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Lot 33

Giovanni Battista Piranesi (1720-1788) Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta, from: Vedute di Roma Etching, circa 1760-1778, on cream laid paper with watermark of fleur de lys within a double circle (Hind 3), an excellent rich and detailed impression, Robison's state 'e', of 'g', with the artist's address and price, wide margins, platemark 409 x 619 mm. (16 x 24 1/4 in), sheet 560 x 790 mm. (22 x 31 1/8 in), unframed. Literature: Hind 22 ii/v ⁂ A very fine impression, originally taken from an oblong folio stitched at the top edge, consequently the sheet is in excellent condition with large uncut margins.

Lot 40

Elisha Kirkall (1682-1742) English sailing ships preparing to set sail, the crew rowing out, after Willem van de Velde the Younger (1633-1707) Mezzotint and etching, published by Thomas Burford, probably circa 1720-1740, printed in black on laid paper, with indistinct text-based watermark incorporating a bell, platemark 240 x 293 mm. (9 1/2 x 11 1/2 in), sheet 300 x 460 mm. (11 3/4 x 18 1/8 in), unframed. ⁂ Scarce.

Lot 39

Johann Gottlieb Theophilus Amadeus Prestel (1739-1808) Truth Triumphing over Envy, after Jacopo Ligozzi (1547-1627) From the series Divers Cabinets, originally plate 24, etching and aquatint "au lavis" in brown ink and gold highlights, circa 1784, on laid paper without watermark, sheet 274 x 201 mm. (10 3/4 x 8 in). Literature: Nagler 16 (attributed to Maria Catharina Prestel); Schwaighofer 2003, 36 ⁂ Described by Nagler as very rare. An unusual and experimental printing method; the present impression is both bold and rich, with the gold ink pronounced and luminous. The original drawing by Ligozzi is now in the collection of the Albertina (Inv. no. 1658).

Lot 12

Rembrandt van Rijn (1606-1669) Self Portrait with Saskia Etching, 1636, on laid paper, without watermark, a fine early impression of the New Hollstein's second state (of four), before any wear in the shadows beneath the hat and with the light horizontal scratches across Saskia's breast, fine thread margins, sheet 106 x 94 mm. (4 3/16 x 3 3/4 in), unframed. Provenance: Albert Aaron Feldmann (1920-1999) [Lugt 4812] Literature: Hind 144; New Hollstein 158 ii/iv

Lot 198

δ David Hockney (b.1937) Rapunzel, Rapunzel, Let hair down (from Illustrations for Six Fairy Tales from the Brothers Grimm) (MCA Tokyo 83) Etching with aquatint, 1969, signed in pencil, inscribed for Rudolph verso in brown ink, a proof aside from the edition of 100, published by Petersburg Press, London, 1970, with full margins, 450 x 410mm (17 5/8 x 16 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 147

δ Joan Miro (1893-1983) La Bague D'Aurore (Dupin 139) Etching with aquatint printed in colours, a bright, fresh impression, signed and numbered from the edition of 60 in pencil, printed at Crommelynck et Dutrou, Paris, on Rives paper, with full margins, 140 x 115mm (5 ½ x 4 ½ in)(unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 137

** δ Marino Marini (1901-1980) Marino from Shakespeare II (Gustalla A.212) Drypoint, etching and aquatint printed in colours, 1978, signed and inscribed P.A. in pencil, an artist's proof aside from the edition of 75, printed by Labyrinth, Florence, published by ZWR, London, with full margins, sheet 760 x 565mm (30 x 22 1/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. ** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

Lot 207

After Luigi Rossini 'Interno de Pronao' a black and white etching 45 x 57cm

Lot 198

After Robert Walker MacBeth (Scottish 1848-1910) 'Too Late for The Ferry' an etching on vellum published by The Art Union of London 1892 36.5 x 55cm pencil signed and dedicated

Lot 205

After George Cruikshank 'Landing the Treasures or results of the Polar Expedition !!!' a coloured etching, published Jan. 7 1818 by G. Humphrey bearing the inscription in ink 'Captain Ross 1819' 21 x 54cm Note: Captain John Ross, Captain of the controversial first North West Passage voyage of 1818

Lot 469

Early 20th century school : A Rabbi reading, etching, indistinctly signed in pencil, 22 cm x 30 cm, framed.

Lot 463

Van Neste : An etching depicting a cathedral, signed in pencil, 16 cm x 25 cm, framed.

Lot 466

An 18th century hand coloured etching depicting a continental battle scene, 26 cm x 46 cm, in a rosewood frame.

