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Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Der Tod der Maria. Radierung 1639. 40,9 x 31,5 cm. In d. Platte

Antiquariat Peter Kiefer, Buch- und Kunstauktionen

Lot 3503

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Der Tod der Maria. Radierung 1639. 40,9 x 31,5 cm. In d. Platte sign. u. dat. (unten links, undeutlich). B-99. H-161. BB 39-A (Modern). Seydlitz 99 V (von V). - Abdruck wohl aus den Recueil des Henry Louis Basan, um 1807-08, mit horizontaler Faltung in der Blattmitte u. Montierresten oder -spuren an d. Ecken der unteren Blatthälfte. Linke Blatthälfte mit Wasserrändern, kl. Randeinr. rechts im Falz. - The Death of the Virgin. Etching. Signed and dated on the plate. Print probably from the Recueil of Henry Louis Basan with horizontal folding. - Partly mounting remains, water streaks at left, small marginal tear at the fold. R

Live Auction

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Studienblatt mit Saskia und fünf anderen Frauenköpfen. Radierun

Antiquariat Peter Kiefer, Buch- und Kunstauktionen

Lot 3501

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Studienblatt mit Saskia und fünf anderen Frauenköpfen. Radierung, 1636. Ca. 15 x 12,5 cm, auf Plattenkante beschnitten, tls. mit feinem Rändchen. I.d.Platte sign. u. dat. Unten rechts mit 16 (Tusche) num. Punktuell auf Trägerkarton mont. New Hollstein 157 II, Hollstein 365, ╔Nowell-Usticke 365. C1 dort als "nicht sehr häufig" beschrieben.╗ - Minimal stockfl., tls. leicht dünnhäutig. - - Study sheet with Saskia and 5 other female heads. Etching on fine laid paper. Trimmed on platemark. Minimally foxed. R

Live Auction

Salmon,A.: Rive Gauche. Quartier Latin - Plaisance - Montparnasse - Les Quais - Saint-Germain-des Prés. Paris, Selbstvlg. 195

Antiquariat Peter Kiefer, Buch- und Kunstauktionen

Lot 3848

Salmon,A.: Rive Gauche. Quartier Latin - Plaisance - Montparnasse - Les Quais - Saint-Germain-des Prés. Paris, Selbstvlg. 1951. Gr.4°. ╔Mit 1 sign. Orig.-Radierung╗ u. 15 (10 farb.) Taf. in Heliogravure von Maurice de Vlaminck sowie 2 mont. Portr. (Doña Elvira und Vlaminck) von Modigliani. Lose Lagen in OU mit farb. Deckelillustr. u. Opp.-Decke mit Japan-Holzfurnier-Überzug, in Olwd.-Kassette mit Japan-Hohlfurnier-Auskleidung. (Schuber etw. verblichen). Walterskirchen XIX F. Monod 10104. - Eines v. 25 alphabetisch bez. Künstlerex. mit der sign. Orig.-Radierung Paysage d'été (Von Walterskirchen 147) u. dem Selbstportr. mit der eh. Widmung "Hommage de Vlaminck" (Walterskirchen Anhang II 5b). - Nur stellenweise etw. stockfl. u. gebräunt. - One of 25 copies. With 1 signed original etching and 15 plates in heliogravure by M. de Vlaminck and 2 mounted portraits (Doña Elvira and Vlaminck) by Modigliani. Loose sheets in original wrappers and original card boards with japanese wood veneer covering, in original cloth case (case slightly faded). - Only partly foxed and browned.

Live Auction

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Faust. Radierung um 1652. 21 x 16 cm., Blgr. 22,2 x 17,2 cm. Au

Antiquariat Peter Kiefer, Buch- und Kunstauktionen

Lot 3500

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Faust. Radierung um 1652. 21 x 16 cm., Blgr. 22,2 x 17,2 cm. Auf bräunlichem Papier, an den Ecken auf Büttenpapier geklebt. B-270. H-260. BB 52-4. Seydlitz 270 IV (von IV). Björklund-B. 52- 4 (IV). - Abdruck von der überarbeiteten Platte, wohl aus den Recueil von Henry Louis Basan, um 1807-08, auf dem Orig.-Bl. aufgeklebt (WZ-Fragment der Unterlage "RO"). - Etching. On brownish paper, glued at the corners. Impression from the overworked plate, with watermark fragment. R

