxcloo. A deer is attacked by three dogs in the river. On the left a noble rider and a noble lady sitting on a stone under a Chinese parasol. Etching on Laid paper with a watermark. This fresh early impression dates from the first half of Merian his career (in his twenties). In his early works, he showed a great talent for landscape etching close to some Flemish Contemporains such as the master of the small landscapes and he made even work after Jan Breughel the younger. Here Gilles Coninxcloo is the inspiratory. The landscape art from his early period deserves more attention as it is far superior to his later work. This is a very rare print, very hard to find, not found in the British Museum, not in the Rijksmuseum, one of the series in the Harvard Art Museum (Object Number M22312.70) and some mostly incomplete sets in famous German collections (Strasburg, Nuremberg, Coburg...).Matthäus Merian I (1593-1650), born in Basel, Switzerland moved to Oppenheim in 1617 and when the city of Oppenheim was destroyed in 1620 by fire during the Spanish occupation he moved back to Basel. Merian married the daughter of Theodor de Bry in 1617 and worked for his father-in-law. To be noted that Coninxcloo (the brother-in-law of Pieter Breughel the Younger) , also worked in Frankenthal (nearby Oppenheim) for a while, as also did Jan Breughel the Younger in Nuremberg. The Flemish artists have a footstep in the region. / Dimensions: 15,40 x 22,10 cm / Condition: Splendid impression on watermarked dense thin laid paper with full plate border and tread margins. / Literature: Wütrich 237, with the reference to Coninxcloo / Medium: Engraving /Circa: C. 1616-1617 320
Antonio Tempesta - The Labours of Hercules (complete 13) -1608 / Description: A rare complete series of 12 etchings and title etching. The series was first published by Nicolas van Aelst in Rome in 1608. A very nice series mostly printed with good plate tone. Complete with full plate border and margins. The address of Van Aelst erased on title page in this state. / Dimensions: 9,80 x 14 cm / Condition: Mostly fine strong impressions with plate tone, a couple slightly weaker. General good uniform condition. / Literature: Bartsch 788-799 / Medium: Etchings /Circa: 1608 650
Wendel Dietterlin - Two Virgins of Chastity with unicorn - 1598 / Description: Etchings from Architectura. Published in Augsburg in 1598. At right we see a woman with unicorn, symbol of chastity and a small ldog besides her, symbol of fidelity. At left Leda with Zeus disguised in the form of a swann. In an architectural setting with coat of arms involving helmets. / Dimensions: 24,60 x 18,50 cm / Condition: Excellent condition. Full plate border and good margins on watermarked laid paper. / Literature: Thieme/Becker IX, 269. Hollstein VI, 214. ------ “One of the most interesting and important architectural works of sixteenth-century northern Europe is the ‘Architectura von Ausstheilung, Symmetria und Proportia der fünff Seulen’ of Dietterlin... [Dietterlin’s] artistic fame and influence was unparalleled in Germany in the first two decades of the seventeenth-century, and in this respect and others, his significance, especially in his dissemination of Renaissance decorative forms in Germany, parallels and even transcends that of Vredeman in the Netherlands (Harry Francis Mallgrave : 'The Millard J. Millard Architectural Collection, III: Northern European Books,(National Gallery of Art, Washington, D.C., 1998, p. 25ff., nos. 28-29) / Medium: Etching /Circa: 1598 120
Quentin Massijs, Thomas Cheesman, The tax collectors, the Misers. / Description: The tax collectors, The Misers. Rare aquatint etching after the famous painting of Quinten Massijs. Made by Thomas Cheesman ca 1791. published in London by A.Molteno. Description of how Quentin Matsys became a painter. He was a blacksmith and became a painter so that the father (a painter) of his bride agreed with the marriage. Very rare aquatint etching in a superb dark early impression with lot of details with large margins. Light foxing but not disturbing. High quality etching on laid paper with large margins. / Dimensions: 28,4 cm x 21, 9cm / Condition: Very rare aquatint etching in a superb dark early impression with lot of details with large margins. Light foxing but not disturbing. High quality etching on laid paper with large margins. / Literature: / Medium: aquatint /Circa: 1791 575
Rembrandt Van Rijn - Study of the head of Saskia and others, 1636 / Description: Etching, Rembrandt Van Rijn (1606-1669): Study of the head of Saskia and others, 1636. New Hollstein 157 II(II) second state of two, Bartsch 365-1(1), Hollstein Dutch 365-1(1). In good restored condition. Printed on thin laid paper, on the margins, image complete. Two restored tears. A very good watermark shield with crown with baselstab. Very good dark impression with lot of details, the hand of Rembrandt. With two collectors mark on the back. / Dimensions: 15,1 cm x 12,4 cm / Condition: In good restored condition. Printed on thin laid paper, on the margins, image complete. Two restored tears. A very good watermark shield with crown with Basel stab. Very good dark impression with lot of details. / Literature: New Hollstein 157 II(II) second state of two, Bartsch 365-1(1), Hollstein Dutch 365-1(1) / Medium: etching /Circa: 1636 3500
