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*Dayes (Edward). The Promenade in St. James's Park, pub. P. Gaugain, January 1793, b & w soft-ground etching, by S.D. Soiron, after Edward Dayes, one or two minor marks and marginal repairs, approx. 450 x 670 mm (17.5 x 26.5 in), mounted, together with An Airing in Hyde Park, pub. P. Gaugain, January 1796, fine b & w soft-ground etching by P. Gaugain after Edward Dayes, approx. 445 x 665 mm (17.5 x 26 in), mounted (2)
Gavarni (Paul, i.e. Chevalier Sulpice Guillaume). Masques et Visages, Notice par C.-A. Sainte-Beuve, Paris, Calmann Lévy, n.d., c. 1880s, numerous b&w litho. plts., orig. cloth backed boards, rubbed and marked, some minor wear and fraying to extrems., folio, together with Duret (Theodore). Die Impressionisten, Berlin, 1909, b&w plts., etc., lacks all orig. etchings, together with a 1914 second edition of the same work, lacking the two original etchings by Renoir, orig. vellum/orig. vellum-backed boards respectively, a little rubbed and some minor marks, large 8vo, with The Studio, An Illustrated Magazine of Fine and Applied Art, col. 22, 1901, Special Summer Numbers, 1901, 1902 & 1904 (Beauty's Awakening, Modern Etching and Engraving & The Royal Academy), plus the New Woodcut by Malcolm C. Salaman, The Studio Special Spring Number 1930, and The Studio: A Bibliography, & a Reprint of the General Index, 1893-1901, all orig. green cloth, except woodcut vol. and Bibliography in orig. wrappers, 4to and Bourcard (Gustave). La Cote des Estampes des différentes ecoles Anciennes et modernes, Paris, 1912 (9)
*Theatre. Prints & engravings, mostly 19th century, including 'Melle Sarah Bernhardt', late 19th century hand coloured litho after 'Theo' (approx. 350 x 260 mm), together with Sayer (Robert, pub.), Miss Nancy Dawson, late 18th century, uncoloured mezzotint, approx. 350 x 250 mm, plus others related including a humourous etching published by Fores in 1827 and entitled 'Othello/Romeo and Juliet' (approx. 70 x 210 mm) (approx. 22)
Alphonse Legrors 1837-1911- 'Le gue'(The Ford)', drypoint etching, signed in pencil, 13x16cm, bears George Davidson Ltd, 123 Sauchiehall St Glasgow, label verso: Douglas Ion Smart 1879-1970- 'Angers', drypoint etching, signed in pencil: Charles Henry Baskett 1872-1953-'Slambridge', aquatint, signed in pencil, 14x18cm; together with four further hand-coloured engravings of 18th century Military Dress. (7)
Thomas Rowlandson 1756-1827- 'Highland Broad Sword, as practised by the Dismounted Troops of the Light Horse Volunters of London & Westminster, Henry Angelo, fencing and Broadsword Master to the Light Horse Volunteers',etching, aquatinted by I.Hill, Publ: As the Act directs June 20th 1799,54x75cm; Francesco Bartolozzi RA- 'Louis Joseph de Bourbon, Prince De Conde, Prince Du Sang', Stipple engraving, after M de Tott; together with two further 18/19th century engraving and photogravure by and after various hands. (4)
European school 20th century- Dinosaurs; gouache on paper, original art work for illustration, 35x52cm: together with over twenty-five other similar artworks by the same hand: E Sargieson- 'The Postal'; etching with aquatint, signed and nunbered 4/10 in pencil: together with a folio of 20th century watercolour and mixed media studies to include Timothy Marwood and other hands, (a lot), (unframed)
William Lee Hankey 1869-1952- Women and child; drypoint etching, monogrammed within the plate, and signed in pencil, 32x27cm: After Maurice Utrillo- Parkland; lithograph printed in black, signed and dated within the plate 1927, numbered in pencil 41/200, together with seven further 19/20th century etchings by various hands. (9)
European school (possibly Dutch) 20th century- Canal in winter; etching and Aquatint printed in colour, signed in pencil, 30x37cm; European school 20th century- Busy harbour scene; gouache on paper, signed and with inscription: European school 20th century- House under construction; 'Tyringe', pen and black ink, signed with initials P L and dated 28, together with European school 20th century, Bedroom Interior, watercolour, signed with initials E H. (4)
J W Jamnagar, Indian School Mid 20th century- 'Ratan Bai Mosque'; etching laid on card, signed within the plate, and in pencil dated 1940, 56x42cm: together with a further twenty-three signed etchings to include 'Jain Temple Roofs', 'Ashapura Temple', each in a hardwood mount, and stored in a tropical hardwood display cabinet, with reverse painted glass panels to the front and side bearing the name 'Jamnagar Etchings' to the front panel, similarly signed and dated 1941 on the side panel, cabinet, 104cm., high, 53cm., deep, 71cm., wide., max
Wilfred Huggins etching entitled 'The Ferry, Venice', signed in pencil, black frame, 27 x 27cm; a pencil sketch of a man in glasses, monogram lower left 'EFA 1889', 29 x 36.5cm; an engraving of Tinwell Church, 27 x 22cm; and of local interest, a watercolour of The George Hotel garden, 46 x 45cm (four)
SIR LAWRENCE ALMA TADEMA (1836-1912). AUTUMN THE VINTAGE FESTIVAL. Copper etching signed 33cm x 16cm and another one a pair (2) Note:These two etchings are part of a set of four illustrating the four seasons. They are both signed and hand-coloured by Auguste Blanchard and were commissioned by British dealer and publisher Ernest Gambart..
LUIGI KASIMIR (Austrian 1881-1962)Hamburg PinnenalsterColor etching16.5in. x 23.25in. Signed lower centerAn Austrian-born painter and etcher Luigi Kasimir studied at the prestigious Vienna Academy of Art where his teacher William Unger introduced him to the technique of color etching. Rather than apply color to the print Kasimir pioneered a new method by which he transferred a pastel-drawn design in color onto several plates that were then printed.Provenance: Rainone Galleries Arlington TXacquired from the above by the present owner

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78388 item(s)/page