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Lot 103
René Magritte, Belgian 1898-1967- "Poire et Rose", from Le Lien de Paille, 1969; etching with aquatint printed in colours, signed and numbered 61/150 in pencil, 15.6x10.6cm, (may be subject to Droit de Suite) Provenance: The Redfern Gallery, London. The original receipt of purchase dated September 22nd 1969 accompanies this lot
Lot 107
Pablo Picasso, Spanish 1881-1973- "Four Heads of Men"; from "Les Métamorphoses d'Ovide", 1931, etching printed in black and sanguine, 33x25.6cm (sheet, no plate mark) (may be subject to Droit de Suite) Provenance: From the art collection at the former St Gabriel's College, Camberwell. St Gabriel's was a Church of England teacher training college, founded in 1899 and closed in 1978. Its Art Department attracted talented teachers and artists whose vocation was to inspire young teachers through studying and imitating the work of great artists. The paintings and drawings in this collection were collected by the College's staff through donations and purchases during the interwar and post-war periods. After the College's closure, the collection was transferred to the ownership of an educational trust and until recently loaned to Goldsmith's University of London. CONDITION REPORT: mounted in a glazed wooden frame, early 21st century full edges of sheet visible, stuck down on centres and corners sheet slightly ruckled right hand side and bottom deckle edges and right hand edge of sheet slightly grubby yellow shadows from old mount visible around edges further yellow staining around edges overall sheet is slightly yellowed otherwise in overall very good condition
Lot 111
Franz Nölken, German 1884-1918- "Portrait of Max Reger"; drypoint etching, signed and dated 1916 within the plate, signed in pencil, 15.2x11.8cm Note: Max Reger (1873-1916) was a progressive early modernist composer who expanded upon the styles of Johann Sebastian Bach and Johannes Brahms to bring German music into the twentieth century. He was extremely prolific and wrote more than 1000 works in his lifetime in all forms except opera
Lot 113
Friedrich Meckseper, German b.1936- "Hirngespinst"; etching with aquatint, signed, numbered 116/150 and dated 74 in pencil, 34.5x43.2cm, (may be subject to Droit de Suite) CONDITION REPORT: in a glazed, aluminium frame it appears to be stuck down, but as unexamined out of frame it may not be edges of sheet visible some faint handling marks at edge of sheet very minor brown spotting predominantly in the lower and right hand margins, towards the corner of the sheet some faint creasing to the surface visible possible yellowing of paper slight time-fading otherwise in good original condition
Lot 117
Louis Marcoussis, Polish/French 1878-1941- "Rimbaud"; publ by San Lazzaro for Le XXe Siècle, 1939, burin and etching in colours, signed within the plate, 32.2x24.6cm: Jean Hans Arp, German/French 1886-1966- "Form"; publ by San Lazzaro for Le XXe Siècle, 1951, lithograph printed in colours, 31.1x23.5cm: Andre Masson, French 1896-1987- "Composition for XXe Siècle "; publ by San Lazzaro for Le XXe Siècle, 1972, 31.1x24.4cm: Marino Marini, Italian, 1901-1980- "Personnages du Sacre du Printemps"; publ by San Lazzaro for Le XXe Siècle, 1973, lithograph printed in colours, 31.2x24.1cm: Johnny Friedlaender, German 1912-1992- ''Les Oiseaux''; publ by San Lazzaro for Le XXe Siècle, 1973, lithograph printed in colours, 31.1x23.4cm: Max Ernst, German 1891-1976- Untitled; publ. by San Lazzaro for Le XXe Siècle, 1974, lithograph printed in colours, 31.2x24.3cm: Roberto Matta, Chilean 1911-2002- "Tout Se Tient"; publ by San Lazzaro for Le XXe Siècle, 1975, lithograph printed in colours, 31.2x24.2cm: Pablo Picasso, Spanish 1881-1973- "American Eagle"; printed by Xerox c.1963, screenprint, signed and dated 3.4.54 within the plate, 27.9x21.5cm: together with one further lithograph entitled "Echiquier Urbain", signed, 40.8x30cm, (9) (unframed) (may be subject to Droite de Suite)
Lot 119
Leonard Beaumont, British 1891-1986- “York”; drypoint etching, signed and numbered 9/75 in pencil, 25x30cm, (may be subject to Droit de Suite) Provenance: The Horner Galleries, Sheffield (according to label attached verso) CONDITION REPORT: In black, wooden, glazed frame, with wide cream mount, unexamined out of frame. Discoloured round the edges of the margin, some staining. Otherwise in good general condition.
