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SCHÜTT, Franz Theodor(1908 Berlin - 1990 Wiesbaden) Weiblicher AktRadierung. Bleistiftsignatur. 1937. Künstlerexemplar "e.a.". Druckplatte: 23,5 x 16,5 cm, Blatt: 39,5 x 30 cm, im Passepartout: 50 x 40 cm. Deutscher Maler, Grafiker, Bildhauer der Neuen Sachlichkeit. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:08 Uhr (CET) SCHÜTT, Franz Theodor(1908 Berlin - 1990 Wiesbaden) Female NudeEtching. Pencil signature. 1937. artist's copy "e.a." Print plate: 23.5 x 16.5 cm, sheet: 39.5 x 30 cm, in mount: 50 x 40 cm. German painter, graphic artist, sculptor of the New Objectivity. Call time 26 | Oct 2023 | expected 18:08 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BELLMER, Hans(1902 Kattowitz - 1975 Paris) Ohne TitelRadierung auf Japanpapier. Bleistiftsignatur. Druckplatte: 29,9 x 19 cm, Blatt: 43,7 x 33 cm. Deutscher Fotograf, Bildhauer, Maler und Autor. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:14 Uhr (CET) BELLMER, Hans(1902 Katowice - 1975 Paris) Without titleEtching on Japanese paper. Pencil signature. Print plate: 29.9 x 19 cm, sheet: 43.7 x 33 cm. German photographer, sculptor, painter and author. Call time 26 | Oct 2023 | expected 18:14 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

LESSER, Rudi(1902 Berlin - 1988 Berlin) Personen auf der StraßeRadierung auf Bütten. Bleistiftsignatur. Prägestempel "Reinert Druck Berlin". Druckplatte: 21,6 x 17,6 cm, Blatt: 50,1 x 39,7 cm. Deutscher Aquarellmaler und Grafiker. "Als er nach dem Krieg heimkehrte, hatte der Kunstbetrieb ihn vergessen. Die, die ihn kannten, vergaßen ihn nie." (Zitat: Hans W. Korfmann, in: Kreuzberger Chronik, Juni 2014, Ausgabe 159). Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:16 Uhr (CET) LESSER, Rudi(1902 Berlin - 1988 Berlin) Persons on the streetEtching on laid paper. Pencil signature. Embossed stamp "Reinert Druck Berlin". Printing plate: 21.6 x 17.6 cm, sheet: 50.1 x 39.7 cm. German watercolor painter and graphic artist. "When he returned home after the war, the art world had forgotten him. Those who knew him never forgot him." (Quote: Hans W. Korfmann, in: Kreuzberger Chronik, June 2014, issue 159). Call time 26 | Oct 2023 | expected 18:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MAETZEL, Emil(1877 Cuxhaven - 1955 Hamburg) Sitzender Knabe mit angezogenem BeinRadierung auf Bütten. Bleistiftsignatur. Druckplatte: 36 x 20,9 cm, Blatt: 53,5 x 38,3 cm. Etwas stockfleckig. Deutscher Architekt, Maler, Grafiker und Bildhauer; Mitbegründer der Hamburgischen Sezession und bedeutende Hamburger Künstlerpersönlichkeit der 1920er Jahre. Ein Teil seines Werkes wurde unter nationalsozialistischer Diktatur als "entartet" diffamiert, beschlagnahmt und vernichtet. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:18 Uhr (CET) MAETZEL, Emil(1877 Cuxhaven - 1955 Hamburg) Sitting boy with tightened legEtching on laid paper. Pencil signature. Print plate: 36 x 20.9 cm, sheet: 53.5 x 38.3 cm. Slightly foxed. German architect, painter, graphic artist and sculptor; co-founder of the Hamburg Secession and important Hamburg artistic personality of the 1920s. Part of his work was defamed as "degenerate" under National Socialist dictatorship, confiscated and destroyed. Call time 26 | Oct 2023 | expected 18:18 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

