* Paul Nash, British 1889-1946- "Genesis", publ by the Nonesuch press, 1924, numbered 187/375, text in Rudolf Koch`s Newland type on Zanders hand-made paper (unicorn watermark) by the Curwen press; twelve woodcuts, as issued with text, 27x19cm (sheet) (unframed) (26): Sir David Young Cameron RE, Scottish 1865-1945- "Amboise", 1903, etching, signed within the plate, bears title in pencil, 26x14.5cm: Blake Debassige, Canadian, b.1956- "Nanabush and the Great Flood", publ by Woodland Prints, Toronto, Canada; lithograph in colours, signed, titled, inscribed and numbered 91/150 and dated Aug `74, 23x33.2cm: Sir William Nicholson, British 1872-1949- "November"; woodcut on litho, printed in colours, 31.3x24.2cm (sheet): Stanley Vickerman, 1922-1997- Figure in a mountain landscape; linocut, signed with monogram within plate, signed in pencil, 19x12.5cm: William Blake, British 1757-1827- "Fear & Hope and Vision"; etching, numbered `13` lower left, 8x7cm: Mid 20th Century- Untitled, etching, initialled `LA` and numbered 4/22 and dated 1972 in pencil, 10x14cm: together with one other similar, signed with monogram, numbered 2/20, initialled `LA` and dated 1972 in pencil 25x21.2cm, and one wood cut of a hedgehog signed with initials `WH` within the plate, 7.7x11.2cm., (9) (a lot) (unframed)
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* Attributed to Wilhelm Beckmann, German 1852-1942- `Merrymaking frieze of figures`:pen and black ink on paper, signed in pencil, 26x60.5cm: Hugo Lous Mohr, Norwegian 1889-1970- Figures on a shore by a temple; gouache, signed, 24x20cm: Wilhelm Von Kaulbach, German 1805-1870- Illustration to Goethe`s "Reynard the Fox"; pen and brown/black ink on paper, 12x11cm: Follower of Jean Louis Ernest Meissonier, French 1815-1891- A Dinner Party; etching hightened with white gouache, 5x9cm: Carl Röder, German 1852-1922- Waterfall; pen and brown ink on paper, bears ink on the mount, 18x26cm., (5) (unframed)
E Gentle, British, late 19th/early 20th century- "Nearing Antwerp"; oil on canvas, signed and dated 1900, bears inscription on the reverse, 23x33.2cm: British School, early 20th century- Shipping in the Pool of London; pencil, signed with initials `CM`, 17.5x24.7cm: British School, early 20th century- "The Palace of Westminster"; etching, 23x30cm: W Ellison, British, early 20th century- Estuary townscape; watercolour, signed, 17x26cm: British School, early 20th century- Parkland river scene; watercolour, 16.5x16cm., (5)
JAMES PITTENDRIGH MACGILLIVRAY, RSA (1856-1938) DESIGN FOR A CLARET JUG SIGNED AND INSCRIBED ON THE BACKING PAPER PRESERVED VERSO, PEN, BISTRE INK AND GREY WASH, 19.5 X 11.5 CM, A SMALL STUDY OF MULES OF THE MARKET PLACE BY AND CAROLINE PATERSON, RSA (1935-), PVA, 1972 AND AN ETCHING BY IAN FLEMING (3) ++ The lot in fine condition
CHARLES HOLME (ed): MODERN ETCHING AND ENGRAVING, “The Studio” 1902, 1st edn, 4to, orig wraps worn + A P OPPE: THE WATER-COLOUR DRAWINGS OF JOHN SELL COTMAN, “The Studio” 1923, 1st edn, 4to, orig cl gt soiled + MALCOLM C SALAMAN: THE NEW WOODCUT, “The Studio” 1930, 4to, orig cl gt worn + eight other Art (11)
Pablo Picasso - `Le Bain` from the Saltimbanques Suite 1904-1905 (Block 12), monochrome etching produced in an edition of 250 published by Vollard in 1913 following the steel facing of the plate on Van Gelder laid paper, San Francisco Museum of Art Davenport Loan Exhibition label verso, approx 34.5cm x 29cm, within a gilt frame. Provenance: the Very Reverend Hewlett Johnson, a former Dean of Manchester and Canterbury Cathedrals.
ROBERT SAYER, PUBLISHER (1725-1794) PUBLISHER GENERAL GEORGE AUGUSTUS ELIOTT BARON HEATHFIELD OF GIBRALTER mezzotint mounted to or within plate mark, in fresh contemporary colour, unexamined out of the frame, published 14 September 1789, 35.5 x 25cm and a coloured etching of the Rock and town of Gibraltar published by R H Laurie (2) ++Mezzotint with some mushroom coloured stains, in old wormed frame with a few thunder flies beneath the glass, the second print with light overall staining
THOMAS LANDSEER, ARA (1795-1880) AFTER SIR EDWIN HENRY LANDSEER, RA (1802-1873) THE LION DOG FROM MALTA, THE LAST OF HIS TRIBE mixed method intaglio print (etching with mezzotint) signed by the engraver in pencil, a rich impression, lightly creased and stained, mounted to within the plate mark and unexamined out of the frame, 42 x 52cm ++Consigned by executors and purchased by the late owner from John Maggs of Falmouth
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