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Lot 036025
Unbekannter Künstler der 1.H. 19.Jh., Münchner Schule, Figurengruppe in ländlicher Idylle, symbolistische Aufladung, hervorragende Beobachtung der vor dem Schoß gefalteten Frauenhände, Öl/Kupferplatte, Kupferplatte des 18. Jh. wohl ehemals als Druckplatte für Ätzradierung mit Resten der Zeichnung, Alterssp., ca. 18x24/32x38 cmUnidentified artist of the 1.H. 19th century, Munich school, group of figures in a rural idyll, symbolist charge, excellent observationof the woman's hands folded in front of the lap, oil / copper plate, copper plate of the 18th C. probably formerly as a printing plate for etching with remnants of the drawing, age space, approx. 18x24 / 32x38 cm
Lot 036069
Konvolut aus 7 historischen Stichwerken, 18.- 20.Jh., Holzschnitt nach Albrecht Dürers Hl. Christopherus (1511), Wilhelm Pech: Radierung von F. Schiller, J.M. Bernigeroth (1713- 1776): Porträt Margaretha C. Albrechtin nach Anton Paulsen (1718-1748), u. weitere, z.T. stockfleckig, lose in Mappe, div. Formate, Alterssp.Mixed lot of 7 historical engravings, 18-20th century, woodcut after Albrecht Dürer's St. Christopher (1511), Wilhelm Pech: Etching of F. Schiller, J.M. Bernigeroth (1713-1776): portrait Margaretha C. Albrechtin after Anton Paulsen (1718-1748), and others, partly foxy, loose in folder, various formats, age spec.
Lot 1814
ACKERMANN, MAX (1887-1975, Prof.), "Stuttgart, Bau des Tagblatt-Turms", mit Blick auf die Eberhardstraße, mit zahlreichen Flanierenden, Radierung (Kaltnadel)/Papier, in der Platte monogrammiert und datiert 'MA, Juli 1928', darunter mit Bleistift von Hand signiert und datiert 1928/73, u.li. mit Bleistift num. 19/80, HxB: Platte ca. 53x17 cm, Passepartoutausschnitt ca. 56x20 cm, Außenmaße Rahmen ca. 81x39 cm. Leicht gebräunt. Im Passepartout hinter Glas gerahmt. Altersspuren. | ACKERMANN, MAX (1887-1975, Prof.), "Stuttgart, construction of the Tagblatt tower", with a view of Eberhardstraße, with numerous people strolling, etching (drypoint)/paper, monogrammed and dated 'MA, July 1928 ', below signed by hand in pencil and dated 1928/73, lower left with pencil no. 19/80, HxW: plate approx. 53x17 cm, passe-partout cut-out approx. 56x20 cm, outer dimensions of frame approx. 81x39 cm. Lightly tanned. Framed behind glass in a passe-partout. signs of age.
Lot 452
37 Jahrmarkt- und Zirkus-Zeichnungen 1) Tusche mit weißer Handkolorierung, M. Flashay, 1914, "Grösster Cirkus", 43 x 56 cm, oben links beschädigt. - 2) Bleistift, E. Heine, 1901, "Wunderbalsam", 44 x 52 cm. - 3) 4 Tuschezeichnungen, Karl G. Hannover, um 1950, "Rummelplatz", je 29 x 22 cm. - 4) Bleistift, Uwe Schuhknecht, 1985, Druck Nr. 4/17, "Zirkusleute", 30 x 40 cm. - 5) Tuschfeder- und Pinselzeichnung, unleserlich signiert, 1928, "Auf dem Rummelplatz", 32 x 39 cm. - 6) Tuschfeder, Norbert Engels, um 1920, "Jahrmarkt", 29 x 22 cm. - 7) Bleistift, Wilhelm Kelter, um 1930, "Karussells vor Hafenkulisse", 49 x 35 cm. - 8) Tuschfeder, A. Hengeley, 1922, "1 Wurf 10 Pfg", 30 x 32 cm. - 9) 6 Lithographien, 1884, "Französische Karikaturen", je 49 x 31 cm. - 10) Radierung, Bernhard Rose, um 1775, "Diogenes mit der Laterne auf dem Markte", 33 x 22 cm. - 11) Serie von 7 Blättern, Tuschfederzeichnungen, A. Hengeler, um 1910, "Der kluge Elefant und die gefährliche Konkurrenz", je 48 x 33 cm. - 12) Serie von 3 Blättern, Tuschfederzeichnungen, A. Hengeler, 1904, "Die rabiate Eierfrau", 37 x 33 cm. - 13) Tuschfeder und Bleistift, unleserlich signiert, um 1930, "Am Schießstand", 