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Lot 501

AFTER REMBRANDT VAN RIJN. DUTCH 1606-1669 Self portrait leaning on a stone sill. Etching. Plate size 6½' x 6'

Lot 128

Waller W Blisyels?, dry point etching view across river of Worcester Cathedrals, 7.5ins x 10.75ins

Lot 232

WILLIAM LIONEL WYLLIE RA (1851-1931)  A Light Air from the South East  Etching, pencil signed lower left, 12cm x 16.5cm.

Lot 233

WILLIAM LIONEL WYLLIE RA (1851-1931)  Untitled - Rotterdam?  Etching, pencil signed lower left, 20cm x 25cm.

Lot 331

Stan Shaw; A Bowie Knife, stag handle with nickel silver bolsters, crossguard and pommel, with some hand etching, brass worked lining with workback to handle and back of blade, 46cm long, handmade brown leather sheath with embossing. (Engraving by Peter Devine, Sheffield Engraver).

Lot 241

Ana Sofia Sada Zambrano, Jinete de la Buena Suerte, lithograph, signed with initial and numbered 7/8, 27 x 30.5cm; together Emma Wilde, untitled lithograph, signed and numbered 9/35, 25.5 x 19.5cm, Per Hüttner, signed and dated 2009 to the reverse, String Theory, coloured pencil, 21 x 29.5cm; and another etching of a table with two wine glasses, signed indistinctly and numbered 9/60, 19.5 x 21.5cm (4)

Lot 272

Arthur Ralph Middleton Todd (British, 1891-1966)Autumn Festival, Cornwall - figures dancing and merrymaking in a barnsigned 'Middleton Todd' (lower centre)etching on paper26.5 x 24.5cm38.5 x 37.5cm (framed)

Lot 274

Sir Francis Edgar Dodd RA, RWS (British, 1874-1949)Aunt Susie readinginscribed 'own proof . P1999' (lower left) and signed 'Francis Dodd' (lower right)drypoint etching on paper29 x 27cm56 x 43cm (framed)

Lot 277

John Brunsdon, Llanberis, A/P 3/15, signed (lower right), etching with aquatint, 50 x 64cm 

Lot 279

English School, View of Virginia Waters, Surrey, watercolour, 30.5 x 41.5cm; together with Piers Brown, Ploughing, etching, 28 x 22cm

Lot 2003

A collection of paintings to include Derbyshire artist GM Hind, W Young Spencer, an early etching and a A H Findley painting (5)

Lot 30

Lowtide. Etching. This simple etching captures the special atmosphere of an evening beach walk with friends - dying sun reflected on the wet sand, light ahead, shadows behind and the horizon always out of reach.

Lot 346

Rowland Langmaid, British (1897 - 1956), dry point etching, 'St Pauls', signed. H.39.5 W.29.5cm

Lot 356

After Rembrandt, 'Self-Portrait Leaning on a Stone Sill.' Etching & drypoint. Van Gelder Zonen watermark. H.16 W.21cm (plate) H.35 W.31 framed

Lot 180

NO RESERVE Judaism.- Conversion to Judaism.- Bran (R.) Lord George Gordon, President of the Protestant Association, etching and engraving, 360 x 250 mm (14 1/8 x 9 3/4 in), under glass, some spotting and browning, framed, published by E. Evans, [1780]; together with a framed wood-engraving of the Jewish boxer Daniel Mendoza, 'The Third Battle between Daniel Mendoza and Richard Humphries, at Doncaster, September, 29th, 1790', 190 x 220 mm (7 1/2 x 8 3/4 in), framed, 19th century (2)

Lot 284

NO RESERVE [Fores (Samuel William, publisher)] Eccentricities, Monstrosities, or Bell's and Beau's of 1799, etching with original hand-colouring, sheet c.265 x400mm (10 1/2 x 15 3/4in), tipped onto album leaf, lightly surface dirt and one or two faint spots, unframed, [BM Satires 9455], 1799; together with a quantity of printed ephemera in a folder, including hand-coloured maps and loose engraved plates etc., v.s., v.d. (qty)

Lot 267

A mixed group of framed and glazed prints and an etching to include F Marriott - Alp by Moonlight, signed engraving, and others (14) Location:

Lot 408

A group of framed and glazed watercolours, signed limited edition prints, an etching, and mixed media pictures to include Jill Aldersley (1943-2007) - Rydal Water - mixed media, signed and titled to mount; P W Smith - Cutty Sark etching; John Bell - mixed media of a stone cottage in a mountainous landscape, and others (8) Location: LWM

Lot 101

V**** Powell (20th Century School) 'Untitled garden with cat', etching, numbered 14/25, signed in pencil lower right, 32cm x 23.5cmOverall with some small scuffs to the frame. Some foxing and slight staining to the mount. Small indents to the etching in places.