Lot 149
Leonor Fini, Argentinian 1908-1996- Untitled, on a terrace; from Parallèment by Paul Verlaine, publ. by Editions Tartas, Paris, 1969, lithograph printed in colours, signed and inscribed 'EA' in pencil, 37.5x27.7cm: together with a lithograph printed in colours by the same hand depicting four figures, signed and inscribed 'EA' in pencil, 36.1x52.7cm, and an etching in colours by the same hand depicting two women in hats walking together, signed and numbered 148/275 in pencil, 29.5x20.8cm, (3) (may be subject to Droit de Suite)
Lot 160
Max Werner, Belgium late 20th century- ''Monks''; etching and aquatint, signed, titled, numbered 7/20, and dated 86 in pencil, 31.5x33cm: together with one other etching with aquatint by the same hand entitled, ''The Geographer'', signed, titled, numbered 2/30 and dated 88 in pencil, 35.5x34.2cm., (2) (may be subject to Droit de Suite) CONDITION REPORT: Both pictures in wooden, glazed frames. John Jones Labels verso. Unexamined out of frame. Both prints on textured paper Signed, dated, titled and numbered in pencil. Both prints are in very good condition.
Lot 162
Peter Howson OBE, Scottish b.1958- ''Bob''; etching, signed, titled, numbered 16/30 and dated 87 in pencil, 32x24.4cm (may be subject to Droit de Suite) CONDITION REPORT: In wooden, silver coated, glazed frame, with wide white mount. Unexamined out of frame. Signed, titled, dated, & numbered in pencil In very good condition.
Lot 163
Emma Wood, British late 20th century- ''Oxford Street February Evening'' (Triptych); etching with aquatint in monochrome, signed, titled, numbered 4/20 and dated 93, 30x110cm, (may be subject to Droit de Suite) CONDITION REPORT: In a wooden black, glazed (in acrylic) frame with wide white mount. John Jones label verso. Unexamined out of frame three impressions on the same piece of paper Signed, dated, titled and numbered in pencil In very good condition.
Lot 173
Andrew Ingamells, British b.1956- ''66 Lincoln's Inn Fields''; etching with aquatint printed in colours, signed, numbered 101/150 and dated 1993 in pencil, 46x50cm: together with four other prints by the same artist entitled, ''St. Luke, Old Street'', ''St. Mary, Woolnoth'', ''St. Alfege, Greenwich'' & ''St. George, Bloomsbury'', signed and numbered from an edition of 175 in pencil, various sizes, (5) (may be subject to Droit de Suite) CONDITION REPORT: All in gilded and glazed frames. Unexamined out of frame. Measurements are between plate marks only. Frames & borders larger. '66 Lincoln's Inn Fields' has some marks and minor stains on the paper, some surface dirt handling marks. 'St Mary, Woolnoth' also has a minor stain mark in the plate. Otherwise the prints are in good condition. Four in matching frames with 'The Guild of Mastercraftsmen' sticker attached verso, with the lead in a slightly different frame.
Lot 176
Dame Elizabeth Frink CH DBE RA, British 1930-1993- ''Horse''; etching, signed and inscribed A/P in pencil, 25x20cm (may be subject to Droit de Suite) CONDITION REPORT: In wooden, glazed frame with wide cream mount. In a John Jones frame according to label attached verso. Unexamined out of frame. Measurements are of plate only, A few brown spots speckled in margin and in main body of image. signed and Artist Proof in pencil. - dated 1972 verso Otherwise in good general condition.