STEINHAGEN, Heinrich(1880 Wismar - 1948 Rahlstedt) TanzpaareRadierung. In der Platte signiert, verso Nachlassstempel "Nachlass Heinrich Steinhagen S". In der Platte datiert: [19]50. Edition Griffelkunst-Vereinigung Hamburg e.V. Nr. 202 B3. Druckplatte: 25 x 30 cm, Blatt: 35,2 x 43,4 cm. Deutscher Grafiker, Maler und Bildhauer des Expressionismus. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:27 Uhr (CET) STEINHAGEN, Heinrich(1880 Wismar - 1948 Rahlstedt) Dance couplesEtching. Signed in the plate, on the verso estate stamp "Nachlass Heinrich Steinhagen S". Dated in the plate: [19]50. edition Griffelkunst-Vereinigung Hamburg e.V.. No. 202 B3. Print plate: 25 x 30 cm, sheet: 35.2 x 43.4 cm. German graphic artist, painter and sculptor of expressionism. Call time 26 | Oct 2023 | expected 18:27 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KOTHER, Paul(1878 Leipzig - 1963 Weimar) Biblische Szene mit Darstellung der Geburt ChristiKolorierte Original-Radierung. Bleistiftsignatur. 1927. Druckplatte: 14,5 x 9,8 cm, Blatt: 19 x 12 cm, im Passepartout: 30,5 x 26 cm. Deutscher Maler und Grafiker des Expressionismus, wird der Gruppe "Die verschollene Generation" zugeordnet. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:32 Uhr (CET) KOTHER, Paul(1878 Leipzig - 1963 Weimar) Biblical scene with depiction of the birth of ChristColored original etching. Pencil signature. 1927. Print plate: 14.5 x 9.8 cm, sheet: 19 x 12 cm, in mount: 30.5 x 26 cm. German Expressionist painter and graphic artist, is assigned to the group "The lost generation". Call time 26 | Oct 2023 | expected 18:32 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DIEDRICH, Helmut Stephan(*1937 Michelsrombach) "Neue Landschaft"Farbradierung. Bleistiftsignatur. Exemplar: 10/95. Druckplatte: 29,5 x 23,5 cm. Gerahmt & hinter Glas : 54,5 x 40 cm. Oberer Rand mit kleinem Wasserfleck. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:38 Uhr (CET) DIEDRICH, Helmut Stephan(*1937 Michelsrombach) "New Landscape"Color etching. Pencil signature. Copy: 10/95. Print plate: 29.5 x 23.5 cm. Framed & behind glass : 54.5 x 40 cm. Upper margin with small water stain. Call time 26th | Oct 2023 | expected 18:38 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ALT, Otmar(*1940 Wernigerode) KatzeCarborundum-Farbradierung. Bleistiftsignatur. Exemplar: 3/XXX. Abbildung: 17 x 13,5 cm. Gerahmt & hinter Glas : 48,7 x 38,7 cm. Deutscher Maler, Grafiker, Designer und Bildhauer, der für seine expressiven, puzzleartigen Werke Bekanntheit erlangte: "Kunst heißt: ein Zeichen setzen. Zeichen setzen bedeutet, etwas Bleibendes zu schaffen und den interessierten Betrachter direkt in die Welt meiner Kunst mitzunehmen und einzubeziehen. Ich möchte den Menschen etwas mitteilen und in der Gesellschaft, in der ich heute lebe, ein positives Zeichen setzen." (OM, www.otmar-alt.de). Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:57 Uhr (CET) ALT, Otmar(*1940 Wernigerode) CatCarborundum color etching. Pencil signature. Copy: 3/XXX. Image: 17 x 13.5 cm. Framed & behind glass : 48.7 x 38.7 cm. German painter, graphic artist, designer and sculptor who gained fame for his expressive, puzzle-like works: "Art means: to set a sign. Setting a sign means creating something lasting and taking the interested viewer directly into the world of my art and involving them. I want to communicate something to people and make a positive mark in the society I live in today." (OM, www.otmar-alt.de). Call time 26 | Oct 2023 | expected 18:57 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRIEDLAENDER, Johnny(1912 Pleß - 1992 Paris) Ohne TitelFarbradierung auf Bütten. Bleistiftsignatur. Exemplar: IV/XX. Druckplatte: 15,9 x 11,9 cm. Gerahmt & hinter Glas : 48,5 x 39 cm. Blatt etwas lichtgebräunt. Deutsch-französischer Grafiker, zählt zu den Wegbereitern der modernen Farbradierung, er erhielt 1969 das Bundesverdienstkreuz und 1982 den Lovis-Corinth-Preis: "Ich scheue den Zufall in meiner Arbeit; er ist nicht mein Meister. Ich habe mir die Strenge zur Regel gemacht. Ich notiere meine flüchtigen Ideen in Form von zahlreichen Skizzen und wie für eine Partitur werden sie immer mehr erarbeitet." (Zitat aus: Friedlaender, Werkverzeichnis der Radierungen; gesehen auf kettererkunst.de). Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:10 Uhr (CET) FRIEDLAENDER, Johnny(1912 Pleß - 1992 Paris) Without titleColor etching on laid paper. Pencil signature. Copy: IV/XX. Print plate: 15.9 x 11.9 cm. Framed & behind glass : 48.5 x 39 cm. Sheet somewhat light browned. German-French graphic artist, counts among the pioneers of modern color etching, he received the Federal Cross of Merit in 1969 and the Lovis Corinth Prize in 1982: "I shun chance in my work; he is not my master. I have made rigor my rule. I jot down my fleeting ideas in the form of numerous sketches and, as if for a score, they are worked out more and more." (Quote from: Friedlaender, catalog raisonné of etchings; seen on kettererkunst.de). Call time 26 | Oct 2023 | expected 19:10 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRIEDLAENDER, Johnny(1912 Pleß - 1992 Paris) Ohne TitelFarbradierung auf Bütten. Bleistiftsignatur. Exemplar: IV/XX. Druckplatte: 17,7 x 15 cm. Gerahmt & hinter Glas : 37 x 32 cm. Deutsch-französischer Grafiker, zählt zu den Wegbereitern der modernen Farbradierung, er erhielt 1969 das Bundesverdienstkreuz und 1982 den Lovis-Corinth-Preis: "Ich scheue den Zufall in meiner Arbeit; er ist nicht mein Meister. Ich habe mir die Strenge zur Regel gemacht. Ich notiere meine flüchtigen Ideen in Form von zahlreichen Skizzen und wie für eine Partitur werden sie immer mehr erarbeitet." (Zitat aus: Friedlaender, Werkverzeichnis der Radierungen; gesehen auf kettererkunst.de). Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:11 Uhr (CET) FRIEDLAENDER, Johnny(1912 Pleß - 1992 Paris) Without titleColor etching on laid paper. Pencil signature. Copy: IV/XX. Print plate: 17.7 x 15 cm. Framed & behind glass : 37 x 32 cm. German-French graphic artist, is one of the pioneers of modern color etching, he received the Federal Cross of Merit in 1969 and the Lovis Corinth Prize in 1982: "I shun chance in my work; he is not my master. I have made rigor my rule. I jot down my fleeting ideas in the form of numerous sketches and, as if for a score, they are worked out more and more." (Quote from: Friedlaender, catalog raisonné of etchings; seen on kettererkunst.de). Call time 26 | Oct 2023 | expected 19:11 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Undeutlich signiert: Abstrakte KompositionFarbradierung auf Bütten. Bleistiftsignatur. Exemplar: 68/95. Druckplatte: 39,5 x 33 cm. Gerahmt & hinter Glas : 71,5 x 62 cm. Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:11 Uhr (CET) Indistinctly signed: Abstract compositionColor etching on laid paper. Pencil signature. Copy: 68/95. Print plate: 39.5 x 33 cm. Framed & behind glass : 71.5 x 62 cm. Call time 26th | Oct 2023 | probably 19:11 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Undeutlich signiert: Abstrakte KompositionFarbradierung auf Bütten. Bleistiftsignatur. Exemplar: 63/95. Druckplatte: 40 x 39 cm. Gerahmt & hinter Glas : 86 x 66 cm. Aufrufzeit 26. | Okt 2023 | voraussichtlich 19:12 Uhr (CET) Indistinctly signed: Abstract compositionColor etching on laid paper. Pencil signature. Copy: 63/95. Print plate: 40 x 39 cm. Framed & behind glass : 86 x 66 cm. Call time 26th | Oct 2023 | expected 19:12 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

