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Lot 186
ERNEST ZACHAREVIC,IT'S A SIGN,Archival pigment print on 350 gsm, 100% cotton Hahnemuhle etching paper.signed and numbered,Edition of 180Ernest “ZACH” Zacharevic is a Lithuanian-born artist combining fine art techniques with a passion for creating art outdoors. Experimentation lies at the heart of Ernest's style, with the only constant being the dedication to his ever-changing concepts. With ideas leading the way, he removes the restriction of artistic boundaries, moving freely between the disciplines of oil painting, stencil and spray, installation and sculpture; producing dynamic compositions both inside and outside of the gallery space. Ernests primary interest is in the relationship between art and the urban landscape, with concepts often evolving as part of a spontaneous response to the immediate environment, the community and culture.
Lot 188
YOK & SHERYO,GM PARADISE, Archival Pigment Print on 310 gsm, 100% a-cellulose Hahnemuhle German Etching paper, signed and numbered,Edition of 80Yok & Sheryoʼs artwork is symbiotic with their life of travel and adventure. Their art exists in “Yeahnahnesia,” a fictional tropical island with rich, made-up tales of mythology, deities, philosophies, religion, animals and landscapes and a ton of archaeological treasures yet to be found. They weave their unique brand of cultural syncretism into irreverent, riotous, mixed-media paintings, murals and sculptures. Most recently, they have been creating frivolous “temples” and “shrines” that provide humorous commentaries on societyʼs mercurial lifestyles. Originally from Australia and Singapore, and NY-based for 10 years with street art roots, the duo has exhibited and painted in various countries around the world
Lot 39
TOMMY FIENDISH,KNIGHT (STAIRCASE #3),Giclee on Hahnmuhle German Etching 310 gsm, signed and numbered,80cm x 74cm,Edition of 25London based artist Tommy Fiendish aka Thomas D Wright creates a constantly evolving world, bold and often experimental. It's a dystopian social commentary with a twist of macabre drollery.
Lot 4
MASON STORM,MONKEY PARLIAMENT 2022,Giclee print on Hahnemuhle Museum Etching 350 gsm,56cm x 80cm,AP Test printBritish artist Mason Storm is known for provocative works that poke fun at the hypocrisies within modern society. In his compositions—which reference canonical paintings by Caravaggio, Johannes Vermeer, and Norman Rockwell—Storm inserts elements from movies, TV, and pop culture to create clever juxtapositions that speak to contemporary issues. Like Banksy, Storm works anonymously, hiding his identity behind a designer balaclava. Self-taught, Storm claims to have a background in martial arts, security, and intelligence.
Lot 40
TOMMY FIENDISH,ENUCLEATE WITH ASSISTANCE (SURGICAL),Giclee on Hahnmuhle German Etching 310 gsm, signed and numbered,64cm x 83cm,Edition of 25London based artist Tommy Fiendish aka Thomas D Wright creates a constantly evolving world, bold and often experimental. It's a dystopian social commentary with a twist of macabre drollery.
Lot 157
§ Pablo Picasso (Spanish 1881-1973) Meurtre, Avec Spectateurs, 1966 (B. 1436; Ba. 1466) 44/50, artist's stamped signature and numbered in pencil (in the margin), etching, printed by Crommelynck, published by Galerie Louise Leiris, Paris, on wove paperDimensions:22.4cm x 32cm (8 7/8in x 12 5/8in)
Lot 217
§ Ben Nicholson O.M. (British 1894-1982) forms in a landscape, 1966 36/300, numbered in pencil in the margin (lower left), etching on paper, from the edition of 300 numbered, but unsigned, prints published by Kestner Gesellschaft, aside from the signed edition of 50 (ref. Lafranca 15) Dimensions:sheet: 31.5cm x 31.5cm (12 3/8in x 12 3/8in)
Lot 4
§ David Hockney O.M., C.H., R.A. (British 1937-) Cushions, 1968 (S.A.C. 64) 52/75, signed, dated and numbered in pencil (in the margin), etching on paperDimensions:38.5cm x 35cm (15 1/8in x 13 3/4in)Provenance:Provenance:Redfern Gallery, London, 1970;Collection of the Late Sir Richard Shepherd, MP.
Lot 494
Chitrangada Krishna, (Indian, 20th-21st Century)Composition, Etching with hand colouring, Editioned 'A-P' lower left, titled 'Composition' lower centre and signed 'Chitrangad Krishna' lower right, Artist's ProofImage: 19.4 x 16.5 cm. (7 ⅝ x 6 ½ in.)Folio: 38.2 x 27.4 cm. (15 x 10 ¾ in.)Provenance: The Surya Collection: Property from Mrs Ute RettbergPlease refer to department for condition report
Lot 1036
Alfred Grahame (19th century)An extensive landscape, with solitary figure on a pathSigned, watercolour, and another similar by the same hand, 24cm by 37cm; together with an etching by J Alphege Brewer, "Nave looking East Rheims Cathedral", signed and inscribed, a Chinese watercolour on silk, depicting cranes, and a reproduction oleograph after Frank Moss Bennett (1874-1952) (5)
Lot 575
§ Ben Nicholson OM (1894-1982) Storm over Parossigned and dated 'Nicholson 65' (lower left); numbered 26/50etching, printed by F. Lafranca, with his blindstamp, published by Ganymed Original Editions Ltd. and Marlborough Fine Art Ltd., London, unframed38.5 x 43cmPaper has been fixed to mount board by four short lengths of tape (see images). The sheet uniformly age toned throughout and the margins with scattered foxing and staining. The image itself appears in good, clean order.
