NO RESERVE Ephemera.- Melly (George) & others. We Need You Cohn-Bendit, broadside printed on orange paper, c.440 x 330mm., horizontal fold, one or two small smudges, Issued on behalf of the British People by the Surrealist Group, [1968]; with a small group of British private press prospectuses & lists, mostly for the Stanbrook Abbey Press, plus a broadside for the play 'Maya' with woodcut by Blair Hughes-Stanton, and a hand-coloured etching of girl in a hat by Marie Laurencin, v.s. (a folder)⁂ Daniel Cohn-Bendit (b.1945) is a French-German politician who was an influential student leader during the unrest in Paris in 1968. The broadside finishes "...WE ARE VERY, VERY FRIGHTENED" and was issued by Ian Breakwell, Alan Burns and John Lyle, George Melly and others. It is dated "12-6-68" in pencil at foot.
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Erotica.- Musset (Alfred de) La Mouche, number 51 of 35 copies on Arches from an edition limited to 100, with additional suite of the etchings in sanguine and a signed original colour drawing, engraved throughout with title and text decorations in gilt, etched frontispiece & 14 plates by Louis Courbouleix, drawing mounted (with another to reverse), loose as issued in original wrappers with etching on upper wrapper, uncut, a little faint spotting, glassine outer wrapper, cloth chemise, slip-case, 4to, [Paris], [c.1930].
NO RESERVE Graham (R.B.Cunninghame) The District of Mentieth, number 93 of 250 copies signed by the author and artist and with original signed etching by D.Y.Cameron, plates by Cameron, captioned tissue guards, original calf-backed cloth, t.e.g., others uncut, dust-jacket, with the original publisher's box with lid (rubbed), Stirling, 1930 § Strang (William) The Earth Fiend, number 72 of 150 copies signed by the artist, 1892; The Christ upon the Hill, number 22 of 200 copies, 1895, the last two with etched pictorial title and plates by Strang, original buckram, gilt, t.e.g., others uncut, the last rubbed with frayed spine, folio (3)
Royal College of Art, Centenary Year 1996 portfolio, produced and printed at the Royal College of Art, typography by Alan Kitching RDI, dedicated to the memory of Helen Chadwick (1953-1996). Contains thirty-one artworks as follows; Tracey Emin (b.1963) 'Love Poem II' lithograph, John Stezaker (b.1949) 'Evolution' photolithograph, Eileen Cooper (b.1953) 'Given' etching and woodcut, Chris Orr (b.1943) 'La Vache Qui Rit' etching and hand colouring, Alf Dunn 'All Seeing' lithograph and screenprint, John Hewitt 'A Hundred Years Ago' etching, Tim Mara 'Water Sack' lithograph and screenprint, Nigel Rolfe 'Hand' photolithograph, Daniel Pellowe 'Bring Me Sunshine' etching and screenprint, Chris Plowman 'He and She (Converted)' etching, Melanie Beckett 'Figure in Landscape drypoint, Veronique Chance 'Self Portrait' photolithograph, Kin Sing Cheung 'Playing Just for You' lithograph and screenprint, Jessica Chitty 'Picnic in the Garden' 1981 screenprint, Alan Cox 'Go North' lithograph, Max Davison 'Over Focused' lithograph and embossing, Peter Dukes 'Pocket Guillotine (Rules)' photolithograph, Jane Duncan 'Host' screenprint, Sara Evans 'Unbound' etching, James Fearson 'Knowing is Feeling' lithograph, Mark Hampson 'Me Mob' screenprint, Rosalind Kunath 'Choose' photolithograph, Kevin Laycock 'Untitled' lithography and linocut, Jo Loki 'My Odyssey' lithograph, Carolyn Miller 'Things Being So Much What They Are' linocut and collage, John Miller 'Escapologist' screenprint woodblock and lithograph, Mark Nicholls 'Shiny Toe-Capped Boots, Bleached White Cotton Panties' screenprint, Hedley Roberts 'Collaboration Part 5 (Global)' screenprint, Ian Stenhouse 'I'm Going Away Forever Don't Look For Me' lithograph, Britta Teckentrup 'Frau Anna H' photolithograph, and Inge Tranter 'The Last Time I was Truly Myself' etching and screenprint. Each signed and numbered 11/55 in pencil, sheets 28cm x 28cm, housed in original purple portfolio box..
Isaac Robert Cruikshank (British,1789-1856), after George Moutard Woodward (1765–1809), etchings with contemporary hand colouring published in The Caricature Magazine by Thomas Tegg, circa 1818, entitled 'Dandy Pickpockets', another 'Irish Decency!!!', a similar etching after Woodward 'A Riddle Expounded or the Dignity of a Parsons Horse', and another 'A Dandy Shoe Maker in a Fright or the effects of Tight Lacing'. All approx 24cm x 35cm (4 in lot).