† AHMED MATER AL ZIAD ASEERI (SAUDI B.1979) ABSTRACT (MAGNETISM II)signed, titled, dated and numbered Ahmed Mater 2012 / Magnetism II / 31/45 lower marginphotogravure etching41 x 62cm; 16 x 24 1/2in80 x 100cm; 31 1/2 x 39 1/4in (framed)Property of a Gentleman, London

Lucy Dawson (1867-1954), 'Who Called', an etching of a dog on a cushion, signed and inscribed, plate size 10" x 8" (25 x 20cm).

Cecil Aldin (1870-1935), a spaniel on a chair, etching, signed in pencil and numbered 14/100, plate size 8.25" x 6.75" (21 x 17cm), a/f, unframed.

Stanley Anderson (1884-1966), a view of the Hotel de la Pomme d'Or, etching, signed in pencil, plate size, 11" x 8.75" (28 x 22cm).

David Robertson (1834-1925), figures in a Continental square around a fountain, etching, signed in pencil, plate size 11" x 7.5" (28 x 19cm), unframed.

Eugene Bejot (1867-1931), 'St Servan l'Anse des Sablons', etching, signed in pencil, plate size 6.5" x 9.75" (16.5 x 25cm), along with an engraving by Luigi Chialiva (1842-1914), signed in pencil, plate size, 5" x 6.5" (12.5 x 16.5cm), unframed, (2).

Eugene Bejot (1867-1931), houseboats in the River Seine, etching, signed in pencil, plate size, 11.5" x 9.5" (29 x 24cm), unframed.

Morgan Dennis (1892-1960) American, an etching of a dog standing at a window, signed in pencil, plate size 5" x 3.25" (13 x 8cm).

William Lionel Wyllie (1851-1931) British, Gibraltar, shipping off the coast, etching, signed in pencil, plate size 6.25" x 14.75" (16 x 37.5cm).

William Lionel Wyllie (1851-1931) British, rounding the headland, etching, signed in pencil, plate size 6.25" x 14.75" (16 x 37.5cm).

Rajon after Alma Tadema, A classical interior scene with figures, etching, signed in pencil by both artists, 11.5" x 19.25", (29x49cm) (a/f).

Nelson Dawson A ruin on the coast, charcoal drawing, initialled, 14" x 17.5", (35.5x44.5cm)and another by the same hand 12.75" x 13", (32.5x33cm) and an etching after Turner attributed to Dawson, 12.25" x 17.5", (31x44.5cm) (unframed) (3).

John Cameron, 'A Stormy Day at Ranelagh', figures on a golf course, etching, signed in pencil, plate size 8" x 9.75" (20 x 24.5cm).

Albany Howarth (1872-1936), 'On the Ponte Vecchio, Florence', etching, signed and inscribed in pencil, plate size 6.5" x 6.5" (16.5 x 16.5cm), unframed.

Michael Weller (20th Century) 'Mary', a reclining nude, compressed charcoal, label verso, 15.5" x 15", (39.5x38cm) and Andover Road, Winchester, charcoal, label verso, 5" x 7.75", (12.5x20cm) along with City II, drypoint, inscribed verso, 11.5" x 11.25", (29x28.5cm) and an etching 3.75" x 10.75", (9x27.5cm) (4).

Malcolm Osborne (1880-1963), 'The Goose Fair, Albi', etching, signed and inscribed in pencil, plate size 11.5" x 14" (29 x 36cm), unframed.

