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Lot 1206

Augustus John (1878-1961)etching,Seated female nude,signed in pencil,5.5 x 3.5in.

Lot 1210

Herbert Dicksee (1862-1942)etching,Dog awaiting his master`s return,signed in pencil and blindstamped,13.5 x 21.5in.

Lot 1240

Dame Laura Knight (1877-1970)etching,`Gemini`,signed in pencil, 7/50,11.75 x 9.75in.

Lot 1241

Rowland Langmaid (1897-1955)etching,The Pool of London,signed in pencil,9 x 13.5in.

Lot 1251

Henri Georges Adam (French, 1904-1967)etching with engraving,La Terre,signed and dated `59, 46/50,29 x 41in.

Lot 351

A black and white etching depicting Nelson, a pair of prints, and two further prints (5).

Lot 370

After A.Haig: a black and etching "The Morning Of The Festival", signed and inscribed in pencil to the margin, 53x33cm, framed and glazed.

Lot 401

After Henry Wilkinson ( b.1921 ). A pointer in coastal rushes, coloured etching, signed in pencil and limited edition 12/130, plate size 22.5cm x 32.5cm, framed and glazed.

Lot 416

ROBERT EADIE (SCOTTISH)STREET VIEWetching, signed in pencil22cm high, 29cm wide

Lot 447

SIR DAVID YOUNG CAMERON RACASA D`ORO (VENTIAN PALACE)drypoint etching, signed in pencil19cm high, 13.5cm wideandTHE VULTUREdrypoint etching, signed in pencil20cm high, 16cm wide (2)

Lot 451

SIR DAVID YOUNG CAMERON RALOACHESetching, signed in pencil26cm high, 13cm wideandTHE TOWERS OF CHARTERHOUSEetching, unsigned13cm high, 8cm wide (2)

Lot 328

FRANK HARDINGHARWICHetching, titled and signed in pencil11cm x 31cm

Lot 339

EUGENE BEJOT (1867 - 1931)AMENDED TITLE:LA BERGE DU QUAI HENRY IV, PARISetching, signed in pencil22cm x 32cm

Lot 45

A fine dry point etching of a seated lady in an ebonised frame. Signed in pencil Herkomer.

Lot 628

2 framed Louth Panorama prints & framed etching `Louth Lincolnshire` engraved by W. Radclyffe

Lot 1

JULIAN TREVELYAN (British, 1910-1988), 'Kasbah', coloured etching and aquatint, numbered 18/52, 48cm x 35cm. (Please note Clause 6 of Buyer's Conditions)

Lot 2

JULIAN TREVELYAN (British, 1910-1988), 'Marrakech', coloured etching and aquatint, numbered 10/52, 45cm x 35cm.(Please note Clause 6 of Buyer's Conditions)

Lot 87

'Excavation' oil on board by J L Thirtle, Industrial Landscape watercolour signed by G T Steel, 'St Pauls from Southwark' coloured etching signed and titled by Claude H Rowbotham, Beach Scene Victorian oil on canvas and Coastal Scene Continental oil on b

Lot 89

Herring Boats River Tyne early 20th Century etching by John Chambers

Lot 269

Ship's clock and barometer on mahogany mount, bevelled edge wall mirror, etching of 'Old Sunderland' and miscellanea in one box

Lot 221

Harold Wyllie, Signed Black & White Marine Etching depicting sailing boats off cliffs, signed in pencil, in black frame, 18cm x 31.5cm

Lot 694

WL Wyllie `Venice Della Salute` Etching, signed in pencil bottom left, 19 x 24cm

Lot 700

David Wilkie RA (1785 - 1841) `The Last Receipt` Dry point etching, label verso `Bourne Fine Art`, 13 x 14cm

Lot 701

Scottish School `St Bernard`s Well` Watercolour, indistinctly signed 1879, including coloured etching by TM Baynes, 19 x 24cm (2)

Lot 707

J Brewer `The Long Pine` Etching, signed in pencil, 27 x 12cm

Lot 536

Prints and Printmakers : Clayton T. : The English Print; British Printmakers 1855 - 1955, From the Etching Revival to St.Ives; Mackenzie I. : British Prints; Griffiths A. : The Print in Stuart Britain & Prints and Printmaking; Tate Catalogue, Print Collection. Formats include Hb., Pb. & Qto. CONDITION REPORT: Condition : Vg.

