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Lot 170

Lithograph with etching aquatint signed, Pierre Alechinsky, 1976, ** boreality **, No. 54/90. - size height and width 75 x 56 cm - frame 98 x 77 cm

Lot 189

Color etching by Roger Raveel, ** room with red dotted line **, 1975, No. 14/30. - size height and width 36 X 44 cm - frame 59 X 65 cm

Lot 28

Etching signed, Fernandez Arman, ** les marteaux **, No. 1/99 - size height and width 48 x 34 cm - frame 71 x 57 cm

Lot 59

Etching and aquatint signed, Bernar Venet, ** indeterminate line II **, 2016, No. 30/60. - size height and width 74 X 92 cm - frame 115 X 135 cm

Lot 65

Etching aquatint and drypoint, drawn in color with studio stamp Francis Bacon, ** triptych 1991 **,(right panel), No. 64/84. - size height and width 133 x 98 cm - frame 174 x 132 cm

Lot 88

Etching signed Roger Raveel, 1975, ** The Tension of the peace in the village **, is mentioned in the book the graphic oeuvre: prints and multiples. P. 77 no: 54. - size height and width 66 x 50 cm - frame 86 x 71 cm

Lot 820

An etching, after E Sharland, Westminster Abbey, signed, 50 x 30cm, plus frame and glazed

Lot 853

An etching, after Geo H Downing, Derwentwater, signed, 11 x 16cm, plus frame and glazed

Lot 872

A pair of etchings, after Henry, cathedrals, indistinctly signed, 15 x 12cm, plus frame and glazed, an etching, after Frank B Jowett. Polperro, signed, 22 x 15cm, plus frame and glazed, and two etchings, after Marjorie Bates, Chester, 20 x 14cm and 15 x 19cm, plus frame and glazed

Lot 879

A print, after David Jones, calligraphy script, 60 x 40cm, plus frame and glazed, and an etching, K Vernon, Windsor, 27 x 11cm, framed

Lot 887

An etching, after Axel Haig, Jedburgh Abbey, signed, 30 x 20cm, plus frame and glazed, and an etching, Jackson, cathedral, indistinctly signed, 20 x 14cm, plus frame and glazed, and a decorative print

Lot 260

William Lionel Wylie RA RBA RE RI NEAC (British, 1851 - 1931) dry point etching, 'Dumbarton Rick' published W B Howell & Co, London, 1913, signed lower left, 20cm X 49.5cm framed and glazed

Lot 272

Stephen Whittle, a small pair of sepia tone etching

Lot 220

•Philip Reeves P.P.R.S.W., R.S.A. (Scottish, 1921-2017), Seven Sisters, etching, signed and titled in pencil, ed. 6/10, unframed. 40.5cm by 79.5cm ARR may apply

Lot 226

Arthur William Heintzelman (American, 1891-1965), "Maternity", drypoint etching, signed in pencil, edition of 70, Taylor & Brown, Edinburgh gallery label verso, framed. Plate 21cm by 16cm

Lot 228

Stanley Anderson C.B.E., R.A. (British, 1884-1966), "Rue Porte au Berges, Caen", etching, signed in pencil, framed. Plate 26.75cm by 22cm

Lot 229

William Lee Hankey R.W.S. (British, 1869-1952), "The Cloak", etching, signed in pencil and with artist's stamp, numbered "180" in the mount, framed. Plate 27.5cm by 22cm

Lot 230

Arthur Briscoe R.E. (British, 1873-1943), "The Main Tack", etching, signed in pencil, ed. 26/75, Taylor & Brown, Edinbugh gallery label verso, framed. Plate 33.5cm by 20cm

Lot 231

Charles Frederick Tunnicliffe O.B.E., R.A., (British 1901-1979), The Thatcher, etching, signed in pencil and ed. 11/75, framed. Plate 19cm by 15cm

Lot 235

Francis Dodd (British, 1874-1949), Portrait of Charles Ernest Cundall R.A., drypoint etching, signed in pencil, unmounted and unframed; together with Arthur William Heintzelman (American, 1891-1965), Le Chanteur Populaire, drypoint etching, signed in pencil, mounted and unframed. Plates 45cm by 30cm and 28cm by 20.5cm (2)