Morgan Dennis (1892-1960) American, 'Scram', an etching of a terrier chasing a toad, signed and inscribed in pencil, plate size 5" x 3.25" (13 x 8cm).

Theodore Valerio (1819-1879), a scene of two musicians with string instruments, etching, plate size 8.25" x 5.5" (21 x 14cm), along with another similar of a male figure in traditional costume by the same hand, unframed (2).

William Walcott (1874-1943), 'The Tyne', ships and barges on a river, etching, signed and inscribed in pencil, plate size 6" x 7.75" (15 x 19.5cm).

Edward Millington Synge, an estuary scene, plate size 3.75" x 5.5" (9.5 x 14cm), along with an etching of Venice by David Law, plate size 9.5" x 6.75" (24 x 17cm), and a Continental etching by another hand, 7.25" x 10" (18.5 x 25cm), (3).

Modern British, A bust length portrait of a girl in a red jumper, oil on paper, 18.5" x 13.75", (47x35cm), a crayon study of a child by J. Black, 14.5" x 10.25", (37x26cm) and an etching of a girl by Tom Whitehead, signed in pencil, 7" x 5.25" (8x13.5cm) (unframed) (3).

William Walcott, A view of Venice with gondolas, etching, signed in pencil, 4.25" x 6.5", (10.5x16.5cm).

Salomon Van Abbe (1883-1955), 'The Coopers, Beaucaire', etching, signed and inscribed in pencil, plate size 7" x 10" (18 x 25cm), unframed.

Robert Weir Allan (1852-1942) a study of a lady knitting, etching signed in pencil, plate size 9" x 7" (23 x 17.5cm), along with another similar by the same hand, also signed in pencil, 6.75" x 5" (17 x 12.5cm), unframed, (2).

Morgan Dennis (1892-1960) American, an etching of two terriers, signed and inscribed in pencil, plate size, 3.5" x 5" (9 x 13cm).

Joseph Gray (1890-1962), 'Old Edinburgh', etching, signed in pencil, plate size 12" x 11.5" (30 x 29cm), along with two other pencil signed etchings by the same hand, 'Bakehouse Close', and 'Schichallon', unframed, (3).

Luigi Kasimir (1881-1962) Austrian, Schubert's birthplace, etching in colour, signed in pencil and numbered 135/250, plate size, 11" x 8" (28 x 20cm), unframed.

John Bulloch Souter (1890-1971), head of a woman, etching, signed and inscribed in pencil, plate size 7" x 6.5" (18 x 16cm), unframed.

Mortimer Menpes (1855-1938), 'Westminster Abbey', engraving, etching, signed in pencil, plate size 16.25" x 12" (41 x 30cm), unframed.

Lionel Arthur Lindsay (1874-1961), A Castilian Courtyard', etching, signed and dedicated in pencil, plate size 5.5" x 7" (14 x 18cm), along with William Palmer Robins (1882-1959), a figure in a windswept landscape, etching, signed, plate size 6" x 8" (15 x 20cm), unframed, (2).

Graham Clarke, 20th Century, 'Anchor and Hope', coloured etching, signed in scribed and numbered 209/400 in pencil, 10.5" x 13.5" (26.5 x 34.5cm).

LUKE ADAM HAWKER, FILLED WITH LIGHT pen, ink, etching ink and oil paint on card album cover, signedNote: this lot includes a signed copy of Luke's best-selling book 'The Last Tree'31cm x 31cmLondon based artist Luke Adam Hawker specialises in drawing on location, working in Pen & Ink, his observations over hours and sometimes days enable the collective layers of the drawing to capture a sense of motion and dynamism, where the frenetic energy of the living breathes life into the surrounding architecture. Through combining his architectural training and draftsmanship with a curious, spontaneous line, Luke creates emotive imagery, truly capturing a sense of place and our position within it. After Graduating from University Luke begun his design career in London, the transition from designer to full time artist was gradual but inevitable. Over recent years Luke has grown a loyal audience across social media, now with over 200,000 followers. Instagram: lukeadamhawker

