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Lot 255

Rudolph Veit, original etching titled 'Nurnberg'

Lot 477

JACKSON SIMPSON, signed in pencil to margin, etching inscribed Somme Hay Boat , 5 x 7 “ ins

Lot 464

PAUL BISSON, signed in pencil to margin, limited edition (168/350) coloured etching, Houghton Mill , 10 x 13

Lot 623

PAUL CESAR HELLEU (French,1859-1927), 'Woman Facing Towards the Night', 59cm x 39cm, original drypoint etching on woven paper, signed by the artist in pencil and framed.

Lot 134

Fox Cub, original artist's colour proof etching signed in pencil by Meyer Eberhardt 45cm x 37cm with three similar studies by Meyer Eberhardt (4) Condition Report Click here for further images, condition, auction times & delivery costs

Lot 474

A William Orpen artist's proof etching, The Draughtsman & His Model, dated 1910 See illustration

Lot 547

A Leslie C Benenson limited edition etching, Pegasus, 6/50, other pictures and prints (qty)

Lot 476

A Dame Laura Knight artist's proof etching, Ballerina See illustration Condition report Report by GH Measurements are 19 x 14 cm. Generally good. Paper outside the image very slightly discoloured towards the edge of the mount. Otherwise no obvious issues.

Lot 305

AFTER DAVID HOCKNEY (1937-) "The Carpenter's bench", a knife and fire aquatint etching drypoint, circa 1969 from The Boy Who Left Home to Learn Fear for Six Fairytales from The Brothers Grimm Edition of 400, unsigned, bears "Goldmark Gallery" paper label verso (ARR)

Lot 312

ANITA KLEIN "Spoons", a double nude study, black and white etching, signed and dated '00 lower right, No'd. 10/25 lower left, together with another by the same artist "Seated Nude", colour print, signed and dated '95 lower right and No'd. 5/30 lower left

Lot 535

E BOARD Landscape Oil on canvas Signed Together with an etching Indistinctly signed.

Lot 225

STANHOPE FORBES Christmas Eve at The Dock Inn, Penzance. Etching by Charles O. Murray Signed by both artists 49.5 x 36.5cm.

Lot 57

RACHAEL KANTARIS Ennys Etching - aquatint Signed, inscribed and dated '99 #5/15 Plate size 40 x 39cm.

Lot 201

REGINALD JAMES LLOYD Sunflower Etching #19/20 Signed and dated 1996 Plate size 15 x 20cm.

Lot 128

Style of MANUEL ROBBE Girls at a piano Etching - aquatint Indistinctly signed 56 x 40.5cm.

Lot 58

RACHAEL KANTARIS Playa Coyote Etching - aquatint A/P Signed and inscribed Plate size 36.5 x 48cm.

Lot 534

JOHN COPLEY Harvest landscape Etching Signed And two other etchings by the same.

Lot 210

REGINALD JAMES LLOYD Sunflower Etching proof Signed and dated 1996 Plate size 15 x 20cm.

Lot 28

PONCKLE Claude Etching Signed, inscribed and dated '90 #16/20 Plate size 13.5 x 18cm.

Lot 46

JENNIFER SEMMENS Abstract composition Etching Together with one other etching, two Albrecht Durer prints and other works

Lot 358

ANTHONY GROSS Wicker Chair Etching #11/40 Signed, inscribed and dated 1930 Plate size 23.8 x 31.5cm.

Lot 240

MANUEL ROBBE Young girl reading with her dog Etching-aquatint Signed Plate size 37.5 x 45cm. Condition report: There is serious foxing.

Lot 377

REG WATKISS Headland Etching A/P Signed, inscribed and dated 71 13 x 23cm.

Lot 90

Arab gateway Etching - aquatint Indistinctly signed Together with a watercolour of a hilltop villa.

Lot 407

PABLO PICASSO Model et Sculpture Etching Signed in pencil Picasso watermark 26 x 19cm Condition report: No condition issues

Lot 52

PAUL LEWIN Ivy Covered Farmhouse Etching A/P Signed, inscribed and dated 1992 16 x 20cm.

Lot 406

PABLO PICASSO Le Repos du Sculptuer III Etching Signed in pencil Vollard watermark 26 x 19cm Condition report: No condition issues

Lot 452

GEOFFREY GARNIER The Bird Charmer Etching - aquatint Signed and inscribed Plate size 37 x 28.5cm. Condition report: Paper is slightly browned but within the plate mark where the image is noticeably browned this is surely intentional.