Live Auction

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669) nach. Juda und Tamar (Judah und Thamar). Anonyme Radierung wohl

Antiquariat Peter Kiefer, Buch- und Kunstauktionen

Lot 3502

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669) nach. Juda und Tamar (Judah und Thamar). Anonyme Radierung wohl nach einer Zeichnung von Rembrandt, 17. Jh. Plgr. 8,6 x 12, Blgr. 10,2 x 14,2 cm. Mit dem Namenszug "Rembrand (!) delin." i.d. Platte. Verso die Radierung mit Bleistift nachgezogen. Etw. fleckig, li. Heftlöcher. - Anon. etching probably after a drawing by Rembrandt. - Some stains, punchholes left. R

Live Auction

A framed and glazed signed etching with aquataint titled 'Blues Point', an abstract composition. Indistinctly signed and numb

Criterion Auctioneers Ltd - London & Bath

Lot 10

A framed and glazed signed etching with aquataint titled 'Blues Point', an abstract composition. Indistinctly signed and numbered. H.90 W.68cm

Timed Auction

Terence Millington (1942) - A framed and glazed signed limited edition etching with aquataint of a ceramic bowl, edition 50/6

Criterion Auctioneers Ltd - London & Bath

Lot 9

Terence Millington (1942) - A framed and glazed signed limited edition etching with aquataint of a ceramic bowl, edition 50/60. H.70 W.84cm

Timed Auction

A framed and glazed limited edition etching 54/300, Puerto Banus, indistinctly signed with artist's impressed mark. H.53 W.73

Criterion Auctioneers Ltd - London & Bath

Lot 430

A framed and glazed limited edition etching 54/300, Puerto Banus, indistinctly signed with artist's impressed mark. H.53 W.73cm

Timed Auction

A 20th century silver framed and glazed etching and aquatint of abstract African figures, numbered and dated in pencil, 9/20,

Criterion Auctioneers Ltd - London & Bath

Lot 157

A 20th century silver framed and glazed etching and aquatint of abstract African figures, numbered and dated in pencil, 9/20, Lagos, December '73. Indisctinly signed. H.90 W.70cm

Timed Auction

AFTER HENRY WILKINSON "Guns at Pegs", study of driven shooting, limited edition coloured etching No'd. 59/150, signed in penc

Moore Allen & Innocent

Lot 510

AFTER HENRY WILKINSON "Guns at Pegs", study of driven shooting, limited edition coloured etching No'd. 59/150, signed in pencil, 27 cm x 35 cm, together with three others by the same hand "Labrador and Guns on Peg", No'd. 99/100, 27.5 cm x 38 cm, "Huntsman on horseback with hounds", No'd. 36/150, 27.5 cm x 36 cm and "Pheasants breaking cover", No'd. 31/150, 27.5 cm x 32 cm CONDITION REPORTS Areas of foxing on all four but predominantly on the Huntsman on horseback and Labrador and guns on peg. Otherwise all have general wear and tear to include presence of thunderbugs beneath the glass on both images and mounts. Frames a little tired. In need of a clean. See images for more details.

Timed Auction

After Bede. Knowledge Putteth Up, etching, hand titled, another Town And Gone 14cm x 18cm and The Freshman's Dream. (3)

Golding Young & Mawer

Lot 70

After Bede. Knowledge Putteth Up, etching, hand titled, another Town And Gone 14cm x 18cm and The Freshman's Dream. (3)

Live Auction

William Lionel Wyllie (British, 1851-1931),A continental harbour scene,Etching on paper,Signed in pencil lower left,23.5cm x

Trevanion Auctioneers & Valuers

Lot 300

William Lionel Wyllie (British, 1851-1931),A continental harbour scene,Etching on paper,Signed in pencil lower left,23.5cm x 36cm,Framed and glazed

Live Auction

After Gustav Dore (1832-1883),'The Neophyte (First Experience of the Monastery)',Dry-point etching on paper,Signed 'G Dore' i

Trevanion Auctioneers & Valuers

Lot 303

After Gustav Dore (1832-1883),'The Neophyte (First Experience of the Monastery)',Dry-point etching on paper,Signed 'G Dore' in pencil to lower margin,65cm x 76cm,Framed and glazed

