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Lot 1015
William Lee-Hankey (1869-1952)The New Arrival - Fisherwomen admiring a new babySigned in pencil, with the artist's blindstamp, a black and white etching, together with a further black and white etching by George Edward Horton "Off to the Fishing Grounds" 22.5cm by 23.5cm and 15.5cm by 19.5cm respectively (2)
Lot 1016
Frank Henry Mason RBA, RI, RSMA, (1875-1965)Venetian poolSigned in pencil, etching, together with two further signed black and white etchings, one of maritime subject matter, the other depicting Calton Hill Edinburgh (1927) 31.5cm by 41.5cm, 18cm by 29.5cm, 22.5cm by 13.5cm respectively (3)
Lot 375
George Clausen (1852-1944), Horse and Cart, etching, pencil inscription in margin ‘Print to this G.C.’, image size 11.5cm x 15.5cm, framed, and James Bostock (1917-2006), 2 Ed ‘The Mirror’, limited edition wood engraving, 3/30, signed in pencil and titled in the margin, image size 15cm x 15dcm, framed, together with three other prints by various artists (5)
Lot 161
Law.- Newton (Richard) Progress of a Lawyer, three strips satirising stages in the career of a lawyer, etching with original hand-colouring, in two sections carefully conjoined, image 480 x 660 mm (18 7/8 x 26 in), under glass, upper left inscription strengthened with brown ink, numerous old repaired tears and small losses to extremities, framed, William Holland, 1795Literature: Not in BM Satires; Alexander 1998, no. 178⁂ Scarce. We cannot trace another copy being sold at auction.
![Martin (John) [Paradise Lost: By John Milton], the 24 plates only, from the Imperial Quarto issue, [?]proof impressions print](https://cdn.globalauctionplatform.com/175e1d27-5155-4863-91f2-b02a010cc1cf/3619feef-b6d6-4693-a994-b02a01188b90/468x382.jpg)
Lot 162
Martin (John) [Paradise Lost: By John Milton], the 24 plates only, from the Imperial Quarto issue, [?]proof impressions printing with some lettering but without publisher's imprint, mezzotints with etching, generally well inked clear impressions, each on thick wove paper without watermarks, platemarks 255 x 350 mm (10 x 13 3/4 in), sheets 278 x 375 mm (10 7/8 x 14 3/4 in), disbound and loose, some sheets with faint marginal damp-stains, scattered browning and surface dirt, binding stitch mark visible to one edge of each sheet, some associated minor stains and abrasion, presented within modern green cloth album, upper cover gilt, oblong folio, [Septimus Prowett, circa 1827]Literature: cf. Campbell & Wees, 1992, nos. 26-49.⁂ The engravings were greeted with outstanding critical acclaim, prompting the release of 4 further editions by the end of 1827. The critic for The Literary Gazette proclaimed: "we know no artist, whose genius so perfectly fitted him being the illustrator of the mighty Milton; and in what we have seen of his conceptions he has more than realised the highest of our hopes. There is a wildness, a grandeur, and a mystery about his designs which are indescribably fine:- the painter is also a poet." [The Literary Gazette, April 2nd 1825].
Lot 167
Duchamp (Marcel) and Andre Breton. Boite Alerte: Missives Lascives, one of 200 copies, comprising a collection of letters, catalogues, objects, postcards and original signed and numbered graphic works (lacking the lithograph by Joan Miró (Mourlot 195)), housed within the original green paper covered cardboard box designed to look like a French post-box (a little rubbed), limitation number stamped on inside of lid, overall size 278 x 190 x 70mm., n.p., 1959.⁂ The present lot contains the following items:i) catalogue for the exhibition.ii) 8 Missives Lascives by Micheline Bounoure, Alain Joubert, Joyce Mansour, Robert Benayoum, Octavio Paz, André Pieyre, Mimi Parent (a black silk stocking in an envelope with transparent window), and one anonymous.iii) a telegram on pink paper by Marcel Duchamp writing as Rrose Sélavy to André Bretoniv) a vinyl 45 rpm two-sided record with recordings of poems by Joyce Mansour and Benjamin Peretv) 6 colour postcards of works by Bellmer, Dali, Gorky, Miro, Svanberg, and Clovis Trouille.vi) 3 original signed and numbered lithographs by Adrien Dax, Marie Toyen, Max Walter Svanbergvii) an original signed and a numbered etching by Jacques Le Marechal.
