We found 78388 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 78388 item(s)
    /page

Lot 599

W.MONK. Signed in pencil, etching on paper,Ellis Island, New York, together with W.MONK unsigned etching on paper, The Statue of Liberty, New York. (2)

Lot 1

Nine various clocks and watches reference books and a framed black and white etching with a table showing the differences between mean time and sun's time, 11.5" x 9" (10)

Lot 1

Lionel T. Crawshaw Capt Cook’s Attic’ signed in pencil etching unframed inscription verso

Lot 1

William Walcot Ship Building at The Thames etching 11.5cn x 27.3cm

Lot 1

William Walcot Tafton Street, London etching 14.5cm x 9.5cm

Lot 1

William Walcot The Farm of Hougomont etching, signed 35cm x 55cm

Lot 266

After G A Platt, an etching of a harbour scene, and two others similar

Lot 426

A Black and White Etching, a flock of sheep watering, with their shepherd and dog

Lot 445

An H M Blake Artits Proof Etching, Magdalen College, and three watercolours (4)

Lot 1

Robert S. Austin (early 20th century). Station cabs. Etching. Signed in pencil lower right, inscribed with title lower left. 15.5cm x 19.5cm. Unframed. Together with Robert S. Austin. Horses and cart. Etching. Signed and dated 1920 lower right. 10cm x 15.5cm. Henry Rayner. Horse and trap. Etching. Signed in pencil lower right. 14.5cm x 22cm. Unframed. (3)

Lot 1

Winifred Austen R.I., R.E. (1876-1964). The Dodman. Etching. Signed in pencil lower right. 23cm x 22cm

Lot 1

Eugene Bejot (1867-1931). Le Pont Royal. Etching. Signed in pencil lower right. 17.5cm x 26cm

Lot 1

Eugene Bejot (1867-1931). Le Pont en Change, Paris. Etching. Signed in pencil lower left. 20cm x 27.5cm. Unframed

Lot 1

Eugene Bejot (1867-1931). La Bastide, Bordeaux. Etching. Signed in pencil lower right. 13.5cm x 23.5cm

Lot 1

Edmund Blampied R.B.A., R.E. (1886-1966). The Tumble. Etching. Signed in pencil lower left. 20cm x 29.5cm. Together with another etching by the same hand of horses. Both unframed (2)

Lot 1

Edmund Blampied R.B.A., R.E. (1886-1966). The Stable. Etching. Signed in pencil lower centre. 14cm x 19cm. Unframed

Lot 1

George Edward Collins (1880-?). Thrush. Etching, Signed in pencil lower left. 25cm x 18cm. Together with Katherine Cameron (1874-1965). Butterflies and flowers. Etching. Signed in pencil lower left. 27.5cm x 12.5cm. Unframed. Richard Shirley Smith. Woman with cat. Wood engraving. Signed and numbered 30/200 in pencil. 9cm x 7.5cm. Fred Richards. Venezia. Etching. Signed in pencil lower right, inscribed lower left. 9.5cm x 14.5cm. Unframed Edward Bouverie Hoyton. Branscombe Smithy. Etching. Signed in pencil lower right, inscribed lower left. 23cm x 29cm. Unframed. (5)

Lot 1

Mortimer L. Menpes R.I., R.B.A., R.E. (1860-1938). St Pauls Cathedral. Etching. Signed in pencil lower right. 23cm x 31cm. Unframed

Lot 1

Rowland Langmaid (1897-1956). The Pool of London. Etching. Signed in pencil. 14cm x 25cm.

Lot 1

After Pierre Auguste Renoir (1841-1919). Femme nue couche. Etching. Stamped signature lower right. P. 13cm x 20cm

Lot 1

George Vernon Stokes (1873-1953). Bull terrier and siamese Colour etching. Signed in pencil lower right, numbered 36/75 lower left. 21cm x 28cm. Unframed

Lot 1

William Lionel Wyllie (1851-1931). The Thames near St Pauls. Etching. Signed in pencil lower left. p. 23cm x 36cm

Lot 1

Robins, W. P. Etching Craft, limited edition 29/65, The Studio, London 1922. Quarter Japanese vellum, illustrated and with a signed, limited edition frontis, quarto, plus Cox, David. A Treatise on Landscape Painting in Water Colours, limited edition 61/250, The Studio, London 1922. Chipped Japanese vellum, illustrated, quarto, plus twenty two other volumes, mainly Studio Special Numbers. (24)

Lot 1

Malcolm Osborne, after C.W. Furse - View of a Timber Cart, monochrome etching, signed in pencil, within a reeded oak frame.

Lot 1

William Lionel Wyllie - A View of Portsmouth with a Man-o'-war in profile, possibly HMS Victory, late 19th/early 20th Century etching, signed in pencil, approx 15cm x 25cm.

Lot 1

Jackson Simpson - 'The Dinghy', monochrome etching, signed and titled in pencil, together with another print and an oil on board.