Live Auction

PABLO PICASSO (Malaga, 1881 - Mougins, France, 1973)."Nu et sculptures", "Suite Vollard", 1933.Etching.Signed in pencil. 37`8

Setdart Subastas S.L

Lot 112

PABLO PICASSO (Malaga, 1881 - Mougins, France, 1973)."Nu et sculptures", "Suite Vollard", 1933.Etching.Signed in pencil. 37`8 x 29´7 cm (print); 44´5 x 33´6 cm (paper).In common agreement with historians and specialists, The Vollard Suite is considered the supreme work of 20th century engraving. The Vollard Suite is the fruit of intensely creative moments in which Picasso, in the manner of a graphic diary, developed his obsessions on themes of love, desire and existential fears. The definitive edition of the series began to be printed in 1939, before Vollard's death in July of the same year. Once the print run was completed, the prints went, along with other unpublished series, to the French art dealer's warehouses. The Vollard Suite prints were shown for the first time in 1979 at the exhibition held at the Musée d'Art Moderne de la Villa in Paris, from where they became part of the holdings of the Musée Picasso in Paris. Throughout the Vollard Suite the main protagonist is Marie-Thérèse Walter, Picasso's great love of the 1930s. From 1932 onwards his interest in her as a model increased, she appears so frequently in his paintings, drawings, prints and sculptures, in her various moods and forms, that she can be considered the great heroine of Picasso's fictional world. Caught between the anger of his wife Olga and his passion for Marie-Thérèse, Picasso came to consider it the worst moment of his life. In many prints from the 1930s, all the female characters are portraits of the young woman.Marie-Thérèse was for Picasso the antithesis of death, the fullness of life, the ardour of youthful love, the woman-child and the embodiment of his pictorial ideal already proclaimed in the neoclassical female figures of the 1920s.The Vollard Suite is a clear testimony to Picasso's skill as a draughtsman. The one hundred prints cover a wide variety of subjects in Picasso's universe. The series is a considerable part of Picasso's graphic production from 1930 to 1937, and many of the works not included in it have similar themes. Each of the prints becomes comprehensible when analysed in the context of the series as a whole: it is the themes and motifs that preoccupied Picasso that impart unity and coherence to the prints. The major themes are: the passion of love personified in the model, her relationship with artists past and present, and the extent to which creative activity can be considered divine. The two preferred incarnations of the artist are as a classical sculptor and as a Minotaur, opposing personalities that form a typological dichotomy comparable to Nietzsche's Apollonian-Dionysian antithesis. In the prints, an Apollonian linear style is sometimes fused with dark, baroque strokes of Dionysian impetus.

Live Auction

* Elisabeth Frink [1930-1993]-Anthony and Cleopatra,:-etching in colours,signed and numbered 150/175 in the margin80 x 60cm.*

Bearnes Hampton & Littlewood

Lot 46

* Elisabeth Frink [1930-1993]-Anthony and Cleopatra,:-etching in colours,signed and numbered 150/175 in the margin80 x 60cm.*Notes Depicting Helen Mirren and Michael Gambon in the Royal Shakespeare Company 1982 production.

Live Auction

* John Brunsden [1933-2014]-Dorset Beach,:- etching in colourssigned, inscribed and numbered 63/150 in the borderimage size 2

Bearnes Hampton & Littlewood

Lot 147

* John Brunsden [1933-2014]-Dorset Beach,:- etching in colourssigned, inscribed and numbered 63/150 in the borderimage size 22 x 30

Live Auction

Four variour prints,:- comprisingAdolph Cieslarczyk [1916-2003]- Epouse d'Ariste, lithograph, signed and inscribed, sheet siz

Bearnes Hampton & Littlewood

Lot 52

Four variour prints,:- comprisingAdolph Cieslarczyk [1916-2003]- Epouse d'Ariste, lithograph, signed and inscribed, sheet size 64 x 48cm, Valerie Thornton [1931-1991] - etching, signed and numbered 8/50, sheet size 50 x 70cm, Bernard Kay [b.1927]- Noon Landscape, signed and inscribed, sheet size 53 x 69cm and Tony Avora [b.1937], artist proof, signed, sheet size 51 x 60cm, all unframed. [4]* Notes Please refer to websites for further images of this lot - www.the-saleroom.com & www.easyliveAuction.com

Live Auction

* Jacqueline de Champvallins [Contemporary]-Homage a Gershwin,:-etching with aquatint, triptychsigned in pencil and numbered

Bearnes Hampton & Littlewood

Lot 256

* Jacqueline de Champvallins [Contemporary]-Homage a Gershwin,:-etching with aquatint, triptychsigned in pencil and numbered 18/99 in the margin49 x 88cm.