C.C. Van Wieringen landscape, by C.J.Visscher - 1613 / Description: A hamlet in the mountains designed by Cornelis Claesz van Wieringen (1577-1633) etching by Claes Jansz Visscher (1587-1652), plate 13 from the series "Dutch Landscapes", considered as one of the most beautiful landscape series of the Dutch 17th century Edited by Davids de Meine in 1613. Hollstein Dutch 339. / Dimensions: 13,80 x 19,00 cm / Condition: Outstanding impression in top condition. Full plate border and tread margins. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (339) / Medium: Etching /Circa: 1613 200
Pietro Testa, Achilles with the body of Hector behind his chariot / Description: Achilles with the body of Hector behind his chariot. Etching made by Pietro Testa (1611-1660)ca 1648. Published in Rome by Arnold Van Westerhout (Antwerp 1651- Rome 1725) in Rome ca 1681-1725. Bartsch 22, Cropper 121, Illustrated Bartsch 6(6). In good condition, good impression on laid paper with large margins and a good watermark. middle fold flattened and reinforced. / Dimensions: 27, cm x 42,6 cm / Condition: In good condition, good impression on laid paper with large margins and a good watermark. middle fold flattened and reinforced. / Literature: Bartsch 22, Cropper 121. Illustrated Bartsch 6(6) / Medium: etching /Circa: 1648 500
Leonardo De Vinci - Deformed Heads, By Wenceslaus Hollar / Description: The Leonardo da Vinci studies of deformed heads are famous. A couple with deformed faces depicted bust-length, facing each other, the woman at left wearing a cap and veil, smiling at the man, with fuzzy hair, laughing, wearing a jacket over striped shirt; after Leonardo da Vinci; first state, before '3' added to lower right. 1645. Etching by Wenceslaus Hollar after Leonardo da Vinci. Signed upper right 'Leonardo da Vinci inue: / W. Hollar fecit 1645'. From the series: Varie Figuræ et Probæ , a series of thirteen etched plates + title after Leonardo da Vinci, with studies of heads, including grotesques; see New Hollstein (Hollar) 737-750. / Dimensions: 7,50 x 10,60 cm / Condition: A very good sharp early impression of the first state before the number with full plate border and tread margins. On a dense laid paper with partial watermark. Condition is very good with no folds, tears or stains. A wonderful untouched condition. / Literature: New Hollstein (German) / The New Hollstein: German engravings, etchings and woodcuts 1400-1700 (743.I) --- Pennington 1982 / A descriptive catalogue of the etched work of Wenceslaus Hollar (1591.I) / Medium: Etching /Circa: C.1645 420
Giovanni Battista Piranesi (1720-1778) - S. Maria degli Angeli - First State / Description: PIRANESI, Giovanni Battista S. Maria degli Angeli. Interior. A very large etching in first state on thick laid paper with Fleur de Lys watermark in double circle, signed in plate on cartouche in center below "Cav. Piranesi F.". Interior view of the S. Maria degli Angeli, formerly the Central Hall of the Baths of Diocletian. Ref. Hind 72.129. - Wilton-Ely 305:262. / Dimensions: 48,70 x 72,00 cm / Condition: Splendid and dark impression of the 1st state (of 4), before the numbers, on Fleur de Lys watermarked laid paper / Literature: Wilton-Ely 1994 / Giovanni Battista Piranesi, the complete etchings (262) --- Hind 1922 / Giovanni Battista Piranesi, a critical study (129.I / IV) --- Focillon 1918 / Giovanni Battista Piranesi: Essai de catalogue raisonné de son oeuvre (835) / Medium: Etching /Circa: 1760-1778 600
Andries Stock - Portrait of Karel van Mander, 1610 / Description: Karel van Mander, famous Flemish painter . Seen three-quarter length, directed to the left head slightly turned to face the viewer, holding a paper in his left hand. A portrait from the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies. This is a first edition published by Hondius, a later edition was published in 1612and 1618 by Jansonius. / Dimensions: 2060 x 12,50 cm / Condition: Outstanding early impression on a full sheet of watermarked laid paper. In excellent condition. / Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (80-155) ----- Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders (2400) ----- van Someren 1888 / Beschriivende catalogus van Gegraveerde Portretten van Nederlanders. Vervolg op Frederik Mullers catalogus van 7000 Portretten van Nederlanders. (M.2400) / Medium: Etching /Circa: 1610 220
Simone Cantarini (1630-1648) - Holy family with S.John / Description: The Holy Family seated with the infant St John; St Joseph holds his hand to his cheek. An intimate and warm family portrait with St. John the Baptist in the background holding a flag standard. Signed bottom left: 'S.C. da Pesare fe'. Etching made by Simonne Cantarini. B.12, only state. / Dimensions: 13,40 x 8,50 cm / Condition: Good impression with plate tone, laid paper, full plate border and tread margins. / Literature: Bartsch / Le Peintre graveur (XIX.130.12) --- Massari 1997 / In 'Simone Cantarini detto il Pesarese', ed. Andrea Emiliani (35) / Medium: Etching and drypoint /Circa: a 420
Hieronymus Cock, View of the Forum Romanum in Rome / Description: View of the Forum Romanum in Rome" From the series Roman ruins.??? Etching made and published By Hieronymus Cock (1518-1570) in Antwerp ca 1550-1551. references: Hollstein Dutch 46, Riggs 25. In very good condition. Good impression printed on very thin laid paper, on the margins, image complete. Mounted on another thicker laid paper. / Dimensions: 19,8 cm x 29,8 cm / Condition: In very good condition. Good impression printed on very thin laid paper, on the margins, image complete. Mounted on another thicker laid paper. / Literature: Hollstein Dutch 46, Riggs 25 / Medium: etching /Circa: 1550-1551 1250
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