Lot 179
Sir Terry Frost RA, British 1915-2003- Untitled; etching, signed, numbered 5/20 and dated 84 in pencil, with blindstamp 'YPDL', 17.5x12.5cm, (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed. Etching on wove Signed and dated and numbered in pencil Inscribed verso 'Happy Birthday lots of love and good wishes to Sheila and Mike from Kath & Terry' May 86 TF3 Small round circle lower right - probably where a sticker once resided Otherwise in good condition
Lot 205
Randolph Schwabe NEA RWS LG, British 1885-1948- Old man and a girl; etching with drypoint on japon, signed in pencil, 20x15cm: Ernest Stephen Lumsden RSA RE, British 1883-1948- "The Donor of Water"; etching, signed and dated 1928 within the plate, signed and inscribed in black pen, bears pencil inscription, 30x19.5cm (may be subject to Droit de Suite) CONDITION REPORT: Randolph Schwabe: mounted, unframed sheet stuck down on top edge with two pieces of acid free tape sheet subject to diagonal creasing lower right further creasing lower left and along top of sheet corners somewhat rubbed some marking to the margins bears pencil inscription on the reverse of the sheet otherwise good Ernest Stephen Lumsden: mounted, unframed sheet stuck down with two pieces of acid free tape reverse top edge old mount shadow visible all around plate mark minor spotting recto and verso otherwise good
Lot 208
Eileen Cooper RA, British b.1953- "Private View"; etching with aquatint printed in pink, signed, titled, dated '05 and numbered 33/100 in pencil, 19.7x12.3cm, (may be subject to Droit de Suite) Note: This lot is being sold on behalf of Paintings in Hospitals CONDITION REPORT: in a glazed wooden frame with label and inscription on the backboard stuck down on the centres and corners of the sheet full sheet visible sheet slightly ruckled otherwise very good original condition
Lot 209
Ossip Zadkine, French 1890-1967- Untitled; etching, signed with initials within the plate, signed and numbered 4/25 in pencil, 62x45cm, (may be subject to Droit de Suite) CONDITION REPORT: mounted in a glazed ebonised frame, late 20th century may or may not be stuck down as unexamined out of the frame 4cm margins visible all round sheet yellowed adjacent to the inner edge of the mount foxing lower margin and into lower portion of the image slight handling creases within the image sheet slightly yellowed overall otherwise good condition
Lot 213
Jacques Villon, French 1875-1963- "Homme Lisant" (G.P. E 325); etching, signed and dated 29 within the plate, signed and inscribed 'Ep d'artiste' in pencil, 27x21.3cm (may be subject to Droit de Suite) Provenance: The Estate of the Late Mrs Eugene Rosenberg CONDITION REPORT: mounted in a perspex box frame may or may not be stuck down as unexamined out of the frame sheet with 1cm margins left top and right 2cm bottom sheet slightly ruckled sheet slightly yellowed otherwise good condition
Lot 233
Anna Kirwan, British, late 20th century- "Shoot Me and I Growl"; etching with aquatint printed in colours, signed, titled, numbered 2/10 and dated 73 in pencil, 50x37cm (may be subject to Droit de Suite) CONDITION REPORT: mounted in a grey painted moulding frame, early 21st century may or may not be stuck down as unexamined out of the frame 1cm margins visible left top and right 2cm margin visible bottom in very good original condition
Lot 234
David Oxtoby, British b.1938- "Zap"; etching with aquatint printed in colours, signed, titled, numbered 37/40 and dated 78 in pencil, 14x13cm., (unframed) (may be subject to Droit de Suite) CONDITION REPORT: stuck down to mount card with cello tape on the reverse of the corners full sheet visible in very good original condition
Lot 243
John Griffiths, British 1926-2012- "Fisherman's Cottage, Treboul"; screenprint in colours, signed, titled, numbered 2/20 and dated 1957 in black pen, 35.5x48cm: John Griffiths, British 1926-2012- "Bandstand at Morlain"; screenprint in colours, signed, titled, numbered 6/19 and dated 1957 in black pen, 35.5x48cm: John Harbour, British, mid-late 20th century- Landscape; etching with aquatint printed in sepia, signed and dated 93 in pencil, 27x34cm., (3) (unframed) (may be subject to Droit de Suite) CONDITION REPORT: John Griffiths Fisherman's Cottage: sheet very yellowed old mount shadow round image sheet ruckled some chipping to the edges otherwise fair John Griffiths Bandstand: sheet very yellowed old mount shadow round image sheet ruckled some chipping to the edges otherwise fair John Harbour: Impression not centred on sheet Margins with outside plate mark right hand side Some black marks to margins Sheet slightly ruckled Otherwise fair-good
Lot 249
After James Abbott McNeill Whistler, American 1834-1903- "Fulham", 1879; etching, the fifth and final state, probably publ by the Art Journal, 1882, 13x20cm., (image) 23.5x29.5cm., (sheet) (mounted, unframed) CONDITION REPORT: sheet is stuck down to the underside of the mount with masking tape underside of mount is stuck down to the print surface on the edges sheet is quite browned overall subject to old mount shadows some faint yellow staining in the centre otherwise fair condition
Lot 257
Ya'akov Boussidan, Israeli b.1938- "Exercise Red and Yellow"; etching printed in colours, signed, titled, numbered 4/12 and dated 72 in pencil, 29x24cm, (unframed) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie CONDITION REPORT: Unframed, in plastic protective sleeve, signed, dated, titled and numered in pencil on wove tape marks verso otherwise in very good condition.
