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Lot 80

After Edgar Degas, French 1834-1917, Danseuse with Hand Raised Up (Study, Circa 1878), 1936; etching in colours on BFK Rives paper, signed in the plate,  edition 3/325, printed by Maurice Potin after the original drawing from the Ambroise Vollard collection,  image: 27 x 21 cm, (framed)Note: from Paul Valéry: 'Degas Danse Dessin' published by Ambroise Vollard in 1936.

Lot 68

Julian Trevelyan RA, British 1910-1988, Villa Gamberaia, 1966; etching with aquatint in colours on wove, signed, titled and numbered 15/100 in pencil, plate: 47.5 x 35 1 cm, (framed)(ARR)

Lot 155

Norman Ackroyd CBE RA,British b.1938- St Kilda - Stac Lee and Stac an Armin, 1990; etching with aquatint on wove, signed, dated, titled and numbered '57/90' in pencil, plate: 43.8 x 59 cm, (unframed)(ARR)

Lot 282

Sir Anish Kapoor CBE RA, British b.1954- Glow, 2018; polymer gravure etching in colours on Somerset paper, signed and numbered '23/100' in pencil, sheet: 33 x 40 cm, (unframed)(ARR)

Lot 75

Sir Howard Hodgkin CH CBE,British 1932-2017, A Furnished Room, 1977;  etching with aquatint in colours on wove, signed in pencil, dated, and numbered 82/100,sheet: 54 x 69.5 cm,(framed) (ARR) 

Lot 34

Atta Kwami, Ghanaian 1956-2021, Agenda X 3, 2017; etching and collograph in colours on BFK Rives 250gsm wove, signed and numbered 1/10 in pencil, image: 22.7 x 12cm, sheet: 41.5 x 35.5cm, (framed) Provenance: Beardsmore Gallery, London. 

Lot 114

Hermann Max Pechstein, German 1885-1955, Yali 1. (Yalis Das Findelkind), 1923;drypoint etching on wove, signed in pencil, image: 23.8 x 17.7 cm, (framed) (ARR)

Lot 5

James Abbott McNeill Whistler RBA, American 1834-1903,The Mustard Merchant, 1858;etching on laid paper, image: 15.5 x 8.8 cm, (framed)Note: Ref Kennedy 22Provenance: Gordon Cooke Ltd, London at the London Print fair, 1993

Lot 94

After Pablo Picasso, Spanish 1881-1973, Maurice Toesca, 1953; Les Banderilles (IV), 1961; (i) drypoint etching on wove, from the edition of 225, from the series 'Six Contes Fantasques', sheet: 33 x 25 cm, (ii) lithograph on wove, published for 'A Los Toros Avec Picasso', visible image: 24 x 30.5 cm, (framed)(ARR)(2)

Lot 115

Ivo Saliger, German 1894-1987, A woman admiring a Wiener Werkstätte goblet, c.1925; etching in colours on wove, signed in pencil, image: 66 x 56.5cm, (framed) (ARR) 

Lot 183

Melvyn Petterson, British b.1947-Cat Study, 1992;monochrome etching on wove, signed, dated and inscribed  A/P, image: 14 x 20 cm, (framed) (ARR)

Lot 205

Stephen Chambers RA,British b.1960-Lucrezia B. (Dusk); Lucrezia B. (Dawn); Roderigo B. (Dusk); Roderigo B. (Dawn), 2006; each etching with chine collé,each from the edition of 15,each sheet: 46.8 x 41 cm, (unframed)(ARR)(4)Provenance: Flowers Gallery, London, 2006

Lot 26

Richard Hamilton, British 1922-2011,Motel II, (s.3573), 1979;soft ground etching with aquatint from 2 plates in colours on Rives paper, signed in pencil and numbered 26/40, printed by Atelier Crommelynck, Paris,  published by Waddington Graphics, London,  sheet: 44 x 56.5 cm, (framed) (ARR)Note: Ref. Hansjorg Mayer, no.109 

Lot 53

Dame Laura Knight DBE RA RWS, British 1877-1970,Zebras, 1930; drypoint etching on wove, signed in pencil, plate: 25 x 35 cm, (framed)(ARR)