Lot 106

Frances St Clair Miller (b.1947)'Ross-On-Wye', etching and aquatint, numbered 11/150, signed in pencil lower right, 45cm x 66cmOverall marks and minimal scuffs to the frame. Slight marks to the border of the etching. Foreign objects under glass.

Lot 110

After Pierre Adolphe Valette (1876-1942)'The picnic' etching, unsigned, 6cm x 7cm, 'Untitled nude figures', unsigned, 6cm x 7cm, and one other by the same artist 'Untitled landscape' etching, signed in pencil lower right, 10cm x 7.5cm (3)Two of the etching are in one frame. Overall scuffs and some marks. Slight foxing and marks in places, most notably to the landscape.

Lot 111

Pierre Adolphe Valette (1876-1942) 'Farmer with cattle', etching, 34cm x 41cmOverall ok, with minimal display wear to the frame. Etching has printed signature (part of the etching) lower right and is dated 1920 as the same.

Lot 112

Pierre Adolphe Valette (1876-1942) 'Sheep grazing', etching, signed in pencil lower left margin, 15cm x 16.5cmOverall good condition, with minimal marks and scuffs to the frame. Small areas of foxing in places. Otherwise seems ok.

Lot 133

John Brunsdon (1933-2014) 'Mapledurham watermill', etching and aquatint, numbered 42/175, signed and titled in pencil lower right, 14cm x 31cmOverall with some wear to the frame. Etching itself is ok.

Lot 134

John Brunsdon (1933-2014) 'Derbyshire Lake', etching and aquatint, numbered 59/150, signed in pencil lower right, 25cm x 32cmDisplay wear and some marks to the frame, some foxing/fading to the edge of the print near the mount but otherwise looks ok.

Lot 135

John Brunsdon (1933-2014) 'Ewelme', etching and aquatint, numbered 1/50, signed in pencil lower right, 47cm x 62cmDisplay wear and some marks to the frame, but the etching itself is ok overall.

Lot 136

John Brunsdon (1933-2014) 'Criccieth', etching and aquatint, numbered 70/100, signed in pencil lower left, 27cm x 33cmDisplay wear and some marks to the frame, but the etching itself is ok overall.

Lot 137

John Brunsdon (1933-2014) 'Bale oaks', etching and aquatint, artist's proof, numbered 34/35, signed in pencil lower right, 55cm x 74cmDisplay wear and some marks to the frame, but the etching itself is ok overall.

Lot 138

John Brunsdon (1933-2014) 'Canal', etching and aquatint, numbered 82/150, signed in pencil lower right, 63cm x 48cmDisplay wear and some marks to the frame, but the etching itself is ok overall.

Lot 139

John Brunsdon (1933-2014) 'Ty Uchat', etching and aquatint, numbered 41/100, signed and titled in pencil lower right, 27cm x 33cmDisplay wear and some marks to the frame, but the etching itself is ok overall.

Lot 140

John Brunsdon (1933-2014) 'The Valley', etching and aquatint, numbered 46/150, signed in pencil lower right, 25cm x 32cmDisplay wear and some marks to the frame, some foxing/fading to the edge of the print near the mount but otherwise looks ok.

Lot 141

John Brunsdon (1933-2014) 'View from Kingston Hill', etching and aquatint, numbered 7/100, signed in pencil lower right, 31cm x 33cmDisplay wear and some marks to the frame, some foxing/fading to the edge of the print near the mount but otherwise looks ok.

Lot 164

Trevor Price (b.1966) 'The point of contact, I', etching and aquatint, numbered 9/150, signed in pencil lower right, 25cm x 28cmOverall with some minor scuffs and display marks to the frame. Otherwise ok.

Lot 198

Philip Reeves (1931-2017) 'Plate I', 'Plate II' and 'Plate III', etching and aquatint, signed in pencil lower right, each measures 69cm x 39cm (3) Overall ok, with some wear to the frame. Pictures themselves are ok.

