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Lot 169

Pictures to include a Snaffles print 'Vimy', two Victorian watercolours and an etching, all framed and glazed

Lot 21

Andrea Vicentino 16th century etching 'The Marriage at Cana in Galilee', dated 1594 lower left 40 x 65cm

Lot 99

William Douglas Macleod (1892-1963) Sailing vessels in port Etching, signed in ink 25cm x 37cm Another etching of Rouen by James McBay, dated 1916 19cm x 39cm And another by Gordon Grant (3)

Lot 135A

Gerald Brockhurst 'The West of Ireland' Etching, signed in pencil 14cm x 16cm

Lot 133

Margaret Lowengrund (1902-1957) Trinity Spire Etching 23cm x 19cm And Madison Square Gardens Etching 30cm x 25cm Both signed in pencil (2)

Lot 134

Job Nixon (1891-1938) Dieppe Harbour 1929 Etching, signed in ink 25cm x 34cm

Lot 132

Margaret Lowengrund (1902-1957) Manhattan Etching, signed and inscribed 22cm x 26cm

Lot 143

After James Gillray (designed by I.L.R.) 'A Morning Ride' Hand coloured etching 32cm x 49cm

Lot 135

Muirhead Bone (1876-1953) The Fish Market, Venice Etching 22.5cm x 29cm Signed in pencil And Geoffrey Wedgwood St Pauls, Genoa, etching signed in pencil dated 1927, 25cm x 24cm, and another (3)

Lot 106

Hubert Andrew Freeth (1912-1986) Portrait of Joe Finch Etching signed and inscribed in pencil, artist label on the reverse 30cm x 25cm

Lot 782

Harold Wyllie (1880-1973), shipping off a coastline, etching, signed in pencil, 16.5cm by 26cm

Lot 775

Sir Frank Brangwyn (1867-1956), Notre Dame cathedral, Paris, etching, signed in pencil, 59cm by 76cm (ARR)

Lot 418

After Percy Lancaster, street scene, etching, 18cm x 22cm, signed in pencil lower right, framed and glazed.

Lot 525

Winifred Austen, R.E., pencil signed dry point etching, "Into the Rye", 24.5cm x 30cm

Lot 457

M. Shepherd Dale, 1905 pencil signed etching of a Continental street scene; a lithograph head and shoulders portrait of a young girl; M. Green, a pencil signed etching of a girl in evening dress; and a coloured print of partridge

Lot 229

William Walcot (British 1874-1943) Interior of St. Peter's Rome Etching Signed in pencil, indistinctly inscribed and edition out of 50 Plate: 59.5 x 74cm (23¼ x 29 in.)

Lot 280

A Framed 18th Century Etching from the Original Drawing in the Collection of the Duke of Devonshire, 26cm Wide

Lot 471

R....Nott ABSTRACT Screenprint, signed and numbered 1/10 35 x 53.5cm; Alistair Grant AZINCOURT II Screenprint, signed and numbered 50/50 25 x 32.5cm, and Mervyn Romans GAMES, 1969 Etching and aquatint, signed and titled and dated in pencil 45 x 40cm (3)

Lot 476

*Victor Anton (1909-2002) STAGE 1 Etching, 1951, signed and inscribed and numbered 9/13 in pencil 8.5 x 10cm *Artist's Resale Right may apply to this lot.

Lot 489

Pamela Guille A.R.C.A limited edition artist's proof etching 'Fish and Chips (on the Promenade)' pencil signed and titled by the artist 49 cm x 62. 5 cm (size including frame)

Lot 21

Alison Neville (b.1945), 'Luxembourg Gardens I', colour etching, signed, titled and numbered 13/75 in pencil to lower margin, 75 x 55cm

Lot 236

Johann Heinrich Ramberg (German, 1763-1840), eight book illustrations to 'L'amico dei fanciulli' by Arnaud Berquin (London: 1788-89), etching and engraving, framed, 42 x 53 cm

Lot 177

Mireille Kramer (b. 1932):A hand-signed etching, 16 x 16 cm, together with one other (2)

Lot 168

A pair of Kathleen Caddick landscape etching, each hand-signed & numbered, impressions 15 x 15 cm (2)

Lot 153

Three pictures to inc a watercolour, Italian landscape oil & Michael Peacock etching, the largest 28 x 38 cm (3)

Lot 116

Frank Martin (1921-2005): 'Annabella',etching, hand-signed, titled & numbered 32/50 in pencil, impression size 45 x 24 cm

Lot 49

A framed coloured etching, view of Notre Dame signed in pencil (printed in Paris).

