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Lot 438
Jennie Harbour (1893-1959). A Victorian Poet, etching with colour, published by Raphael Tuck together with Early Morn Portsmouth, an aquatint signed M Gordon Thompson; a snow covered winter landscape, gouache, unsigned, written in pencil verso Sevenoaks 47; a silkwork embroidery picture of heavy horses etc.
Lot 459
Peter Doig (b.1959), "Ski Lift" from Grasshopper, 1997, signed and numbered 5/35 in pencil in the margin (there were also 6 artist's proofs), on Zerkhall etching paper, etching, plate size 17 x 27cm.; 6.75 x 10.75in, sheet size 45.5 x 55.5cm.; 18 x 22in. Artists' Resale Right ("droit de suite") may apply to this lot.
Lot 469
Sir Frank Brangwyn R.A. (British, 1867-1956), Illustration for L'Ombre de la Croix - Shepherd, circa 1931, initialled in the plate, etching, plate size 7.5 x 6cm.; 3 x 2.5in. The text for L'Ombre de la Croix, written by the brothers Jerome and Jean Tharaud, was published by Editions Lapina, Paris, 1931, in two volumes, and was illustrated with 73 Brangwyn etchings. The book describes the lives of Jews in contemporary Europe and many of Brangwyn's illustrations appear to depict the town of Belz in Poland, which was a centre of pilgrimage. Brangwyn is not known to have visited Poland and current research suggests that a large proportion of the etchings were based on photographs. We are grateful to Dr. Libby Horner for her assistance.
Lot 2416
A collection of various pictures, including an etching, entitled Ightham Mote House; together with three further etchings, a framed photographic print of a Lion, a pair of signed Baxter prints, a canvas print depicting two ladies drinking, a reproduction map of Staffordshire; together with one watercolour, signed indistinctly, etc
Lot 1062
EARLY 19TH CENTURY ETCHING OF THE SHIP 'GREAT HARRY' hand-coloured aquatint etched by Robert Cruikshank and engraved by R. G. Reeve, after drawings by Hans Holbien in the possession of The Princess Victoria, titled 'The Great Harry, the first Ship of War that carried Guns built at HIS MAJESTIES Dock Yard at Woolwich in the reign of King Henry VIII, 1514', framed and under glass, 52cm high, 70 cm long
Lot 42
Leslie Moffatt Ward (1888-1978): Mounted signed etching; Eastington Farm, signed and titled in pencil to margin (36 x 11.5 cm). Leslie Moffatt Ward was a painter, and etcher of landscapes and coastal scenes who studied at Bournemouth arts school. He is well known for his local scenes around Poole and the Purbeck's, and these works are from the collection remaining at his studio at the time of his death.
Lot 682
A Bavarian infantry officer’s sword (1825-48), slightly curved, pipe backed blade 32”, with traces of etching, ornamental brass hilt, turn down quillon, inverted “sunburst” langets, guard incorporating small scroll, forward angled lion’s head pommel, no backstrap, darkwood grip fluted on the inner side and diced on the outer, which incorporates lozenge panel embossed with the cypher of Ludwig I (1825-48), in its steel scabbard with brass mounts and 2 rings. GC (some age wear, light pitting to blade) Plate 9
Lot 713
A mid 18th century hunting sword, slender tapering fullered blade 22”, with narrow back fuller to central section and faint traces of etching, brass crossguard with spiral fluted centre section (finials bent), finely spiral fluted ivory grip (cracked along the back edge) rounded pommel cap embossed with lion’s head and shell, stud button tip. GC for age. Plate 8
Lot 2140
REMBRANDT VAN RIJN (DUTCH 1606-1669), BASAN EDITION ETCHING, PLATE SIZE: H 3 1/2", W 3 1/4", "THE CARD PLAYER"Plate signed and dated "Rembrandt f. 1641"; paper size: 4 3/4" x 3 3/8"; framed. Provenance: purchased from Bellette Hofmann, NYC in the late 1980's (Certificate of authenticity from Bellette Hofmann is in the customer file. Dutch, 1606-1669.As viewed under room light in the unopened frame: paper is browning; has thread margins; floated - appears not to be laid down. .rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.
Lot 2141
REMBRANDT VAN RIJN (DUTCH 1606-1669), ETCHING, PLATE SIZE: H 5 1/4", W 3 3/8", "THREE HEADS OF WOMEN, ONE ASLEEP"Date that this impression was pulled is unknown; iii/iii; paper size: 5 3/8" x 3 5/8"; References: Bartsch #368 and Hind #152; framed. Provenance: purchased fro Bellette Hofmann, NYC in the late 1980's; certificate of authenticity from Bellette Hofmann in customer file. Dutch, 1606-1669.As viewed under room light in the unopened frame: thread margins; floated; appears not to be laid down; appears to be in good condition. Rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.
Lot 2142
EDOUARD MANET (FRENCH, 1832-1883), ETCHING & AQUATINT IN BLACK INK, PLATE SIZE: H 3 3/8", W 6 7/8", "OLYMPIA"From the 1st edition issued in 1867 for Emile Zola (size of edition: 600 prints) but vi/vi; paper size: 5 1/4" x 8 3/4"; framed. Purchased from Bellette Hofmann, NYC in the late 1980's; certificate of authenticity from Bellette Hofmann in customer file. French, 1832-1883.As viewed under room light in the unopened frame: appears to be in good condition. Rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.
Lot 2143
PIERRE AUGUSTE RENOIR (FRENCH 1841-1919), ETCHING, C. 1906, PLATE SIZE: H 5 3/8", W 7 3/8", "FEMME COUCHEE (TOURNEE A GAUCHE)"Second state of two; exact date that this print was pulled is unknown; sight paper size: 6" x 8 1/2"; reference: Stella #15; framed. Provenance: purchased from Bellette Hofmann, NYC in the late 1980's - certificate of authenticity from same in customer file. French, 1841-1919.As viewed under room light in the unopened frame: appears to be in good condition. Rf, 1-7-2016- For High Resolution Photos visit Dumouchelles website.
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71174 item(s)/page