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Lot 226

Large file/port folio of assorted coloured and other etching of local interest including Carmarthen, opening of the South Wales railway, the Ivy Bush, etc.(B.P. 21% + VAT)

Lot 152

Group of assorted furnishing pictures to include landscapes, study of a Red Kite, Mollinson, 'Lake walk Buttermere', artist's proof, coloured etching, coaching scene, architectural studies, etc. Framed and glazed. (12)(B.P. 21 + VAT)

Lot 554

F/G PRINT LATE 19TH & EARLY 20TH CENTURY PANORAMIC VIEW OF THE CITY OF EXETER & A F/G ETCHING 20TH CENTURY MOLLS COFFEE HOUSE BY C. RUSSELL

Lot 261

A naval officer’s dress sword for Lieutenant, c 1812-1825, tapering shallow diamond section blade 27½”, with traces of etching beneath langets, gilt stirrup hilt with flat ground and plain edged langets bearing crowned fouled anchor, round section knucklebow, lion’s head pommel and backstrap, diced and ribbed dark horn grip, in a well restored leather scabbard, the original locket and chape with traces of gilt. Good Condition Plate. £300-500

Lot 230

A scarce naval midshipman’s sword c 1850, fullered blade 24” with spear point and traces of etching, the regulation pattern hilt having folding guard and white fishskin covered grip, in its brass mounted leather scabbard. Basically GC, the hilt retaining traces of gilt (dark staining to blade, grip wire slightly AF, some cracking to scabbard leather). £350-500 Note: Midshipmen were entitled to wear swords up until 1856.

Lot 274

A George V 1897 pattern Infantry officer’s sword, etched blade 31½” by “Weyersberg Kirschbaum & Cie Solingen” with regulation pattern steel hilt, in its leather FS scabbard. QGC (worn and lightly pitted overall, cleaned, blade etching faint). £40-50.

Lot 193

E. SHARLAND ETC. Two coloured etchings by E. Sharland of Boulogne & The Bridge of Sighs, Venice. Both signed in pencil & titled beneath the mount. Each 41 x 28cm & 45 x 28cm. Also, one other coloured etching by A. Dupont, 31 x 21.5cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk

Lot 442

Selection of maps Derbyshire 22 cm x 29 cm, road from Oxford to Coventry, road from London to Carlisle, Staffordshire and Darby shire together with a framed etching of her Majesty the Queen

Lot 291

JOHN BRANGWYN (20th century). A black & white etching of sailing vessels in calm waters, with figures on the bench; signed in pencil lower margin; 5¾” x 11½”; another etching “Sunset on the Broads”, singed K. Vernon, 4” x 9¾”; & a watercolour sketch of trees, 8” x 12” (the etchings framed & glazed; watercolour un-glazed).

Lot 290

JOSEPH KIRKPATRICK (1872-1936). “This England”. Sepia etching, signed & titled in pencil lower margin; 9” x 15¾” (image); together with a coloured etching by MABEL CATHERINE ROBINSON (1875-1953), a Stratford-on-Avon street scene, signed in pencil lower margin; 8½” x 11” (image), (2).

Lot 293

S. R. C. WALMSLEY (20th century). A black & white etching titled: “The Shingler”; signed in pencil lower margin, 9” x 7¼”; another by F. ROBSON (1880-1936) “The Gateway, St. Johns Hospital, Canterbury”, 10” x 5”; & another by GEO. A. WESETON “Lincoln Cathedral”, 6¼” x 8½”; each framed & glazed. (3).

Lot 278

FRANK SHORT, RA, PPRE (1857-1945), after J.M.W. Turner. A classical landscape with ruins & figures to the fore. Sepia etching, dated 1893, signed “Frank Short” in pencil lower margin; 8” x 11”, in glazed frame.

Lot 463

Edgar Chahine (1874-1947)SimoneDrypoint etching with aquatintSigned in pencil46 x 32 cm.

Lot 469

Edgar Chahine (1874-1947)La PromenadeDrypoint etching with aquatintsigned in pencil 1902, from the edition of 100,46 x 66cm.

Lot 470

Edgar Chahine (1874-1947)Demoiselle au tennisDrypoint etching with aquatintsigned in pencil, from the edition of 70,38 x 15cm.

