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Francis Dodd (British, 1874-1949), Portrait of Charles Ernest Cundall R.A., drypoint etching, signed in pencil, unmounted and unframed; together with Arthur William Heintzelman (American, 1891-1965), Le Chanteur Populaire, drypoint etching, signed in pencil, mounted and unframed. Plates 45cm by 30cm and 28cm by 20.5cm (2)
John ("HB") Doyle (1797-1868), a set of five caricatures: The Rivals, The Irish Tutor, A Classical Subject!, The Royal Cosset and A Cabinet Picture, each published by Thomas McLean, 1830, 1836 and 1838, with McLean impressed stamp, unframed (each water stained, stuck to original blue tissue paper from a folio); together with Alfred Crowquill (Alfred Henry Forrester) (1804-1872), a pair of engravings, "The Great Gun" (Duke of Wellington) and "One of a Celebrated Peel" (Sir Robert Peel), published by Sidebetham, unframed, each water stained: and an etching after Erskine Nicol, The Trio, unframed. (8) HB prints each 18cm by 35cm
JULIAN TREVELYAN (1910-1988) etching and aquatint - Santa Maria Novella, 1965-66 (Turner 182) from The Florence Suite, signed, titled and numbered 36/100 in pencil to the margin, partial paper Gallery label verso, 35.2cm x 47.3cm Provenance: With Howard Roberts Gallery, by descent Vale of Glamorgan. Condition Report: paper rippled.
Johann Alexander Thiele (1685 Erfurt - 1752 Dresden)"Prospect der Chur-Sächsischen Berg-Vestung Königstein (...)". OriginaltitelRadierung/Bütten. In der Platte sign. u. dat. 1726, französisch u. deutsch betitelt sowie mit Privilegienangabe u. "N. 5" versehen. Blatt aus der 6-tlg. Serie großer sächsischer Veduten aus dem Jahr 1726. Gebräunt, auf Hinterlegkarton kaschiert. Plattenmaß ca. 36 cm x 54,5 cm. Rahmen.Provenienz: Aus dem Nachlass der berühmten Opernsängerin Helene Jung (1887 Weimar - 1975 Gosheim/Württemberg). Etching on paper, 1726. Signed, titled and dated on the plate. From the estate of a German opera singer. Toning, laid down on a backing board.
Johann Alexander Thiele (1685 Erfurt - 1752 Dresden)"Prospect von dem Chur-Sächsischen Schlosse zu Meissen (...), wie sich solches gegen Abend presentiret". OriginaltitelRadierung/Bütten. In der Platte sign. u. dat. 1726, französisch u. deutsch betitelt sowie mit Privilegienangabe u. "No. 5" versehen. Blatt aus der 6-tlg. Serie großer sächsischer Veduten aus dem Jahr 1726. Rest., auf Hinterlegkarton kaschiert. Darstellung ca. 32 cm x 54 cm. Rahmen.Provenienz: Aus dem Nachlass der berühmten Opernsängerin Helene Jung (1887 Weimar - 1975 Gosheim/Württemberg). Etching on paper, 1726. Signed, titled and dated on the plate. From the estate of a German opera singer. Restored, laid down on a backing board.
Bernardo Bellotto gen. Canaletto (1721 oder 1722 Venedig - 1780 Warschau)"Vue de la Place de la ville-neuve de Dresden (...)" (Der Neustädter Markt zu Dresden). OriginaltitelRadierung/Bütten, 1750. Unterhalb in der Platte betitelt, sign. u. dat.; Prachtvoller Abzug der gesuchten Vedute mit ca. 2-3 cm Blattrand um die Plattenkante. Äußerst selten, da die Platte bereits 1760 zerstört wurde. Darstellung ca. 53,5 cm x 84,5 cm; Blatt ca. 58,5 cm x 88,5 cm. Rahmen.Provenienz: Aus dem Nachlass der berühmten Opernsängerin Helene Jung (1887 Weimar - 1975 Gosheim/Württemberg), die 1920-1941 an der Staatsoper in Dresden engagiert war. Etching on handmade paper, 1750. Signed, titled and dated on the plate. From the estate of a German opera singer.
Johann Conrad Mayr (1750 Nürnberg - 1839. War ansässig in Lindau und St. Petersburg)"Lindau". OriginaltitelAltkolorierte Radierung/Papier, um 1775-1880. In der Platte sign.; Blick von einem Weingut auf den Bodensee mit der Stadt. Seltenes Blatt des Lindauer Malers, Zeichners und Grafikers, der durch Ansichten von St. Gallen und vom Bodensee sowie von Moskau und St. Petersburg bekannt wurde. Eine Sammlung von 13 Blättern Mayrs befindet sich im Britischen Museum in London. Darstellung ca. 23,8 cm x 40 cm. Rahmen.An old hand-coloured etching with a view of Lindau and Lake Constance published circa 1775-1780. Signed in the plate.
Carl August Richter (1770 Wachau/Sachsen - 1848 Dresden)"Vue de Dresde du côte de la ville neuve prise du corps de garde, Blockhaus.". (Ansicht von Dresden von Neustädter Ufer und der Wache, Blockhaus, aus). OriginaltitelAltkolorierte Umrissradierung/Bütten, um 1810-1830. Unterhalb in der Platte betitelt, sign. u. bez. mit Verlagangabe. Gebräunt. Darstellung ca. 44 cm x 59,5 cm. Biedermeier-Rahmen.Provenienz: Aus dem Nachlass der berühmten Opernsängerin Helene Jung (1887 Weimar - 1975 Gosheim/Württemberg), die 1920-1941 an der Staatsoper in Dresden engagiert war. Hand-coloured etching on handmade paper, circa 1810-1830. Signed, titled and inscribed in the plate. Light toning. From the estate of a German opera singer.
Carl Loedel (Lödel) (1825 Göttingen - 1868 Colditz)"Auszug der Studenten aus Göttingen am 17ten März 1848 Mittags 12 Uhr". OriginaltitelRadierung und Aquatina/Papier. In der Platte sign. u. betitelt. Historisch bedeutendes, seltenes Zeitdokument der Revolution von 1848 mit vielfiguriger, szenischer Darstellung des demonstrativen Auszuges der Göttinger Studenten am Weender Tor in Richtung Northeim, von Professoren und der Bürgerschaft mit Ehrerbietung verabschiedet. Stockfleckig. Blatt ca. 33 cm x 40 cm. Rahmen.Rare etching and aquatint on paper depicting a scene during the March Revolution in Göttingen on the 17th of March 1848. Foxing.
B. Sharland - 'Windsor', etching, 12cm x 23.5cm, together with another landscape etching, 15cm x 22cm, both framed and glazed Condition: Signs of discolouration to margins, minor losses to frames. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Florence Page (British 20th Century) - Etching - 'Peter Pan', signed lower right, embossed mark for Fine Arts Trade Guild, 22cm x 15.5cm, framed and glazed Condition: Image is clean although frame has losses and scratches etc. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
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71174 item(s)/page