There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe*Griggs (Frederick Landseer, 1876-1938). Tattershall, 1932, etching printed on heavy laid paper, the 3rd state (of 4), printed in an edition of 65 proofs, signed in pencil F.L. Griggs lower right, inscribed in ink to verso 28 and 'D.H.P.' (for Dover's House Press), the full sheet, plate size 17.7 x 26.3 cm (7 x 10.4 ins), sheet size 32.5 x 42.2 cm (12.75 16.6 ins), hinge-mounted Comstock 44, iii/iv. (1)
*Meryon (Charles, 1821-1868). Le Petit Pont, 1858, etching on wove paper, a 19th century impression, trimmed to plate margin, 262 x 190 mm (10.3 x 7.5 ins), hinge-mountedtogether with Claude (Le Lorrain, 1600-1682), Le Pont de Bois (Rebecca and Eliezer), circa 1638-41, etching on wove paper, a 19th century impression, trimmed to plate margin, 130 x 195 mm (5.1 x 7.7 ins), hinge-mountedSchneiderman (Meryon) 20-3 (9). One of Meryon's best-known works, depicting the Hotel Dieu de Paris before its destruction. (2)
*Ray-Jones (Raymond, 1886-1942). Self-portrait wearing a hat, 1915-21, etching on laid paper, with watermark F.J. Head & Co. partially visible to extreme upper edge of the sheet, signed in pencil, and additionally titled in pencil by the artist 'Portrait of the Artist' to lower edge, plate size 33 x 24.7 cm (13 x 9.75 ins), sheet size 40.5 x 32.5 cm (16 x 12.75 ins) (1)
*Taylor (Charles William 1878-1960). Beyond Chadwell St Mary (Essex), etching, signed and numbered 5/53 in the margin, plate size 23 x 18cm (9 x 7ins), framed and glazed, together with Mason (Henry Frank, 1876-1965), Church ruins, etching, signed in margin, plate size 14.5 x 23cm (5.75 x 9ins), framed and glazed, plus a pair of dry point etchings by E. Sharland, Dunster Castle and Windsor Castle, each signed and titled in margin, 13 x 24cm (5 x 9.5ins), framed and glazed (limited edition of 50) (4)
*Amarasekara (Abraham Christopher Gregory Suriarachi, 1883-1959). Evening, 1928, etching on laid paper, printed in red-brown, signed, dated and titled in pencil to lower margin, plate size 10.6 x 15.1 cm (4.2 x 6 ins), discolouration to margins, hinge-mounted on thick paper Sri Lankan artist Amarasekarera came to England in the early years of the 20th century, and exhibited at the Adelphi and the Royal Academy. A lecturer in fine arts at Ceylon Technical College, he was also honorary vice president of the Ceylon Society of Art between 1926 and 1958, and president of the Society between 1959 and 1969. (1)
*@Tunnicliffe (Charles Frederick, 1901-1979). Cattle Market, Waters Green, Cheshire, circa 1935, etching on cream laid paper, from the published edition of 75 impressions, signed in pencil, and numbered 34/75 to lower margin, a few light spots, plate size 20.8 x 27.7 (8.2 x 10.9 ins), with margins, framed and glazed (1)
*Walcot (William, 1874-1943). The Thames from Waterloo Bridge, 1913, etching on cream wove paper, with plate tone, from the published edition of 100, signed in pencil lower right, plate size 95 x 180 mm (3.75 x 7 ins), framed and glazed, with label of Henry Whitley, Printseller, Scarborough to verso (1)
*Clarke (Graham, 1941-). Are They? 1984, colour etching, showing the artist's home at Christmas, signed, titled and numbered 60/300, plate size 34.5 x 40cm (13.5 x 15.75ins), together with another by the same artist 'Excelsior', 1984, colour etching, showing the artist's wife and daughter at home, signed, titled and numbered 60/300, plate size 34 x 39.5cm (13.25 x 15.5ins), both framed (2)