Lot 577
§ Henry Moore OM, CH, FBA (1898-1986) Mother and Child A, 1980 (Cramer 709)signed 'Moore' (lower right); numbered X/XVetching32.5 x 38cmProvenance:With Lena Boyle Fine Art, LondonFrom the collection of Sir Christopher and Lady HowesFull sheet unframed: 32.5 x 38cmFramed - 39.5 x 45cmEtching - 10 x 12.5cmNot examined out of the frame, appears to be adhered to the backboard at the edges by short lengths of tape at each edge. Overall in very nice, clean condition.
Lot 582
A group of seven unframed prints, to include: Josef Herman (1911-2000), Figure against a dark sky, signed 'Josef Herman' (lower right), numbered 10/70, lithograph, 57 x 80cm; Tom Phillips CBE, RA (1937-), Six Pieces OP. X, signed 'Phillips' (lower right), numbered 144/150, silkscreen, 76 x 56cm; Daniel Lang (1935-2013), Street Light, signed and dated 'Daniel Lang 1973' (lower right), numbered 109/150, screenprint, 55.5 x 70.5cm; Hans Erni (1909-2015), Artist's Studio, signed 'Erni' (lower right), numbered 20/75, lithograph, 56.5 x 76cm; Jean Carzou (1907-2000), Aurora, signed and dated 'CARZOU 70' (lower right), numbered EA 13/20, lithograph, 49.5 x 65.6cm; James Coignard (1925-2008), Untitled, signed 'J.Coignard' (lower right), numbered 28/75, carborundum etching, 76 x 58.5cm; and James Guitet (1925-2010), Untitled, signed and dated 'James Guitet 12.60' (upper right), numbered 1/20, etching with embossing, 50 x 39.5cm
Lot 615
§ Hugo Wilson (1982-) Goodbye to Monkeys IIsigned 'Hugo Wilson' (lower right); inscribed with the dedication 'To the best Alison / This is not a poo in a box but I feel maybe the / next best thing - monkey balls' (lower centre); numbered A/P 1/5etching and aquatint, published by Pratt Contemporary and bearing their blindstamp46 x 36.5cm
Lot 642
§ A group of four unframed architectural prints, to include: Gerd Winner (1936-), New York Wall, 1978, signed 'Winner' (lower right), screenprint, 99 x 66.5cm; Gerd Winner (1936-), Stage Proof, signed 'Winner' (lower right), screenprint, 78.5 x 83cm; Edwin La Dell (1914-1970), Meadows, Oxford, signed 'Edwin La Dell' (lower right), numbered 39/80, lithograph, 45 x 60cm; and Richard Beer (1928-2017), Covent Garden, signed 'Richard Beer' (lower right), numbered 63/100, etching and aquatint, 66 x 48.5cm
Lot 653
Jesús Rafael Soto (1923-2005) Composition I, 1973signed 'Soto' (lower right); numbered 6/95etching with embossing, published by Marlborough Graphics72.5 x 72cmFramed and glazed beneath glass. The sheet demonstrates some cockling and some light creasing throughout, on the lower left hand edge there is a small loss and the lower right hand side with a small abraded area just above the signature. Some slight age toning to the sheet commensurate with age, though this is light and uniform, with a deepening of colour at the outermost edges where the sheet meets the mount board.
Lot 667
§ Kim Lim (1936-1997) Untitledsigned and dated 'Lim 1968' (lower right); numbered 8/30etching, unframed59 x 56cmSome slight discolouration, though this is even and uniform, the outermost edge of the right hand margin with two small black stains and the lower edge with a very small brown accretion, all margins with creasing and the left hand edge with a small tear. The image itself in good condition.
Lot 670
§ Jack Coutu ARE, ARCA (1924-2017) A group of three unframed prints, to include: Jungle, signed and dated 'Coutu. 65' (lower right), numbered 1/50, etching, 53 x 74cm; Witches Moon, signed and dated 'Coutu. 64' (lower right), numbered 45/50, etching and aquatint, 46 x 65.5cm; and Red Monolith, signed and dated 'Coutu. 64' (lower right), numbered 47/50, etching and aquatint, 66.5 x 48cm
Lot 972
Denis Dighton ( 1792 - 1827 ) A View of Westminster Hall - During the Banquet Given In Honour of the Coronation of His Most Gracious Majesty - King George IV - 19th July 1821. Etching Size 11 x 17.5 Inches Approx ( 27 x 44 cms ) Including Margins. Drawn By Denis Dighton - Military Painter to his Majesty, Etching by Thomas Dighton Published by J. McGowan, Great Windmill Street, London. Based Upon - But Differing From the Watercolour of ' The Third and Last Challenge ' By the Champion During King George IV Coronation Banquet In Westminster Hall - 1821, With Extra Figures Foreground Right - Different Courtiers etc. Condition - Staining to Right Hand Side and Upper Left, Some Small Losses to Image In Places, Foxing to Mount, Unframed.