37 x 50 cm. - Und: 14) 8 weitere Zeichnungen. Start Price: EUR 240 37 Fairground and Circus Drawings 1) Ink with gouache, M. Flashay, 1914, "Grösster Cirkus", 43 x 56 cm, damaged upper left. - 2) Pencil, E. Heine, 1901, "Wunderbalsam", 44 x 52 cm. - 3) 4 ink drawings, Karl G. Hannover, c. 1950, "Rummelplatz", 29 x 22 cm. - 4) Pencil, Uwe Schuhknecht, 1985, print no. 4/17, "Zirkusleute", 30 x 40 cm. - 5) Pen, ink and brush, illegibly signed, 1928, "Auf dem Rummelplatz", 32 x 39 cm. - 6) Pen-and-ink, Norbert Engels, c. 1920, "Jahrmarkt", 29 x 22 cm. - 7) Pencil, Wilhelm Kelter, c. 1930, "Karussells vor Hafenkulisse", 49 x 35 cm. - 8) Pen-and-ink, A. Hengeley, 1922, "1 Wurf 10 Pfg", 30 x 32 cm. - 9) 6 lithographs, 1884, "Französische Karikaturen", 49 x 31 cm. - 10) Etching, Bernhard Rose, c. 1775, "Diogenes mit der Laterne auf dem Markte", 33 x 22 cm. - 11) Series of 7 sheets, pen-and-ink, A. Hengeler, c. 1910, "Der kluge Elefant und die gefährliche Konkurrenz", each 48 x 33 cm. - 12) Series of 3 sheets, pen-and-ink, A. Hengeler, 1904, "Die rabiate Eierfrau", 37 x 33 cm. - 13) Pen, ink and pencil, illegibly signed, c. 1930, "Am Schießstand", 37 x 50 cm. - And: 14) 8 further drawings. Start Price: EUR 240
Lot 746
Ansicht des Kornmarkts, Heidelberg.Kolorierte Aquatintaradierung von J.J. Tanner, um 1840. Szenische Schilderung der Anlage mit zentralem Madonnenbrunnen und Blick zum Heidelberger Schloß. Hinter Glas gerahmt. 15,5 x 22,5 cm (Bl), 30 x 37 cm (Ra). Bis an die Darstellung geschnitten. Angebräunt. View of the Kornmarkt in Heidelberg with Madonna fountain and castle in the background. Coloured etching by JJ Tanner, around 1840. Framed behind glass. Cut to the motif, tanned brownish.
Lot 752
Hampel, Angela. Geb. 1956 Räckelwitz - lebt und arbeitet in Dresden"Umarmung", 1982. Radierung/ Ätzung, sign., dat., betitelt und num. Ex. 3/ 10. 59,5 x 48,5 cm (Pl). Hinter Glas mit Pp. gerahmt. Rahmen 90 x 74 cm Angela Hampel (born 1956): couple embracing each other, 1982, etching, signed, dated, entitled, numbered copy 3 of 10. Framed with glass. Frame size 90 x 74 cm
Lot 1001
PETER HOWSON OBE (SCOTTISH b. 1958) SAMANTHA Etching, signed lower right, titled and inscribed AP (Artist?s proof), dated (19)85, 33 x 24cm, (13 x 9?) Peter Howson was born in London, and studied at The Glasgow School of Art from 1975-1977, later returning as a part time tutor. Howson is an internationally recognised artist, and his work derives inspiration from the human condition, as well as from the streets of Glasgow. Since the 1980s, Howson has exhibited with Flowers Gallery, and other exhibits and collections include the Museum of Modern Art, New York; the Tate Gallery, London; the Victoria & Albert Museum, London; the Scottish National Gallery of Modern Art, Edinburgh; the British Museum, London, and the Gallery of Modern Art, Glasgow. Condition Report:Available upon request
Lot 147R
Three framed watercolour landscape / seascape scenes, largest approximately 25 cm x 37 cm image size and a limited edition etching of Balliol College by J W Winkleman, signed, dated and numbered 181/250 in pencil, approximately 38 cm x 54 cm image size, a further framed etching and a watercolour coastal scene. [6]
Lot 676
Steve Barraclough (Irish b. 1953-1987) - A late 20th Century 1980's etching with screen print on handmade paper abstract painting part of the Circle Series from Barraclough. Framed and glazed with paper labels to the verso and being signed and numbered 7/10 in pencil. Oak frame measures approx; 81cm x 63cm.