Lot 90

Pablo Picasso, Spanish 1881-1973,Raphael and the Fornarina II (from series 347), 1968;etching on Rives BFK paper, signed in pencil and numbered 39/50, image: 28 x 38.5 cm, (framed) (ARR)

Lot 152

Norman Ackroyd CBE RA,British b. 1938-  Landscape with a Grey Sky, 1975; etching with aquatint on wove, signed, dated, titled and numbered 23/100 in pencil, plate: 49.2 x 46.7 cm, (unframed)(ARR)

Lot 7

Christopher Richard Wynne Nevinson ARA, British 1889-1946,Chelsea Reach, c.1919;etching with drypoint on laid paper watermarked F.J Head and Co, signed in pencil from the edition of approx. 75, annotated M13274, sheet: 33 x 41.7 cm, (framed)Note: Ref Guichard 74Provenance: Phipps and Company Ltd, Cheyne Walk, London 

Lot 57

Victor Pasmore CH CBE, British 1908-1998,Stromboli, 1980;etching and aquatint in colours on Magnani wove, signed in pencil and dated, a print outside the edition, printed by Vigna Antoniniana Stamperia d'arte, Rome, co-published by Marlborough Fine art and 2RC Edizione d'arte, Rome, sheet: 72.5 x 142 cm, (unframed) (ARR)

Lot 67

Graham Sutherland OM,  British 1903-1980, The Black Rabbit, Stabling near Arundel;  etching on wove,  signed, dated, titled and numbered 1/50 in pencil,  plate: 19.5 x 21.5 cm,  (framed) (ARR)  

Lot 101

Joan Miró, Spanish 1893-1983, L'Oiseau Solaire, L'Oiseau Lunaire, Étincelles, 1967;  etching and aquatint with carborundum, signed in pencil, from the edition of 75,  published by P. Matisse, New York,  image: 30 x 71 cm,  (framed) (ARR) Provenance: Open Eye Gallery / Private Collection 

Lot 252

Eileen Cooper OBE RA, British b.1953-Wild Times, 2004;etching with aquatint in colours on wove, signed, titled, numbered '19/35' and dated in pencil, plate: 31 x 13.6 cm,  (framed) (ARR)

Lot 52

Dame Laura Knight DBE RA RWS, British 1877-1970, Love Lane; etching on wove, signed, titled, and inscribed in pencil, plate: 31.2 x 22.5 cm, (framed)(ARR)

Lot 107

Salvador Dalí, Spanish 1904-1989, Fleur d'art [Field 74-15], 1974;dry point etching on Arches wove with hand colouring and gilding, signed in pencil and numbered 90/300, this lot comes with the two original copper engraving plates, all framed as one, the print, sheet: 34.5 x 24.5 cm, the plates: 29.5 x 21.5 cm, (framed) (ARR) Provenance: Halcyon Gallery, London | UK Private Collection

Lot 151

Norman Ackroyd CBE RA, British b.1938-Weston Hill – Clen Forest, 1993; River Dove – Farnadle,1992; Chalk Hill Covert – Ashtall, 1992; Farndale from Gillamoor, 1993; Summer Isle, 1992; From Inchnadampth, 1991; Coigach, 1993; Achiltibuie, 1991; Letterewe Forest, 1991; Windrush at Taynton, 1993; Wenlock Edge, 1992; Near Scourie, 1991; each etching with aquatint on wove, most signed, titled, numbered and dated in pencil, each sheet: 32.5 x 26 cm,  (framed) (ARR) (12)

Lot 196

David Hockney OM CH RA, British b. 1937-Two Boys, Aged 23 or 24, 1966;etching on wove, from 'Illustrations for Fourteen Poems' by C.P Cavafy, signed in pencil and inscribed PP, sheet: 34.9 x 22.2 cm,  (framed) (ARR)  

Lot 312

Bob Dylan, American b. 1941-Horse, 2010;giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 154/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: together with COA issued by Washington Green Fine Art.