Lot 28
Malcolm A Appleby MBE, British b.1946- "Cherubim that Guards the Gates of the Garden of Eden"; etching with drypoint, second state, signed and inscribed 'Artist's Proof' in pencil, 43x59.5cm, (may be subject to Droit de Suite) Note: An example of this etching was exhibited at the Royal Academy Summer Exhibition in 1968 item no 830. Provenance: Gifted by the artist to a member of the current owner's family
Lot 64
Mortimer Luddington Menpes RE RBA ROI RI, Australian/British 1855-1938- Market scene at Peshawar; etching on laid, signed 30x19.5cm: together with nine further etchings by the same artist depicting Indian scenes including markets and portraits, ea. signed in pencil, various sizes, (10) (unframed) (VAT charged on hammer price) CONDITION REPORT: some sheets have small scuffs to the edges, mostly on deckled sheets, some laid, some wove paper, overall sheets appear time faded, one sheet has prominent yellow spotting to the mount some discolouration to edges of sheets otherwise all appear in overall good original condition
Lot 65
Victor Pasmore CH CBE, British 1908-1998- "Images on the Wall E"; colour etching with aquatint, signed with monogram, numbered 45/50 and dated 92 in pencil, 29.5x30cm, (may be subject to Droit de Suite) CONDITION REPORT: in a glazed, wooden frame may or may not be stuck down as unexamined out of frame, although appears to be stuck down at centres and corners edges of sheet partially visible there appears to be some dappled discolouration to sheet, predominantly in the lower right hand margin some faint creasing, predominatly in lower left hand corner of sheet in good original condition
Lot 66
Anthony Gross CBE RA, British 1905-1984- "Little Serignac Landscape", 1978; etching, signed within the plate, signed, titled and numbered 40/75 in pencil, 22.8x36.7cm, (may be subject to Droit de Suite) Note: Anthony Gross studied at the Slade School of Fine Art in London before moving to Paris to train as an etcher and engraver. His work is held in a number of public collections including the British Council and Tate
Lot 8
Kenneth Armitage RA CBE, British 1916-2002- "Richmond Oaks"; etching, signed, numbered 1/30 and dated 1977 in pencil, 30x37.5cm, (unframed) (may be subject to Droit de Suite) Note: Between 1975 and 1986 Armitage moved from the figure to nature, and became fascinated with the oak trees in Richmond Park. As he recalled in an interview with John McEwen in 1991:- "One day in 1975, in the spring, I suddenly saw them... and everywhere I looked it was a revelation, the trees were alive... And from then on I was hooked absolutely, and I went usually about three times a week, sometimes early in the morning, as early as I could get there before the gates were open. There was a little wicket-gate I found, you could park outside and go through the wicket-gate, and no one inside. You would see foxes sometimes, deer of course, and I had the place to myself. And I took sketch-books and eventually etchings on the spot. And it made me very happy to be there"
Lot 91
Joe Tilson RA, British b.1928- "Signatures and Correspondences"; etching, aquatint, carborundum and gold leaf, on handmade paper, signed, inscribed 'proof' and dated 1987 in pencil, 57.5x79cm, (may be subject to Droit de Suite) CONDITION REPORT: in a modern, glazed wooden frame edges of sheet visible appears to be stuck down, centres and corners, although unexamined out of frame sheet is ruckled from top to bottom and left to right, with some handling marks visible colour pigmentation to sheet, underneath pencil in good original condition
