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David Lay F.R.I.C.S.
Lot 239

PATRICK PROCTOR Doris Faulds (nee Proctor), seated. Etching. Signed and numbered 2 from an edition of 20. 21 x 14ins., unframed.

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David Lay F.R.I.C.S.
Lot 246

ERIC WARD Suzy, a seated nude. Etching. Signed, inscribed and numbered 6, from an edition of 25. 10 x 7ins.

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David Lay F.R.I.C.S.
Lot 251

BOUVERIE HOYTON Old Moffat. Etching. Signed. 11 x 9ins., unframed.

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David Lay F.R.I.C.S.
Lot 271

ALAN MOORE Fort Garrison Point at Sheerness. Etching. 7 x 16ins.

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David Lay F.R.I.C.S.
Lot 275

SIDNEY TUSHINGHAM Toy boats. Etching. Signed. 7 1/2 x 12ins.

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David Lay F.R.I.C.S.
Lot 302

Beach scene. Watercolour. Indistinctly signed and dated 1947. Together with an etching.

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David Lay F.R.I.C.S.
Lot 341

CLAUDE ROWBOTHAM Etching aquatint. Morning, Rising Mist, Lelant. Signed and inscribed. Together with an abstract drawing, indistinctly signed.

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David Lay F.R.I.C.S.
Lot 350

WILFRID RENE WOOD Woodcut print. Signed. Together with an etching by Misome Peile, a flower study by Agnes Drey, an etching by Fred Milner and other works.

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Moore Allen & Innocent
Lot 427

PHILIP BAHR "Tamania River sunset, Fiji", watercolour, signed, titled and dated 1916 and PAUL MANSARD "Bataille de la Sommiem Bois de Thiepral", black and white etching, signed and titled in pencil

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Moore Allen & Innocent
Lot 479

AFTER CLARA BRUCE "Study of a Tiger", black and white etching dated `79, and an assortment of other coloured framed prints, etc.

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Moore Allen & Innocent
Lot 484

An assortment of framed prints to include AFTER W. DENDY SADLER "Gentleman at Dinner in 18th century dress", black and white etching, signed in pencil bearing studio stamp, maps, botanical studies, etc., and a brown Antler briefcase

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Moore Allen & Innocent
Lot 500

AUDREY SCOVELLY "Night flowers", black and white etching, signed and titled in pencil 5/50

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Moore Allen & Innocent
Lot 501

GEOFFREY GRAY "Glen Garry", sepia etching, artist`s proof No. XVI, signed in pencil

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Moore Allen & Innocent
Lot 505

AFTER STUART BROWN "Aeroplane over Ely", study of three bi-planes over the Isle of Ely with cathedral prominent centre, black and white etching, signed and dated on etching 1925, also signed in ink on mount

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Moore Allen & Innocent
Lot 506

CIRCA 1920 ENGLISH SCHOOL "Russian Girl", portrait study, black and white etching, No : D 51/75, indistinctly signed in pencil "Coreph Swifon?"

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Moore Allen & Innocent
Lot 511

JOHNSTONE BAIRD "Study of the Thames with bridge looking towards St. Paul`s", coloured etching, signed in pencil

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Gilding's Auctioneers
Lot 627

After Edward Cherry, thatch cottage, etching, pencil signed and one similar.

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Horners Valuers & Auctioneers
Lot 226

THREE NINETEENTH CENTURY GLASSES WITH GRECIAN KEY ETCHING (ONE CHIPPED)

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Fieldings Auctioneers Ltd.
Lot 647

FRANK MARTIN (1921-2005). Coloured etching "Vilma Banky" head and shoulder study, signed in pencil ", 58 cm x 46 cm, framed. ILLUSTRATED.

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Fieldings Auctioneers Ltd.
Lot 648

FRANK MARTIN (1921-2005). Coloured etching "Ann Pennington" seated with legs raised, signed in pencil and numbered 38 of 40, ", 36 cm x 52 cm, framed. ILLUSTRATED.