Lot 236

William Walcott (British, 1874-1943), Covent Garden, etching, signed in pencil, unframed, mounted. Plate 8cm by 10cm

Lot 237

Stanley Anderson C.B.E., R.A. (British, 1884-1966), The Goose Fair, Albi, two drypoint etchings from the same edition of 75, each signed in pencil, mounted, unframed; together with Albi, drypoint etching, signed in pencil, ed. 80, mounted, unframed. (3) 23cm by 34cm and 28cm by 30cm

Lot 244

Anita Klein (b. 1960) "Cuddle III", etching, signed in pencil, dated (19)85, ed. 8/15, artist's label verso, framed. 9.25cm by 7.75cm

Lot 248

"The Eagle" a coloured lithograph retailed by Ackermann & Co., c. 1834, unframed; together with William Heath (1794-1840), "The March of Intellect", hand-coloured etching, pub. 1829 by Thomas McLean, unframed. (2)

Lot 249

John ("HB") Doyle (1797-1868), a set of five caricatures: The Rivals, The Irish Tutor, A Classical Subject!, The Royal Cosset and A Cabinet Picture, each published by Thomas McLean, 1830, 1836 and 1838, with McLean impressed stamp, unframed (each water stained, stuck to original blue tissue paper from a folio); together with Alfred Crowquill (Alfred Henry Forrester) (1804-1872), a pair of engravings, "The Great Gun" (Duke of Wellington) and "One of a Celebrated Peel" (Sir Robert Peel), published by Sidebetham, unframed, each water stained: and an etching after Erskine Nicol, The Trio, unframed. (8) HB prints each 18cm by 35cm

Lot 253

Marius A.J. Bauer (Dutch, 1867-1932), "Mosque St. Irene" (Constantinople), drypoint etching, monogrammed and numbered 32, Aitken Dott exhibition label verso, framed. Plate 14cm by 23cm. Provenance: the Peploe Family Collection.

Lot 254

Robert Rivers (American, Contemporary), "Hospital Print - Cortona (Italy)", etching, signed and dated 1976, ed. 2/10, framed. Plate 48cm by 64cm. Note: Rivers served as a visiting lecturer at the Edinburgh College of Art and has exhibited widely including at a number of Scottish galleries.

Lot 38

A signed Pamela Guille artists proof etching, Chateau, unframed

Lot 19

A German 'Jazz Age' part-suite of drinking glasses with four matching cocktail bowls, to/w a German drypoint etching of Bandits with covered wagon in a bosky dell, signed indistinctly, ltd ed. 10/25

Lot 18

Peter Patzak (1945-2021) is a well-known Austrian film director and cross-divisional artist, color etching 45.5 x 55.5 cm

Lot 22

Peter Patzak (1945-2021) well-known Austrian film director and cross-disciplinary artist, color etching , 45,5 x 55,5 cm

Lot 81

Hugo Herschel (1879-1929), Etching, signed in print lower right and additionally signed and dated by hand in pencil lower left in pencil as "orig. Rad." (Original etching) inscribed , 56 x 72 cm

Lot 82

Hugo Herschel (1879-1929), Etching, signed in print lower right and additionally signed and dated by hand in pencil lower left in pencil as "orig. Rad." (Original etching) inscribed , 55 x 70 cm

Lot 83

Hugo Herschel (1879-1929), Etching, signed in print lower right and additionally signed and dated by hand in pencil lower left in pencil as "orig. Rad." (Original etching) inscribed , 68 x 52 cm

Lot 95

Color etching, with estate stamp, 39 x 45 cm

Lot 335a

Gaetano Zancon after Giulio Ferrario (circa 1827), Marattes et Seiks, Indian Marathi and Sikh warriors, etching on woven paper,  30.5cm x 22cm, framed

Lot 275

MARTIN BLOCH rare 1914 etching - entitled 'In the Bedroom', from the period in which Bloch was exiled in France, 15 x 12cms, framed and glazed

Lot 307

JULIAN TREVELYAN (1910-1988) etching and aquatint - Santa Maria Novella, 1965-66 (Turner 182) from The Florence Suite, signed, titled and numbered 36/100 in pencil to the margin, partial paper Gallery label verso, 35.2cm x 47.3cm Provenance: With Howard Roberts Gallery, by descent Vale of Glamorgan. Condition Report: paper rippled.

