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Click here to subscribeAFTER THOMAS ROWLANDSON "A Monkey Merchant" coloured etching 30 cm x 24 cm together with two further coloured etchings "Stern's Journey - the dead-ass" and "La fleur in the Count's Kitchen", AFTER HERMAN MOLL "Westmorland" a coloured engraved map 23 cm x 34 cm together with various other paintings and prints
EILEEN A. SOPER (1905-1990), "Skipping", etching, signed in pencil, plate size 4" x 6 3/4", another "Bedtime", 4" x 5 3/4", and a third "Feeding Chickens", 4 1/2" x 5 1/4", ebonised frames (3) (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Good condition, no tears, staining or foxing
AUGUSTUS EDWIN JOHN (1878-1961), "Gwendolen", etching and drypoint, signed in pencil, Martin Speed Ltd., London label to reverse inscribed "Gordon Cooke New York Print Fair", plate size 5 1/2" x 3 3/4", stained frame (with original sale invoice 1993) (Illustrated) (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Faint fox spot below signature, otherwise good
PIERS BROWNE (b.1942), "Strange Fits of Passion ...", coloured etching, artist proof, signed and inscribed in pencil and dated (19)90, plate size 7" x 5 1/2", gilt frame, together with a pencil sketch "Nappa, Near Wensleydale", framed, and a set of three preparatory etchings with instructions for both the above, framed as one (3) (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Very good
Shaw, Bernard and Ricketts, C (ills)"St Joan, a Chronicle Play in Six Scenes and an Epilogue", Constable & Co 1924, limited edition of 750 copies, colour plates tipped in, with lettered paper guards, folio, patterned boards with pastedown title to front board, quarter buckram with pastedown title to backstrip, glassine cover, t.e.g.Porter, Andrew (trans) and Fraser, Eric (ills)"Richard Wagner, the Ring", Dawson 1976, no.149/200 specially bound copies accompanied by a separate suite of the illustrations printed by T A Saunders mold-made paper by Will Carter at the Rampant Lions Press, Cambridge, cloth, pastedown title to front board, with series of illustrations within a separate folder, the whole in a fitted slip case The Golden Hours Press - "The Amorous Poem Entitled Hero & Leander, begun by Christopher Marlowe and finished by George Chapman ...", newly imprinted with engravings by Lettice Sandford for the Golden Hours Press 1933, faint offsetting from the plates, green cloth with gilt titles to front board, t.e.g., gilt titles to backstrip, corners a little bumpedCoppard, A E "Ring the Bells of Heaven", The White Owl Press, no.85/150 copies signed by the author, frontis, pink boards with quarter cream buckram backstrip, gilt titles Salaman, Malcolm C (ed)"The Way of the World by William Congreave", unexpergated edition including an original signed etching by A R Middleton-Todd, A.R.E (the frontis), The Haymarket Press 1928, many pages uncut, blue cloth, damp damage to the lower boards and lower right corner and left corner bumped, dj not price clipped (5)
James McBey, etching, river scene with figures to the foreground, signed and numbered XIX, 5.25ins x 9.25ins, ebonised frame, together with a facsimile etching after William WalcotPicture is behind glass. No margin on mount, no foxing or staining but is undulating under glass, so not stuck down. But may be cut down, unable to tell for sure.
GOYA Y LUCIENTES, Francisco de.- Los proverbios: coleccion de diez y ocho laminas inventadas y grabadas al agua fuerte / por Don Francisco Goya.- Madrid: Publicala la Rl. [Real] Academia Nobles Artes de San Fernando, 1864.- 1 f. litografada: 18 gravuras; 31x43 cm.- E., Complete set of one of the reissues of this series, published on an unidentified date, from the original copper plate matrices, no complete set stamped in the artist's lifetime (1746-1828) is known. Album originally published in 1864 by the Real Academia de Nobles Artes de San Fernando, shortly after acquiring the respective plaques, containing the 18 proofs of the hitherto known engravings, numbered from 1 to 18, in an unjustified print run of 300 copies. This one features the same lithographed title page as the 1864 edition, but without a watermark and includes apparently non-contemporary cellophane separators. The matrices, engraved in etching and aquatint, sometimes with drypoint retouching, do not show any date. Copy with occasional light stains or foxing. Non-contemporary binding, full sheepskin, very dehydrated, with damask silk endpapers and elaborate gold-decorated doublure, signed “Enc. da Biblioteca Nacional 1928” (on the back cover) and “Dourador A. Pinheiro” (on the back cover). Palau, 106 558. Augusto L. Mayer (Francisco de Goya), p. 120-123 and 276-281 (V, nos. 1 to 22). Tomás Harris (Goya: engravings and lithographs), p. 193-198 and fig. 248 to 269.