Lot 58

AFTER REMBRANDT, ENGRAVED BY CAPT BAILLEE, BLACK AND WHITE ETCHING, “The Three Trees” (late state with storm and lightening added in mezzotint), 8” x 11”

Lot 62

SIMON PALMER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (53/75), COLOURED ETCHING, Inscribed “The Village Waits”, 9” x 8”; together with six further SIGNED LIMITED EDITION ETCHINGS by various artists (7)

Lot 84

CHRISTOPHER RICHARD WYNNE NEVINSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Notre Dame, Le Quai de Paris”, 5 ½” x 7 ½” (unframed)

Lot 86

CHARLES MAZELIN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (18/300), “Baie de Pamplona, Sept. 1912”, 9” x 12”; together with AFTER W HEATH, ENGRAVED BY J CLARKE, GROUP OF FOUR ANTIQUE COLOURED AQUATINTS, PUBLISHED 1814/15, “Entrance of Lord Wellington into Salamanca”; “Battle of Vittoria ….”; “Battle of Salamanca” and “Entrance of the Allies into Paris …..”, each approximately 6” x 8 ½” (5)

Lot 87

JOHN SELL COTMAN, BLACK AND WHITE ETCHING, PUBLISHED 1817, “South Door, Kirby Cane Ch, Norfolk”, 8 ½” x 6 ½”; together with R FARREN, SIGNED AND DATED 1881 TO THE IMAGE, BLACK AND WHITE ETCHING, “Pulls Ferry, Norwich”, 8” x 10 ½” (unframed) (2)

Lot 89

GRAINGER SMITH, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (6/50) BLACK AND WHITE ETCHING, “Fire Eater”, 7” x 10”; together with ENZO PLAZZOTTA, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (14/70) BLACK AND WHITE ETCHING, “Study for Margaret Barbien 1973”, 7” x 12”, both mounted but unframed (2)

Lot 101

WILFRED C APPLEBY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The Edinburgh Academy”, 7” x 14”

Lot 107

17TH CENTURY, BLACK AND WHITE ETCHING, Queens College – Loggan, 10” x 16”

Lot 110

WILLIAM WATLING, SIGNED TO THE IMAGE, BLACK AND WHITE WOODBLOCK PRINT, “Interior Corner, Octagon Chapel, Norwich”, 9 ½” x 6” and INDISTINCTLY SIGNED TO MARGIN, EARLY 20TH CENTURY GERMAN SCHOOL, BLACK AND WHITE ETCHING, The Old Cello Player, 12” x 9” (2)

Lot 391

HENRY JAMES STARLING, SIGNED AND DATED 1954 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Norwich Marketplace”, 10” x 8”

Lot 393

HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (12/75) BLACK AND WHITE ETCHING, “Norfolk Wherry”, 8” x 10” (mounted but unframed)

Lot 397

HENRY JAMES STARLING, INITIALLED IN PENCIL TO MARGIN, HAND COLOURED ETCHING, Walberswick, 4” x 6” (mounted but unframed); together with HENRY JAMES STARLING, INITIALLED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Walberswick Suffolk”, 4 ½” x 7” (mounted but unframed) (2)

Lot 398

HENRY JAMES STARLING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Harbour Scene, 8” x10” (unframed)

Lot 280

Max Brunning (German 1887-1968), Girl in a Hat, etching, signed and titled in pencil, framed; together with a period photograph of the artist in his studio, framed. (2)

Lot 459

An etching of Barnard Castle, framed, together with a framed `Spy` cartoon and a print of the Hardy Bros. Royal Fly Collection.

Lot 544

After LUKE FILDES RA; large black and white etching "A Village Wedding", 49 x 78cm, in glazed oak frame.

Lot 38

Salvador Dali (1904-1989)Unicorn,Drypoint etching,Numbered 140/200 lower left and signed lower right in pencil. Plate dimensions: h: 23 x w: 15 in.Starting Price: $700

Lot 44

Kathe Kollwitz (1867-1945)Hamburg Public House,Etching on wove paper,Becke blindstamp lower right margin and pencil notations lower edge of margin.Dimensions: h: 7.75 x w: 9.5 in.Note condition: all four margins cut down, acid damage throughout, no foxing and mounted with archival tape.Starting Price: $150

Lot 51

Pablo Picasso (1881-1973)La Celestine Acte IV,Etching and aquatint on paper,From La Celestine Suite, 1971, edition of 400, unsigned with La Celestine watermark bottom center.Image dimensions: h: 3.5 x w: 4.75 in.Provenance: Park West Galleries.Note condition: upper and side margins cut down. Lower margin having a deckle edge. Moderate yellowing to image field within mat opening.Starting Price: $300