Harold Kerry Eby (American, 1890-1946), Polperro No.1, etching, signed in pencil, also signed in the plate and dated 1925, label verso for Taylor & Brown, Edinburgh, 27cm x 29cm.Born in Tokyo, Japan to Canadian Methodist missionary parents in 1890, Kerr received formal art training at Pratt Institute and the Art Students League of New York. Enlisting in the Army in 1917, Eby created many images of soldiers both in combat and living their daily lives on the front. Eby visited England in 1924 and 1925. .
BANKES, Rt. Hon George, 'The Story of Corfe Castle', Murray London 1853. red cloth, gilt title. 8vo. worn and repaired spine, plus History and Description of Corfe Castle, Thomas Bond 1883 with dedication from the author, brown cloth. 8vo. plus ROBINSON, C.E., 'A Royal Warren or Picturesque Rambler in the Isle of Purbeck' with numerous etchings by Alfred Dawson, The Typographic Etching Company, London 1882, tooled blue cloth. 4to (3)
Aldin (Cecil). The Bell Inn Waltham St. Lawrence, circa 1910, uncoloured etching, limited edition 54/75, signed by artist in pencil to lower right, some water staining and worming but confined to mount, 260 x 350 mm, mounted, framed and glazed, with title and 'Harrods' labels to verso (Qty: 1)
Gillray (James). Tales of Wonder, H. Humphrey Feby. 1st. 1802, etching with contemporary hand colouring, 255 x 355 mm, mounted, framed and glazed, together with Tregear (C. publisher), Catholic Ascendancy or St. Patrick's Day in the Morning, 1829, etching with contemporary hand colouring, 240 x 335 mm, mounted, framed and glazed (Qty: 2)
Hollar (Wenceslaus). Plan de Londres tel quil etoi avant L'Incendie de 1666, Gravé par Hollar, published Robt. Wilkinson circa 1816, uncoloured etching with the margins decorated with the coats of arms of city livery companies, title repeated in English within the image, 175 x 280 mm, mounted, framed and glazed, together with Capellae Regiae ac Collegiate St. Georgii in Castro de Windsore a meridie prospectus...., 1671, uncoloured etched prospect with a floor plan below the prospect, 295 x 360 mm, mounted, framed and glazed, with Capellae Collegij Regalis de Eton ab Aquilone Prospectus, 1672, uncoloured etching, 260 x 380 mm, mounted, framed and glazed (Qty: 3)
Walcot (William, 1874-1943). Architectural Water-colours & Etchings, with an Introduction by Sir Reginald Blomfield,1st edition, 1919, colour frontispiece and black & white plates, original etching with pencil signature of the artist bound into preliminary leaves, original brown cloth gilt, slightly rubbed and soiled and a little frayed at spine ends, folio (Qty: 1)Limited edition of 275 copies, this copy not numbered.
Robinson (William Heath). Absurdities, A Book of Collected Drawings, circa 1920, monochrome illustrations throughout, original pictorial boards, rubbed and some marks and discolouration, rebacked, large 4to, together with Melross (T.), The Nithsdale Argosy, illustrated by W. Heath Robinson, H.M. Bateman, and others, circa 1935, monochrome illustrations, including an etching by Frank H. Mason, inscribed by the author to front endpaper, to W.W. Ridout Esq., original boards, rubbed and some marks and minor wear to extremities, folio, plus Robinson (W. Heath, illustrator). Hans Andersen's Fairy Tales, Hodder & Stoughton, circa 1920, tipped in colour plates, monochrome illustrations, top edge gilt, original red cloth gilt, rubbed, small 4to and other various illustrated books and reference, including Simon Houfe, Dictionary of British Book Illustrators and Caricaturists, 1800-1914, Dawn & Peter Cope, Postcards from the Nursery, the illustrators of children's books and postcards 1900-1950, New Cavendish Books, 2000, E.M. Delafield, Diary of a Provincial Lady, 15th printing, 1931, signed by the author to front endpaper and front blank, original green cloth with paper label to spine, in frayed and slightly chipped dust wrapper, 8vo, illustrated works by Edward Gorey, including The Doubtful Guest, 1957 in dust wrapper, The Recently Deflowered Girl by Hyacinthe Phypps, 1965, illustrated works by Osbert Lancaster, some related printed ephemera, etc. (Qty: approx. 100)
Sale Item: ETCHING D Y CAMERON SIGNED PENCIL (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
J C Drew (20thC School). Coastal scene with the sailing ships, rocks etc., 29cm x 41cm, (AF), a similar scene signed J Williams and a Continental artist signed etching of cattle and a figure within a river landscape. (3)Provenance: The property of Joan Stephenson, Kirkwood, North Church Walk, Newark, Nottinghamshire.
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71174 item(s)/page