*Clarke (Graham, 1941-). Lady of Shallot, 1992, colour etching, signed, titled and numbered 167/350, plate size 35 x 44cm (13.75 x 17.25ins), framed and glazed, together with another by the same artist, Sage of Onions 1992, colour etching, signed, titled and numbered 167/350, plate size, 35 x 44cm (13.75 x 17.25ins), framed and glazed (2)
*@Frink (Elisabeth, 1930-1993). Ganymede (from the series Children of Gods), 1988, etching with aquatint, on wove paper, from the edition of 70, printed by Kelpra Studio, London, with their blindstamp, published by the artist, signed and numbered 1/70 in pencil, plate size 56 x 39 cm (22 x 15.25 ins), sheet size 72 x 55 cm (28.3 x 21.7 ins), framed and glazed Wiseman 146. (1)
*@Inshaw (David, 1943-). Honeystreet (from the series Wiltshire Landscapes), 1992, etching and aquatint in 9 colours on Moulin Gue paper, an artist's proof aside from the published edition of 45 impressions, signed, dated, inscribed AP and numbered 4/6 in pencil, plate size 40.4 x 26 cm (15.9 x 10.25 ins), with margins, mounted (1)
*@Inshaw (David, 1943-). Woodborough Hill Canal, (from the series Wiltshire Landscapes), 1992, etching and aquatint in 14 colours printed on Moulin Gue paper, an artist's proof aside from the published edition of 45 impressions, signed, dated, inscribed AP and numbered 4/6 in pencil, plate size 40.2 x x33cm (15.8 x 13.2 ins), with margins, mounted (1)
*Massie (Lorna, 1938-). October Garden, colour silkscreen print, from the edition of 150, signed and numbered 66/150, image size 40.5 x 54.8 cm (16 x 21.5 ins), with margins, framed and glazed, together with Mallinson (Pat, 1950-). Interior, St. Paul's, colour aquatint, signed, titled and numbered 61/100, plate size 49.5 x 32.5 cm (19.5 x 12.75 ins), with margins, framed and glazed, plus Earlom (Richard, 1743-1822). View of a Sea Port, with a Triumphal Arch, after Claude Lorrain, 1777, etching with mezzotint, printed in bistre, number 197 from the Liber Veritatis, plate size 17.7 x 22.7 cm (7 x 9 ins), framed and glazed (3)
*Restall (Andrew, 1931). Slipperfield, Peebleshire, Looking West, 1984, watercolour on paper, signed with initials and dated '84 lower right, 40 x 50 cm (15.75 x 19.75 ins) mount aperture, framed and glazed with artist's handwritten label to verso, together with an artist's proof colour etching of a landscape by the same artist, signed with initials, and marked A/P in pencil, framed and glazed Exhibited: Brighton Polytechnic, 30 January-14 February 1985. (2)
*Rembrandt (Harmensz. van Rijn, 1606-1669). Woman at a door hatch talking to a man and children, 1641, etching, a good, clear but slightly later impression, trimmed on or just inside the plate mark, small rust spot to the woman's head, sheet size 91 x 61 mm (3.7 x 2.4 ins), framed and glazed, with printed label from a Christie's sale catalogue to verso Provenance: Christie's, 24 April 1985. John Perkin Esq., thence by descent. Bartsch 128. (1)
*Garratt (Sam, 1865-1947). Brownsea Island, Poole Harbour, 1929, watercolour, signed and dated lower right, 25.5 x 35 cm (10 x 13.75 ins) mount aperture, period frame, glazed, together with an etching with aquatint, of a similar view of Brownsea Island, signed and titled in pencil, plate size 17.5 x 25 cm (6.8 x 9.8 ins), with margins, framed and glazed (2)
Harry Becker (British, 1865-1928) Heavy horses ploughing, 39 x 80 cm (15.5 x 31.5in); Grey heavy horse in a stable, 38 x 53 cm (15 x 21in); A blacksmith shoeing a grey horse, inscribed lower right "Harry Becker / from his studio G and J Becker '1st State' Etching", 46 x 65 cm (18 x 25.5in) etchings, unframed (3) Provenance: From the collection of Kenneth Green Literature: Henry Thompson, 'Harry Becker 1865-1928', Lavenham: The Wildlife Art Gallery, 2002, frontispiece, p. 64 Little scuffing/creasing to the edges.