Lot 29

A 19th Century coloured etching depicting a view of the Fountain de Trevi, Rome, framed and glazed, 25.5cm x 38.5cm

Lot 98

A 19th Century or early 20th Century wood framed etching, "The Wine Tasting", signed "Miranda" in the plate lower left, 34cm x 28cm

Lot 704

A framed watercolour of a continental street scene signed by artist Charles P. Pitt, along with an etching, indistinct signature.

Lot 3160

Johann Alexander Thiele (1685 Erfurt - 1752 Dresden)"Prospect der Chur-Sächsischen Berg-Vestung Königstein (...)". OriginaltitelRadierung/Bütten. In der Platte sign. u. dat. 1726, französisch u. deutsch betitelt sowie mit Privilegienangabe u. "N. 5" versehen. Blatt aus der 6-tlg. Serie großer sächsischer Veduten aus dem Jahr 1726. Gebräunt, auf Hinterlegkarton kaschiert. Plattenmaß ca. 36 cm x 54,5 cm. Rahmen.Provenienz: Aus dem Nachlass der berühmten Opernsängerin Helene Jung (1887 Weimar - 1975 Gosheim/Württemberg). Etching on paper, 1726. Signed, titled and dated on the plate. From the estate of a German opera singer. Toning, laid down on a backing board.

Lot 3161

Johann Alexander Thiele (1685 Erfurt - 1752 Dresden)"Prospect von dem Chur-Sächsischen Schlosse zu Meissen (...), wie sich solches gegen Abend presentiret". OriginaltitelRadierung/Bütten. In der Platte sign. u. dat. 1726, französisch u. deutsch betitelt sowie mit Privilegienangabe u. "No. 5" versehen. Blatt aus der 6-tlg. Serie großer sächsischer Veduten aus dem Jahr 1726. Rest., auf Hinterlegkarton kaschiert. Darstellung ca. 32 cm x 54 cm. Rahmen.Provenienz: Aus dem Nachlass der berühmten Opernsängerin Helene Jung (1887 Weimar - 1975 Gosheim/Württemberg). Etching on paper, 1726. Signed, titled and dated on the plate. From the estate of a German opera singer. Restored, laid down on a backing board.

Lot 3162

Bernardo Bellotto gen. Canaletto (1721 oder 1722 Venedig - 1780 Warschau)"Vue de la Place de la ville-neuve de Dresden (...)" (Der Neustädter Markt zu Dresden). OriginaltitelRadierung/Bütten, 1750. Unterhalb in der Platte betitelt, sign. u. dat.; Prachtvoller Abzug der gesuchten Vedute mit ca. 2-3 cm Blattrand um die Plattenkante. Äußerst selten, da die Platte bereits 1760 zerstört wurde. Darstellung ca. 53,5 cm x 84,5 cm; Blatt ca. 58,5 cm x 88,5 cm. Rahmen.Provenienz: Aus dem Nachlass der berühmten Opernsängerin Helene Jung (1887 Weimar - 1975 Gosheim/Württemberg), die 1920-1941 an der Staatsoper in Dresden engagiert war. Etching on handmade paper, 1750. Signed, titled and dated on the plate. From the estate of a German opera singer.

Lot 3171

Johann Conrad Mayr (1750 Nürnberg - 1839. War ansässig in Lindau und St. Petersburg)"Lindau". OriginaltitelAltkolorierte Radierung/Papier, um 1775-1880. In der Platte sign.; Blick von einem Weingut auf den Bodensee mit der Stadt. Seltenes Blatt des Lindauer Malers, Zeichners und Grafikers, der durch Ansichten von St. Gallen und vom Bodensee sowie von Moskau und St. Petersburg bekannt wurde. Eine Sammlung von 13 Blättern Mayrs befindet sich im Britischen Museum in London. Darstellung ca. 23,8 cm x 40 cm. Rahmen.An old hand-coloured etching with a view of Lindau and Lake Constance published circa 1775-1780. Signed in the plate.