Lot 1

R.L. Annilays - 'Polperro' (View of the Cornish Fishing Village and Harbour), early/mid-20th Century etching, signed and titled in pencil.

Lot 1

French School, early 20th century, Ballet scene, etching with hand colouring, indistinctly signed and inscribed in pencil, 29cm x 24cm., together with a print of a courting couple after J E Buckley. (2)

Lot 1

Peter Carreras, The Dome, Worthing, colour etching, signed, inscribed and numbered 3/50, 20cm x 18.5cm.

Lot 1

Peter Carreras, Breakwater II, colour etching, signed, inscribed and numbered 3/25, 26cm x 30cm.

Lot 1

C. H., Roslyn Chapel, Mid Lothian, pen and ink, and an etching of the same, pencil signed, (2).

Lot 1

Miniature silver teapot by 'Goldsmiths & Silversmiths Ltd, Regent Street London', approx. 3 tall, etching on one side of dragon holding axe in mouth, brown resin handle & knop, h/m London 1931 (9.49oz)

Lot 1

Cut glass scent bottle with silver collar, h/m Birmingham 1927 & cut glass stopper, approx. 3.1/2 & miniature glasses (2), one with triskellis etching & the other with yellow enamelling, in red container with 'Just a Nip' on the lid (3)

Lot 1

William Monk RE (1863-1937), The Rialto Bridge, Venice, etching and aquatint, signed in pencil, 28 x 38 cm (11 x 15 in), together with another etching by the same hand

Lot 1

Felix Buhot (French, 1847-1898), 'Une Matinee d'Hiver au Quai de l'Hotel Dieu', etching, proof before letters, signed and inscribed in pencil, 24 x 32 cm (9 1/2 x 12 1/2 in)

Lot 1

Sir Francis Seymour Haden (1818-1910), 'Shere Mill Pond II', etching, 18 x 33 cm (7 x 9 in), together with another etching

Lot 1

Giovanni Battista Piranesi (1720-1778), The title page from 'Vedute di Roma disegnati e incise da Giambattista Piranesi Architetto Veneziano ...', etching, 41 x 55 cm (16 x 21 1/2)

Lot 1

Giovanni Battista Piranesi (1720-1778), 'Veduta del Mausoleo d'Elio Adriano ...', etching, 44 x 56 cm (17 x 22 in)

Lot 1

Giovanni Battista Piranesi (1720-1778), 'Veduta della Piazza di Monte Cavallo', etching, 47 x 70 cm (18 1/2 x 27 1/2 in)

Lot 1

Francesco Piranesi (1758-1810), 'Veduta della porta e peristilio del Tempio di Vesta ...', etching, 68 x 48 cm (26 1/2 x 19 in)

Lot 3

Collection of four pictures of windmills - 'Rye Mill' - lithograph, 14 x 9.5 cm; 20th century woodblock print by Herke W. Hubbard, 15 x 14 cm; reproduction of an original pen and ink by Gwyn of Post Windmill at Sprowston Norfolk, 32 x 33.5 cm; and etching of windmill, 20.5 x 29.5 cm (4)

Lot 6

Etching - 'Bootham Bar' - pencil signed and titled to margin, 16.5 x 16 cm to/w pair of coloured prints 'Alarming Prospect The Single Ladies off to the Diggings', and 'The Quiet Street - A Sketch from a study window', both 18.5 x 24 cm (3)

Lot 13

Gerald Maurice Burn (1862-1945) - 'Etching 'Return of the Iris and Daffodil' from Zeebrugge, pencil signed to the margin and titled, 27.5 x 36 cm Note: The Royal Iris and Royal Daffodil were instrumental in the success of the British raid on Zeebrugge 23rd April 1918

Lot 24

Folio of 3 unframed pictures - gouache of The Grand Canal, Venice; Eastern town scene, watercolour signed Giovanni Barraro, and one etching signed E. van Muyden

Lot 80

Hedley Fitton - Etching 'City Cross, Winchester', pencil signed and titled to the margin, 53.5 x 35 cm

Lot 1

SIDNEY ROBERT JONES (1881-1966). Etching "Middle Temple Hall and Fountain Court", signed in pencil to mount, 32cm x 28cm, framed.

Lot 1

Robinson (C.E.). A Royal Warren or Picturesque Rambles in the Isle of Purbeck, Typographic Etching Co., 1882, five etched and five "photograved" plts. by Alfred Dawson, full-page map, other illusts., slight foxing, orig. buckram, gilt, together with Eyton (R.W.), A Key to Domesday... an Analysis and Digest of the Dorset Survey, 1888, orig. cloth, a little rubbed, and St George (Henry, and Lennard, Sampson), The Visitation of the County of Dorset, Taken in the Year 1623. Edited by John Paul Rylands, Harleian Soc., 1885, nine plts. of seals and signatures, orig. cloth, spine worn, and Foster (J.J.), Wessex Worthies (Dorset). With an Introductory Note by Thomas Hardy, 1920, 216/325 copies, thirty-one plts., light foxing, orig. cloth-backed boards, a trifle rubbed, and Nightingale (J.E.), The Church Plate of the County of Dorset, Salisbury, 1889, sixteen plts. and text illusts., name on title-page, orig. cloth, a trifle rubbed, and three others, 4to and royal 8vo (8)