Lot 186
TWO MILITARY STYLE SWORDS, both appear to have been hand made in construction, narrow rapier style blades, with lengths of approximately 85cm and 90cm, with short leather belt attachments, one has etching to blade, with ornate cross guards grips etc, possibly Re-enactors pieces, no apparent makers marks evident
Lot 835
James Allen (20th century) - 'The 12th Of May Being My Birthday, I Gave A Party For A Few Of My Friends', signed artist's proof also inscribed with the title and numbered 5/25, black and white etching, 15" x 17.5"; together with a further smaller etching by another hand entitled 'One Of The Town Houses and Magnificent Gardens of The Golden Island', signed with the artist's initials and indistinctly dated possibly 80 (1980) and numbered 8/100, 7" x 7.25" (2)
Lot 837
Bryan Ingham (1936-1997) - 'Vellan', inscribed with the title and the artist's name on an old exhibition label verso, limited edition etching, 3/16, black and brown sepia etching, 8.25" x 7.752, overall size including the artist's original mount and box type frame, 13" x 14"-** Provenance with The Ashgate Gallery, (Elizabeth Naydler) Wagon Yard, Downing Street, Farnham, Surrey-** The artist was born in Preston and raised in Yorkshire's Calder Valley, he studied at St. Martin's School of Art, London and accepted a post-graduate place at The Royal College of Art, he was a close contemporary of David Hockney. His early talent was greatly appreciated by his director Carel Weight. It was at The Royal Society of Artist's that he made his first acquaintance with etching and was later to become one of the most notable etchers of the second half of the 20th century establishing a studio in Fournier Street, which is off Brick lane, he taught part time at Maidestone College of Art and enjoyed the company of Quentin Crisp, he was also a life model there at the time. He later settled on the Lizard in Cornwall and taught etching at Falmouth Art School and Farnham Art College until five years before his death. The Ashgate Gallery which was run by Elizabeth Naydler put on one-man shows by a number of the best known artists of the period, such as John and Jean Bratby, Elizabeth Frink, Julian Trevelyan, Mary Fedden, Sandra Blow, Peter Blake, Sonia Lawson and Willi Soukop. July 1962 The gallery mounted an important and pioneering exhibition entitled 'British Sculpture Today', with work by twenty three leading sculptors, including Lynn Chadwick, Elizabeth Frink, Henry Moore, Barbara Hepworth and others. A copy of Elizabeth Naydler's arbitrary dates 18th August 2006 can be obtained upon request
![Pierre-Etienne Moitte (1722-1780), after Pierre-Antoine Baudouin (1723-1769), [Le Confessionnal], unlettered state, [Paris: 1](https://cdn.globalauctionplatform.com/14209e0e-9825-4424-a4d7-ae55008e537d/df6817ea-7d18-4af7-8173-ae5500eb3bdf/468x382.jpg)
Lot 5384
Pierre-Etienne Moitte (1722-1780), after Pierre-Antoine Baudouin (1723-1769), [Le Confessionnal], unlettered state, [Paris: 1777], etching and engraving, 32.5cm x 42cm, (1); Francesco Bartolozzi RA (1727-1815), after Giovanni Battista Cipriani RA (1727-1785), [The Rape of Dejanira], [London]: Publish'd as the Act directs by F. Bartolozzi 1787], monochrome etching, 26.5cm x 32cm, (1), [2]
Lot 13
PALMER (SAMUEL) AND OTHERSEtchings for the Art-Union of London by the Etching Club, FIRST EDITION, title printed in red and black, 29 etched plates (of 30) by Samuel Palmer (2, lacking his 'Skylark'), John Everett Millais, William Holman Hunt (2), Richard Redgrave (2), Thomas Creswick (3), and others, all on india-proof paper mounted as issued, plates loose (gutta-percha perished), publisher's green cloth, lettered in gilt on upper cover and spine, g.e., folio (375 x 265mm.), 1857Footnotes:Original etchings include; Samuel Palmer ('The Sleeping Shepherd - Early Morning'; 'The Rising Moon'), J.E. Millais ('The Young Mother'), and William Holman Hunt ('The Abundance of Egypt', 'The Desolation of Egypt').This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 69
Horse Accomplishments, Sketch 6: A Time Keepersigned 'H. Bunbury. Del.' (lower left)inscribed 'This is the finest Horse in the World for a calculation–keeps time to a Second! he goes tis true but like the finest wheels of a clock his motion is scarcely perceptible!' watercolour, pen and ink on paper18.5 x 22cmFootnote: The present composition is most likely copied from the etching of this subject by Thomas Rowlandson after George Murgatroyd Woodward, originally published in 1799.Condition report: 28 x 31.5cm (framed)
Lot 71
English School, 18th century A study after an antique bustinscribed in later hand 'from the Kerrich colln. Soc. Antiqu.' (to the mount)with another study of the same subject to the versored and black chalk on laid paper, foolscap watermark18 x 14cm; together with An etching of a rocky river landscape by Jane C Hayles (fl. 1792-1804) dated 1793,inscribed in the plate 'From a Drawing by Gisbert van [sic] Hondecoeter in the possession of Mr Kerrich' 11 x 16cm (two)Provenance:By repute from the collection of Thomas Kerrich (1748-1828) Footnote: Thomas Kerrich (1748-1828) was a clergyman, amateur artist, collector and principal librarian at Cambridge University. He was a fellow of both the Society of Antiquaries and Magdalene College, Cambridge.
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71082 item(s)/page