Lot 510

§ Dame Elisabeth Frink (1930-1993)Sparrow Hawketching and aquatintsigned and numbered 26/5052 x 46cm.

Lot 531

§ Tracy Emin (1963-)Self portrait as a small birdetching on woveSigned and titled in pencil, 129/20027.5 x 33cm.

Lot 251

BOX OF MIXED PICTURES TO INCLUDE T H STEGGLES, 'BOLTED', OIL ON BOARD STUDY, FURTHER BLACK AND WHITE ETCHING, A BLACK AND WHITE PHOTOGRAPH OF A WEDDING CAKE ETC

Lot 29

A pencil signed coloured limited edition etching entitled "September"

Lot 1621

Metam Pluckebaum (1876-1945), an etching of kittens, ‘Brother and Sister’, signed, 28 x 24cm.

Lot 1705

Rowland Langmaid RA (1897-1957), etching, St Paul’s from the Thames, signed in pencil, 27 x 20.5cm.

Lot 121

Graham Clarke (b. 1941) etching and aquatint ‘Dunroamin’, signed and numbered 79/200, plate 43 x 34cm, glazed frame

Lot 127

Andrew Ingermells (b. 1956) etching and aquatint, ‘Lost London’, signed and numbered 226/300. 72 x 46cm, glazed frame

Lot 130

P. D. Collins (Contemporary) colour etching, Peregrine, signed, titled and numbered 12/200, plate 9 x 13cm, glazed frame

Lot 131

Glyn Thomas (b. 1946) etching in colours, Maldon 2, signed and numbered 23/75, plate 26 x 38cm, glazed frame

Lot 144

Penny Berry Paterson (1941-2021) colour etching 'Paris Melange', signed titled, numbered 6/50, 21 x 33cm, glazed frame

Lot 152

Alan Kennedy (Contemporary) etching in colours, Gedding Post Mill, signed inscribed as titled and numbered 23/95: 45 x 50cm, glazed frame

Lot 158

Glyn Thomas (b. 1946) etching in colours, Woodbridge Quay, signed and numbered 59/75, 26 x 39cm

Lot 173

Della Chapman (contemporary) etching and aquatint, Back Door 2nd Edition, signed, 31 x 44cm, together with a group of etchings by local artists. (5)

Lot 416

Salvador Dali Artist Proof Etching. Pencil signed and "epreuve d'artiste" lower margin. Image Size: 7.5 x 4 in. Overall Framed Size: 24.25 x 20 in. Framed behind glass.

Lot 55

Rembrandt Van Rijn, "Pharisees in the Temple" etching and drypoint on laid paper. Partial watermark; Haewood 1366. Signed and dated in the plate upper center Rembrandt.f. 1648. Catalog: Bartsch, Hollstein 126. Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense.Image Size: 2 13/16 x 5 in. Overall Framed Size: 15 x 17 in.

Lot 262

Salvador Dali, "Don Quixote" Etching. Signed in plate lower right. Framed behind glass. Image size: 6.5 x 4.75 in. Overall framed size: 15 x 12 in.

Lot 275

Landscape with Buildings. Signed in Pencil, Dated 18 Sept. 1941 in the Plate. Original Aquatint Etching. Sight Size: 20 x 14.5 in. Overall Framed Size: in. Framed behind glass.

Lot 10

DAVID CARPANINI limited edition (11/20) etching - south Wales street, title to margin 'Gable End', signed, 35 x 47cms NB: Located for viewing / collection at Cardiff saleroom

Lot 14

SIR FRANK BRANGWYN RA drypoint etching - busy street scene with street vendors, signed in pencil, 27 x 32cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed NB: Located for viewing / collection at Cardiff saleroom

Lot 54

ERICA DABORN unique etching - comical illustration of two figures and a very large bird, title to margin 'I Beg your Pardon Mrs Arden, There's a Blackbird in your Garden', 22 x 26cms NB: Located for viewing / collection at Cardiff saleroom

Lot 56

VALERIE GANZ limited edition (30/150) etching - four seated miners, title to margin 'Breakfast', signed, 21 x 38cms NB: Located for viewing / collection at Cardiff saleroom