Lot 1

M Johnson 19/20th Century- 'Ben Ridding, Ullswater'; oil on board, signed, 17x27cm: Lionel Bethell 19th Century- London Street Scene; etching, signed and dated 1891 within the plate: together with a collection of 18/19th and 20th century watercolour, oil and engravings by and after various hands, (a lot)

Lot 1

After G D Giles- 'The Blue Riband', publ June 1st 1892 by Raymond Groom & Co; photogravure, 52.5x58cm: British School circa 1900- 'Gone to Grief'; etching, 22x35cm., (2)

Lot 1

After Gunter Huniat b.1939- 'Blick uach Juney'; screenprint in colours, signed, titled and numbered 103/200 in pencil, bears blind stamp, 35.5x35cm: Lesbia Thorpe b.1919- 'The Sea Bed'; linocut printed in colours, signed, titled and numbered 3/9 in pencil and with stamped initials: L Binder late 20th Century- Abstract form; etching, signed, dated 89 and titled, numbered 103/200: together with six other late 20th Century screen prints, etchings and lithographs by various hands, (9) (unframed)

Lot 1

Claude Francis Barry RBA 1883-1970- ''St Marks, Venice''; etching, signed and titled in pencil, 73x64cm: After Helen Bradley 1900-1979- 'Hot Pies, Now Ready', published by the Adam Collection 1975; reproduction printed in colours, with blind stamp for the Fine Art Trade Guild, signed in pencil: A Fawcett late 20th Century- 'Haze Liegh Post Box'; aquatint, artist's proof, signed, titled and dated 87 in pencil, (3) (part unframed)

Lot 1

James Alphege Brewer act.1909-1938- 'Amiens Cathedral' published Sept 2nd 1918, Alfred Bell & Co., Old Bond St London; etching with aquatint, signed and titled in pencil, bears blind stamp, 65x46cm: together with one other etching with aquatint by the same hand titled 'The North Transept Rheims Cathedral', published Jan 1st 1918, Alfred Bell & Co., signed and titled in pencil, bears blind stamp, (2)

Lot 1

Sir David Wilkie RA 1785-1841- 'The Sedan Chair', etching, 13x8.5cm: together with two further etching by the same hand, in a common mount: Note: bears label for The Scottish Fine Arts And Print Club, Loan Exhibition, Royal Scottish Academy Galleries, Edinburgh, 1937 verso: Victoria Goaman b.1951- 'Rosaceae'; watercolour, signed and titled in pencil: together with one other 19th century hand-coloured etching depicting part of the Forum, (NOTE:3 NOT4)

Lot 1

Abraham Krol, French 1919-2005- 'Elsinore'; etching, initialed within the plate, 25x20cm: Note: This print is from the suite of etchings on the theme of Hamlet executed by the artist circa 1950

Lot 1

European School mid 20th Century- Figures and head; lithograph printed in colours, signed in pencil, 60x42cm: together with one other etching with aquatint after the same hand, signed and dated 64, (2) (part unframed)

Lot 1

Arnold Chapman, late 20th Century- 'Irish Dinner'; etching with aquatint, artists proof, signed, dated 77 and titled in pencil, 27x27cm: M Oliver Rae late 20th Century- 'Trinity Great Court, Cambridge'; etching, signed and titled in pencil: Helen Duley Late 20th Century- Mother and child; mixed media, initialed and dated 98: together with other 20th century etchings, drawings and reproductions by and after various hands, (a lot)

Lot 1

Fabio Berardi 1728-1782- 'L'eta che Non Divora, Se Strgge I Sassi Ancora'; etching, after Antonio Canal Canaletto 1697-1768, 22x29.6cm., (unframed)

Lot 1

Robert Baker (1909-1992). A group of assorted drawings and etchings, including a pen and ink sketch of farm labourers, a pen sketch of gleaners and an etching of the same subject, an etching of a head study after Durer, a pen and ink scene from Macbeth, and a drawing of figures, squared for transfer. All unframed (5). (see illustration on our website)

Lot 1

Frank Henry Mason (1876-1965). The American Black X Packet off Blackwall. Dry Point Etching. Rigned in pencil lower left 17cm x 25cm . Note: This is one of an edition of 75 sanctioned by the Fine Art Trade Guild and was published in 1927 . (see illustration on our website)

Lot 1

Feliks Topolski ‘This England'. Rcreenprint. R. 49cm x 75.5cm. Reginald Green ‘Friars Crag, Derwentwater';. Lake District view. Each etching. Each signed in pencil within the margin lower right. Each p. 16.5cm x 26.5cm. And two other prints (5). (see illustration on our website) . Best Bid

Loading...Loading...
  • 78388 item(s)
    /page

Recently Viewed Lots