Live Auction

* Julian Trevelyan [1910-1988]-Chiswick Mall,:-etching in colours, Artist's Proof,signed and inscribed in pencilsheet size 59

Bearnes Hampton & Littlewood

Lot 64

* Julian Trevelyan [1910-1988]-Chiswick Mall,:-etching in colours, Artist's Proof,signed and inscribed in pencilsheet size 59 x 78cm.

Live Auction

* Radway [20th Century] - I Had A Dream,:- signed, inscribed and dated Dec '75mixed media, 50 x 39cm, together with a Graham

Bearnes Hampton & Littlewood

Lot 146

* Radway [20th Century] - I Had A Dream,:- signed, inscribed and dated Dec '75mixed media, 50 x 39cm, together with a Graham Greenfield [b.1951] etching of an interior and an oil painting titled Town Moor, indistinctly signed 'Richard O...'?. [3]* Notes Please refer to websites for further images of this lot - www.the-saleroom.com & www.easyliveAuction.com

Live Auction

* Charpin [20th Century]-Estano 3,:-etching, signed inscribed and numbered 2/12 E.A.sheet size 50 x 64cm, unframed.

Bearnes Hampton & Littlewood

Lot 72

* Charpin [20th Century]-Estano 3,:-etching, signed inscribed and numbered 2/12 E.A.sheet size 50 x 64cm, unframed.

Live Auction

* Ken Kiff [1935-2001]-Figure in garden with frog, butterfly and snake,:-etching, signed and numbered 2/75 in pencil sheet si

Bearnes Hampton & Littlewood

Lot 80

* Ken Kiff [1935-2001]-Figure in garden with frog, butterfly and snake,:-etching, signed and numbered 2/75 in pencil sheet size 75 x 57cm, unframed.

Live Auction

* Brenda Harthill [b.1943]-Variations VI - Dark Water,:-etching in colours on embossed papersigned and dated '89, inscribed a

Bearnes Hampton & Littlewood

Lot 254

* Brenda Harthill [b.1943]-Variations VI - Dark Water,:-etching in colours on embossed papersigned and dated '89, inscribed and numbered 4/150 in pencil along the bottom marginsheet size 101 x 72cm.

Live Auction

* Graham Clarke [b.1941]-Herberts Turbots,:- coloured etching, signed, inscribed and numbered 64/350, sheet size 22 x 26cm, t

Bearnes Hampton & Littlewood

Lot 81

* Graham Clarke [b.1941]-Herberts Turbots,:- coloured etching, signed, inscribed and numbered 64/350, sheet size 22 x 26cm, together with two more small coloured etching by Clarke titled The Royal Star (triptych) & Rainbows. [3]* Notes Please refer to websites for further images of this lot - www.the-saleroom.com & www.easyliveAuction.com

Live Auction

* Norman Ackroyd [b.1938]- Night Scene,:- artist's proof, etching with aquatintsigned in pencil and dated 1968,sheet size 49

Bearnes Hampton & Littlewood

Lot 108

* Norman Ackroyd [b.1938]- Night Scene,:- artist's proof, etching with aquatintsigned in pencil and dated 1968,sheet size 49 x 49cm.

Live Auction

* Richard Spare [b.1951]-Cutting The Lilies,:-etching in colourssigned, inscribed and numbered 72/15035 x 32cm.

Bearnes Hampton & Littlewood

Lot 62

* Richard Spare [b.1951]-Cutting The Lilies,:-etching in colourssigned, inscribed and numbered 72/15035 x 32cm.