Lot 87

Rembrandt van Rijn (1606-1669)The Death of the Virgin,Etching and drypoint on laid paper,Signed and dated Rembrandt f. 1639 in plate lower left. Biorklund Barnard`s fourth state of four; White and Boon`s third state of three; Nowell Eusticke`s fourth state of five. Image dimensions: h: 15.25 x w: 12.13 in. Sheet dimensions: h: 15.5 x w: 12.38 in. (altered)Provenance: Park West Galleries.Note condition: all margins cut down. Hinge mounted with linen tape at top edge. Glue residue at bottom left and right corners on verso. Series of one central horizontal and nine vertical full length crease marks throughout. Two 1 inch crease marks at center right edge. Pencil notation on lower left verso. Possible restoration to acid damage throughout.Starting Price: $2500

Lot 89

Francisco de Goya (1746-1828)Escapan Entre las Llamas, (They Escape through the Flames),Etching and aquatint on wove paper.Unsigned. Marked "41" and "10" in upper and lower left plate corners, respectively. Image dimensions: h: 5.25 x w: 7.75 in. Plate dimensions: h: 6.25 x w: 9.5 in. Sheet dimensions: h: 9.25 x w: 13 in. Provenance: Park West Galleries.Note condition: foxing throughout with concentration in lower left recto corner. Acid halo at mat opening.Starting Price: $50

Lot 90

Martin Hardie (1875-1952)Walkerswick,Etching on paper,Signed lower right.Dimensions: h: 5.75 x w: 9.25 in.Starting Price: $60

Lot 107

A Group of Four Works on Paper by Josh Adamo (20th Century), Nedelec (20th Century), and Dan Ramirez (b. 1941), Comprising of:Adamo - "Mother," woodcut on paper, signed and dated 1996 lower right. Numbered 9 / 12. Adamo - Untitled, etching on paper, signed lower right. Numbered 11 / 12.Nedelec - Untitled, colored etching on paper, signed lower right. Numbered 21 / 122. Ramirez - "Black Rectangle, 1977," graphite on paper, signed, and dated 1974 lower right. Largest dimensions: h: 31 x w: 21 in. Starting Price: $30

Lot 972

J Benwell Clark (by and after), The Dinner Hour, etching

Lot 296

* Stubbs (George, 1724-1806). Tygers at Play, pub. George Stubbs, 1780 [but later impression, pub. 1974 by Thomas Ross & Son], uncoloured line and stipple etching, 380 x 480mm. Christopher Lennox-Boyd, Rob Dixon & Tim Clayton. George Stubbs, The Complete Engraved Works, no. 60. State IIIa. The notes field for this item describes how this plate was purchased by Edward Orme in 1817 and then disappeared, only to emerge on the premises of London print makers Thomas Ross & Son in 1970. They published a small limited edition in 1974 and the plate is now held by the Trustees of the Tate Gallery. (1)

Lot 361

JANE PORTER; an artist signed Etching "Elephants at Sandsend", no. 1/10, an artist signed etching of a Venetian canal scene and four other pictures.

Lot 369A

John Fullwood: A Harvest scene, etching,

Lot 406

Bertram Buchanan: A castle scene, etching, signed in pencil, together with various other prints

Lot 656

After Pierre-Auguste Renoir (1841-1919) - etching, 'Berthe Morisot', inset in modern gilt frame, signed 14x12cm (illustrated)

Lot 251

*Friedrich Meckseper (German, b.1938), `SONNENUHR`, (Schmucking 70) Etching with aquatint, signed and dated `65 in pencil l.r. and inscribed `56/75` l.l. 42.5 x 52.5cm

Lot 252

*Friedrich Meckseper (German b.1938), `PERPETUUM MOBILE` (Schmucking 99) Etching with aquatint, signed and dated `68 in pencil l.r. and inscribed X/XXV 34.5 x 26cm

Lot 253

*Victor Pasmore (1908-1998), UNTITLED Etching and aquatint, signed with monogram, dated 1976 and numbered 28/55 33.5 x 39.5cm

Lot 255

*Julian Trevelyan RA (1910-1988), `CLIFTON GORGES` Etching, signed in pencil, inscribed with title and numbered 13/50 47 x 48cm. Exhibited: Julian Trevelyan Exhibition, Zwemmer Gallery, 1963, no 33

Lot 266

*Sir Frank Brangwyn RA RWS (1867-1956), SANTA CHIARA, TOLEDO Etching, signed in pencil 25 x 20cm

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