Thomas Vivares (b. 1744), after George Morland (1763 - 1804), Self-Portrait Beside a Country Inn, a pig, a dog and his easel by his side, From an original Drawing in the pofsefsion (sic) of John Graham Esqr, To whom this Engraving is respectfully inscribed bu his obliged h:ble Serv:t Edwd Orme (sic), Published by Edward Orme, London 1805, hand-coloured soft-ground etching, 38cm x 50cm, Hogarth-type frame
Victorian 14th (King’s) Hussars Officer’s Mameluke SwordA rare Officer’s Mameluke hilted Levee pattern Sword. Curved unfullered blade with etched decoration depicting a regimental device surmounted by a crown. Above, this scrolling floral decoration, below the Regimental title. To the obverse a crowned entwined VR Cypher and further scrolling floral etching. Fine gilt cross guard bearing embossed decoration of regimental pattern. Two piece ivorine grip, with a pair of gilt pateri to each side. The sword is retained its original polished steel scabbard fitted with two gilt loose rings. The sword has been completely professionally restored to exhibition / parade standard. Etching to the blade clear.
Early Victorian 11th (Prince Albert’s Own) Hussars Officer’s Mameluke Hilted.A good example with 3/4 length etched decoration to the curved unfullered blade. The etched decoration depicting Trophies of Arms, Classical urns, and foliage decoration. To the forte the details of “Hamburger Rogers & Co 30 King Street Covnt Garden London”. Fine gilt cross guard bearing silver applied regimental device of a Sphinx resting upon a tablet. Two piece plain grip with gilt floral head patteri. Housed in its original steel and ornate gilt brass floral mounted scabbard, fitted with two loose rings. Blade etching is clean and clear GC.
WW1 Period Highland Light Infantry Officer’s sword by Wilkinson.A scarce and good example of the Scottish Highland 1831 pattern sword. The straight doubled edged blade with central fuller is etched with a GVR Cypher panels of thistles, regimental title and crest. To the forte the Wilkinson’s logo and crest and the blade is numbered “47261”. Full nickel plated basket guard with pierced heart panel design enclosing a shagreen grip with twist wire binding. Retaining full buff leather and scarlet faced lining. Housed in field service leather scabbard. The blade remains in very good condition, etching clear, the basket with a little storage wear, plating dulled.
Victorian Royal Engineers Officer’s sword, retailed through R. Ponder of London.A good clean example of the Engineer pattern 1857 sword. The blade is etched with a Crowned entwined VR cypher, with an Artillery field gun below. The reverse etched with the title Royal Engineers and to the forte the retailer’s details. Gilt brass special Regimental pattern guard with shagreen grip and twist wire binding. Housed in original gilt brass scabbard. Etching clear Slight wear to guard. GC.