Lot 1183

*Richard Bawden (b. 1936), colour etching - 'Small dried plant', signed, inscribed as titled A / P, 17cm x 14cm, framed

Lot 1291

*Leonard Russell Squirrell (1893 - 1979), signed black and white etching - The Orwell at Ipswich, a view from the Ostrich, inscribed 'To Violet Xmas 1947', in ebonised frame, 12.5cm x 21.5cm

Lot 1352

After Sir Alfred Munnings (1878 - 1959), black and white etching - terrier and puppies, in glazed frame, 20cm x 18cm

Lot 1152

David Carr (1915 - 1968), Dock scene, 50cm x 65cm, unframed, together with a collage and mixed media landscape by Denise Broadley (1914 - 2007), a pen and ink landscape and a signed etching by John Norris Wood (1930 - 2015) (4)

Lot 333

Henry Wilkinson, 'Full Cry', signed limited edition, drypoint etching, 25cm x 35cm.

Lot 313

Thomas Chauvel, After Benjamin Williams Leader, river landscape, etching, published 1884, 34cm x 52cm.

Lot 1076

Edgar Holloway (1914-2008)copper etching plateCapel-y-ffin (Church Gate and Yews) 1991, and a copy of the etching no.45/50,180 x 250mm

Lot 1177

Paula Rego (b. 1938)artist's proof etching and aquatint'Sewing on the Shadow I'signed in pencil and inscribed to Jane Bown7.5 x 4.25in.

Lot 1042

Edgar Holloway (1914-2008)three copper etching plates,Father Thomas Phelan (Informal Attire) 1972, M170, 242 x 180mm, Mrs Nancy Carey, M175, 235 x 178mm & Angela Petricca 1972, M179, 239 x 192mm.

Lot 1045

Edgar Holloway (1914-2008)four copper etching platesCongregational Church, Williamstown, Mass. 1974, M193, 286 x 190mm. Observatory and Chapel, Williamstown, Mass. 1974, M194, 190x286mm. President's House M196, 153 x 212mm and Waterford Locks, N.Y, M199, 164 x 254mm.

Lot 1038

Edgar Holloway (1914-2008)copper etching plateLlanthony Tertia, Capel-y-ffin, 1970, M161,228 x 151mm

Lot 1062

Edgar Holloway (1914-2008)copper etching plateSelf Portrait No.19 (Summer '84) M247205 x 160mm

Lot 436

WARREN B. DAVIS (AMERICAN 1865-1928), NAIAD, titled and numbered 60/150 in pencil in the margin, signed in the plate, etching, framed. Plate 19.5cm by 14.5cm

Lot 203

Giwa. A limited edition etching titled "The Duelists". Signed in pencil and numbered 48/75 with details to verso. 55x55cm.

Lot 137

John McLean (British, b.1939), an abstract study, etching with aquatint, edition of 2000, signed in pencil lower right. H.21cm W.27cm

Lot 46

Miguel Conde (Mexican, b.1939), a figural study, etching, signed in pencil lower right, numbered 28/30, gallery stamp to verso. H.39cm W.29cm

Lot 53

A miners lamp, manufacturer Thomas and Williams along with a 20th Century British school, 'Cwmaman', etching, No. 7/10 indistinctly signed lower right 21cm x 15cm

Lot 250

Waterford crystal glass Elephant in original box with certificates. Signed etching to foot.

Lot 315

Edgar HollowayetchingUnloading a barge, 24 x 16cm, and Leslie Brangwyn, etching, Under the tree,16 x 20cm

Lot 909

Two oval Moghul-style watercolour profile portraits of Indian noblemen (probably 19th century), to/w a Chinese landscape painting on fabric, a Continental portrait miniature on ivory of a military officer, an etching of a St. Bernard dog by C. Casanova and an Italianate embossed copper panel worked with classical figures

Lot 265

* WILLIAM LITTLEJOHN (SCOTTISH 1929 - 2006),SERPENT AND MIRROR etching, signed, numbered 23/30 and titled in pencil 20cm x 88cm Mounted, framed and under glass

Lot 220

* JANET PATTERSON,GIRL AND DOGsugarlift etching, signed, titled and numbered 8/10 in pencil14cm x 13cmMounted, framed and under glassLabel verso: The Scottish Gallery, 94 George Street, Edinburgh. Ref. no. D2712.

Lot 234

* JOHN BYRNE RSA,THE FALLER etching, signed, titled, and numbered 30/40, further titled in the plate 16.5cm x 11cm Mounted, framed and under glass

Lot 477

SYDNEY MACKENZIE LITTEN 'Venetian canalside view with gondolas and figures', etching, 45cm H x 51.5cm W, framed.

Lot 137

Andrew D Pollock 'Old Edinburgh' Etching, entitled and signed in pencil, in an ebonised frame, 19 x 24cm

Lot 136

Andrew D. Pollock 'The Tannery, Dean Village' Etching, entitled and numbered 3/20 and signed in pencil, in an ebonised glazed frame, 19 x 26cm

Lot 6284

A 19th Century etching named "Poniatowski" Marshall of the Polish Empire, 38cm x 27cm, framed and glazed

Lot 363

After Sydney Robert Fleming Jones (British 1881-1966), architectural etching of a London street scene with St Paul's to the background, signed in pencil to the margin by the artist, together with another, similar, with a view down Whitehall from Trafalgar Square, also signed to the margin, 24cm x 14cm and 25cm x 22cm, glazed in wooden frames.