Lot 3192

Carl August Richter (1770 Wachau/Sachsen - 1848 Dresden)"Vue de Dresde du côte de la ville neuve prise du corps de garde, Blockhaus.". (Ansicht von Dresden von Neustädter Ufer und der Wache, Blockhaus, aus). OriginaltitelAltkolorierte Umrissradierung/Bütten, um 1810-1830. Unterhalb in der Platte betitelt, sign. u. bez. mit Verlagangabe. Gebräunt. Darstellung ca. 44 cm x 59,5 cm. Biedermeier-Rahmen.Provenienz: Aus dem Nachlass der berühmten Opernsängerin Helene Jung (1887 Weimar - 1975 Gosheim/Württemberg), die 1920-1941 an der Staatsoper in Dresden engagiert war. Hand-coloured etching on handmade paper, circa 1810-1830. Signed, titled and inscribed in the plate. Light toning. From the estate of a German opera singer.

Lot 3201

Carl Loedel (Lödel) (1825 Göttingen - 1868 Colditz)"Auszug der Studenten aus Göttingen am 17ten März 1848 Mittags 12 Uhr". OriginaltitelRadierung und Aquatina/Papier. In der Platte sign. u. betitelt. Historisch bedeutendes, seltenes Zeitdokument der Revolution von 1848 mit vielfiguriger, szenischer Darstellung des demonstrativen Auszuges der Göttinger Studenten am Weender Tor in Richtung Northeim, von Professoren und der Bürgerschaft mit Ehrerbietung verabschiedet. Stockfleckig. Blatt ca. 33 cm x 40 cm. Rahmen.Rare etching and aquatint on paper depicting a scene during the March Revolution in Göttingen on the 17th of March 1848. Foxing.

Lot 118

DOROTHY BRUCE, CUSTOM HOUSE, GREENOCK, hand coloured print, signed, Mounted, framed and under glass, along with a framed etching of Amsterdam (2)

Lot 371

B. Sharland - 'Windsor', etching, 12cm x 23.5cm, together with another landscape etching, 15cm x 22cm, both framed and glazed Condition: Signs of discolouration to margins, minor losses to frames. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Lot 403

Florence Page (British 20th Century) - Etching - 'Peter Pan', signed lower right, embossed mark for Fine Arts Trade Guild, 22cm x 15.5cm, framed and glazed Condition: Image is clean although frame has losses and scratches etc. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Lot 3044

Jean Jacques Waltz, known as Hansi, (1873 - 1951) etching of an Alsatian village scene, signed in pencil 'hansi 1919' l r, 20 x 28cm

Lot 250

Various pictures to include; William Blake 'God blessing the seventh day' print; "Peaks Hole Derbyshire" print, a watercolour, an etching 'olive solstice'

Lot 300

Ken HOWARD (1932)Cathedral InteriorEtching/aquatint Signed and dated '09#13/50Plate size 58 x 30cm

Lot 307

Roy WALKER (1936-2001)Bowl of Fruit Etching Signed, inscribed and dated 1973#33/50Plate size 19.5 x 30cm

Lot 372

Douglas PORTWAY (1922-1993)'Knockturn'Etching Signed and inscribed #33/50Plate size 30 x 40cm

Lot 39

Geoffrey Sneyd GARNIER (1889-c.1971)A Cornish Moor Etching Signed and inscribed Plate size 20 x 22.5cm

Lot 411

Bernard Howell LEACH (1887-1979)Beggar and Songbird Etching Signed to the plate #22/25Plate size 20 x 14cm

Lot 1155

Helen JACOBS (1888-1970)Two pieces of original artwork and a third possibly an etching.

Lot 1210

George Richard DEAKINS (1911-1982)VeniceOil on boardSigned35x63cmTogether with a church oil by T E Spence and an etching "All The King's Men"

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