Lot 433

Charles Whymper, 6 etchings - Shooting, publ. 1899; Henry Pelham, coloured etching, and 6 watercolours - Scottish scenes and etching "Wild Duck"

Lot 436

Hayward Hardy, etching, Study of an elephant, 18 x 25cm

Lot 402

Ellen Gilbert, etching, 'Barnet Fayre', signed and dated '76, 4/50, 26 x 38cm

Lot 457

James McBey (1883-1959), etching, Repairing a barge at Bermondsey, signed, 21 x 16cm

Lot 449

Eileen Soper (1905-1990), etching, Girl feeding chickens, signed in pencil, 12 x 14cm

Lot 435

Claude Rowbotham, drypoint etching, The Priory, Lewes, signed in pencil, 5.5 x 10.5cm

Lot 451

Russell Sidney Reeve (1875-1970), etching with aquatint, 'Circus Performers', signed in pencil, trial proof, 16 x 23cm and Russell Sidney Reeve (1875-1970), etching, Circus camel, giraffe and clowns, 28 x 37cm

Lot 96

1796 pattern British Army light infantry officer’s sword and scabbard by Runkel of Solingen. Wire strung grip solid with worn gilt wash hilt fittings, urn shaped pommel and D’ shaped hilt guard, partially folding half circle langet, guard with floral designs to underside and to end of quillon, folding lock not locking. Single edged blade, G.R.III crowned cypher, the reverse with Royal Arms. Blade with makers name of J. J. Runkel of Solingen to blade ricasso spine, with straight blade bluing and gilding very faded, etching also worn. Overall measures 95cm.

Lot 95

1796 pattern British Army light infantry officer’s sword and scabbard named to C.C. BAKKER. Wire strung grip solid with worn gilt wash hilt fittings, urn shaped pommel and D’ shaped hilt guard, partially folding half circle langet, folding lock not locking, guard with floral designs to underside and to end of quillon includes officer’s name etched to bottom. Single edged blade, etching visible but worn, blade straight, no visible makers marks. Leather scabbard with worn brass and gilded fittings, scabbard bottom metal mount taped on, with damage to upper leather mount. Overall measures 97cm.

Lot 8

WW2 German Navy officer’s 2nd pattern dagger, scabbard and knot by Eickhorn of Solingen. Features yellow grip with 2 splits mid-way around hilt but solid, wire wrap intact. Long cotton dagger knot is present. Interlocking button, in working condition. Double blood grooved blade, with very good double naval themed etching to both sides of the blade, maker named to ricasso. Lightning bolt engraved scabbard in good condition

Lot 165

Books to include miscellaneous John Kay etching volumes, together with Crombie's Modern Athenians, 1882, etc (a lot - a/f)

Lot 108

Front View of the Royal Palace of Holyrood House, circa 1781, Somerville Land coloured print and 'Printers Proof' copper plate etching, circa 1908, largest 34 x 46cm, (3)

Lot 109

Dutch Scene copper plate etching, and two others to include 'A Winters Landscape' and 'A Scientist by W. Hole', largest 22 x 15cm, (3)

Lot 392

After REMBRANDT VAN RIJN (1606-1669), Self Portrait in a Slant Fur Cap, print, dated 1639; together with an 18th Century etching, Busy Street Scene

Lot 306

First World War regimental pattern Sgian Dubh to the Seaforth Highlanders, the knife belonged to 2nd Lieutenant John 'Jack' Aitken M.C. , Seaforth Highlanders, who was awarded the Military Cross by George V on the 5th of April 1919 for his gallantry in saving a wounded soldier under fire on 28th August 1918, while engaged in the assault on the Drocourt-Queant Line while attached to the 2nd Battalion Seaforth Highlanders, part of 10th Brigade, 4th Infantry Division during the 2nd Battle of Arras, entry in the Edinburgh edition of the London Gazette reads, ' T/2nd Lieut. John Aitken, attd. Sea. Highrs. (2nd Bn.) , For conspicuous gallantry and devotion to duty east of Arras from 28th August to 4th September. He commanded first a platoon and later a company which had lost all its officers. After a night attack, finding his platoon enfiladed by machine gun fire, he reorganised them in a less exposed position, he then went out to bring in the wounded, fetching one officer from within fifteen yards of the machine gun. His courage and cheerfulness were a great encouragement to all ranks.', a native of Edinburgh, Jack Aitken was born in 1897 and passed away in 1959, the Sgian Dubh has a carved bog oak grip with early type Seaforth pattern St Andrews badge on star shaped etching, foiled citrine to top enclosed in thistle mount, it is housed in a pebbled leather covered wood scabbard with plain brass mounts, the blade has unfortunately suffered some rust damage and staining but is still a fine memento of a very gallant soldier