Lot 171

PRINCESS 'BO' FREDERICKA ANN GUIREY, 'View of Battersea Power Station', and another related view, a pair, both O.O.C., one initialed F.G. 16" (40cm) square; together with another lithograph depicting an angel; and another black and white etching depicting a couple on a couch. (4)

Lot 1026

EUGENE DELACROIX (French 1798 - 1863) JUIVE D'ALGER Etching, signed and dated in plate, 20 x 15.5cm (8 x 6")

Lot 946

WILLIAM LIONEL WYLLIE RA, RE, RBA, RI, NEA (British 1851 - 1931) J-CLASS YACHTS RACING OFF COWES A SIMES - Peter Pan Kensington Gardens JOHN FULLWOOD - A Path by the Woods Drypoint etching, signed, 10 x 35cm (4 x 13 3/4"), 20 x 15cm (8 x 6"), 25.5 x 11cm (10 x 4 1/4") (3)

Lot 1017

•HENRY JACKSON SIMPSON (Scottish 1893 - 1963) LOCHNAGAR; LOCH MORLICH; BENACHIE FROM THE HEILANMAN'S HAUGH Drypoint etching, signed and inscribed with title, 15.5 x 23cm (6 x 9"), 15.5 x 23cm (6 x 9"), 18 x 25cm (7 x 9 3/4") (3)

Lot 1008

•HENRY JACKSON SIMPSON (Scottish 1893 - 1963) DAWN ON THE DON; BENACHIE; BENACHIE FROM HEILANMAN'S HAUGH Drypoint etching, signed and inscribed with title, 15 x 22.5cm (6 x 9"), 15 x 22cm (6 x 8 1/2"), 17.5 x 25cm (7 x 9 3/4") (3)

Lot 932

WARWICK REYNOLDS RSW (British 1880 - 1926) TIGER WITH PEACOCK Drypoint etching, signed, 24 x 45.5cm (9 1/2 x 18")

Lot 1010

•ELYSE ASHE LORD RI (British 1900 - 1971) IMMORTALS NO. 1; THE WHITE MAGNOLIA Drypoint etching in colours, signed and numbered 51/75 and 52/75 respectively, 42 x 55cm (16 1/2 x 21 1/5") (2) Inscribed with title on label verso (Immortals No. 1)

Lot 524

AFTER THOMAS BLAKELY MACKENZIE (1887-1944) Girl with a Fan by Candlelight, etching, signed in pencil, 17 x 13cm.

Lot 519

•AFTER JOHN LAVIERS WHEATLEY (1892-1955) (Sheffield Artist) Portrait of a Woman, seated in a chair, half length, etching, 28.5 X 24.5cm.

Lot 659

Malcolm C. Salaman; Modern Masters of Etching, a series of thirteen books published by The Studio, 44 Leicester Square, London, 1924, to include:- Whistler, Goya, Lumsden etc, blue board bindings. (13)

Lot 414

A pipe, the bowl carved in the form of a flower and carved a gentleman, an Edward Cherry etching of London, another, York, another etching, a green hardstone disc, and other items

Lot 3446

Etching after Meissonier, Napoleonic scene, published & printed in 1916 by Klackner & Whitmann, signed by the engraver, framed.

Lot 3320

A pair of framed etchings one early 20th Century the other an 18th Century printed etching

Lot 3302

A watercolour by Ernest Albert Chadwick (1876-1955), together with others by P.R. Hipkiss RBSA, and an 18th-century Georgian etching, ornithology/birds, by George Edwards, hand coloured, laid/chain-lined paper (11)

Lot 3315

Collection of prints to include four 19th-century lithographs of Weston-Super-Mare, three photographic copies of 19th-century drawings depicting Weston-Super-Mare Parish Church and Rectory, a litho of a running hare, an etching of Exeter, and two etchings of Uppingham by Wallace Hester. All framed and glazed. (8)

Lot 3371A

Market Bosworth interest, Pre World War I, hunt meeting at the market place, and print of etching 'Burbage Church' by Don Meek (2)

Lot 3318

Aidan Kirkpatrick, a monochrome signed etching

Lot 3375

Indistinctly signed framed and glazed watercolour with signed etching, two oriental paintings, and a cartoon of a snooker player (5)

Lot 229

AFTER ALPHONSE DE NEUVILLE; a large black and white etching by Leopold Flameng, 'The Defence of Rorke's Drift, 22-3 January 1979', published by The Fine Art Society, July 15 1881, 54.5 x 90.5cm, framed.

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