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David Duggleby Auctioneers & Valuers
Lot 63

"St Catherine's College with Acanthus" limited edition coloured Etching by Walter Hoyle 73 No. 16/200

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Nigel Ward & Company
Lot 1703

A set of five cut glass Whisky Tumblers engraved ''The Rolls of Monmouth'' plus four various cut glass Brandy Glasses, all with etching.

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McTear's
Lot 280

MCINTOSH PATRICK ETCHING together with three vintage photographs

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McTear's
Lot 367

JOHNSTONE BAIRD, DOUNE CASTLE etching, signed in pencil 14.5cm x 34cm Framed and under glass Label verso: James Connell & Sons, Glasgow

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McTear's
Lot 369

JOHNSTONE BAIRD, LOCH TUMMEL etching, signed in pencil 35cm x 23cm Mounted, framed and under glass

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McTear's
Lot 372

J. BRUCE CAMERON, AVENUE IN JANUARY etching, signed 22.5cm x 24.5cm Mounted, framed and under glass Label verso: T. & R. Annan & Sons, Glasgow

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Keys Fine Art Auctioneers
Lot 21

AFTER J EVERETT MILLAIS, ENGRAVED BY A BRUNET DEBAINES, BLACK AND WHITE ETCHING (PUBLISHED BY THOMAS AGNEW & SONS 1883), River Landscape, 17 x 21

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Keys Fine Art Auctioneers
Lot 22

FRANK HARDING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING INSCRIBED Scarborough , 4 < x 11 =

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Keys Fine Art Auctioneers
Lot 34

CATHERINE MAUD NICHOLS, RE, BLACK AND WHITE ETCHING, Norwich Cathedral? 19 x 13 =

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Keys Fine Art Auctioneers
Lot 35

ARTHUR EDWIN WRENCH, SIGNED, IN PENCIL TO MARGIN, BLACK AND WHITE DRY POINT ETCHING An Ayrshire Landscape 1927 6 x 8

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Keys Fine Art Auctioneers
Lot 36

INDISTINCTLY SIGNED AND DATED 73 IN PENCIL TO MARGIN, LIMITED EDITION (2/3) COLOURED AQUATINT AND ETCHING, INSCRIBED Nocturne, 14 x 12 , oval

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Keys Fine Art Auctioneers
Lot 38

CHARLES BARTLETT, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (3/60), COLOURED AQUATINT AND ETCHING, INSCRIBED Reflection , 14 x 18

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Keys Fine Art Auctioneers
Lot 48

JOHN KIKI, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (1/1), ETCHING, Circus Scene, 10 x 8

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Keys Fine Art Auctioneers
Lot 56

HAROLD THORNTON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, INSCRIBED Near Walberswick , 7 x 8

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Keys Fine Art Auctioneers
Lot 57

CATHERINE MAUD NICHOLS, BLACK AND WHITE ETCHING, Distant View of Norwich (inscribed To Stanley Howes Esq ), 6 x 9

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Keys Fine Art Auctioneers
Lot 58

GRAHAM DUDLEY PAGE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (2/25), BLACK AND WHITE ETCHING, INSCRIBED St German s Bridge , 4 x 6 = TOGETHER WITH GRAHAM DUDLEY PAGE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, INSCRIBED The Greenland Fishery, Kings Lynn , 7 = x 5 (2)

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Keys Fine Art Auctioneers
Lot 63

K VERNON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, INSCRIBED The Ancient House, Ipswich 10 x 4

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Keys Fine Art Auctioneers
Lot 66

HENRY J STARLING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ECHING, INSCRIBED Ber Street, Norwich 1938 , 5 = x 6 = TOGETHER WITH ONE FURTHER ETCHING BY THE SAME ARTIST (2)

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Keys Fine Art Auctioneers
Lot 69

R CRESSWELL BOAK, ARCA, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING INSCRIBED The Mowene Mountains from Syrella , 5 x 10

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Keys Fine Art Auctioneers
Lot 74

ELSIE V COLE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING INSCRIBED St Peter Mancroft from the Yard of The White Harte Hostel , 12 x 8 TOGETHER WITH ONE FURTHER ETCHING OF TOMBLAND ALLEY BY THE SAME ARTIST (2)

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Keys Fine Art Auctioneers
Lot 75

REGINALD GREEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING INSCRIBED Lichfield , 7 x 4 = TOGETHER WITH 15 ASSORTED BLACK AND WHITE ETCHINGS BY VARYING ARTISTS, ASSORTED SIZES, (16)

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Keys Fine Art Auctioneers
Lot 9

AFTER J S COTMAN, BLACK AND WHITE ETCHING (PUBLISHED 1813) The South Porch of Arminghall Hall, 10 = x 8 =

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Keys Fine Art Auctioneers
Lot 95

EDMUND BLAMPIED, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (87/100), BLACK AND WHITE ETCHING, Wheelbarrow Race 8 = x 12

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Greenslade Taylor Hunt
Lot 711

CONTINENTAL SCHOOL (EARLY 20TH CENTURY) Portrait of a Terrier, hand-coloured etching, indistinctly signed in pencil lower right, 28cm x 23cm.