Lot 232

After Robert Walker Macbeth (1848-1910): 'The Fishmonger's Shop', etching after Frederick Walker, unsigned, 44 by 65.5cm, mounted, glazed and framed, 70 by 92cm.

Lot 123

Late 19thC or early 20thC monochrome etching of Lyme Regis - Signed & title in pencil to lower right & left - Set in gilt glazed frame

Lot 702

WILLIAM WALCOT London, signed, etching, 15 x 13cm and JAMES HAMILTON GLASS Autumn Leaves, signed, watercolour, 35 x 23cm (2) Condition Report: Available upon request

Lot 13

A signed Percy Lancaster (1878 - 1951) limited etching, The Assault, 31 x 22cms, framed

Lot 14

A signed Margaret Aulton limited edition etching, Evening on the Lot, The Chateau D' Eestaigne, 24 x 32cms, framed

Lot 843

Derek Chambers (Contemporary) - 'Aldeburgh Town Steps', etching with aquatint, signed in pencil and dated 2003, numbered 30/50, framed, 29cm x 30cm, also a lithograph by David Gentleman. (2)

Lot 656

Bernard Meadows (1915-2005) - 'Molloy', etching with aquatint, signed in pencil and dated '66, numbered 6/10, framed, 20.5cm x 57.5cm.

Lot 399

Richard Smith (1931-2016) - Green square with yellow drips, etching to a folded sheet held in place with paper clips, signed in pencil and dated '77, numbered 2/2, printer's proof, framed, plate size 44cm x 28cm.

Lot 839

Fiona Sheppard (Contemporary) - 'Bridge and Houses near the working Mens' club', etching with aquatint, signed and dated in pencil 1982, numbered 3/10, framed, 44cm x 49cm, also a screen print titled 'Wolverhampton - A reflection'. (2)

Lot 835

Norman Ackroyd (B. 1938) - 'Brunhilda's Cairn', etching with aquatint, signed, numbered 77/90, framed, 19cm x 30cm.

Lot 841

Piers Brown (Contemporary) - 'Evening: Burdale Beck, Raydale', etching, signed in pencil and dated '86, numbered 13/75, framed, 44cm x 68cm.

Lot 840

Valerie Thornton (1931-1991) - 'The Wall', lithograph, signed in pencil and numbered 52/240, bears Goldmark Gallery, Rutland label verso, framed, 40cm x 64cm, also an architectural artist's proof etching by the same hand. (2)

Lot 834

Norman Ackroyd (B. 1938) - 'Jackson's Pond', etching, signed and dated '82, numbered 42/50, framed, 24cm x 27cm.

Lot 380

Elizabeth Blackadder (B. 1931) - 'Orchid and Cat', etching and aquatint, signed in pencil, numbered 7/75, bears Goldmark Gallery, Rutland label verso, framed, 25cm x 21cm.

Lot 519

Valerie Thornton (1931-1991) - 'St Davids', etching, signed in pencil and dated '71, numbered 65/75, framed, 40cm x 53cm, also three other etchings by the same hand. (4)

Lot 400

Bernard Meadows (1915-2005) - 'Bird', lithograph, signed in pencil and dated '54, artist's proof, framed, 32cm x 27cm, also one other etching, a study of sculptural forms, by the same hand. (2)

Lot 654

Dame Paula Rego (B. 1935) - 'Sewing on the Shadow III', etching with aquatint, signed in pencil and inscribed 'A/P' (artist's proof), framed, 28cm x 19.5cm.Published by Marlborough Graphics, London 1992 from the edition of 50.

Lot 422

Dame Laura Knight (1877-1970) - The Rosinbacks, etching, signed in pencil to the margin, 26 x 12.5cm

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