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Fieldings Auctioneers Ltd.
Lot 649

FRANK MARTIN (1921-2005). Monochrome etching "Monument" depicting 20th Century Fox logo, 33 cm x 47 cm, framed. ILLUSTRATED.

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Fieldings Auctioneers Ltd.
Lot 650

FRANK MARTIN (1921-2005). Coloured etching "Trial Proof A" for work titled "Norma Talmadge", head and shoulder portrait of a young lady wearing a feather boa, 50 cm x 35 cm, framed. ILLUSTRATED.

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Fieldings Auctioneers Ltd.
Lot 652

SUSAN E JAMESON (bn 1944). Coloured mezzotint, "Dusk", titled, signed and dated `78, numbered 74/90, 25cm x 30cm, framed; GLYNN THOMAS (bn 1946, coloured etching, "Yellow Iris", titled, signed and numbered 67/200, 38cm x 25cm, framed. (2).

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Nigel Ward & Company
Lot 1182

A small wooden wall shelf with cherub carving, an etching of Chester and a leather cigarette case

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ELR Auctions Limited
Lot 342

BY & AFTER ELYSE LORD [1900-1971] Fan Dancer, coloured etching, signed in pencil to the margin, no 16/50, image size 23 x 14 cms.

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ELR Auctions Limited
Lot 343

BY & AFTER ELYSE LORD [1900-1971] Japanese couple in a garden, coloured etching, signed in pencil to the margin, no 75/75, image size 20 x 26 cms.

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ELR Auctions Limited
Lot 349

LEONARD ROBERT BRIGHTWELL [1889-1983] "The Gentlemen of the Jury", etching, signed and titled in graphite to the margin, 23.5 cms x 40.5 cms within the mount.

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Tennants Auctioneers
Lot 650

Rembrandt Harmenszoon van Rijn (17th century) Self Portrait of the Artist Leaning on a Stone Sill Signed within the plate and dated 1639, 1st impression 2nd state, black and white etching, partially laid down, 20.5cm by 16cm (pl) Bought circa 1875 by the vendor`s family

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Tennants Auctioneers
Lot 652

Tom McGuinness (1926-2006) "The Miner`s Train" Signed artist`s proof, limited edition print, 24/50, inscribed and dated (19)85, black and white etching, 15cm by 10.5cm (pl)

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Tennants Auctioneers
Lot 653

Tom McGuinness (1926-2006) "Women Pickets" Signed artist`s proof, limited edition print, 29/50, inscribed and dated (19)86, black and white etching, 18cm by 8cm (pl)

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Tennants Auctioneers
Lot 654

Tom McGuinness (1926-2006) "The Decline" Signed artist`s proof, limited edition print, 7/50, inscribed and dated 1986, black and white etching, 13.5cm by 10cm (pl) The etching was produced in conjunction with the Miner`s Strike of the period

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Tennants Auctioneers
Lot 657

Tom Wood (b.1955) "Gulbenkian Etching" Signed within the plate, inscribed on an exhibition label verso and numbered 12018, black and white etching with slight colour wash, 63cm by 46cm

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Mellors & Kirk
Lot 521

WALCOT (W) ARCHITECTURAL WATER-COLOURS & ETCHINGS OF W WALCOT no 155 of 275, half title, colour and black and white illustrations and with signed etching by Walcot, brown cloth gilt, London: H C Dickins, 1919

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Mellors & Kirk
Lot 540

EDWARD JULIUS DETMOLD, ARE (1883-1957) BANDITS IN THE DESERT etching, signed and dated in the plate 27, signed by the artist in pencil and inscribed Final Proof E.J.D. Imp, 21.5 x 41cm++In good condition with wide margins, slipped slightly in the card window mount; in modern frame

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Chorley's Auctioneers & Valuers
Lot 63