Lot 684

William Lionel Wyllie RA (1851-1931)Coaling a Merchant Man; Timber ShipsTwo, each signed W L Wyllie (in pencil to margin)Each etching and drypoint10.8 x 33.2cm; 4¼ x 13in; 10.7 x 33cm; 4¼ x 13in (plate) (2)

Lot 683

William Lionel Wyllie (1851-1931) Up on the Flood Tide Signed WL Wyllie, in pencil (lower left) Etching 9 x 34cm; 3½ x 13.4½in (plate) Provenance: Messrs Dunthorne & Brown, Liverpool

Lot 666

Giovanni Battista Piranesi (Italian 1720-1778)Part of the façade of the tomb of Caecilia MetellaEtching43 x 62cm; 17 x 24½in (plate)

Lot 681

William Lionel Wyllie (1851-1931)The Training Ship ExmouthSigned WL Wyllie (in pencil lower left)Etching30.2 x 47.3cm; 11¾ x 18¾in (plate)Provenance:Messrs Dunthorne and Brown, Liverpool

Lot 667

Giovanni Battista Piranesi (Italian 1720-1778)Veduta del Tempio di Antonino e Faustina in Campo VaccinoEtching40.2 x 55.2cm; 15¾ x 21¾in (plate)

Lot 669

Charles Meryon (French 1821-1868)La Galerie Notre-DameSigned and indistinctly inscribed à Monsieur Paul **** Ch Meryon (in pencil to margin)Etching28.3 x 17.4cm; 11¼ x 6¾in (plate)Unframed

Lot 682

William Lionel Wyllie (1851-1931)Coastal landscape with fisherfolk hauling in the boatsSigned in pencil WL Wyllie (lower left)Etching28.2 x 47.2cm; 11 x 18½in (plate)Provenance:Messrs Dunthorne and Brown, Liverpool

Lot 676

William Heath (1795-1840)Parish Characters In Ten Plates by Paul PryThe complete suite, comprising Mr George King - the Parish Overseer; Mr Primate - the Churchwarden; Dusty Bob - the Parish Dustman; Master Fang the Parish Beadle; Attorney in General to the Parish; Master Dogberry the Parish Watchman; One of the Select Vestry; Leo Sacks - One of the Charity Crabs; Caleb Quotem the Parish Factotum; One of the Poor Employed to Mend the High WaysEach etching with hand colouring, bound in original wrappersEach approx. 42.1 x 29.3cm; 16½ x 11½in (sheet) (unframed) (10)

Lot 678

Herbert Dicksee RE (1862-1942)'Where's Master?' - The King's Wire Fox Terrier 'Caesar'Signed in pencil Herbert Dicksee (in pencil to margin)Etching39.4 x 57.7cm; 15½ x 22¾in (plate)

Lot 877

Attributed Nicholas Pocock (1740-1821)The Capture of the French Frigate La Tribune by The Unicorn, 8 June 1796Oil on canvas49 x 71.9cm; 19¼ x 28¼inTogether with Francis Chesham (1749-1806) after Nicholas Pocock; The Capture of the French Frigate La Tribune by The Unicorn, 8 June 1796; Etching and aquatint with hand-colouring; 41.7 x 61cm; 16½ x 24in (image) (2)The 32-gun frigate HMS Unicorn, in company with HMS Santa Margarita, were cruising west of the Scilly Isles when, on 8th June 1796, they sighted, chased and brought to action two larger French frigates, the Tribune and the Tamise, both mounting 36-guns. Two fierce duels ensued, with the Tamise surrendering to HMS Santa Margarita first. Determined not to suffer the same fate, the Tribune fought all the harder for many hours and it was not until 10.30pm that night that she finally ‘struck her colours’ and surrendered to the Unicorn.

Lot 518

Crimean War Period 1854 Wilkinson Sword Patent Solid Hilt 1822 Infantry Pattern Sword. A very rare early example, the blade with the number 5035 (1854) representing the first year of the register of blade numbers which started at 5001. The blade with spear point, etched floral panels and Crowned VR Cypher. To the forte maker's panel for Henry Wilkinson London, also etched with “Patent Solid Hiltâ€. The hilt with brass bar open guard with crowned VR cypher and folding guard. Housed in brass scabbard. Etching to the blade very clear. Some service wear otherwise GC.

