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Lot 6
Items relating to Lindbergh’s first solo crossing of the Atlantic, 1927, comprising: folding menu printed in black and yellow for “Luncheon offered by the American Club of Paris to Capt Charles A. Lindbergh at the Hotel Ambassador on May 24th 1927” including “Bombe glacée Lindbergh”, with top of the globe and details of flight route, on the front is a lithograph of Lindbergh’s plane Spirit of St Louis, the Eiffel Tower and searchlights and on the back the plane flying over the Atlantic; a small card with autograph of “Charles A Lindbergh”; an etching of the plane in a blaze of light; 2 etchings of French walled towns; all the artwork is signed by the artist A.C.Webb. Good Condition. Plate 3
Lot 9
* HESTER FROOD (BRITISH 1882 - 1971), MANOBIER CASTLE charcoal and watercolour on paper, signed 16.5cm x 21cm Mounted, framed and under glass Label verso: T. & R. Annan & Sons Ltd., Edinburgh Note: Born in New Zealand, Hester Frood came to England at the age of seven and spent her youth near Exeter in Devon. She met the famous printmaker D.Y. Cameron on a visit to Scotland in 1906. He was so impressed with her work that he told her to "draw and draw" and offered to teach her the technique of etching. During the following years her work was exhibited widely at the Royal Scottish Academy and at the Royal Academy in London.
Lot 478
Vineta Dzervite-Sayer, British, late 20th/early 21st century- "Nude 3"; etching printed in colours, signed and titled, A/P, 32x25cm: together with eight other etchings by the same hand to include 'Nude 4', 'Bathing II', 'Bathing I', 'Light and Shadow I', 'Calm' , 'Peace', 'Science I' & 'Science IV'; etching in colours, all signed, titled, numbered A/P, 30/100, 39/100, 3/93, 38/100, 38/100, A/P, A/P, 27x23cm, 24x20cm, 24x20cm, 36.5x24cm, 16x12cm, 15.5x12cm, 9x7.5cm, & 8.5x7.5cm respectively, (9) (may be subject to Droit de Suite) CONDITION REPORT: In distressed gold, bronze and off-white glazed frames with cream mounts unexamined out of frames all signed and titled in pencil under the plate no visible defects in very good condition
Lot 545
Thomas Rowlandson, British 1756-1827 and Auguste Pugin, British 1769-1832 with aquatint by John Bluck 18th/19th Century- "Christie's Auction Room" Publ. by R. Ackermann, London 1808; etching and aquatint with hand-colouring, 23.2x28cm: together with one other by the same artists- "Royal Cock Pit" Publ. by R. Ackermann, London 1808; etching and aquatint with hand-colouring, 23.2x28cm, (2) (in matching frames) CONDITION REPORT: In matching gilded, glazed frames with cream mounts and line detailing unexamined out of frame Brown stain on top edge of first print and faint staining lower half Minor fading of colours Otherwise in good general condition
Lot 103
René Magritte, Belgian 1898-1967- "Poire et Rose", from Le Lien de Paille, 1969; etching with aquatint printed in colours, signed and numbered 61/150 in pencil, 15.6x10.6cm, (may be subject to Droit de Suite) Provenance: The Redfern Gallery, London. The original receipt of purchase dated September 22nd 1969 accompanies this lot
Lot 107
Pablo Picasso, Spanish 1881-1973- "Four Heads of Men"; from "Les Métamorphoses d'Ovide", 1931, etching printed in black and sanguine, 33x25.6cm (sheet, no plate mark) (may be subject to Droit de Suite) Provenance: From the art collection at the former St Gabriel's College, Camberwell. St Gabriel's was a Church of England teacher training college, founded in 1899 and closed in 1978. Its Art Department attracted talented teachers and artists whose vocation was to inspire young teachers through studying and imitating the work of great artists. The paintings and drawings in this collection were collected by the College's staff through donations and purchases during the interwar and post-war periods. After the College's closure, the collection was transferred to the ownership of an educational trust and until recently loaned to Goldsmith's University of London. CONDITION REPORT: mounted in a glazed wooden frame, early 21st century full edges of sheet visible, stuck down on centres and corners sheet slightly ruckled right hand side and bottom deckle edges and right hand edge of sheet slightly grubby yellow shadows from old mount visible around edges further yellow staining around edges overall sheet is slightly yellowed otherwise in overall very good condition
Lot 111
Franz Nölken, German 1884-1918- "Portrait of Max Reger"; drypoint etching, signed and dated 1916 within the plate, signed in pencil, 15.2x11.8cm Note: Max Reger (1873-1916) was a progressive early modernist composer who expanded upon the styles of Johann Sebastian Bach and Johannes Brahms to bring German music into the twentieth century. He was extremely prolific and wrote more than 1000 works in his lifetime in all forms except opera
Lot 113
Friedrich Meckseper, German b.1936- "Hirngespinst"; etching with aquatint, signed, numbered 116/150 and dated 74 in pencil, 34.5x43.2cm, (may be subject to Droit de Suite) CONDITION REPORT: in a glazed, aluminium frame it appears to be stuck down, but as unexamined out of frame it may not be edges of sheet visible some faint handling marks at edge of sheet very minor brown spotting predominantly in the lower and right hand margins, towards the corner of the sheet some faint creasing to the surface visible possible yellowing of paper slight time-fading otherwise in good original condition
Lot 117