Lot 76

DAVID CARPANINI limited edition (5/40) etching - Kyffin II, signed, titled and numbered in pencil, (PL) 40 x 25.5cms NB: Located for viewing / collection at Cardiff saleroom

Lot 230

Rowland Langmaid (1897 - 1956), "Tower Bridge", signed etching, housed in an ebonised glazed frame, the etching 23.5cm x 17.5p cm

Lot 405

Coastline coloured map etching, "Burlington Bay, Scarborough and Hartlepool. to Capt. Ralph Sanderson, this chart is a dedicated and prefented by Cap't Greenvile Collins hydrog'r to the King, coloured map engraving "A Map of the parish of St. Mary Rotherhith, Published according to the act of parliament 1755 for Ston's Survey", P. Potter, engraved plan. "Lands at Scrooby" (3)

Lot 407

Coastline map etching, "Burlington Bay, Scarborough and Hartlepool. to Capt. Ralph Sanderson, this chart is a dedicated and prefented by Cap't Greenvile Collins hydrog'r to the King, The Dispatch Atlas coloured map etching, the River Thames from it's source to the sea, S. Hall, coloured two sheet map etching depicting Scotland, The Dispatch Atlas Orkney Islands and Shetland Islands, J & C Walker map of England and Wales, Francis Young map of England and Wales, S. Hall map of England and Wales, coloured map of The Orkney and Shetland Islands (9)

Lot 1527

Artist: Fernando Diaz Infante (Mexican, act.1980s). Title: "Viejos Robles". Medium: Etching. Date: Composed 1984. Dimensions: Overall size: 20 1/4 x 25 13/16 in. (514 x 656 mm). Image size: 13 13/16 x 20 3/16 in. (351 x 513 mm).Lot Note(s): Signed, titled, dated, annotated in pencil, lower right. An artist's proof. Cream wove watermarked paper. Full margins. Fine impression. Good to very good condition. Provenance: Ex-collection Jaled Muyaes & Estela Ogazon, Mexico City. Comment(s): Image copyright © The artist or his asignee. [26890-5-100]

Lot 1557

Artist: Lucian Freud (German/English, 1922-2011). Title: "Two Men". Medium: Color offset lithograph. Date: Composed 1987-88. Printed 1993. Dimensions: Overall size: 11 5/8 x 8 7/16 in. (295 x 214 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29181-2-600]

Lot 1588

Artist: James A. M. Whistler (American, 1834 - 1903). Title: "The Punt". Medium: Original etching & drypoint. Date: Composed 1861. Dimensions: Overall size: 6 1/16 x 8 5/16 in. (154 x 211 mm). Image size: 4 3/4 x 6 5/8 in. (121 x 168 mm).Lot Note(s): Signed in the plate, lower left. MacDonald's fourth state of six (IV/VI) with the partial removal of the signature and date in the plate, lower left, and with the engraved inscription included. Cream wove paper. Ample margins. A very good, well inked impression. Good condition; two tears in the margins, extending to the platemark but not into the image; mat burn; scattered foxing. Literature/catalogue raisonne: Kennedy 85; Glasgow 82. Provenance: Swann Auction Galleries, New York City. Comment(s): Printed by Day & Son, London. Published by the Junior Etching Club, London. [30080-1-400]

Lot 1622

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Sur la plage, a berneval". Medium: Original etching. Date: Composed c1892. Printed later. Dimensions: Overall size: 11 1/8 x 10 in. (283 x 254 mm). Image size: 5 3/8 x 3 5/8 in. (137 x 92 mm).Lot Note(s): Signed in the plate, lower right. Cream wove paper. Full margins (deckle edges). Fine impresson. Fine condition. Literature/catalogue raisonne: Delteil 5iii. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [1398-2-300]

Lot 1780

Artist: Karima Muyaes (Mexican, b.1960). Title: "Pareja [black and white]". Medium: Etching with sugarlift aquatint. Date: Composed 2000. Dimensions: Overall size: 15 3/4 x 15 7/8 in. (400 x 403 mm). Image size: 9 5/8 x 9 5/8 in. (244 x 244 mm).Lot Note(s): Signed and dated in pencil, lower right; titled in pencil, lower center; numbered in pencil, lower left. Edition of 10 (The color edition was 40). Pale cream wove Arches paper. Full margins. Fine impression. Fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2022. Muyaes's work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [17715-0-150]