Live Auction

Natasha Kumar:  Lotus Symbol, etching signed in pencil, 19 x 16 cm; a small copper map printing plate; a limited edition

Maxwells

Lot 735

Natasha Kumar: Lotus Symbol, etching signed in pencil, 19 x 16 cm; a small copper map printing plate; a limited edition print after Tom Brown

Live Auction

WILLIAM LIONEL WYLLIE etching - labelled verso 'Cobles at Newbiggin, Northumberland', signed in pencil, 21 x 49cms

Rogers Jones & Co

Lot 161

WILLIAM LIONEL WYLLIE etching - labelled verso 'Cobles at Newbiggin, Northumberland', signed in pencil, 21 x 49cms

Live Auction

WILLIAM LIONEL WYLLIE etching - labelled verso - HMS Victory at Portsmouth Harbour, signed in pencil, 21 x 49cms

Rogers Jones & Co

Lot 160

WILLIAM LIONEL WYLLIE etching - labelled verso - HMS Victory at Portsmouth Harbour, signed in pencil, 21 x 49cms

Live Auction

*COLIN SELF (b.1941)Cat with a Birddrypoint etching, signed l.r., dated 2009, numbered 9/2021.5 x 17.5cm*Artist's Resale Righ

Sworders

Lot 456

*COLIN SELF (b.1941)Cat with a Birddrypoint etching, signed l.r., dated 2009, numbered 9/2021.5 x 17.5cm*Artist's Resale Right may apply to this lot.

Live Auction

WILLIAM HOGARTH (1697-1764)The Bathos, 1764line etching, depicting the end of times, with a reclining winged figure smoking a

Sworders

Lot 631

WILLIAM HOGARTH (1697-1764)The Bathos, 1764line etching, depicting the end of times, with a reclining winged figure smoking a pipe, among several broken timepieces, weapons, and buildings, underneath a pub sign reading 'The World's End', inscribed 'designed and engraved by William Hogarth, published according to Act of Parliament 1764', inscribed to the top 'Tail Piece'33 x 34cm, framedThis was Hogarth's final engraving, which he designed to serve as the tail piece of his complete engraved works.

Live Auction

ROBERTO MATTA (Chilean, 1911-2002)Vision déchirante, 1973 - an abstract landscape with female figuresetching and aquatint, si

Sworders

Lot 433

ROBERTO MATTA (Chilean, 1911-2002)Vision déchirante, 1973 - an abstract landscape with female figuresetching and aquatint, signed l.r., numbered 99/10038 x 49cm, framedCondition report: With staining to the surround.

Live Auction

ALLEGORICAL,18th/19th century, a scroll with an allegorical scroll comprising angels, cherubs and a crowd set within a classi

Sworders

Lot 350

ALLEGORICAL,18th/19th century, a scroll with an allegorical scroll comprising angels, cherubs and a crowd set within a classical temple, etching laid on canvas,89 x 68cmCondition report: With heavy wear. Some tears along the edges. Stained throughout.

Live Auction

*IVO SALIGER (Austrian, 1894-1987)'Fairies of Fate', c.1920etching in colours, signed 'Ivo Saliger' in pencil l.r. and inscri

Sworders

Lot 252

*IVO SALIGER (Austrian, 1894-1987)'Fairies of Fate', c.1920etching in colours, signed 'Ivo Saliger' in pencil l.r. and inscribed indistinctly l.r.40 x 37cm*Artist's Resale Right may apply to this lot.

Live Auction

A Framed Coloured Etching Signed in Pencil E H Barlow, Lower Right

Brettells Auctioneers & Valuers

Lot 300

A Framed Coloured Etching Signed in Pencil E H Barlow, Lower Right

Live Auction

James Gillray (1756-1815) hand coloured etching, The State Waggoner and John Bull, published H Humphrey 1804, 27 x 37.5cm, ma

Reeman Dansie

Lot 1091

James Gillray (1756-1815) hand coloured etching, The State Waggoner and John Bull, published H Humphrey 1804, 27 x 37.5cm, margins intact

Live Auction

James Gillray (1756-1815) etching and aquatint, The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-prick, 33 x 24cmCo

Reeman Dansie

Lot 1092

James Gillray (1756-1815) etching and aquatint, The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-prick, 33 x 24cmCondition report: Please see all images on our website www.reemandansie.com, illustrating both sides and the areas of foxing, margins and further details of the work.