Lot 82

ALPHONSE LEGROS The traveller Etching Signed to the plate 15 x 27.5cm. Condition report - The print is a little bit foxed with some areas of minor staining

Lot 143

Elyse Ashe Lord, British (1900-1971) Etching with hand coloring "Young Chinese Girl With Birds" Signed and numbered 3/75 in pencil. Light toning or in good condition. Measures 6-3/8" x 8-1/4" (impression), frame 14-3/4" x 16-1/4". Shipping $46.00 (estimate $200-$300)

Lot 66a

after: Rembrandt van Rijn, Dutch (1606-1669) Antique etching "Landscape With Farm Buildings and a Man Sketching". Unsigned. Toning and light staining. Measures 4-1/2" x 7-7/8", frame 15-1/4" x 17-1/4". Shipping $58.00 (estimate $300-$400)

Lot 132

Eric James Mellon (1925-2014) British. 'Living with Angels, Golden Angel, Ballagh Series', Etching, Signed , and Inscribed with Title, and 'A.P. va, Unframed, overall 10" x 13.75, together with a Poster, a Catalogue and other prints (Q).

Lot 3

Peter Carreras (1921- ) British. 'Smell', (Series - The Senses), Lithograph, Signed, Inscribed and numbered 3/50 in Pencil, Unframed, overall 15" x 11", together with sixteen various Etching and Prints by the same hand, Seventeen (17).

Lot 3292

Alice Barnwell (Bn.1931), by and after. an Alsation, coloured etching, signed in pencil, 25cm x 18.5cm

Lot 3295

Charlotte Reine, by and after, La Belle Aux Bois Dormant, a limited edition coloured etching, number 8 of 99, signed, titled, and numbered in pencil to margin, 22cm x 19cm, framed; another, indistinctly signed, titled Super Positions, coloured etching, artists proof number 6 of 15, signed and titled to margin, 30cm x 21cm, framed; another; indistinctly signed, coloured etching, number 24 of 60, 17cm x 19cm, framed (3)

Lot 3304

Mychael Barratt, by and after, Life Imitating Art V, a limited edition etching, number 19 of 175, numbered, titled and signed in pencil to margin, 70cm x 53cm, framed

Lot 704

Hubert Andrew Freeth - Firegod, signed in pencil Ha Freeth, dated 66 and numbered 11/60, etching and aquatint, printed in colours, 31.5 x 24cm

Lot 289

Palmer (Samuel, 1805-1888). The Life and Letters of Samuel Palmer, Painter and Etcher, Written and Edited by A.H. Palmer, 1st edition, 1892, portrait frontispiece, original etching 'The Willow' (1850), some spotting, black and white plates, publisher's advert leaf at rear, original cloth gilt, spine and covers partly faded, large 8vo (1)

Lot 416

Binyon (Laurence). The Art of Botticelli, an essay in pictorial criticism, 1913, 21 (of 23) plates including frontispiece etching lacks colour plates at pp. 46 & 56), some light toning, original quarter vellum, spine slightly marked, folio, (limited edition of 275), together with James (M.R.), The Canterbury Psalter, 1935, numerous colour and black and white facsimiles, some minor toning, original gilt-decorated blue cloth, spine slightly faded, folio, (limited edition 342/425), plus Van Gogh (Vincent), The Complete Letters of... , volumes 1-3, USA, 1959, numerous stuck down plates, original gilt-decorated black cloth in partial slipcase, spines slightly faded, 8vo, plus other modern art reference, mostly original cloth in dust jackets, G/VG, 8vo/folio (6 shelves)

Lot 552

Pogany (Willy, illustrator). Rubaiyat of Omar Khayyam. The First and Fourth Renderings in English Verse by Edward Fitzgerald, 1930, 12 tipped-in colour plates, a few light spots, top edge gilt, original green morocco gilt, spine faded, 4to, limited edition, 59/750 signed by the artist, with an extra signed etching at front, together with The Rime of the Ancient Mariner in Seven Parts, by Samuel Taylor Coleridge, 1910, 20 tipped-in colour plates, top edge gilt, original green cloth gilt, edges a little rubbed, 4to (2)

Lot 397

Henry Macbeth Raeburn, (1860-1947), signed pencil etching London street scene in the rain, inscribed "Henry Latrec?? Christmas 1913", 42.5cm x 32.5cm

Lot 449

William Lionel Wyllie, pencil signed etching depicting battle ships at sea, 16cm x 37cm