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Mallams Ltd. - Oxford
Lot 269

WILLIAM STRANG (1859-1921) Rudyard Kipling, etching, pencil signed in the margin, 35 x 25cm

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Mallams Ltd. - Oxford
Lot 272

A * P * THOMSON A cathedral doorway, etching, signed in pencil to the margin, 43 x 31cm; together with Herbert Hillier - etching titled 'Bishop's Palace, Amiens' (2)

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Mallams Ltd. - Oxford
Lot 276

A COLLECTION OF FIVE FRAMED PRINTS to include Christchurch College, Magdalen Hall, an etching by Leslie Greenwood - Little Marlow and two legal prints (5)

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Mallams Ltd. - Oxford
Lot 296

ARTHUR RALPH MIDDLETON TODD (1891-1966) Ponte Vecchio, etching, pencil signed in the margin, 16 x 15cm

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Mallams Ltd. - Oxford
Lot 297

ARTHUR RALPH MIDDLETON TODD (1891-1966) Portrait of a bespectacled accordion player, etching, pencil signed in the margin, 15 x 13cm; and a portrait etching of Ralph Todd by the same hand (2)

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Mallams Ltd. - Oxford
Lot 323

M. OLIVER RAE 'Trinity Great Court, Cambridge', etching, pencil signed in the margin and titled, 17.5 x 27cm

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1818 Auctioneers
Lot 360

A 19th century Etching, Florence Bell, Barnard Castle Butter Cross and top pof the bank, showing the old market when it was enclosed with St Mary's parish Church clearly visible

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Dreweatts & Bloomsbury (Dreweatts)
Lot 2

After Rembrandt Van Rijn (Dutch, 1606-1699) 'The raising of Lazarus: The larger Plate' Etching with drypoint Signed (RHL van Ryn.f). In the plate, on the rock behind Christ at the centre With certificate of Authenticity 38cm x 28cm

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Dreweatts & Bloomsbury (Dreweatts)
Lot 39

* Pär Gunnar Thelander (Swedish, 20th Century) Rat with apple core Limited edition etching, no 29/50 Signed in pencil to margin 16cm x 14cm Marion King (20th Century) 'Land Rhythms' Etching and aquatint, Jan-20 Signed in pencil lower right 14cm x 13.5cm; George ..... 'Clavering Fields' Etching Signed indistinctly in pencil lower right 17cm x 24cm -3

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Bamfords Auctioneers & Valuers
Lot 101

Percy Morton Teasdale (19th Century) Musical Interlude pencil drawing, framed; Joseph Simpson (Twentieth Century), Old Woman, framed etching, signed in pencil (2)

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Bamfords Auctioneers & Valuers
Lot 339

Cruikshank, after, Woodward, by, A Sketch at Burrows-Ash, Derbyshire, monochrome etching, plate 88, 18cm x 22cm; another, Subterraneous Guides, plate 92, 24cm x 17cm (2)

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Bamfords Auctioneers & Valuers
Lot 341

J. Lewis Stant, by and after, Leicester Square Penshurst, titled and signed in pencil, coloured etching, 29cm x 41.5cm; another, by and after, Near Avon, titled and signed in pencil, coloured etching, 29cm x 41.5cm (2)

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Bamfords Auctioneers & Valuers
Lot 363

B. Blake, by and after, a pair, Haworth Moore and Brontë Bridge, signed in pencil, numbered in pencil 8/15, proof etchings, 14cm x 17.5cm; another, by and after, Crail Harbour I, signed in pencil, numbered in pencil 9/20, proof etching, 17.5cm x 32cm (3)

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Stroud Auctions Ltd.
Lot 362

Alma-Tadema etching and a letter addressed to Mrs. Holland; photograph by Anna Alma-Tadema, mounted, inscribed and dated 1885; Helen Allingham proof engraving and mounted photograph

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Stroud Auctions Ltd.
Lot 366

Sir John Gilbert signed autograph letter and early mounted photographic portrait and etching by Leopold Flameng of Gilberts "A Convocation"

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Stroud Auctions Ltd.
Lot 369

Anne Anderson signed etching of a thatched cottage together with a watercolour attributed to Anderson, 34 x 24cm

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Stroud Auctions Ltd.
Lot 448

William Bell Scott etching of a cavalier, watercolour "Loch-Ard, West Highlands" (19cm x 31cm), proofs from the Dalziels Bible Gallery (1881) Poynter, Walker etc together with The Brothers Dalziel 1st edition 1901 with Gilbert Dalziel signature.