Live Auction

James Gillray (1757-1815) hand coloured etching - Election Candidates or the Republican Goose at the Top of the Pole, publish

Reeman Dansie

Lot 1099

James Gillray (1757-1815) hand coloured etching - Election Candidates or the Republican Goose at the Top of the Pole, published 1807 by Humphrey, 37cm x 27cm, in glazed frame

Live Auction

Thomas Rowlandson (1757-1827) hand coloured etching - John Bull at the Italian Opera, published by Rowlandson 1811, 34cm x 24

Reeman Dansie

Lot 1100

Thomas Rowlandson (1757-1827) hand coloured etching - John Bull at the Italian Opera, published by Rowlandson 1811, 34cm x 24cm, in glazed frame

Live Auction

*Lewis Baumer (1870-1963) etching- 'The Sandal', pencil signed, in an edition of 75, with label verso, in glazed frame. 23cm

Reeman Dansie

Lot 1115

*Lewis Baumer (1870-1963) etching- 'The Sandal', pencil signed, in an edition of 75, with label verso, in glazed frame. 23cm x 30cm

Live Auction

*Eileen Alice Soper (1905-1990) etching, Net Ball, signed, from the estate of Eileen Soper, 12.5 x 17cm, in glazed frame. Pro

Reeman Dansie

Lot 1133

*Eileen Alice Soper (1905-1990) etching, Net Ball, signed, from the estate of Eileen Soper, 12.5 x 17cm, in glazed frame. Provenance: Estate of George & Eileen Soper

Live Auction

*Chris Orr (b. 1943) limited edition etching- whimsical biblical dogs, numbered 14 of 50, signed and dated 1991, in glazed gi

Reeman Dansie

Lot 1169

*Chris Orr (b. 1943) limited edition etching- whimsical biblical dogs, numbered 14 of 50, signed and dated 1991, in glazed gilt frame. 75cm x 56cm

Live Auction

PATRICK PROCTOR; a signed limited edition etching on aquatint, 'Nocturne in North Wales', no.30/150 with certificated details

Adam Partridge Auctioneers & Valuers

Lot 1252

PATRICK PROCTOR; a signed limited edition etching on aquatint, 'Nocturne in North Wales', no.30/150 with certificated details verso, the image 34 x 47cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Live Auction

AFTER TONY RATCLIFFE; etching and aquatint, Cullins, 18cm x 20.5cm, framed and glazed.Provenance: from the estate of Stanley

Adam Partridge Auctioneers & Valuers

Lot 1283

AFTER TONY RATCLIFFE; etching and aquatint, Cullins, 18cm x 20.5cm, framed and glazed.Provenance: from the estate of Stanley Dobbin.

Live Auction

AFTER JEAN CAMERON; etching and aquatint, sleeping cats, 32cm x 26.5cm, glazedProvenance: from the estate of Stanley Dobbin.

Adam Partridge Auctioneers & Valuers

Lot 1285

AFTER JEAN CAMERON; etching and aquatint, sleeping cats, 32cm x 26.5cm, glazedProvenance: from the estate of Stanley Dobbin.

Live Auction

SIAN NOLAN; black and white etching, portrait study of a man, signed and dated 1990, 27.5 x 20cm, framed and glazed. (D)PROVE

Adam Partridge Auctioneers & Valuers

Lot 1297

SIAN NOLAN; black and white etching, portrait study of a man, signed and dated 1990, 27.5 x 20cm, framed and glazed. (D)PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Live Auction

FREYA MAYNE; black and white etching, portrait study, signed, 25 x 17.5cm, framed and glazed.PROVENANCE: from the Brian Morle

Adam Partridge Auctioneers & Valuers

Lot 1298

FREYA MAYNE; black and white etching, portrait study, signed, 25 x 17.5cm, framed and glazed.PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.

Live Auction

PKG; a etching, 'None so free as a Bumble Bee', 12 x 9.5cm and a print titled 'Manchester Bee Courage', 17 x 23cm, both frame

Adam Partridge Auctioneers & Valuers

Lot 1300

PKG; a etching, 'None so free as a Bumble Bee', 12 x 9.5cm and a print titled 'Manchester Bee Courage', 17 x 23cm, both framed and glazed (2).

