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Lot 6

@ HERBERT THOMAS DICKSEE, R.A., R.E. (1862-1942) A King Charles Spaniel etching, signed with initials in plate pencil signed, `Herbert Dicksee` in lower margin Pl. 9 1/2 x 8in (24.2 x 20.4cm)

Lot 19

William Lionel Wyllie (1851-1931): `Tantallon Castle and the Bass Rock`, etching signed in pencil 23cm x 51cm

Lot 20

William Lionel Wyllie (1851-1931): Fishing Boats in the Firth of Forth, etching signed in pencil 23cm x 51cm

Lot 21

James McBey (1883-1959): `Palos - Departure of Columbus August 1492`, etching signed in ink and numbered LXXIX, titled verso on original Print Society label 28cm x 47cm

Lot 508

David Waterson A winter street view in Brechin, dry point etching, signed LL in pencil 7½ by 10½ in.; together with a print of the castle and town of Brechin and an engraving by H Fenn of a Mediterranian scene and a racing print

Lot 513

P Furneaux Shetland Fisherman Etching, 1/10, signed and dated in pencil 1976, 23.5 x 18.5cm

Lot 517

Ian Fleming Let the Waters Bring Forth Etching, signed and dated 1977, 15 x 21cm

Lot 588

After Albrecht Durer Inquisition Scene Etching, remounted on backing paper, cut at border, 39 x 28cm

Lot 13

WILLIAM LIONEL WYLLIE. Signed in pencil, etching on paper, sailing vessels offshore. 5.3/4" x 13.3/4"

Lot 45

GEORGE PERCIVAL GASKELL. Signed in pencil, aquatint and etching on paper, stormy mountainous river landscape with cabin and goats. 12.3/4" x 19"

Lot 100

WILLIAM LIONEL WYLLIE. Signed in pencil dry point etching on paper, mountainous valley scene with shepherd and sheep, cottage beyond. 9.3/4" x 13.3/4"

Lot 120

OLIVE BRANSON. Signed in pencil, unframed etching on paper, study of a young girl writing a letter. 10.1/4" x 7.1/4"

Lot 300

WILLIAM LIONEL WYLLIE. Signed in pencil etching on paper, a busy Thames Shipping scene. 5.3/4" x 13.3/4"

Lot 10

DDS. Dame Elizabeth Blackadder RA (b.1931) Fred, from Cats portfolio, etching with aquatint printed in colours, 2003, signed in pencil, numbered 58/80, published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, 300 x 355mm (113/4 x 14in)

Lot 11

DDS. Dame Elizabeth Blackadder RA (b.1931) Kikko on a Rug, from Cats portfolio, etching and aquatint printed in colours, 2003, signed in pencil, numbered 58/80, published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, 300 x 355mm (113/4 x 14in)

Lot 12

DDS. Dame Elizabeth Blackadder RA (b.1931) Amelia Sleeping, from Cats portfolio, etching aquatint printed in colours, 2003, signed in pencil, numbered 58/80, published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, 300 x 355mm (113/4 x 14in)

Lot 21

John Buckland Wright (1897-1954) Two Girls (B.W.M.99) etching, 1954, titled and dated in pencil, numbered 23/30, with the estate stamp verso, on wove paper, with full margins, 188 x 252mm (71/3 x 10in)

Lot 40

Elisabeth Frink (1930-1993) The Reeves Tale, from The Canterbury Tales II Series (w.62) etching with aquatint, 1972, signed and titled in pencil, published by Leslie Waddington Prints Ltd, London, printed at White Ink, with their blindstamp, on J Barcham Green paper, with full margins, 495 x 343mm (191/2 x 131/2in)

Lot 42

Elisabeth Frink (1930-1993) The Reeves Tale, from The Canterbury Tales I Series (w.30a) etching with aquatint, 1970, signed and titled in pencil, numbered 32/70, published by Leslie Waddington Prints Ltd, London, on handmade wove paper, with full margins, 273 x 300mm (103/4 x 113/4in)

Lot 51

Alistair Grant (1925-1997) Girl in a Field, etching, 1956, signed, dated and inscribed Artist’s Proof in pencil, one of a small number of impressions printed, on J Whatman wove paper, with full margins, 250 x 375mm (93/4 x 143/4in)

Lot 54

Alistair Grant (1925-1997) Three Little Girls, the rare etching, 1955, one of only a few impressions pulled, signed, titled and dated in pencil, on wove paper, with full margins, 280 x 345mm (11 x 131/2in)