Lot 449a

Norman Wilkinson, pencil signed etching of a sportsman with gun, standing on a fore shore, 22.5cm x 30cm; and William Ribens, "Fenbridge, Stretham", pencil signed etching, (2)

Lot 674

Rural scene etching R.W Leader 1897

Lot 186

Signed fishing etching (H Maurice Page)

Lot 373

ROBERT SPENCE, 1871-1964: 'Taking Boat, I went down to Kingston', from Fox, his journal, signed etching, and another (2)

Lot 390

ROBERT SPENCE, 1871-1964: 'Then I heard of one called Dr Craddock' from 'George Fox, his journal, etching and three others (signed) (4)

Lot 372A

ROBERT SPENCE, 1871-1964: 'We went back to our Inn, where were two desperate Fellowes Fighting', from G Foxe, his journal, etching and two others, signed (3)

Lot 376

ROBERT SPENCE, 1871-1964: 'Then he Turned again and said, You are a Rebel and a Traytor, from George Fox, his journal, etching, and another signed (2)

Lot 634

An 18th century continental black and white engraving showing a dramatic battle scene inscribed Briel 1572, 28 x 36 cm in black and gilt glass mount and wooden frame together with an early 19th century black and white engraving after Greuse of a woman and her family of young children, pencil inscription bottom left, with presentation French inscription verso 25 x 19 cm in gilt frame, a signed colour etching of a windmill indistinctly signed bottom right Battmon? and a small 18th century black and white engraving of a scene at Utrecht, all framed

Lot 642

A collection of four signed coloured limited edition etchings by Phil Greenwood dating from the late 70s and early 80's, all of landscape subjects including Cregennan, Snow Thorn, Winter Light and Burnt Moor, together with a further similar coloured limited edition etching by Graham Evernden of Cornfields, all signed in pencil bottom right and inscribed, all framed, various sizes, maximum 46 x 53 cm

Lot 671

A signed coloured limited edition etching of arched top form by Graham Clarke showing a Cornish coastal scene with figures, fishing boats, etc, signed bottom right Graham Clarke and inscribed Crabbers Retreat, edition number 134/350, 30 x 38 cm in silver coloured frame together with a study of a Clovelly scene with fishing boats etc, signed with initials DH and with label verso D Hall, and Congresbury address, 35 x 28 cm and with two small limited edition black and white etchings of a poacher and a pedlar, signed Fred Middlehurst, edition number 60/75 (in one frame), 26 x 30 cm max frame size

Lot 690

A collection of 19th century black and white engravings after Birkett Foster including landscapes, coastal scene, harbour scene, etc, 22 x 18 cm approx, together with a black and white etching of a church yard signed bottom right R Stanley G Dent, a black and white etching of a chair and a fern, signed bottom right Maggie Black and an oriental coloured print of Iris

Lot 507

After J Yates Carrington, Terrier at waters edge, black & white etching

Lot 508

After Thomas Blinks, Terrier & Ferrets in a barn interior, black and white etching, published by Arthur Rayner, unframed

Lot 488

Anita Klein (b. 1960) - 'The Secret' Pencil signed limited edition etching, no 3/15, signed and dated (19)92, approx 22x18cm, framed. NB: Anita Klein was born in Australia in 1960 and moved to England while young, studied at both Chelsea School of Art and The Slade School of Art and was made a fellow of The Royal Society of Painter Print Makers in 1985 and elected president in 2002. For further information please see www.anitaklein.com.

Lot 489

Anita Klein (b. 1960) - 'Upstairs Phone' Pencil signed etching, signed and dated (19)90, approx 25x20cm, framed NB: Anita Klein was born in Australia in 1960 and moved to England while young, studied at both Chelsea School of Art and The Slade School of Art and was made a fellow of The Royal Society of Painter Print Makers in 1985 and elected president in 2002. For further information please see www.anitaklein.com.

Lot 159

After James Gilray (British 1757-1815), etching with vibrant hand colouring on wove paper, published Feb 6th 1801 by H Humphrey, London, 25cm x 36cm, framed and glazed The picture is mounted and framed, slight foxing throughout.

Lot 161

After James Gilray (British 1757-1815), hand-coloured etching ‘John Bull offering little Boney fair play’ published by Hannah Humphrey 2nd August 1803, trimmed to the edges of the plate approx 25.3cm x 20.2cm, mounted, framed and glazed

Lot 473

After Tatton, "Winter", Salisbury Cathedral, hand-coloured etching, 31cm x 25cm, and five others, (6).

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