Live Auction

STANLEY DOBBIN (1932-2021); artist proof etching, "Station", signed and titled in pencil, 23cm x 29cm, unframed. (D)Provenanc

Adam Partridge Auctioneers & Valuers

Lot 1453

STANLEY DOBBIN (1932-2021); artist proof etching, "Station", signed and titled in pencil, 23cm x 29cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Live Auction

STANLEY DOBBIN (1932-2021); artist proof etching, "Buildwas Station", signed and titled in pencil, 50cm x 74cm, unframed. (D)

Adam Partridge Auctioneers & Valuers

Lot 1454

STANLEY DOBBIN (1932-2021); artist proof etching, "Buildwas Station", signed and titled in pencil, 50cm x 74cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Live Auction

STANLEY DOBBIN (1932-2021); etching, war ship, unsigned, 25cm x 32cm, unframed.Provenance: from the estate of Stanley Dobbin.

Adam Partridge Auctioneers & Valuers

Lot 1457

STANLEY DOBBIN (1932-2021); etching, war ship, unsigned, 25cm x 32cm, unframed.Provenance: from the estate of Stanley Dobbin.Additional Information

Live Auction

STANLEY DOBBIN (1932-2021); artist proof etching, "Rail Motor No.36 at Halesowen", signed and titled in pencil, 30cm x 45cm,

Adam Partridge Auctioneers & Valuers

Lot 1463

STANLEY DOBBIN (1932-2021); artist proof etching, "Rail Motor No.36 at Halesowen", signed and titled in pencil, 30cm x 45cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Live Auction

STANLEY DOBBIN (1932-2021); artist proof etching, "GWR Diesel Rail-Car", signed and titled in pencil, 30cm x 45cm, unframed.

Adam Partridge Auctioneers & Valuers

Lot 1464

STANLEY DOBBIN (1932-2021); artist proof etching, "GWR Diesel Rail-Car", signed and titled in pencil, 30cm x 45cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Live Auction

STANLEY DOBBIN (1932-2021); artist proof etching, 'Bristol to Plymouth', signed and titled in pencil, 45 x 49cm, with two fur

Adam Partridge Auctioneers & Valuers

Lot 1465

STANLEY DOBBIN (1932-2021); artist proof etching, 'Bristol to Plymouth', signed and titled in pencil, 45 x 49cm, with two further Stanley Dobbin prints, one of the vertical boiler, the other of an engine, unframed (3). (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Live Auction

STANLEY DOBBIN (1932-2021); artist proof woodblock, 'Marple Viaduct', signed and titled in pencil, 44 x 44cm, with a further

Adam Partridge Auctioneers & Valuers

Lot 1466

STANLEY DOBBIN (1932-2021); artist proof woodblock, 'Marple Viaduct', signed and titled in pencil, 44 x 44cm, with a further Stanley Dobbin etching of a water tank, 30 x 30cm, both unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Live Auction

STANLEY DOBBIN (1932-2021); artist proof etching, "61 At Bray", signed and titled in pencil. 30cm x 35cm, unframed. (D)Proven

Adam Partridge Auctioneers & Valuers

Lot 1470

STANLEY DOBBIN (1932-2021); artist proof etching, "61 At Bray", signed and titled in pencil. 30cm x 35cm, unframed. (D)Provenance: from the estate of Stanley Dobbin.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Live Auction

MICHAEL EDWARDS - etching of heron, together with three other woodblocks

HRD Auction Rooms Ltd

Lot 80

MICHAEL EDWARDS - etching of heron, together with three other woodblocks

Live Auction

Terence Millington (B.1942) a signed limited edition etching, numbered and signed. H.62 W.40cm

Criterion Auctioneers Ltd - London & Bath

Lot 179

Terence Millington (B.1942) a signed limited edition etching, numbered and signed. H.62 W.40cm

Timed Auction

LARGE SIGNED ETCHING 100W X 140H

Southgate Auction Rooms

Lot 185

LARGE SIGNED ETCHING 100W X 140H

Live Auction

A Dress Sword by Wilkinsons Sword, with etched steel blade, brass handle and brass wire wound grip, brass mounted scabbard no

Mallams

Lot 25

A Dress Sword by Wilkinsons Sword, with etched steel blade, brass handle and brass wire wound grip, brass mounted scabbard not associated, 90cm long, together with a 19th century bayonet, numbered to the hilt and scabbard, 72cm long and a further bayonet, possibly eastern, with stirrup handle and engraved script to the blade, 52cm long (3)Condition report: All scabbards with oxidisation and peeling to the paint work. Dress sword with etching rubbed away in places.

Timed Auction

71174 item(s)

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