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Click here to subscribeCynthia de Wolf - Study of a Lighthouse, signed and dated 1998 in pencil, colour etching, 38 x 25 cm; Jane Normal - Study of trees, screen print, signed and numbered 1/50, 13 x 10 cm; and Kimberley Lockyer - Landscape 1, monoprint, signed and dated lower right "K Locky 2003", 28 x 40 cm; O Mayo (Modern School) - Abstract Composition, signed and dated 1993 lower right, oil on paper, 15 x 18cm (4)
Edgar Rowley Smart (British, 1887-1934), The Road to Fougereau, signed lower right, etching, 22 x 27cm; Ruined fort, etching, 17 x 32cm; W Stewart Hollis (British, 20th Century), Sailing ships, signed, etching, 16 x 29cm; A Watson Hughes (British, 20th Century), Party, pen and ink, 29 x 11cm; Indian Girl, pen and ink, 47 x 34cm; and Antonio Toso, print, 25 x 17cm (6) All are dirty.
Louis Icart, French (1888-1950) Color Etching and Drypoint "Coursing II" Signed Lower Right Louis Icart. Numbered JJ 33/500 Lower Left. Copyright Upper Left. Blindstamp Lower Left. Toning and Foxing from age or in Good Condition. Measures 16 Inches by 25-1/2 Inches (sight) Frame Measures 23-1/2 Inches by 33 Inches. Shipping We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.
An 1827 pattern rifle officer’s sword, slightly curved fullered blade 32”, etched (faint) with Vic crown, strung bugle, wreath and crossed flags, regulation hilt incorporating crowned strung bugle, in a scabbard, with leather frog; and an 1821 light cavalry sword with faint traces of etching, regulation hilt; in steel scabbard. QGC (2)
A MIXED QUANTITY OF VARIOUS DECORATIVE PICTURES AND PRINTS to include photographs of spitfire, a portrait of a black labrador, two frames of cigarette cards, a limited edition print, Eton college, after John Western, an etching of Windsor after Radcliffe together with an unreleased, privately taken photograph of The Queen walking her corgis by a river
Mark Andrew Godwin, British b.1957- "Artemis XXI"; etching with aquatint printed in colours, signed and titled in pencil, 90x119.5cm: together with three further screenprints in colours with mixed technique printed in colours entitled "Elysium XVIII", "Pathway XX" and "Timaeus XI" ea. signed and titled in pencil, 70x85cm, 57x76cm and 64x53.5cm, (4), (may be subject to Droit de Suite)
Valentine Green, British 1739-1813- "The Right Honble Lady Louisa Manners, Sister of the Earl of Dysart", after SirJoshua Reynolds PRA, publ Dwec 24th 1779 by V Green No 29 Newman Street Oxford Street; mezzotint, 63x38cm: John Ogborne, British act 1755-1795- The woodcutter and Milkmaid crossing a bridge on a donkey; stipple engravings printed in colours, 49x64cm., ea: William Ward, British 1766-1826- "The Farm Yard", after George Morland, publ July 1 1795 by J R Smith King Street Covent Garden; mezzotint, 45x55cm: William Satchwell Leney, British 1769-1831 - "Shakspeare, Second Part of King Henry the Fourth Act II Scene IV Doll Tearsheet Fastaff & Henry & Poins", after Henry Fuseli RA, publ March 25th 1795 by John & Josiah Boydell at the Shakspeare Gallery, Pall Mall & at No 90 Cheapside London; stipple engraving, 57x42cm: George Morland, British 1763-1804- Shoeing a horse, publ May 1st 1793 by D Orme & Co at the Morland Gallery 14 Old Bond Street; soft ground etching, 52.5x37cm: together with three other soft ground etchings by George Morland. 52.5x37cm., ea., approx: James Kirby Baldrey, British 1750-1823- "Sketches by G Morland", publ March 1 1792 by J Harris N 28 Garrard Street, Soho; soft ground etchings, four, with front wraps, 43x55cm: John Faber Jnr, Dutch 1695-1756- Portrait of Margaret Yorke (nee Cocks), Countess of Hardwicke, after Sir Godfrey Kneller Bt, publ by Faber at the Golden Head Bloomsbury Square, 1741; mezzotint, 36x25cm: together with a mixed folio of prints by and after different hands, mostly 18th and early 19th century, various sizes, (a lot) (unframed)