Lot 55

Alistair Grant (1925-1997) Children Paddling, the rare etching, 1955, one of only a few impressions pulled, signed, titled and dated and inscribed Epreuvre D’artitste 3rd State in pencil, on wove paper, with full margins, 300 x 395mm (113/4 x 151/2in)

Lot 72

Josef Herman (1911-2000); Patrick Procktor (1936-2003) The Red Sun; Canterbury Bells, one silkscreen and one etching with aquatint printed in colours, each signed in pencil, numbered variously, on wove paper, with full margins, various sizes

Lot 78

DDS. John Hoyland (b. 1934) View, etching with aquatint printed in colours, 1979, signed and dated in pencil, numbered 22/50, published by Waddington Graphics, London, with their blindstamp, printed by Kelpra Studio, London, with their blindstamp, on wove paper, with full margins, 686 x 543mm (27 x 213/8in)

Lot 79

DDS. John Hoyland (b. 1934) Bouquet, etching with aquatint printed in colours, 1983, signed and dated in pencil, numbered 35/60, published by Waddington Graphics, London, with their blindstamp, on wove paper, with full margins, 982 x 793mm (383/4 x 311/4in)

Lot 80

DDS. John Hoyland (b. 1934) Fly Away, etching with aquatint and carborundum, 1981, signed and dated in pencil, numbered 29/60, published by Waddington Graphics with their blindstamp, printed by Kelpra Studio, London, with their blindstamp, on wove paper, with full margins, 565 x 711mm (221/4 x 28in)

Lot 102

Henry Moore (1898-1986) Mother and Child IX (c.679) etching with aquatint printed in colours, 1983, signed in pencil, numbered PLIX 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on Arches paper, with full margins, 213 x 203mm (83/8 x 8in)

Lot 104

Henry Moore (1898-1986) Mother and Child XV (c.685) etching with aquatint printed in colours, 1983, signed in pencil, numbered PL XV 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on Arches paper, with full margins, 205 x 290mm (81/8 x 113/8in)

Lot 126

Valerie Thornton (1931-1991) Cloisters Elne, etching with aquatint, 1980, signed and dated in pencil, numbered 111/150, on laid paper, with full margins, 620 x 400mm (243/8 x 153/4in)

Lot 131

Julian Trevelyan (1910-1988) Me and Tom, etching with aquatint printed in colours, signed and titled in pencil, inscribed AP, on wove paper, with full margins, 350 x 470mm (133/4 x 181/2in)

Lot 148

Bernard Buffet (1928-1999) Insecte, etching printed in colours, 1964, signed in pencil, numbered 4/50, on Arches paper, with full margins, 480 x 620mm (19 x 241/2in)

Lot 149A

Marc Chagall (1887-1985) Self Portrait with easel and lovers, the rare etching, c.1965, there is no recorded edition, on wove paper, with full margins, 300 x 220mm (12 x 83/4in)

Lot 157

Salvador Dali (1904-1989) Venus et l’amour, from Suite mythologique nouvelle (m.&l.483) , etching with drypoint printed in colours, 1971, signed in pencil, inscribed E.A., an artist’s proof aside from the edition of 120, on Japan paper, with full margins, 585 x 395mm (23 x 151/2in)

Lot 160

Salvador Dali (1904-1989) Spring, The Seasons (m.&l.1368) etching with stencil and gilding printed in colours, 1971, signed in pencil, numbered 218/250, on Arches paper, with full margins, 395 x 245mm (151/2 x 91/2in)

Lot 164

Salvador Dali (1904-1989) Les Dames de la Renaissance, from Suite mythologique nouvelle (m.&l.492) etching with drypoint printed in colours, 1971, signed in pencil, numbered 144/150, on Rives BFK paper, with full margins, 390 x 575mm (151/4 x 221/2in)

Lot 169

Salvador Dali (1904-1989) Portrait de Sigismund, from Calderón’s, Life is a Dream (m.& l. 524) , etching with aquatint printed in colours, signed in pencil, inscribed E.A., an artist’s proof aside from the edition of 250, on Richard de Bas paper, with full margins, 335 x 265mm (131/4 x 101/2in)

Lot 173

Raoul Dufy (1877-1953) Deux femmes, etching, signed in pencil, on Arches laid paper, with full margins, 342 x 495mm (131/2 x 191/2in)

Lot 174

Raoul Dufy (1877-1953), after by Jacques Villon, Fete Nautique (g.&p.E 649) etching with aquatint printed in colours, 1926-7, signed in pencil, numbered 50/200, on wove paper, with full margins, 463 x 525mm (181/4 x 203/4in)