Lot 100
James Abbot McNeill Whistler (1834 - 1903), Rotherhithe, original etching, signed & dated within the plate 1860, Kennedy 66 iii, image 27cm x 19.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, December 2000.Unframed, mounted in a card folio with hinged mounting tape. Elizabeth Harvey-Lee stock number in pencil bottom right, some paper discolouring with age, slight foxing and creases to the edge of the paper. With original invoice from Elizabeth Harvey-Lee dated 2000.
Lot 101
Sir David Muirhead Bone (1876 – 1953), The Convent of St Payo – Santiago de Compostela, Spain, etching, 4th state, signed in pencil within the margin, plate 31cm x 18.5cm and the Canal & Bridge of SS Apostoli, Venice, drypoint etching, signed within the plate, image 34cm x 20cmThe collection of Joan Elizabeth Mary Streeter. Both etchings purchased Craddock & Barnard, December 1970 & February 1974.No obvious faults visible.
Lot 104
Jacques Callot (1592 – 1635) The Crucifixion of Christ, copper plate engraving, plate 7.5cm x 6cm; together with Georg Jahn (1869 – 1941) Portrait of a woman in old Silesian national costume, original etching, circa 1900, image 28.5cm x 22.5cm; and Ethel Gabain (1883 - 1950) The Recluse, signed & titled in pencil, lithograph, proof edition of 12, image 37cm x 25.5cmQty: 3The collection of Joan Elizabeth Mary Streeter. Jahn purchased Elizabeth Harvey - Lee, November 2002. Gabain purchased Craddock & Barnard, December 1979.Gabain printed on thin brown paper, some paper discolouring showing signs of previous mounting, good wide border. Some whiter spots to the border and tears to the corners. Professionally repaired tear to the bottom of the border. Now mounted in a card folio with acetate front (not framed)Jacques Callot mounted on card (not framed), Georg Jahn mounted in a card folio with a loose acetate front (not framed)
Lot 106
James Abbot McNeill Whistler (1834 - 1903), Vauxhall Bridge, etching, signed & dated within the plate 1861, 2nd state, on antique laid paper, image 7cm x 11.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, November 2003, ex collection of Robert Austin.No obvious faults.
Lot 109
Felix Buhot (1847 – 1898), 'Les Petites Chaumieres', very fine signed proof etching, old tape marks visible, signed in pencil to Norbert Goenuette, Bourcard 149 iv, image 10cm x 14cm, together with 'Embarcadere a Trouville', drypoint etching, circa 1877, signed within the plate, Bourcard/Goodfriend 126 ii/iii, plate 20cm x 28cmQty: 2The collection of Joan Elizabeth Mary Streeter. Chaumieres purchased Craddock & Barnard, July 1985. Trouville purchased Elizabeth Harvey - Lee, November 1997
Lot 110
James Abbot McNeill Whistler (1834 - 1903), The Thames Police (Wapping Wharf), etching, signed & dated within the plate 1859, from the Thames set, Kennedy 44 (fourth state), plate 15cm x 22.5cmThe collection of Joan Elizabeth Streeter. Purchased from Craddock & Barnard, February 1978.No obvious faults. Framed & glazed, ready to hang.
Lot 115
Stanley Anderson CBE R.A, R.E.(1884 - 1966), A Mayfair Backwater – Crabb’s Opponent, drypoint etching, circa 1930, signed in pencil, Hardie 132, image 19.5cm x 24cm & Bush House from the Strand, etching edition of 50 proofs, signed within the plate and facsimile signature in the margins, Hardie 101, 18cm x 24.5cmThe collection of Joan Elizabeth Mary Streeter. Bush House purchased Craddock & Barnard, August 1983.
Lot 116
James Jacques Joseph Tissot (1836 – 1902), Histoire Ennuyeuse, etching, signed and dated 1878 within the plate, margins beneath the mount, Beraldi 25, 31cm x 20cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, May 1976.No obvious faults. Framed & glazed, ready to hang.
Lot 117
James Abbot McNeill Whistler (1834 - 1903), Thames Warehouses, Kennedy 38 ii, etching, signed & dated within the plate 1859, on De Erven watermarked laid paper, (watermark found on other proofs printed 1870-71) images 7.5cm x 20.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee.A small foxing spot left of centre bottom left of plate, otherwise no further obvious faults.
Lot 118
Felix Buhot (1847 – 1898), Pluie et Parapluie, drypoint etching, circa 1870, signed in the plate, Bourcard 68ii, margins under mount, plate 11.5cm x 7.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, August 1980.No obvious faults. Framed & glazed, ready to hang.
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71174 item(s)/page