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Lot 714

Hand Coloured James Gillray Etching ' The Great Sea Caterpillar transformed '

Lot 1036

Silvered framed and bevelled rectangular wall mirror, one other oval example, and a topographical etching of Elvet Bridge, Durham (3)

Lot 118

Peter Partington (British, 20th century): 'Sparrows coming into roost', watercolour, unsigned, 19 by 35cm, together with a limited edition coloured etching, 'Heron', number 113 of 180, signed to the margin, 17 by 24cm. (2) Provenance: The watercolour was bought directly from the artist in his studio, by the vendor.

Lot 641

WILLIAM RINISON (1866-1940) 'Stirling', drypoint, signed impression (restricted edition of seventy five proofs, plate then destroyed) 15cm x 24cm, plain ebonised glazed frame together with William Renison @Loch and Mountain', etching signed in plain ebonised glazed frame, 15cm x 30cm

Lot 642

ROBERT HOUSTON (1891-1942) 'Interior Glasgow Cathedral' drypoint etching, signed in pencil, bears blind stamps to margin in ebonised glazed frame, 19.5cm x 10cm together with two other framed Scottish etchings

Lot 281

An 18th Century cordial glass, the bowl with wrythen decoration and grape and vine etching on a double enamel spiral twist stem to circular foot, 14.9 cm high

Lot 99

AFTER ELISABETH FRINK (1930-1993) "The Physician's Tale", etching, 1972, Limited edition of 300, bears copy of Justification Page verso stating "C107/175" (ARR)

Lot 176

JACKSON SIMPSON The Sand Cart Etching, signed and lifted in pencil 17.5cm x 25cm CONDITION REPORT: Disclouration around mount. It does have a blind stamp. Modern framers label verso for Lenny Freedman.

Lot 177

EDMUND BLAMPIED (1886-1966) The White Horse Artists proof etching, signed in pencil 20cm x 25cm. CONDITION REPORT: Prov: Cotman gallery label verso.

Lot 270

Edmund Blampied 1886 - 1966 (Jersey), Etching depicting a galloping horse, nr 3/35, framed and glazed approx 13 x 10 cms together with an antique Oriental painting depicting horses grazing, approx 55 x 30 cms (2)

Lot 281

A Collection of Miscellaneous Antique Prints, including hand coloured etching depicting Napoleon entitled "Napoleon in den Pyrenaen" Berlin, F. Sala, approx 35 x 26 cms, together with a black and white engraving depicting Field Marshall Duke of Wellington by Charles Turner, approx 35 x 45 cms, framed and glazed and two further black and white prints depicting Napoleon and Wellington. (3).

Lot 21

The Cheshire Hounds after Cecil Aldin, also a framed hunting photo and one other signed etching. Condition report: see terms and conditions.

Lot 3560

George Derville Rowlandson (1861-1930), by and after, a set of four, My Lady Leads, A Hot Scent, A Business like Trio and A Kill in the Open, published by Louis Wolff & Co., Tottenham Court Road, London December 1899 to March 1900, restrike etching with hand-colouring, 46cm x 66cm

Lot 3669

Jacobus Millerd (17th century), an urban panorama, The City of Bristoll (sic), c. 1673, etching, 32.5cm x 73.5cm

Lot 69

Vintage Map of Surrey with an etching of Dulwich College in the top left hand corner and The Seal of Kinston. Good colour.

Lot 2351

* CATHERINE SUTCLIFFE-FULLER, GIVE WAY limited edition etching, signed in pencil and numbered 1/20 32cm x 42cm Mounted, framed and under glass

Lot 2286

* FIONNA CARLISLE, DANCER etching, signed in pencil 60cm x 49cm Unframed

Lot 2296

* ELIZABETH SHEPHERD FIFE HASEMILL etching, signed in pencil, artist's proof 7.5cm x 20cm Framed and under glass

Lot 2327

* CLARA GANGUTIA, MADRID coloured etching, signed and dated '90 in pencil, numbered 9/50 38cm x 49cm Mounted, framed and under glass