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Golding Young & Mawer
Lot 546

After Fred A. Farrell. A Flemish town scene with figures, dry point etching, with label verso for James Connell & Sons, Old Bond Street London, 49cm x 27cm.

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Anderson & Garland Ltd. Newcastle
Lot 139

A colour lithograph - Portrait of a man wearing a tweed cap, after Raeburn Dobson; an etching - "Bideford, 1925", signed proof by F.E. Whiting; and two other prints. (4)

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Anderson & Garland Ltd. Newcastle
Lot 159

A colour etching - "Newcastle Black Gate and Castle Keep", by A.Y. Wishaw, signed proof; together with a similar colour etching - "The Side", also by A.Y. Wishaw. (2)

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Peter Francis
Lot 439

After Richard D Winter, 'Rydal Water' uncoloured etching signed in pencil, together with a pair of humorous furnishing prints depicting monks, in oak frames. (3)

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Boningtons Auctioneers and Valuers
Lot 215

John Brunsdon (1933-2014): an etching and aquatint depicting a coastal view, hand-signed and numbered 80/100

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McTear's
Lot 845

* PERCY LANCASTER (BRITISH 1878 - 1951), A BRETON GIRL drypoint etching, numbered 28.40 and signed in pencil 27cm x 18.5cm Mounted, framed and under glass

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Browns Auctioneers & Valuers
Lot 163

Theodore Roussel London City Park Life Etching, framed 23 x 20cm

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Browns Auctioneers & Valuers
Lot 165

Auguste Lepere L'Eglise framed etching 18 x 18cm

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Browns Auctioneers & Valuers
Lot 166

Fred Burridge A Thunder Cloud Signed etching, together with a Peter Grahame signed etching and another (3)

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Shapes Auctioneers & Valuers
Lot 435

RS King 'Bamburgh Castle' Etching, signed in pencil, including an etching by Louis Whirter (Scottish 1873-1932) of 'Jedburgh Abbey', signed in pencil and a print of St Andrews (3)

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Shapes Auctioneers & Valuers
Lot 441

Henry Wilkinson (1921-2011) 'Labrador Putting up a Woodcock' Coloured copper plate etching, signed 111/150, 28 x 36cm

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Shapes Auctioneers & Valuers
Lot 442

Henry Wilkinson (1921-2011) 'Pair of Cocker Spaniels' Coloured copper plate etching, signed 27 x 32cm CONDITION REPORT: Lot 442 - Overall good condition, some minor discolouration to paper.

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McTear's
Lot 148

A P THOMSON, FRENCH STREET SCENE etching on paper, signed in pencil lower right image 22.5cm high x 28cm wide Mounted, framed and uner glass

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McTear's
Lot 166

JAMES HAMILTON MACKENZIE (SCOTTISH 1875-1926), PONTE NOMENTANO etching, signed and titled in pencil 26.5cm x 31cm Mounted, framed and under glass Condition: Overall very good condition. No foxing on the print but some minor foxing present on the mount.

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Cheffins
Lot 245

Herbert Thomas Dicksee R.E. (1862-1942) The Old Garden etching on vellum published by Frost and Reed 1921, signed below 50 x 69cm (20 x 27in)

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Cheffins
Lot 249

After Thomas Rowlandson (1756-1827) Vauxhall etching with aquatint, by R. Pollard and F. Jukes, hand coloured, originally published 1785 laid on to card and trimmed 49½ x 74cm (19 x 29in)

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Cheffins
Lot 250

W.Fathorne after Kersaboom Thomas Shadwell Esq. [of Caius College] mezzotint (trimmed), 34.5 x 24cm (13.75 x 9.5in); with W.Robins portrait of Johannes Caius AD MDLVII mezzotint (stained) 29 x 21cm (11.5 x 8.25in); with J S Cotman Walsingham Abbey, etching 1812, 30 x 22cm (12 x 8.5in); and W.Dighton A View from Trinity College Cambridge, coloured etching 1810, 30 x 21cm (12 x 8.25in) (4)

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Cheffins
Lot 252

Andrew Ingamells (Contemporary) Jesus College Cambridge signed and numbered 25/150 below in pencil etching published by Martin Village 2003 58 x 84cm (23 x 33in)

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Cheffins
Lot 253

After Piranesi Veduta dell'Anfiteatro Flavio, detto il Coloseo, [from Antichita Romane] etching on wove, blindstamp to corner, foxing 44 x 71cm (17 x 28in)

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