Victorian 2nd (Railway) Cheshire Engineers Volunteers Officer’s Sword A good example of the 1857 pattern, the slightly curved single edged blade with etched decoration of a crowned VR cypher and flaming grenade. To the reverse with the title “2nd Cheshire Engineer Volunteers.” A panel is etched with entwined initials “OF”. The forte with the retailers details of “Cator & Co” of London”. The hilt is of the Royal Engineers 1857 pattern, with brass guard with floral decoration. The shagreen grip retaining twist wire binding. Housed in steel scabbard. Etching remains clear some staining to the blade and pitting to the scabbard.The 2nd Railway Engineers HQ Crewe
Victorian Attributed Royal Engineers Officer’s Sword A good example of the 1857 pattern, attributed to Lieutenant Colonel James Ford Dorward The slightly curved single edged blade with etched decoration of a crowned VR cypher, the reverse with the title “Royal Engineers”. A panel is etched with a family armourial crest and initials “J.F.D.”. The hilt is of the Royal Engineers 1857 pattern, with brass guard with floral decoration. The shagreen grip retaining twist wire binding. Housed in polished brass scabbard. GC etching clear. Attributed to Lieutenant Colonel James Ford Dorward who was commissioned into the Royal Engineers in 1864, Captain 1877, Major 1884 and Lt Col in 1891. He saw service in the Sudan He retired in 1897
Victorian 1858 Royal Military Academy Royal Engineers Officer’s Sword of Honour by Wilkinson of London.A very good example of the 1857 pattern, presented to Lieutenant Colonel Richard Henry Beaumont Beaumont when a Cadet. The slightly curved single edged blade with etched decoration of a crowned VR cypher, the reverse with presentation “PRESENTED TO GENTLEMAN CADET RICHARD H.B. BEAUMONT ON OBTAINING HIS COMMISSION FROM THE ROYAL MILITARY ACADEMY JUNE 1858 FOR HIS EXEMPLARY CONDUCT WHILE AT THE INSTITUTION”. The forte of the blade with the cutler’s details of Wilkinson and the blade numbered “9268”. The hilt is of the Royal Engineers 1857 pattern, with brass guard with floral decoration. The shagreen grip retaining twist wire binding. Housed in polished steel scabbard. GC etching clear. Lieutenant Colonel Richard Henry Beaumont Beaumont was commissioned on the 22nd June 1858, Captain 1872, Major 1879 and Lt Col 1881. He retired in 1882 and died two yeas later in 1884.
Victorian Royal Engineers Officer’s Sword by Wilkinson Sword of London in 1857A rare example made in the first year of the introduction of the pattern. The 1857 pattern sword, with slightly curved single edged blade with etched decoration of a crowned VR cypher, the forte with cutler’s details of Wilkinson London and the blade is numbered “8154” (1857”). The hilt is of the Royal Engineers 1857 pattern, with brass guard with floral decoration. The shagreen grip retaining twist wire binding. Housed in polished brass scabbard. GC etching clear.
Napoleonic War Period Officer’s Superior Quality 1796 Light Cavalry Officer’s Sword. This example follows the regulation pattern, the curved single edged blade with three quarter length etched decoration. This depicting a post 1801 Royal Coat of Arms, with Garter Strap, floral decoration, Trophy of Arms, Classical figure, etc. The back of the blade etched with leaf and foliage decoration which is repeated to cross guard, langets, knuckle guard, pommel and back strap. The leather covered grip retains silver twist wire binding. Housed in original leather and steel mounted scabbard fitted with two loose rings. Etching remains very clear, minor age wear clean condition.
Scottish. Argyllshire & Sutherland Highlanders Attributed Officer’s dirk.A fine and scarce example by J. Pillin of London attributed to Captain D.M. Main TD of the 5th Bn. The clipped back 11 inch blade is double edged for the lower section both sides with etched decoration depicting Regimental devices. The black bogwood grip is of an interlaced design decorated with silver studs and surmounted by a plain silver pommel ornamented with a foiled citrine. Black leather covered sheath, the silvered mounts embossed with regimental devices. Retaining both miniature knife and fork, each mounted with foiled citrine. Both springs to these A/F. The overall condition is good etching clear.Captain D.M. Main TD of the 5th Bn Argyll & Sutherland Highlanders was appointed a Second Lieutenant in 1902. At the outbreak of the Great War he was serving as a Captain still with the 5th Bn, which in 1915 embarked and landed at Gallipoli on the 3rd July. He appears to have been wounded and relinquished his commission in May 1916, being awarded the silver war badge. SEE MEDAL SECTION for his medal group of Four.
Scottish Queen’s Own Cameron Highlanders Late Victorian Officer’s dirkA good quality example, the 12 inch blade is double edged for the lower 6 inches and bears etched decoration. This including a reverse entwined VR cypher surmounted by an Imperial Crown and also with the regimental device and title. The black bogwood grip is of an interlaced design decorated with gilt studs and surmounted by a gilt thistle embossed pommel ornamented with a foiled citrine. Housed in black leather covered sheath with applied thistle ornamented gilt mounts, the top mount embossed with a crown thistle device. PLEASE NOTE miniature knife & fork absent. Etching to blade clear and bright, gilt mounts dulled.