Lot 14

A signed Finnemore coloured etching – Armiens Cathedral

Lot 372

A pen and ink drawing of a horse signed J Hutton and an etching entitled 'Off the isle of Arran' by A Simes

Lot 229

Valerie Thornton (1931-1991), 'Compton Wynates', signed in pencil, dated '72 and numbered 17/70, coloured etching, 40 x 61.5 cm CONDITION REPORT: Framed and glazed

Lot 217

French, early 20th century School, a study of a Parisian street, hand coloured etching, 21 x 16 cm CONDITION REPORT: Framed and glazed, some minor discolouration

Lot 220

Joseph F. Pimm (20th century), 'Ely Cathedral', signed in pencil, coloured etching, 35 x 25 cm CONDITION REPORT: Dimensions for image only. Framed and glazed.

Lot 226

Baron (20th century School), a study of a lit street, signed in pencil, coloured etching, 21 x 14 cm, together with five others by the same hand

Lot 228

Valerie Thornton (1931-1991), 'The Almonry, Evesham', signed in pencil, dated '72 and numbered 40/70, coloured etching, 40 x 61.5 cm CONDITION REPORT: Framed and glazed

Lot 1489

'Modern Masters of Etching: CRW Nevinson', circa 1932, enclosing twelve drypoint etchings.

Lot 1185

Michael Blaker, 'Shoe Shine in Regent Street', signed, titled & numbered 1/250, coloured etching, pl.27.5 x 18.5; together with another river landscape signed Remlap.

Lot 619

A group of aquatints and engravings, to include A View of Oxford, aquatint, after F Mackenzie, pub. 1835 by J H Parker of Oxford; a signed etching of Dover Castle; a view of the Church at Henley-on -Thames, aquatint, after J Skelton & J Willis, engraved by J Skelton & J Tingle, pub. 1827 by J Skelton of Oxford; Views of a Dutch street scene, later engraving; View of a ruined bridge, pencil and wash, signed indistinctly in pencil (7)

Lot 752

Felix Buhot (French, 1847-1898) The Cabstand, signed in the plate, drypoint etching, 19.5 x 30 cm Foxing, faded, extensive browning

Lot 247

Graham Rust, Limited Edition colour print, "Garden Gate," signed in pencil, Graham Evernden, etching, Rabbit Wood and an Antique map print, framed, (3).

Lot 63

Samuel Palmer (1805-1881), etching, "The Herdsman's Cottage," p 5" x 4", unframed.

Lot 136

Martin Lack, etching, continental harbour scene, signed in pencil, dated 1960, 7.25" x 10", framed.

Lot 206

Enrico Cervelli (1926-1961), mixed media on board, abstract buildings, inscribed verso, 8" x 6" and Armand Coussens (1881-1935), coloured etching, woman in kitchen, framed, (2).

Lot 62

Samuel Palmer (1805-1881), etching, "The Homeward Star," p 5.25" x 7.5", unframed.

Lot 267

Peter Ford, etching, "Encounter," signed in pencil, artist proof p 10" x 12", framed.

Lot 210

Shirley Spottiswoode, watercolour, landscape 1980, 16" x 21", Redgrave, ink/watercolour, portrait, and Signe, coloured etching, abstract figures, all framed, (3).

Lot 6

Valerie Thornton (1931-1991), coloured etching, St. Ethelberts Gate, Norwich, signed in pencil, dated '87, no. 67/90, p 16" x 11", framed.

Lot 7

Julian Trevelyan (1910-1988), coloured etching, "Easter Festival," signed in pencil, no. 40/100, p 14" x 18.5", framed.

Lot 269

Richard Beer, coloured etching, "The New Stock Exchange," signed in pencil no. 204/250, p 17.5" x 13.5", framed.

Lot 70

Tracey Emin RA (born 1963), etching, titled "For You," signed in pencil, no. 204/300, p 4" x 5.5", unframed.

Lot 277

Pip Carpenter, coloured etching, "Waiting For The Night Tide," 11.5" x 16.5", 2 other signed prints by different hands, all framed, (3).

Lot 47

Louis Icart (French 1888-1950), hand coloured etching, Don Juan, signed in pencil with blind stamp, i 20" x 13", framed.