Lot 200

Rima Farah (b.1955) 'Ducru Beaucaillou', etching and aquatint, artists proof, signed in pencil lower right, 50cm x 63cm, 'Untitled tent like structure', etching and aquatint, numbered 4/150, signed in pencil lower right, 57cm x 75cm, 'Untitled rugs on the ground', etching and aquatint, numbered 52/150, signed in pencil lower right, 58cm x 76cm, 'Untitled doorway', etching and aquatint, numbered 129/225, signed in pencil lower right, 57cm x 57cm and 'D' Estournel Cos', etching and aquatint, artists proof, signed in pencil lower right, 65cm x 50cm (5)Overall wear and some minor display scuffs to the frames, otherwise seems ok.

Lot 206

Berenice Benjelloun (20th Century School) 'Crystal growth', etching and aquatint, numbered 9/40, signed and dated 1992 in pencil lower right, 52cm x 53cmOverall with some foxing and marks. Some wear and marks on the frame.

Lot 212

Robin Tanner (1904-1988) 'Wiltshire roadmaker', etching, signed in pencil lower centre, 11.5cm x 16cmProvenance: With original accompanying catalogue from Garton & Co, 39-42 New Bond Street, London, W1Y 9HB, dated October 1990.Minimal display wear to the frame, otherwise seems ok.

Lot 19

A FRAMED JAMES PRIDDY SIGNED ETCHING OF CHAMBERLAIN'S PLACE, BIRMINGHAM, 68 X 50 CM

Lot 248

Aldin (Cecil). Majorca, circa 1920, uncoloured etching, signed by the artist to the lower right, limited edition 22/100, 250 x 280 mm, mounted, framed and glazed, together with two colour photolithographs of dogs after Cecil Aldin, various sizes and editionQTY: (3)

Lot 251

Ayrton (Michael, 1921-1975). Spears (Archilochos Suite), 1975, etching with drypoint, numbered V from the edition of only 16, studio stamp to lower right, deckle edge at bottom, image size 22.3 x 17.5 cm (8 3/4 x 6 7/8 ins), sheet size 46 x 38.6 cm (18 x 15 1/4 ins), framed and glazed (55 x 46 cm)QTY: (1)NOTE:Produced by Ayrton for Archilochos, a book he illustrated and translated, published posthumously by Secker & Warburg in 1977.

Lot 259

Brangwyn (Frank, 1867-1956). Porte St. Jacques, Parthenay, 1923, etching, signed in pencil to lower margin, 30 x 27.5 cm mount aperture, framed and glazedQTY: (1)

Lot 294

Fores (S. W. publisher). Taking Physic, March 20th 1801, an unattributed etching with contemporary hand-colouring based on an earlier caricature by James Gillray, 300 x 205 mm, mounted, framed and glazedQTY: (1)NOTE:Gillray's original etching was published by H. Humphreys on 6th February 1800. This is a plagiarised version with no artist credited. The lack of attribution is not surprising because - although difficult to enforce - copyright laws existed; but copies, re-issues and pirated versions of works of art, especially caricatures, were commonplace. Many were published in Ireland thereby avoiding English law.

Lot 302

Gillray (James). Britannia between Death and the Doctors - "Death may decide when Doctors' Disagree", H. Humphrey, 1804, but H. G. Bohn edition, circa 1850, hand-coloured etching, 255 x 375 mm, mounted, framed and glazed, with another uncoloured example, with an additional caricature printed on the verso, together with Visiting the Sick, H. Humprey 1806, but H. G. Bohn edition, circa 1850, hand-coloured etching, 260 x 365 mm, mounted, framed and glazed, with The Gout, H. Humphrey, 1799, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 265 x 355 mm, plus Brisk Cathartic, H. Humphrey 1804, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 260 x 210 mm, mounted, and Very Slippy Weather, H. Humphrey 1808, but H. G. Bohn edition, circa 1850, uncoloured etching, with an additional caricature printed on the verso, 265 x 200 mm, mounted, together with Mental Energy, H. Humphrey, 1801, but H. G. Bohn edition, circa 1850, uncoloured etching, with an partial caricature printed on the verso, 260 x 200 mm, plus Heath (William, alias Paul Pry). Dr Arthur & his Man Bob giving John Bull a Bolus, T. McLean, 1829, etching with contemporary hand-colouring, slight adhesion scaring to the verso, 245 x 355 mmQTY: (8)NOTE:A collection of caricatures, all with a medical theme.