Rembrandt van Rijn (Dutch, 1606-1669)Menasseh Ben Israel, 1636Etching on laid paper with partial watermark5-7/8 x 4-1/8 inches (14.9 x 10.5 cm) (plate)6-1/4 x 4-5/8 inches (sheet)Signed and dated in the plate, center right: Rembrandt f / 1636New Hollstein's third state (of 5) PROVENANCE:Titus Fine Art, Beverly Hills, California;Private collection, Las Vegas, Nevada, acquired from the above.LITERATURE:New Hollstein, 156. HID12701242017
Rembrandt van Rijn (Dutch, 1606-1669)Woman Reading, 1634Etching on laid paper4-3/4 x 3-7/8 inches (12.1 x 9.8 cm) (plate)5 x 4 inches (sheet)Signed and dated in the plate, upper center: Rembrandt. f 1634.New Hollstein's third state (of 3) PROVENANCE:Swann Galleries, New York, May 11, 2000, lot 152;Windsor Fine Art, New Orleans, Louisiana;Private collection, Gonzales, Louisiana, acquired from the above, 2000.LITERATURE:New Hollstein, 137. HID12701242017
Rembrandt van Rijn (Dutch, 1606-1669)The Death of the Virgin, 1639Etching and drypoint on laid paper15-3/8 x 12-3/8 inches (39.1 x 31.4 cm) (plate)15-1/2 x 12-1/2 inches (sheet)Signed and dated in the plate, lower left: Rembrandt f. 1639New Hollstein's fourth state (of 5) PROVENANCE:Windsor Fine Art, New Orleans, Louisiana;Private collection, Gonzales, Louisiana, acquired from the above, 2000.LITERATURE:New Hollstein, 173. HID12701242017
Pierre-Auguste Renoir (French, 1841-1919)La danse à la campagne (second plate), conceived 1883Etching on paper8-5/8 x 5-1/4 inches (21.9 x 13.3 cm) (plate)12-3/4 x 9-7/8 inches (sheet)Stamped with signature, lower right: Renoir PROVENANCE:Private collection, Scranton, Pennsylvania, acquired in Paris circa 1981.LITERATURE:L. Delteil, Renoir's Etchings and Lithographs: Catalogue Raisonné, San Francisco, 1999, pp. 4-5, no. 2, illustrated p. 5. HID12701242017
Hermann Nitsch * (1938), Jesus in Blau, handsigniert: Nitsch, datiert: 04, nummeriert: 68/150, Radierung und Lithographie auf Velin, gerahmt in Glasrahmen 63 x 50 cm. *dieses Lot unterliegt der Folgerechtsabgabe | Hermann Nitsch * (1938), Jesus in Blue, handsigned: Nitsch, dated: 04, numbered: 68/150, etching and lithograph on wove paper, framed in glass frame 63 x 50 cm. *this lot is subject to the resale right levy
Luigi Kasmir (1881 - 1962), Kornmesserhaus in Bruck an der Mur. Farbradierung, sommerlicher Blick auf die gotischen Arkaden der Loggia des Kornmesserhauses in Bruck an der Mur, hinter Glas gerahmt ca. 34 x 29,5 cm. | Luigi Kasmir (1881 - 1962), Kornmesserhaus in Bruck an der Mur. Color etching, summer view of the Gothic arcades of the loggia of the Kornmesserhaus in Bruck an der Mur, framed behind glass approximately 34 x 29.5 cm.
Hugo Henschel (1879-1929), Staatsoper Wien, Radierung, rechts unten im Druck signiert und zusaetzlich von Hand mit Bleistift signiert und datiert, 56 x 72 cm. | Hugo Herschel (1879-1929), Etching, signed in print lower right and additionally signed and dated by hand in pencil lower left in pencil as orig. Rad. (Original etching) inscribed , 56 x 72 cm.
Hermann Nitsch * (1938), Jesus in Rot, handsigniert: Nitsch, datiert: 04, nummeriert: 42/150, Radierung und Lithographie auf Velin, gerahmt in Glasrahmen 63 x 50 cm. *dieses Lot unterliegt der Folgerechtsabgabe | Hermann Nitsch * (1938), Jesus in Red, handsigned: Nitsch, dated: 04, numbered: 42/150, etching and lithograph on wove paper, framed in glass frame 63 x 50 cm. *this lot is subject to the resale right levy
Robert Kasimir (1914-2002), Blick vom Graben auf den Stephansdom, im Vordergrund zahlreiche Blumenhaendler und Passanten, Farbradierung, Druckgrafik um 1960, 42 x 36 cm. | Robert Kasimir (1914-2002), View of St. Stephen's Cathedral from the Graben, in the foreground numerous florists and passers-by, color etching, print c. 1960, 42 x 36 cm.
After Sir Alfred James Munnings PRAStudy for The Hon. Anthony Mildmay on Davy Jonesdrypoint etchingimage 19 x 29.5cmThe oil painting of this subject was exhibited at the Royal Academy in 1938. The Hon. Anthony Mildmay was a celebrated amateur steeplechaser and rode Davy Jones in the 1936 Grand National..overall: 34.5 x 44.5cmSome handling creases otherwse in apparently good order. Unexamined out of frame.
Herbert Thomas Dicksee RE (1862-1942)'The Closed Door' (an alert recumbent patient terrier)etching on Japanese vellumplate 37 x 56cmFramed size: 57.5 x 75.5cm.Not examined out of glazed frame, housed in an acidic mount that has yellowed, time staining to the sheet giving it off-white tone, some whitish marks under the glass, please see images.
Herbert Thomas Dicksee RE (1862-1942)‘The Little Gipsy’, a girl sitting with her terrier dog in a woodland glade, both gazing at flames under a cooking potoriginal etching on vellumimage 48.5 x 60.4cmFramed size: 74 x 82cm.Not examined out of glazed frame, some staining to the mount, the sheet generally appears to be in good condition. Well-presented.
Herbert Thomas Dicksee RE (1862-1942)'Maternal Care' (wounded lioness protecting her cub from a circling vulture), after his own painting exhibited Royal Academy, 1896 no.665etching on vellum, signed artist's proof, edition of 275, published by Frost & Reed, 1899plate 42.5 x 68cmOverall: 75.5 x 101cmsome cockling to the vellum.
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