James Abbot McNeill Whistler Boats, Dordrecht signed with butterfly monogram etching, 6.5cm x 9.75cm (2.75" x 3.75") label verso: Folio Fine Art Ltd

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Chorley's Auctioneers & Valuers
Lot 67

Ettienne Drian (French 1885-1961) Study of a Young Woman Signed drypoint etching, 49cm x 39cm (19.25" x 15.25")

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Chorley's Auctioneers & Valuers
Lot 73

Henry Rushbury Lowestoft Harbour Signed dry point etching, 22cm x 32cm (8.75" x 12.5")

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Chorley's Auctioneers & Valuers
Lot 74

Richard Pearsall The Gathering Storm, Toledo signed and inscribed drypoint etching, 20.5cm x 30cm (8" x 11.75")

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Chorley's Auctioneers & Valuers
Lot 75

E C R Ancient Wall with Pyramid signed dry point etching, 23cm x 31cm (9" x 12")

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Chorley's Auctioneers & Valuers
Lot 78

John Crome Study of a Tree soft ground etching, 17.5cm x 37.5cm (6.75" x 5.5")

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Chorley's Auctioneers & Valuers
Lot 86

Edward Edwards Two Men Surveying a Wreck watercolour over line etching, 21cm x 27cm (8.25" x 10.25")

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Chorley's Auctioneers & Valuers
Lot 94

Joseph Knight Corn Stooks in a Landscape Etching inscribed `P J Winser Esq from Joseph Knight Xmas 1893`, 12.5cm x 19.5cm (5" x 7.75") and three further etchings by the same and another etching

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Bloomsbury Auctions (London)
Lot 576

Giovanni Battista Piranesi. Veduta del Sito from Vedute di Roma, etching, 380 x 585mm., slight spotting, faint central vertical fold, [H.41 V; F.801; W-E.159], 1st Paris edition, c.1800.

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Bloomsbury Auctions (London)
Lot 578

Giovanni B. Piranesi. Basilica di S.Pietro from Vedute di Roma, etching, 400 x 605mm., slight surface dust, binding marks in far left border, faint spotting, [H.5 V; F.789; W-E.153], 1st Paris edition, c.1800.

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Bloomsbury Auctions (London)
Lot 579

Giovanni Battista Piranesi. Candelabro antico for Vasi, Candelabri, Cippi..., etching, 700 x 355mm., repair to lower left and right corners,spotting on upper border, slight browning, [F.709; W-E.996], c.1768-1778.

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Bloomsbury Auctions (London)
Lot 584

Giovanni Battista Piranesi. antichi di marmo for Vasi, Candelabri, Cippi..., etching, 530 x 380mm., minor rust stains in border, repaired tear to lower left corner [F.651; W-E.938], c.1768-1778; with Altra Veduta dello stesso Tripode antico di Marmo, etching, 670 x 430mm., some spotting, slight browning, [F.661; W-E.948], c.1768-1778(2)

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Bloomsbury Auctions (London)
Lot 585

Giovanni Battista Piranesi. S. Croce from Vedute di Roma, etching, 400 x 620mm., slight surface dust, binding marks in far left border, faint spotting, [H.11 IV; F.729; W-E.173], 1st Paris edition, c.1800.

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Bloomsbury Auctions (London)
Lot 586

G.B. Piranesi. Veduta del Tempio di Giove Tonante the Temple of Vespasian from Vedute di Roma, etching with engraving, 400 x 600mm., 2nd state with address and price, [H.44 II; F.819; W-E.182], Rome edition, c.1756.

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Bloomsbury Auctions (London)
Lot 587

G.B Piranesi. Interior of S. Giovanni Laterano from Vedute di Roma, etching with engraving, 435 x 690mm., [H.88 I or II; F.726; W-E.221], Rome edition, c.1768.

