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Charles Murray, crucifixion , etchingCharles Murray (1894-1954), Crucifixion, signed in pencil in the margin, with blindstamp, etching, 32 x 16cm.; 12.5 x 6.25in. * Had first one-man show at Leicester Galleries in 1946, another following at Batley Art Gallery in 1950. Memorial exhibition at Temple Newsam House, Leeds, 1955 and an Edinburgh International Festival show at the Merchant Company Hall in 1977. Tate Gallery and Scottish National Gallery of Modern Art hold his work.
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C.F. Tunnicliffe, Malcolm Salaman, etchingCharles Frederick Tunnicliffe R.A. (1901-1979), Portrait of Malcolm Salaman, etching, 22.5 x 20cm.; 9 x 8in. * Illustrated in 'Portrait of a Country Artist' by Ian Niall, 1985, page 50. After Tunnicliffe won a scholarship to the Royal College of Art in 1921 he met Malcolm Salaman who was instrumental in arranging the first publication of a portfolio of Tunnicliffe's etchings.
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The following lots offered are from the estate of Ivor Roberts-Jones CBE RA 1913-1996, artist and sculptor. The artist worked mainly in the field of portraiture, the monumental Winston Churchill statue in parliament square is one of eight National monuments Ivor Roberts-Jones created along with over twenty portraits for the Welsh National Portrait gallery and further private commissions and exhibitions throughout his career. "Abstraction and reality have an uneasy relationship in my sculpture, all things vividly seen are, as I believe, abstractions and starting work is the beginning of a move back to reality" Ivor Roberts-Jones. Ivor Roberts-Jones was a member of the the Society of Portrait Sculptors and exhibited in the founding exhibition of 1953 and is included in the society's 43rd annual exhibition in 2006. Source: President Nigel Boonham FRBS After Francisco Goya y Lucientes 1746-1828- 'Ne Se Peude Mirar', 2nd edition of the 'Disasters of War'; etching with aquatint, signed within the plate, 14x20.5cm: together with one other etching after the same hand titled 'The Blind Singer'; etching with aquatint, 20x12cm: J Pass fl. Late 18th/Early 19th century- 'The Clotho', or 'The Deadly Viper', after Albertus Seba 1665-1736, publ London as the act directs Oct 3 1801 by J Wilkins; plate 1, from the 'Locupletissimi rerum naturalium thesauri' ; hand-coloured engraving, 24x19cm: together with a further nine etchings, engravings and woodblock prints by and after different hands to include: Dirk Stoop 1618-1681, Cornelias Bega 1620-1664 and others, (12), (unframed)
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Frederick Hollyer 1837-1933- Study for the 'Masque of Cupid'- Disiderium, after Sir Edward Coley Burne-Jones BT ARA; platinotype, 21x19cm: European school circa 1900- Portrait of a gentleman seated full-length; lithograph, bears stamped monogram on the reverse, 32x20cm: Paul Drury, American 1903-1987- Portrait of a young woman, head and shoulders turned to the left; etching, signed in pencil and inscribed '3rd state, final proof', 16x12cm., (3), (unframed) Note:This platinotype is the only record of the drawing before the right side was cut off, presumably by a member of the artist's family, before it was gifted to the Tate Gallery by the artist son in 1910., source: Victorian etching, p.18, Maas Gallery 1999
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James Gillray 1756-1815- 'Inspecting a Volunteer Corps in Hyde Park'; publ Dec 4th 1803 by H Humphrey 27 St James's Street London; hand-coloured etching, trimmed on plate mark, 26x19cm: together with one other hand-coloured etching by the same hand titled 'Charons Boat-or-the Ghosts of all the Talents taking their last voyage, from the Popes Gallery at Rome', publ July 1807 by H Humphrey, 25x35cm: Thomas Rowlandson 1756-1827- 'An Old Ewe Drest Lamb Fashion', from the Tegg's Caricatures no 42; hand-coloured engraving, 25x35cm: together with one other hand-coloured engraving titled 'Old Fellows from Downing Street complaining to John Bull' after George Moutard Woodward, 23x33cm., (4)
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Graham Clarke b.1941- 'Windmill Hill'; hand-coloured etching, arched, signed titled and numbered 59/100 in pencil, 8.8x12.3cm: together with one other etching by the same hand titled 'Valley Cottage', arched, signed, tiled and numbered 34/100 in pencil, 8.8x12.3cm: Fred Cuming b.1930- Standing female nude; etching, signed and numbered 12.40 in pencil, 11.5x7.4cm., (3)
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An early 19th century wax relief portrait plaque of Titian mounted on glass (damaged), 20 x 15cm., in oak frame, inscribed to the reverse modelled by H. Smith, 3 Northernhay Place; a carved mother-of-pearl portrait plaque of a Roman Emperor, oval, 8 x 6cm., in satinwood frame; a parian relief portrait plaque of a gentleman, 8 x 5.5cm., later mounted on velvet, in rosewood frame; a pair of portrait miniatures of St Peter and St James, watercolour on card, oval, 7 x 6cm., gilt frames and a coloured etching of a gentleman in 16th century costume, 9 x 7cm., in gilt gesso frame. (6)
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Ben Nicholson O.M. 1894-1982 st ives from trezion signed numbered 48/50 and dated 67 in pencil etching sheet: 28x38cm.; 11x15in. This work was published by Leslie Waddington Prints in an edition of 50. Provenance Mrs Beth Pinkard Hester Van Royen Gallery Ltd London Literature Exhibition Catalogue Ateliers Lafranca Locarno; Kunsthalle Mannheim Ben Nicholson Etchings 1983 and 1984 pp. 86 and 182 no. 43 (illustration of another example)
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71174 item(s)/page