Lot 232

DDS. Damien Hirst (b.1965) Skull 5, etching with aquatint, 2007, signed in pencil, numbered XV/XXX verso, published by Charles-Booth Clibborn under his imprint The Paragon Press, London, on wove paper, with full margins, 935 x 850mm (363/4 x 331/2in)

Lot 239

DDS. David Hockney (b.1937) Inside the Castle, from Six Fairy Tales from the Brothers Grimm (S.A.C.93) etching with aquatint, 1969, signed in pencil, numbered 49/100, on wove paper, with full margins, 260 x 268mm (101/4 x 101/2in)

Lot 271

Sir Eduardo Paolozzi (1924-2005) Aircrash, photo-etching printed in black, 1981, signed, titled and dated in pencil, inscribed For Helmut, on wove paper, with full margins, 113 x 160mm (47/16 x 61/4in)

Lot 301

Zao Wou-Ki (b. 1921) Untitled, from Noble Prize portfolio, etching with aquatint printed in colours, 1974, signed and dated in pencil, numbered 99/100, on Arches paper, with full margins, 430 x 610mm (17 x 24in)

Lot 344

DDS. Adam Neate (b. 1978) The Bigger Picture, giclée printed in colours, 2007, signed and dated in pencil, numbered 41/75, published by Elms Lesters, London, with their blindstamp, on 310gsm Hahnemuhle German etching paper, with full margins, 520 x 1020mm (201/4 x 401/4in) Provenance: Elms Lesters, London.

Lot 592

CHARLES WILLIAMS (FL LATE 18TH/EARLY19TH CENTURY) ACCOMMODATION - OR A HINT TO COUNTRY GENTLEMEN HOW TO SAVE THEIR FENCES etching in fresh contemporary colour, published by Thomas M`Clean, October 1827, 26 x 36cm and various other similar humorous and decorative English and French prints (sold in portfolio, approx 20) ++Poor to good

Lot 703

AUGUST WEDEL (1885-1953) LANDSCAPES, STUDY OF A POLAR BEAR, A SHEET OF HAND STUDIES AND AN ETCHING OF AN OWL six, four signed, watercolour, pencil or red and black chalk on coloured paper, 45 x 37cm and smaller (6) ++Sheet of hand studies stained and with a corner tear, polar bear drawing creased

Lot 46

Marjorie Lucas/Crab/signed in pencil and dated 1933/etching plate mark 8cm x 13cm (3" x 5")

Lot 1212

Broadway. A pair of artist signed etching - country cottages, and another pair by a different hand.

Lot 339

After William Hogarth. Monochrome etching. A Representation of The March of The Guards towards Scotland in the Year 1745, 42cm x 54cm.

Lot 443

After John Carey, Leicestershire, framed map, after Roodenberg, "Den Haag", monochrome etching and two others, (4).

Lot 467

Betram Nicholls, country landscape, etching, signed in pencil, 11 x 14cm

Lot 327

After E Herbert Whydale, windswept trees in an extensive landscape. A dry point etching, signed in pencil, 20.5 x 32cm in wood glazed frame.

Lot 302

AN ORIGINAL ETCHING SIGNED BY JAMES GRANT DEPICTING ST. PAULS CATHEDRAL

Lot 311

A STEEL ETCHING OF THE HOME OF SHAKESPEARE FROM AN ORIGINAL DRAWING 1849 BY PETER OAKLEY SWAIN 1972

Lot 349

** Arthur (Merric Bloomfield) Boyd (Australian, 1920-1999), Monochrome Etching depicting a Frog and Figure from the Woman series, signed and numbered 1 / 25, 30 x 39 cms (Collections include National Gallery of Australia and exhibited at the Venice Biennale in 1958 and 1988)

Lot 350

** Arthur (Merric Bloomfield) Boyd (Australian, 1920-1999), Monochrome Etching depicting a Figure crossing a Bridge from the Woman series, signed and numbered 1 / 25, 30 x 39 cms (Collections include National Gallery of Australia and exhibited at the Venice Biennale in 1958 and 1988)

Lot 389

A good early 20th Century ebonised framed and glazed monochrome Etching of ploughing by William Douglas MacLeod (1892-1963) signed lower right by the Artist, original Scottish Gallery label verso, 6" x 12¾"

Lot 137

19th century school, a woman on a path leading to a thatched cottage, watercolour, 23cm x 33cm, together with an etching monogrammed WTG and entitled "Chipping Hill, Essex" and an etching after D. Teniers "Fete de Village".

Lot 161

Andre Derain `Kneeling nude` etching, numbered 23/50, 11.5cm x 7.5cm

Lot 48

Lucy Dawson Played Out signed in pencil lower right etching 17 x 25cm (image)

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