Lot 2153

Artist: Edouard Manet (French, 1832 - 1883). Title: "Charles Baudelaire de Face III". Medium: Etching. Date: Composed 1865. Printed later. Dimensions: Overall size: 9 3/4 x 9 1/4 in. (248 x 235 mm). Image size: 3 13/16 x 3 1/4 in. (97 x 83 mm).Lot Note(s): Signed in the plate, lower right. Inscribed with the artist's and printer's names, lower left and right. Light cream wove paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: Harris 61; Guerin 38iv. Comment(s): Manet was one of the first 19th-century artists to paint modern life and was a pivotal figure in the transition from Realism to Impressionism. [17720-2-225]

Lot 1233

Artist: Lucian Freud (German/English, 1922-2011). Title: "Head of a Man". Medium: Offset lithograph [following the original etching]. Date: Composed 1987. Printed 1993. Dimensions: Overall size: 11 11/16 x 9 9/16 in. (297 x 243 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29180-2-600]

Lot 160

D.Y Cameron 'Arran', an etched print, framed under glass, 26 x 13cm together with an etching of fishing boats by William Douglas MacLeod, framed under glass, 14 x 10cm (2)

Lot 1003

Alfred Blundell - The Black Poplar, etching, signed and titled in pencil to the margin, 48x31cm

Lot 1028

Alfred Blundell - Temple Lock, Icklingham, etching, signed and titled in pencil to the margin 18x25cm, and three others by the artist (4)

Lot 1039

Andrew Watson Turnball (1874-1957) - Oatwood Mills, Surrey, etching with aquatint, signed and titled in pencil, 19 x 27cm; together with Leon E Verdier (1866-?) - Pair; Venetian scenes, aquatints, each signed and titled in pencil, 26 x 21cm

Lot 1067

Alfred Blundell (1883-1968) - Their Golden Hour, etching, signed and titled in pencil to the margin, 18 x 25cm

Lot 1095

Assorted pictures and prints, to include Vanity Fair, topographical etching etc

Lot 1096

Assorted pictures and prints, to include amateur watercolours, botanical engravings, Belinda Barnard apple study, nude etching etc

Lot 2099

A framed and mounted Trevor Lloyd etching titled 'A Lonely Ruin Tamaki', signed in pencil. 15 1/2" x 12 1/2".

Lot 506

Artist: Philip Evergood (American, 1901 - 1973). Title: "Girl with Sunflowers". Medium: Etching. Date: Composed 1965. Dimensions: Image size: 8 1/4 x 5 15/16 in. (210 x 151 mm).Lot Note(s): Signed, titled, and numbered in pencil. Edition of 150. Cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): Philip Howard Francis Dixon Evergood was born Philip Blashki, in New York City. [23505-2-225]

Lot 547

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme couchée (tournée à gauche)". Medium: Original etching. Date: Composed 1906. Dimensions: Overall size: 7 11/16 x 10 1/16 in. (195 x 256 mm). Image size: 5 1/2 x 7 3/4 in. (140 x 197 mm).Lot Note(s): Signed in the plate, lower right. Small edition. Cream wove paper. Very wide (full?) margins. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Delteil 15. Provenance: Swann Auction Galleries, New York City. Comment(s): According to “Gordon’s Print Prices” the auction record for another impression of this etching is $7,200 realized at Swann Auction Galleries, New York City, 10/31/2018, lot #258. [30075-2-1600]

Lot 327

Artist: Karima Muyaes (Mexican, b.1960). Title: "Naufragio". Medium: Color etching with drypoint and aquatint a la poupee. Date: Composed 1983. Dimensions: Overall size: 19 13/16 x 14 7/8 in. (503 x 378 mm). Image size: 11 3/4 x 9 15/16 in. (298 x 252 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Print #5 of Edition of 5. Soft handling creases; otherwise fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): The winner of the first prize in the print category at the Toronto School of Art in 1983, when the artist was 23. A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18624-0-300]

Lot 424

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]

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