Lot 97
Patrick Procktor RA RWS, British 1936-2003- "Château Russian Style", "Château Mouton-Rothschild" & "Vieux Château Certan"; etching and aquatints printed in colours, three, ea. signed, titled and numbered from an edition of 150 in pencil, blindstamp, ea. 30x40cm, (unframed) (3) (may be subject to Droit de Suite) CONDITION REPORT: All Unframed Lead print slightly yellowing round the edges Also handling marks and surface dirst on edges of paper Minor discolouration - tape marks verso Second print - Mouton Rothschild - dog-earred on lower left hand corner Some handling marks round the edges - tape residue verso and 'Art For Offices' label stuck on verso. Third print appears to have yellowed a little, but otherwise in good condition. All signed, titled and numbered. Measurements are within plate marks Otherwse all in general good condition.
Lot 98
Patrick Procktor RA RWS, British 1936-2003- "Château Prieure Lichine" & Château Certan"; etching and aquatints printed in colours, two, ea. signed, titled and numbered from an edition of 150 in pencil, with blindstamp, ea. 30.5x40.5cm, (unframed) (2) (may be subject to Droit de Suite) CONDITION REPORT: All Unframed First print no real visible defects Second print has some minor handling/finger marks in margins Both signed, titled and numbered measurements are in plate marks Otherwise in very good condition.
Lot 99
Anthony Gross, CBE RA, British 1905-1984- ''À L'Ombre d'un Noyer'', 1969; etching, signed, titled and numbered 38/75 in pencil, 29x35cm, (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed speckling/spotting in the margins yellowing round the the edges rough edge on sheet of paper Measurements within the plate signed in pencil, numbered and titled In reasonable condition
Lot 299
GRAHAM CLARK (b. 1941) Framed, signed, titled and numbered in pencil to margin, 'Tom Tinker 164/400, coloured etching on paper, with certificate of authenticity from CCA Galleries, London, verso, together with HEMMING. Framed, signed, dated 1988, no. 6/50 and titled, 'Goose Egg Cup' in pencil to margin, woodcut on paper, NORBERT ATTARD. A pair of framed, signed, numbered and titled in pencil to margins, 'Mihrab XV 5/160', 'Mihrab XIV 5/160', limited edition prints, and PADMINI KAMAT. Framed, signed, gouache on silk, Indian study of 'The Imperial Steed of The Raj' from the Franklin Mint, 26.5cm x 31cm, 26cm x 23cm, 53cm x 40cm (x2) and 36.5cm x 47cm, (5).
Lot 278
AFTER HENRY WILKINSON "Study of black Labrador retrieving duck", coloured etching, limited edition No'd. 16/45, signed in pencil lower left, together with "Black Labrador retrieving duck from water", coloured etching, limited edition No'd. 70/75, signed lower right and "Black Labrador retrieving pheasant", coloured etching, limited edition No'd. 6/100, signed lower left (3) (ARR)
Lot 300
AFTER JAMES GILRAY "Clearing a five-bar gate", coloured etching by H Humphrey, together with various other prints AFTER LIONEL EDWARDS, HENRY ALKEN, ARTHUR J ELSLEY, etc CONDITION REPORTS Wear, dirt and stains. Some undulations to paper. Some foxing and some fading. Damage to glass to one picture. The size of "Clearing a five bar gate" is approx 37 x 28cm.
Lot 326A
AFTER INGE CLAYTON "On special offer", colour etching, signed and dated '73 bottom right, titled and No'd. 24/35 in pencil, together with another by the same hand "Andante", "Con Motto", "Allegro", a set of three nude studies as one, signed and dated '94 in pencil bottom right, titled centre and No'd. 4/20 bottom left
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78391 item(s)/page