Louis Marcoussis, Polish/French 1878-1941- "Rimbaud"; publ by San Lazzaro for Le XXe Siècle, 1939, burin and etching in colours, signed within the plate, 32.2x24.6cm: Jean Hans Arp, German/French 1886-1966- "Form"; publ by San Lazzaro for Le XXe Siècle, 1951, lithograph printed in colours, 31.1x23.5cm: Andre Masson, French 1896-1987- "Composition for XXe Siècle "; publ by San Lazzaro for Le XXe Siècle, 1972, 31.1x24.4cm: Marino Marini, Italian, 1901-1980- "Personnages du Sacre du Printemps"; publ by San Lazzaro for Le XXe Siècle, 1973, lithograph printed in colours, 31.2x24.1cm: Johnny Friedlaender, German 1912-1992- ''Les Oiseaux''; publ by San Lazzaro for Le XXe Siècle, 1973, lithograph printed in colours, 31.1x23.4cm: Max Ernst, German 1891-1976- Untitled; publ. by San Lazzaro for Le XXe Siècle, 1974, lithograph printed in colours, 31.2x24.3cm: Roberto Matta, Chilean 1911-2002- "Tout Se Tient"; publ by San Lazzaro for Le XXe Siècle, 1975, lithograph printed in colours, 31.2x24.2cm: Pablo Picasso, Spanish 1881-1973- "American Eagle"; printed by Xerox c.1963, screenprint, signed and dated 3.4.54 within the plate, 27.9x21.5cm: together with one further lithograph entitled "Echiquier Urbain", signed, 40.8x30cm, (9) (unframed) (may be subject to Droite de Suite)
Lot 119
Leonard Beaumont, British 1891-1986- “York”; drypoint etching, signed and numbered 9/75 in pencil, 25x30cm, (may be subject to Droit de Suite) Provenance: The Horner Galleries, Sheffield (according to label attached verso) CONDITION REPORT: In black, wooden, glazed frame, with wide cream mount, unexamined out of frame. Discoloured round the edges of the margin, some staining. Otherwise in good general condition.
Lot 149
Leonor Fini, Argentinian 1908-1996- Untitled, on a terrace; from Parallèment by Paul Verlaine, publ. by Editions Tartas, Paris, 1969, lithograph printed in colours, signed and inscribed 'EA' in pencil, 37.5x27.7cm: together with a lithograph printed in colours by the same hand depicting four figures, signed and inscribed 'EA' in pencil, 36.1x52.7cm, and an etching in colours by the same hand depicting two women in hats walking together, signed and numbered 148/275 in pencil, 29.5x20.8cm, (3) (may be subject to Droit de Suite)
Lot 160
Max Werner, Belgium late 20th century- ''Monks''; etching and aquatint, signed, titled, numbered 7/20, and dated 86 in pencil, 31.5x33cm: together with one other etching with aquatint by the same hand entitled, ''The Geographer'', signed, titled, numbered 2/30 and dated 88 in pencil, 35.5x34.2cm., (2) (may be subject to Droit de Suite) CONDITION REPORT: Both pictures in wooden, glazed frames. John Jones Labels verso. Unexamined out of frame. Both prints on textured paper Signed, dated, titled and numbered in pencil. Both prints are in very good condition.
Lot 162
Peter Howson OBE, Scottish b.1958- ''Bob''; etching, signed, titled, numbered 16/30 and dated 87 in pencil, 32x24.4cm (may be subject to Droit de Suite) CONDITION REPORT: In wooden, silver coated, glazed frame, with wide white mount. Unexamined out of frame. Signed, titled, dated, & numbered in pencil In very good condition.
Lot 163
Emma Wood, British late 20th century- ''Oxford Street February Evening'' (Triptych); etching with aquatint in monochrome, signed, titled, numbered 4/20 and dated 93, 30x110cm, (may be subject to Droit de Suite) CONDITION REPORT: In a wooden black, glazed (in acrylic) frame with wide white mount. John Jones label verso. Unexamined out of frame three impressions on the same piece of paper Signed, dated, titled and numbered in pencil In very good condition.
Lot 173
Andrew Ingamells, British b.1956- ''66 Lincoln's Inn Fields''; etching with aquatint printed in colours, signed, numbered 101/150 and dated 1993 in pencil, 46x50cm: together with four other prints by the same artist entitled, ''St. Luke, Old Street'', ''St. Mary, Woolnoth'', ''St. Alfege, Greenwich'' & ''St. George, Bloomsbury'', signed and numbered from an edition of 175 in pencil, various sizes, (5) (may be subject to Droit de Suite) CONDITION REPORT: All in gilded and glazed frames. Unexamined out of frame. Measurements are between plate marks only. Frames & borders larger. '66 Lincoln's Inn Fields' has some marks and minor stains on the paper, some surface dirt handling marks. 'St Mary, Woolnoth' also has a minor stain mark in the plate. Otherwise the prints are in good condition. Four in matching frames with 'The Guild of Mastercraftsmen' sticker attached verso, with the lead in a slightly different frame.
Lot 176
Dame Elizabeth Frink CH DBE RA, British 1930-1993- ''Horse''; etching, signed and inscribed A/P in pencil, 25x20cm (may be subject to Droit de Suite) CONDITION REPORT: In wooden, glazed frame with wide cream mount. In a John Jones frame according to label attached verso. Unexamined out of frame. Measurements are of plate only, A few brown spots speckled in margin and in main body of image. signed and Artist Proof in pencil. - dated 1972 verso Otherwise in good general condition.
Lot 179
Sir Terry Frost RA, British 1915-2003- Untitled; etching, signed, numbered 5/20 and dated 84 in pencil, with blindstamp 'YPDL', 17.5x12.5cm, (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed. Etching on wove Signed and dated and numbered in pencil Inscribed verso 'Happy Birthday lots of love and good wishes to Sheila and Mike from Kath & Terry' May 86 TF3 Small round circle lower right - probably where a sticker once resided Otherwise in good condition
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71174 item(s)/page