Suzanne Valadon, French 1865-1938- "Louise Nue"; drypoint etching on laid, signed and dated 1895 within the plate, signed in pencil, 25x29cm, (unframed). (VAT charged on hammer price.) CONDITION REPORT: unframed on laid paper signed in pencil bottom right browned and time faded overall with patches of further staining and spotting overall affects the sheet and the plate there is a tape hinge top left corner on the reverse and associated bleaching to the top corner visible from the front there are no nicks or tears to the sheet, will require some restoration to remove staining but otherwise appears fine
Ian Wilkinson, British b.1962- "Let the Sun Shine", "Inca Fall", and "Floating"; etching in colours, collage & gold metal leaf, signed, dated 04, and titled, and one numbered 4/150 in pencil, 78x74cm, 78x74cm, & 58x58cm respectively: together with one other by the same artist- "Collision"; etching in colours, mixed technique, signed, titled and dated 04 in pencil, 69x67cm, (4) (may be subject to Droit de Suite)
Oliver Robinson, British 1908-1996- "Jazz Tennis"; digital print, signed and numbered 27/250 in pencil, 38x59cm: European School, 20th/21st Century- "Graces III"; etching in colours, embossed, signed indistinctly, titled and numbered 220/275, 38x30cm: together with one other abstract digital print, 76x50.5cm, (3) (may be subject to Droit de Suite)
Anna-Mary Devereux, British, late 20th/early 21st century- 'Lavender, Shoreham Valley'; etching, aquatint in colours, signed and numbered 5/15 in pencil, 22.5x29.5cm: together with two others by the same artist- 'Carnedd Llewelyn' & 'Winter Light, Idwd'; etching, aquatint in colours, signed and numbered 4/5 and 8/10, 22.5x29.5cm & 20x24.5cm respectively, (3) (may be subject to Droit de Suite)
William P Robins RE, British 1882-1959- "Staples Farm"; etching, signed and dated 1914 in pencil, 11x22cm Provenance: with Abbot & Holder, London, according to label attached to the reverse of the frame: Janet Leighton, British, mid 20th century- "Harvestfield"; wood engraving, signed, titled and dated 38 in pencil, 16x23.5cm: Hugh G W Vernall, British exh 1938-40- Trees by moonlight; etching with aquatint, signed and dated 1924 in pencil, 23.5x19.5cm: together with two other etchings by different hands, both signed in pencil, (5) (may be subject to Droit de Suite)
Frank Paton, British 1856-1909- "Grouse Driving", after Archiblald Thorburn FZS, publ by July 10th 1889 by E E Leggatt 62 Cheapside EC; etching with remarque, signed by both printmaker and artist in pencil, bears publisher's blind stamp, bears label for Henry Graves & Company, 6 Pall Mall London SW attached to the reverse, mounted in a glazed oak frame, 38.5x55cm
James Alphege Brewer, British fl.1909-1938- "Milan Cathedral (Corso V Emanuele)", publ. by Alfred Bell & Co Ltd, 6 Old Bond Street, London, W1, Nov 10th 1927; etching, signed in pencil, bearing blindstamp for Fine Art Trade Guild, 45.2x29.5cm: Jackson Henry Simpson, Scottish 1893-1963- "Marischal College, Aberdeen" and "King's College, Aberdeen"; etchings, two, ea signed, 24x14cm 22.2x13.2cm respectively: Percy Westwood, British 1878-1958- "The Cathedral Bruges" and "On the Roya Bruges"; etching, signed and titled in pencil, ea. 30.5x15.5cm, (5), (part unframed), (may be subject to Droit de Suite)
John Henn, British, late 20th/early 21st century- "Red Poppies"; etching with aquatint printed in colours, signed, titled and inscribed 'A/P' in pencil, 50.5x37.5cm: together with two other etchings with aquatint printed in colours by the same hand, to include "Red Poppies I" and "Orange Roses II", both signed, titled and inscribed 'A/P' in pencil, 50x37cm and 45x29cm: Roger St Barbe, British, late 20th/early 21st century- "Portheras Cove II"; etching with aquatint, signed, titled, numbered 1/100 and dated 1994 in pencil, 25x20cm: together with six framed reproduction prints after Ivon A Donnelly, three each in two shared mounts and glazed frames, (6) (may be subject to Droit de Suite)
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