Lot 280

Paula Rego (British, b. 1935): Etching & aquatint, artist's proof, hand signed in pencil & inscribed 'For Ellie', H 19 x W 11 cm; together with a booklet, 'Nursery Rhymes', published by the South Bank Centre for the artist's touring exhibition, 1990 (2). Provenance: The collection of Ellie Sice, formerly the manager of 'Safe Studios' artists workshop, part of the Whitechapel Gallery, from 2003-2011. During this period she met many known & up and coming artists who presented her with their works as tokens of appreciation

Lot 294

Salvador Dali (Spanish, 1904-1989): 'The Arrival of Iseult', colour etching with dry point, 1970, hand signed in pencil to margin & numbered II/XXV, H 39 x W 26 cm

Lot 213

Messonier, after, etching The Duel, signed to mount; another Receiving Orders, framed (2)

Lot 238

Pictures and Prints - nautical prints, Indian Railways map; Isle of White map, framed; High St Marlborough , framed etching; Hilary Schofield print (8)

Lot 451

PERCY LANCASTER - A SEATED WOMAN, ETCHING, SIGNED BY THE ARTIST IN PENCIL AND NUMBERED 45, 20CM X 16CM

Lot 437

JOHN ALEXANDER NESS - THE OLD TOWN HALL DUNBAR, ETCHING, SIGNED BY THE ARTIST IN PENCIL AND INSCRIBED AND AN ETCHING OF THE CREATION BY HAROLD F. COLLINSON, SIGNED

Lot 620

GILRAY, J. - The Picnic Orchestra (1802),: hand-coloured etching, 355 x 245mm, framed and glazed. H.G.Bohn edition 1851.

Lot 681

* Sir Frank William Brangwyn [1867-1956]- Canal Ghent:- etching, signed in pencil image 15 x 12cm * Provenance. David C Lamond, Dundee.

Lot 679

Sidney Tushingham [1884-1968]- Venetian Barges:- etching, signed in pencil image size 26 x 36cm, [Provenance. David C Lamond, Dundee], together with an etching by A C Stanley Anderson [1884-1966] - View of an Italian Town, and one other etching of a Mosque Interior. [3]

Lot 621A

* Martin Hardy [1875-1952]- Low tide on the Norfolk Coast:- etching, signed in pencil and inscribed 'Trial Proof' in the margin image size 19 x 32cm.

Lot 330

WILLIAM LIONEL WYLLIE (1851-1931), "Sea Scouts in Portsmouth Harbour", etching, signed in pencil, plate size, 5 3/4" x 9 3/4", ebonised frame

Lot 327

PATRICK AGGS (b.1952), "Back and Forth", coloured etching, limited edition 34/50, signed and inscribed in pencil, plate size 11 1/2" x 9 1/2", blond wood frame (subject to Artists Resale Right)

Lot 938

JOHANNES JANSSONIUS, KNOWN AS JAN JANSSON (DUTCH 1588 - 1664), ORCADUM ET SCHETLANDIAE uncoloured etching on paper, plate mark, circa 1666 38cm x 49cm Mounted, framed and under glass

Lot 882

SYDNEY LITTON (BRITISH 1887 - 1949), SANTA MARIA DELLA SALUTE BY NIGHT FROM THE GRAND CANAL etching on paper, signed in pencil to margin 27cm x 43.5cm Mounted, framed and under glass

Lot 922

HENRY WILKINSON (BRITISH 1921 - 2011), PAIR OF SPANIELS and THE FLIGHTING OF A DUCK each hand-coloured limited edition etching, signed in pencil signed to margin and number 49/50 and 20/45 respectively each 27.5cm x 37.5cm Mounted, framed and under glass (2)

Lot 883

FRED RICHARDS (BRITISH 1878 - 1932), VIEW FROM A CHURCH CLOISTER etching on paper, signed in pencil to margin and numbered 'A55151' 27cm x 19cm Mounted, framed and under glass

Lot 521

Glynn Williams, Pollarded Willows, etching 13/50, signed and titled in pencil, 32 x 60cm, together with two other works one of Bodiam castle the other of a landscape, (3).

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