Lot 173
δ Drury (Paul) Evening, etching, an excellent well inked impression on antique laid paper with watermark of grapes, signed and dated in pencil, platemark 75 x 99 mm (3 x 3 7/8 in), sheet 126 x 167 mm (4 7/8 x 6 5/8 in), small marginal loss to lower left corner, pin holes to each corner, small nick to centre right edge, minor surface dirt, collector's ink stamp of T.P.H[oskins] verso, unframed, 1925.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 174
δ Drury (Paul) Hayling Island (Barn with cart), etching, an excellent impression on antique laid paper, signed and dated in pencil, further inscribed underneath 'Personal print 2/6. Old Paper 1830', platemark 87 x 180 mm (3 3/8 x 7 in), sheet 164 x 235 mm (6 3/8 x 9 1/4 in), unframed, 1925; together with a good impression of 'The Family', etching, signed in pencil, platemark 144 x 178 mm (5 5/8 x 7 in), wide margins, unframed, circa 1950 (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 176
δ Drury (Paul) March Morning, etching, an excellent impression on cream wove paper without watermark, signed in pencil and inscribed 'Trial Proof', platemark 134 x 160 mm (5 1/4 x 6 1/4 in), sheet 207 x 234 mm (8 1/8 x 9 1/4 in), collector's ink stamp of T.P. Hoskins verso, unframed, 1933; together with 'September', a good but later impression from the edition of 100, signed and dated in pencil '1928', platemark 100 x 127 mm (3 7/8 x 5 in), wide margins, unframed, 1928 [but 1987] (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 181
δ Sutherland (Graham, 1903-1980) Cray Fields, etching, an excellent richly inked impression on antique laid paper with watermark 'I D', platemark 118 x 122 mm (4 5/8 x 4 7/8 in), sheet 229 x 184 mm (9 x 7 1/4 in), minor spotting and surface dirt, light handling creases, unframed, 1925.Provenance:Frederick Landseer Maur Griggs (1876-1938) [Lugt 760a]Private collection, Gloucestershire, UKδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 77
Jean-Francois Raffaelli (French 1850-1924) "Le Boulevard des Italiens, Paris" 1911, signed in pencil in the margin, etching with aquatint.49 x 60.5cm (framed 72 x 82cm)The Boulevard des Italiens is one of the four grand 'boulevards' in Paris. The origin of the name is the Theatre des Italiens built on it in 1783.
Lot 78
After Rembrandt van Rijn (Dutch 1606-1669) Two figures at a table Signed and dated 1636 in the plate, inscribed in pencil "hand printed by Rae Boer" in the margin, etching.13 x 12cm (framed 47 x 34.5cm)The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 278
A group of five early 20th century pictures, to include: Henry G Walker, two etchings of cottages, each signed (lower right), 28 x 22.5cm; Robert Cresswell Boak ARCA (1875-1949), The City Hall, Donegal Place, Belfast, signed (lower right), etching, 27 x 18cm; Marjorie Edwards, View of a cottage, signed (lower right), watercolour, 18 x 22.5cm; and J W Green, View of an autumnal forest, signed and dated 1947 (lower left), oil on board, 24 x 34cm (5)
Lot 68
Large etching and aquatint of anthropomorphic dogs dancing at the Parisian cabaret Bal Tabarin in the 1930s. Cartoonist Boris O' Klein (Russian-French, 1893-1985) specialized in humorist and anti-establishment depictions of dogs behaving like naughty humans. Signature in pencil on lower right. Title on lower left: "Le Bal Tabarin." Sight size: 25.25â€L x 19.50â€H. Frame size: 26.80â€L x 20.75â€H x 0.75â€W. Artist: Boris O' KleinIssued: c. 1940Country of Origin: FranceCondition: Age related wear.
Lot 73
The etching "Practice Bar" represents a group of girls seen from behind, standing as they prepare to stretch on a bar in a dance studio. Signed lower right: Marie Valost (?) Title on lower left: "Practice Bar." In center: 19/100. Sight size: 9â€L x 10.10â€H. Frame size: 15â€L x 16.10â€H x 0.70â€W. Issued: c. 2000Edition Number: 19/100 Condition: Age related wear.