*Landseer (Thomas). Portraits of two aged & one shearling South-Down rams, the property of C. C. Western Esqr. M.P. for the county of Essex, published J. Landseer, March 1st. 1814, uncoloured etching after Edwin Landseer on india wove, 290 x 375 mm, framed and glazedNot in the Rothamsted Collection. (1)
Edwards (Edwin). Old Inns, 3 volumes in one, 1873, 1880 & 1881, 135 etched plates (including frontispiece, additional titles, dedication & illustrated text leaves), some plates with more than one image per page, occasional spotting, worm trails to blank margins of few plates, three original printed wrappers bound-in, marbled endpapers with armorial bookplate of Frederick Arthur Crisp to front pastedown, top edge gilt, remainder untrimmed, contemporary vellum, title in gilt to front board and spine, large 4to (binding 48 x 41cm, 19 x 16ins) Limited to 150 copies, after the printing of which the etching plates were destroyed. Edwards (1823-1879), a regular contributor to the Royal Academy exhibitions, intended to make a record of the old coaching inns throughout the country before they were "sacrificed to the genius of rapid locomotion" but died before the project was complete (his wife issuing the second and third parts). The set mostly depicts inns in East Anglia, but also some in London and the south-west. (1)
*Oxford. Loggan (David), Collegium B: Mariae Magdalenae, [1675 or later], uncoloured engraving, torn with small area of loss to upper margin, replaced in facsimile, 305 x 410 mm, mounted, framed and glazed, together with Skelton (Joseph), Entrance to Magdalen College, [1826], hand coloured engraving after F. Mackenzie, 340 x 450 mm, mounted, framed and glazed, with Lewis (F. C.), Entrance to Oxford from the London Road, published R. Ackermann (The History of Oxford), 1813 [or later], aquatint after F. Nash, contemporary hand colouring, 250 x 300 mm, mounted, framed and glazed, plus Murray (C. D.), Untitled etching of Magdalen Tower, published The Fine Art Society, 1896, uncoloured etching, signed by artist in pencil to lower right, remarque of two choristers, blindstamp to lower left, toned overall, 490 x 325 mm, mounted, framed and glazed, and Lewis (G.), Magdalen Tower, published R. Ackermann, 1814, aquatint after F. Nash, contemporary hand colouring, 285 x 215 mm, mounted, with Le Keux (John), The Cloister Magdalen College, [1837], hand coloured engraving after F. Mackenzie, trimmed and laid on later paper, 105 x 140 mm (6)
*Thorburn (Archibald, 1860-1935). Grouse shooting, published E. E. Leggatt, 1889, uncoloured etching by Frank Paton after Archibald Thorburn, signed in pencil by artist and etcher below image, etched remarque of a desk calendar showing 12th August, laid on later card, 370 x 520 mm, mounted, together with Grouse in flight, published W. F. Embleton, 1921, colour photolithograph, signed in pencil by artist below image to lower left, laid on later card, 395 x 515 mm, mounted (2)
Giovanni Battista Piranesi (1720-1778)Veduta del Piano Superiore del Serraglio delle fiere Fabbricato da Domiziano ..., from the Veduta di RomaEtching41 x 61cm; 16 x 24inWith three further prints by Cortonensis, J. E. Ridinger and after van Caukercken (4)Provenance:From the collection of Sir Jeremy Lever KCMG, QC, MA, FRSA
Loading...
![William Walcot (1874 - 1943), by and after, Newcastle Central Station, [1921], proof state from the only edition, signed in p](https://cdn.globalauctionplatform.com/6b29b9c9-e055-458d-9837-aa01011b2b26/53cc1f55-1b43-4d98-96c4-aa0200903286/468x382.jpg)
![*Oxford. Loggan (David), Collegium B: Mariae Magdalenae, [1675 or later], uncoloured engraving, torn with small area of loss](https://cdn.globalauctionplatform.com/a3ebd08e-0d61-45d7-b5d0-a9f500c017ad/184e9828-8ed3-47f5-8852-a9fc00e18895/468x382.jpg)