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Bloomsbury Auctions (London)
Lot 657

Gilpin (S.) Highflyer, Property of Mr Tattersall portrait of the unbeaten stallion, etching by Gilpin, with aquatint engraving by Francis Jukes, 410 x 515mm., with good margins, minor handling creases, slight surface dust, G. Garrard, 1792.

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Bloomsbury Auctions (London)
Lot 688

Charles Meryon. La Morgue etching with drypoint on chine appliqué, 235 x 205mm., signed with monogram in the plate, upper left, numbered 11, upper right, titled and dated 1850 on support sheet, spotting, mostly marginal, framed and glazed, [D.36; S.42], Paris, Delâtre, 1850.

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Bloomsbury Auctions (London)
Lot 689

Charles Meryon. Le Petit Pont etching with drypoint on laid paper, after letters erased, 260 x 190mm., signed with monogram in the plate, upper right, with the collector`s inkstamp of Sir William Drake [Lugt 2743] in lower right corner of margin, framed and glazed, [D.24; S.20], c.1850.

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Bloomsbury Auctions (London)
Lot 690

Charles Meryon. Le Pont-au-Change, vers 1784 after Nicolle, etching with drypoint on laid paper, 135 x 235mm., marginal browning, [D.47; S.52], Delâtre, 1855.

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Bloomsbury Auctions (London)
Lot 691

Meryon (Charles) Saint Etienne du Mont etching with drypoint on laid, 250 x 130mm., signed with monogram in the plate, upper right, mounted at corners onto support, [D.30; S.25], 1852.

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Bloomsbury Auctions (London)
Lot 692

Sir David Young Cameron. Perth Bridge etching with drypoint, 180 x 260mm., signed in the plate, mounted at edges with some marginal browning, [Rinder 28] , 1889; with an etching of Carlisle Cathedral by Webb, and 2 continental canal scenes by another hand

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Bloomsbury Auctions (London)
Lot 695

Henry Rushbury. A View on the Seine etching with drypoint, 300 x 425mm., signed in pencil below, framed and glazed, 1926; with a London church, possibly St James`s, Clerkenwell, etching with drypoint, 235 x 135mm., signed in pencil below, framed and glazed,c.1925(2)

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Bloomsbury Auctions (London)
Lot 222

Hofstätter.Gustav Klimt: Erotic Drawings [2 copies], each one of 1000 copies, 1980 § Hayes (John) The Art of Graham Sutherland, one of 40 copies with an original signed & numbered etching `Three Standing Forms` (rather creased, preserved in frame c.700 x 500mm.), Oxford, 1980 § Tolnay (Charles de) Hieronymus Bosch, second impression, 1975, illustrations, some colour, original cloth, the last with dust-jacket, the rest with slip-cases, all with the publishers` original wrapping, folio & 4to & frame(5)

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Bloomsbury Auctions (London)
Lot 267

Garden of the Night,1/35,Whitt.Pr translated by Iftikhar Azmi, number XIV of 35 specially-bound copies signed by the translator and artist and with an additional etching, from an edition limited to 240, illustrations by Richard Kennedy, etching numbered and signed in pencil and loosely inserted (slightly yellowed at edges), original pictorial blue morocco, gilt, by Paul Collet and David Sellars, spine faded, 1979 § Scott (Paul) After the Funeral, number XIV of 25 specially-bound copies signed by the artist, from an edition limited to 200,plates by Sally Scott, original tan morocco, upper cover with pictorial panel in blind, 1979, both with prospectuses loosely inserted, t.e.g., others uncut, slip-cases, 4to, Andoversford, Whittington Press(2)

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Dreweatts Donnington Priory Salerooms
Lot 51

Arthur Briscoe (1873-1943) Stowing the Mainsail. Etching. Signed lower right. Inscribed H.W:D lower left. 31cm x 23.5cm

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Dreweatts Donnington Priory Salerooms
Lot 52

Sir Frank Brangwyn (1867-1956) A Mosque Constantinople. Etching. Signed in pencil lower right. p. 55cm x 72.5cm

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