Lot 206
NO RESERVE Frederick Landseer Griggs (1876-1938)St Mary's Nottingham (Comstock 41)Etching, 1929, signed in pencil, fourth state, the edition was 76, on wove paper, with full margins, plate 185 x 265mm (7 1/2 x 10 3/8in)Provenance: With Abbott & Holder, London.Together with:Frank Brangwyn (1867-1956)The Meat Market, BrugesEtching, 1906, signed in pencil, on wove paper, with full margins, image 280 x 300mm (10 7/8 x 11 7/8in);andthree further prints, two by E. Jackson Stodart after William Hogarth, and one by Joseph Pimm(5)
Lot 224
NO RESERVE δ Luke Piper (b.1966)St Gaudenzio, SwitzerlandEtching with aquatint printed in colours, 1994, signed, dated and inscribed 'AP' in pencil, an artist's proof from the edition of 15, on wove paper, with full margins, plate 410 x 535mm (16 x 21in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 244
δ Ernst Fuchs (1930-2015); Karl Rössing (1897-1987)Flora Okuli; Tuscan LandscapeTwo, etching with aquatint printed in colours, linocut printed in colours, circa 1975, both signed in pencil and numbered from the edition of 10,000, on wove paper, with full margins, each sheet 420 x 300mm (16 1/2 x 11 3/4in) and similar (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 264
δ Marc Chagall (1887-1985)Crossing of The Red Sea, from Bible (Cramer 29)Etching, 1956, signed in pencil, from the edition of 275, published by Tériade Editeur, Paris, on Montval paper, with full margins, sheet 440 x 328mm (17 1/4 x 12 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 275
δ Salvador Dalí (1904-1989)Vignette, from 'Petits Nus' from Ronsard (see Field 73-1; see M&L 262)Etching with hand-colouring in watercolour, 1968, signed in pencil, numbered from the edition of 95, published by Editions Argillet, Paris, on Japon paper, with the Dali blindstamp, with full margins, sheet 387 x 285mm (15 1/4 x 11 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 283
δ Salvador Dalí (1904-1989)Le tombe de Lancelot, from La quête du Graal (Field 75-9 E; M&L 780b)Etching printed in colours, 1975, signed in pencil, numbered from the edition of 25 in Roman numerals, published by Pamela Verlag (Zug)/ Oeuvres Graphiques Contemporaines, Paris, on Richard de Bas laid paper, with full margins, sheet 463 x 330mm (18 1/4 x 13in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 295
NO RESERVE Mortimer Menpes (1855-1938)Fishing Boats, VeniceEtching, circa 1910, signed in pencil, from the edition of unknown size, on wove paper, plate 150 x 165mm (5 3/4 x 6 3/8in)Provenance: With Abbott and Holder, London;Together with:Robert Kipness (b.1931)First Dust of SummerLithograph printed in colours, 1980, signed in pencil, numbered from the edition of 250, on wove paper, sheet 440 x 350mm (17 3/4 x 14in)and another etching by Terence D. Young (3)
Lot 15
Edward and Michelango Rooker'Magdalen College, Oxford', engraving, hand-coloured, 31 x 45cm; two further engravings to include: 'The New Building Magdalen College from the Grove' and The Spires of Oxford; M * Oliver Rae - Magdalen Tower, Oxford, etching; and three further various engravings (7)
Lot 349
* Claridge (20th century)Still life of oranges and peel on a board and newspaper, signed, mixed media, 25.5 x 39.5cm; together with an etching landscape by W.P. Robin (2)There is a water stain to the mount. Small area of paint loss to right hand orange. Etching has minor time staining and is slightly wrinkled to the top of the sheet.
Lot 50
Giovanni Battista Piranesi (1720-1778)Veduta degli Avanzi della circonferenza della antiche Fabbriche..., etching, 46.5 x 61.5cm * With typed label verso inscribed 'First Edition' impression, probably posthumous Roman printing, pre-1800, before Paris Edition Prov. Coll Sir Reginald Blomfield, Christies 1970 Appears to be in good condition overall.
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71174 item(s)/page