Lot 521

1846 Pattern Infantry Sword by Wilkinson of London c. 1865. A good example with single-edged straight blade decorated with crowned VR entwined cypher. The forte with cutler's details of Wilkinson of London and the back of the blade with the number 13643 (1865). Gilt metal fixed guard with crowned VR cypher, shagreen grip with copper twist wire binding. Housed in original black leather and gilt mounted scabbard. GC Etching clear minor wear. The Wilkinson records confirm that sword was purchased on the 27th January 1865.

Lot 523

Victorian 1st Manchester Rifles Attributed 1822 Pattern Officers Sword. This example was carried by Edward Peel Dewhurst. The straight single edged blade with etched decoration of a Crowned VR cypher, strung bugle device, Arms of Manchester, regimental title FIRST MANCHESTER RIFLES and name EDWARD PEEL DEWHURST. The forte with the retailer's details of Firmin & Sons London. The hilt is of the 1822 pattern sword with fixed guard and shagreen grip. Housed in a steel scabbard. The blade remains in very good condition etching clear, the hilt has been professionally restored. Lieutenant Edward Peel Dewhurst was promoted to this rank on the 20th December 1882. His HQ was at Hulme Manchester. He died in 1910 at the age of 57 years

Lot 522

Victorian Manchester Rifle Volunteers Officer's Sword. Avery good early example of the Rifles pattern. The slightly curved single edged blade is etched with a crowned VR cypher, a strung bugle with title "Manchester Rifles" The forte with the retailer's details of S & S Smith of Manchester. The hilt with a steel open guard incorporating a crowned Bugle device. The shagreen grip with twist wire binding. Housed in leather and steel mounted scabbard. Etching very clear. Overall good clean condition.

Lot 283

TWO BANDSMAN'S SWORDS, comprising a 3rd Royal Lancs. Militia sabre by Hawkes & Co., the 28 1/8" curved blade bearing maker's name, highly decorative brass hilt etched "2 6. 3.D. RLM" and brass scabbard bearing similar etching, 33 3/4", and a drummer's hanger, 26 1/4" long (Est. plus 24% premium inc. VAT)Condition Report: First sword generally good, some dents to the scabbard. Second without scabbard and shortened blade with staining.

Lot 258

A GERMAN THIRD REICH K98N BAYONET, the 9 3/4" blade with etching for the Afrika Corps dated 1941, wood grip, etched pommel, steel scabbard and frog, 16 3/8" long (Est. plus 24% premium inc. VAT)Condition Report: Worn exterior, but good blade. Etching on pommel aged at similar rate to the pommel.

Lot 543

GILLIAN WHAITE (1934-2012) Clocks and Seedcases, signed lower right Gillian Whaite, etching and watercolour, 24" x 17 1/2", modern frame (Est. plus 24% premium inc. VAT) Condition Report: Good Condition

Lot 425

After Alice Banwell. The Wolds, artist signed proof etching, 24cm x 31cm.

Lot 424

After John Lewis Stant (1905-1964). Elizabethan Bridge Lincoln, signed artist proof etching, 27cm x 18cm, and two other similar etchings by the artist.

Lot 420

After S Horsnell. Fenland type scene with boat and bridge, artist signed etching, 12cm x 19cm, and three others of Gloucester, Canterbury and Guilford. (4)

Lot 90

Herbert Dicksee (1862-1942) Stealth, a prowling leopard, signed lower left, etching, 47 x 69 cm, frame 69 x 89 cm Provenance: private collection, label verso for The Graves Gallery, BirminghamCondition:The sheet appears generally good- no obvious tears, creasing etc. There are some very faint spots of foxing present and some white spots with potential surface-level mildew (see photographs). The full plate and margins are visible and present. There is a blind stamped 'N' to the lower left. The frame has general wear and tear.