Lot 358

Westall (Richard, 1765-1836). Telemachus & Mentor, discovered by Calypso on the Shores of her Island, London: Clay & Scriven, 1810, hand-coloured stipple engraving with some etching, by Edward Scriven (1775-1841), some small areas of surface abrasion or loss, margins trimmed, sight size 50.5 x 69.5 cm (19 7/8 x 27 3/8 ins), framed and glazed (59.5 x 78.5 cm), together with Telemachus relating his adventures to Calypso, London: Clay & Scriven, 1810, hand-coloured stipple engraving, by Thomas Williamson (active 1801-1825), some closed tears and minor surface loss, some surface bloom towards lower left, margins trimmed, sight size 50.5 x 69.5 cm (19 7/8 x 27 3/8 ins), framed and glazed (59.5 x 78.5 cm), (unexamined out of frames)QTY: (2)NOTE:Both engravings are rare in this hand-coloured form.

Lot 541

19thC English School. Mill pond before cottage, oil on board, unsigned, 16cm x 24cm, and Edward Cherry, courtyard scene, etching. (2)

Lot 353A

After Rembrandt van Rijn (Dutch, 1606-1669), 'Beggars Receiving Alms at the Door of a House', modern reproduction etching by Rie de Boer, signed in pencil to margin, bearing Rembrandthuis stamp to reverse of sheet, sheet size 44.5 x 32cm.

Lot 355

Pictures, to include: A. Dyson, 'Aspirations', limited-edition etching, signed in pencil to margin, 23 x 7.5cm, twentieth-century watercolour landscape, 13 x 35cm, c. 1900 etching depicting a Venetian canal, signed indistinctly in pencil to margin, 31.5 x 24cm, among various other framed prints and pictures. (1 box)

Lot 359

Francis Tinsley (contemporary), 'Pink Glass Vase'. Limited-edition etching. Signed, titled and numbered 29/75 in pencil to margin. Image size 47 x 35cm.

Lot 251

Glynn Thomas, original signed etching, Hammersmith Bridge, 34cm x 150cm, 37cm x 27cm, framed and glazed.

Lot 252

Peter Ford, signed etching and aquatint, Kew Gardens in winter, 17/100, exhibited Bankside Gallery, London, 23cm x 33cm.

Lot 259

Eric Ravilious, Hull's Mill, etching, 62/150, purchased from Jennings Fine Art 2006.

Lot 262

Leslie Moffatt Ward (1888-1978), Low Tide, Hammersmith, dry point, signed, mounted, together with Sir George Clausen Rickyard, Frosty Morning, signed etching and a view of Hammersmith from Chiswick, copper engraving, circa 1780, (3).

Lot 263

Margaret McDonald, print, The Window, Montpellier, Francis Dodd, etching black & white, waterfront, signed, together with bookplate the electric boat on the Thames, (3).

Lot 50

Henry Martin (1835-1908), 'Fishing vessels off St Michaels Mount, with coastline in distance', signed monochrome watercolour, 16.5 x 26.5cm, together with a watercolour 'Rocky Coast' signed E M Salt?, 21.5 x 29cm and an aquatint etching after Claude Rowbotham titled 'View from Ashingdon, Essex', (3).

Lot 94

F. Robson : Wells Cathedral, drypoint etching, signed in pencil, 14.5 cm x 22 cm.

Lot 314

M Monkhouse,The Canal at Manchester,etching, signed,21x22.5cm;and ST,seated children,etching, monogram to top left, signed bottom right,24x29cm.Qty: 2

Lot 351A

After William Lionel Wyllie, Large and Small Thornycroft Vessels in a North Sea Engagement,etching, bears signature,visible 14x24.5cm.

Lot 106

JOHN BRUNSDON (1933-2014) "Tower of London" signed & numbered 31/150, 17” x 18¾”, framed coloured etching; together with various other decorative pictures. (*Artist's re-sale right fees apply)

Lot 82

Clade H Rowbotham 'In Calm Waters', aquatint, signed lower right, framed and glazed, 15.5cm x 20cm together with R Herdman-Smith, 'The Fruit Vendor' and 'A Quiet Game', both signed lower right, framed and glazed, 14cm x 19cm; Henry G Walker, 'Soft Ground', etching, signed lower right, framed and glazed, 22cm x 32cm and further pictures and prints (12)Frames all with surface dents, marks and scratches; Rowbotham print with some slight foxing and discolouration; Herdman-Smith prints with discolouration to the mounts but in good condition; Walker in good condition

Lot 294

An etching of a wintry churchyard scene

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