Lot 59

Stanley Anderson (1884-1966) Quai Duperre, La Rochelle, signed lower right, etching, 20.5 x 33.8 cm (PL), frame 37.5 x 52 cm Provenance: Collection of Mr Magdi Obeid, purchased Dominic Winters 07.03.2019 lot 134

Lot 10

ARR Graham Clarke (b.1941) Teapot Clipper, signed lower right, numbered 14/250 lower left, etching in colours, 54 x 69 cm (PL), frame 80 x 92 cm, together with two Country Cottage prints with facsimilie signature by the same hand (total 3)

Lot 163

ARR Graham Clarke (b.1941) Industry, signed lower right, numbered 3/100, etching, 34.5 x 54.5 cm (PL), frame 61 x 81 cm, together with 'Valient', signed and numbered 46/100, etching 34.5 x 27 cm (PL), frame 62 x 53 cm (2)

Lot 84

ARR Henry Rayner (Australian-British 1902-1957) King George VI, signed lower right, drypoint etching, 18.2 x 12.4 cm (PL), frame 31 x 24 cm Label verso for the Stour Gallery

Lot 7

Rashid Johnson (b.1977) Untitled Anxious PrintSoft Ground Etching on Hahnemühle copperplate, 2023, signed in pencil, numbered from the edition of 100, published by Artspace Editions, New York, housed in the original portfolio accompanied by the book 'Rashid Johnson' signed by the artist, on wove paper, with full margins, sheet 228 x 204mm (9 x 8in)

Lot 192

Salvador Dalí (1904-1989)Tristan le Fou, from Tristan et Iseult (Field 70-10S; M&L 424a)Drypoint with etching printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Ateliers Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 643 x 494mm (25 1/4 x 19 3/8in)

Lot 173

Laura Knight (1877-1970)An English HillsideEtching, circa 1933, signed in pencil, image 330 x 240mm (13 x 9 1/2in)Provenance: Ex. coll. The Twenty-One Gallery, London.

Lot 174

Laura Knight (1877-1970) Zebras Drypoint etching, 1929-1930, signed, titled and inscribed 'Drypoint' in pencil, from the edition of 50, on laid paper, with margins, sheet 281 x 383mm (11 x 15 1/8in) 

Lot 217

Salvador Dalí (1904-1989) One's Identity, from The Cycles of Life (Field 79-1B; M&L 930a) Photolithograph and etching printed in colours, 1977-1979, signed in pencil, numbered in roman numerals from the edition of 300, printed by Torrents, published by Duall Graphics for DALART, New York, with their blindstamp, on Arches paper, with full margins, sheet 375 x 555mm (14 3/4 x 21 7/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Lot 193

Salvador Dalí (1904-1989)Nu, from Don Juan (Field 70-6C; M&L 434a)Etching printed in colours with pochoir, 1970, signed in pencil, numbered from the edition of 250, published by Éditions Argillet, Paris, on Arches paper, with full margins, sheet 655 x 500mm (25 3/4 x 19 5/8in)

Lot 184

Salvador Dalí (1904-1989)Narcissus, from Mythologie (Field 63-3H; M&L 124b)Etching printed in colours, 1963/5, signed and dated in pencil, numbered in roman numerals from the edition of 20, printed by Atelier Robbe, published by Pierre Argillet, Paris, on Japan paper, with full margins, sheet 765 x 565mm (30 1/8 x 22 1/4in)

Lot 220

Salvador Dali (1904-1989)Pastorale, from Historia de Don Quichotte de la Mancha (Field 80-1)Etching and aquatint printed in colours, 1980, signed in pencil, numbered from the edition of 300, published by Levine and Levine, New York, for DALART, with their blindstamp, on Arches paper, with full margins, sheet 760 x 563mm (29 7/8 x 22 1/4in)

Lot 205

Salvador Dalí (1904-1989) L'Immortalité tetraédrique du cube, from Dix recettes d'immortalité (Field 73-20L; M&L 573a)Drypoint with etching and heliogravure, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, the full sheet printed to the edges, sheet 380 x 565mm (14 7/8 x 22 1/4in)

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