MASON STORM, MONKEY PARLIMENT III (2022) limited edition giclee print on 350gsm Hahnemuhle Museum Etching paper, signed and numbered from an edition of 75067cm x 49cm British artist Mason Storm is known for provocative works that poke fun at the hypocrisies within modern society. In his compositions which reference canonical paintings by Caravaggio, Johannes Vermeer, and Norman Rockwell Storm inserts elements from movies, TV, and pop culture to create clever juxtapositions that speak to contemporary issues. Like Banksy, Storm works anonymously, hiding his identity behind a designer balaclava. Self-taught, Storm claims to have a background in martial arts, security, and intelligence. Instagram: masonstormgenius

William IV General Officer / Staff Officer Pattern Sword. A rare and good example with a slightly curved piped back blade. This with an etched WIVR panel, also a panel of etched with cutler's details of William Deakin. The hilt with gilt open guard mounted with a General Officer's device. Housed in original steel scabbard fitted with two loose rings. Good clean condition, Etching very clear.

Royal Air Force EIIR Officer's RAF Sword by Crown Swords. A very good late Elizabeth II period example by Crown Swords of London. Etched with Royal Arms and a crowned eagle in flight. The pierced gilt metal guard is again cast with a crowned eagle, the guard enclosing a white shagreen grip with twist wire binding surmounted by a pommel ornamented with an Eagle’s head. Housed in black leather scabbard, with gilt mounts and complete with bullion sword knot. Overall near Parade Condition. ... Accompanied by a RAF sword belt, complete with buckle and slings of regulation pattern and in near Parade condition.Overall GC etching to blade clear and bright. slight age wear.

Royal Navy George V Attributed Officer's sword. A good George V example carried by Captain Alwyn Douglas Lenox-Conyngham. The blade etched with GVR cypher and crowned fouled anchor. The solid gilt metal guard emblazoned with a crowned fouled anchor. White shagreen grip surmounted by a gilt metal lion’s head pommel. The folding guard is engraved "A.D. Lenox-Conyningam" Housed in original black leather and gilt mounted scabbard fitted with two loose rings; complete with bullion sword knot. Etching to blade remains clear, gilt slightly dulled. GC Captain Alwyn Douglas Lenox-Conyngham entered the Royal Naval College Dartmouth in May 1921 and was appointed Midshipman in 1925. At the outbreak of WW2 he held the rank of Lt Commander and held a number of Staff appointments before promotion to Captain in 1948 and command of HMS Mermaid in 1952. During the Suez operations he was commanding HMS Jamaica. He retired in January 1958.

WW1 Period Royal Navy Officer's sword. A good George V example, the blade etched with GVR cypher and crowned fouled anchor. The solid gilt metal guard emblazoned with a crowned fouled anchor. White shagreen grip surmounted by a gilt metal lion’s head pommel. The folding guard is engraved "A LONG RN" Housed in original black leather and gilt mounted scabbard fitted with two loose rings; complete with bullion sword knot. Etching to blade remains clear, GC

African Tribal daggers, two ornate tribal with etching down the blades with red and green patterns. Both in very good condition in wooden sheaths.

A NINETEENTH OR TWENTIETH CENTURY BASKET HILT SWORD WITH DECORATED BLADE, this sword comes in its leather covered steel scabbard, the etching on the blade and the hilt is rubbed in places but in overall good condition, the mark inside the pointed star is also rubbed, the wire behind grip and scabbard are in good condition, the blade measures approximately 82cm form the hilt to the end tip, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request, all weapons including blades we cannot send internationally, international purchasers must organise their own courier or arrange a collection

John Brunsdon (British, 1933-2014), Orford, etching and aquatint, limited edition 117/150, signed, 34.5cm x 32cm.

John Brunsdon (British, 1933-2014), Ely Cathedral from Stuntney Causeway, etching and aquatint, artist's proof, limited edition 19/20, signed, 14.5cm x 32cm.

A box of Japanese prints, etching of Sunderland harbour, coastal map of Seaton Sluice to North Shields, all parts framed

Six wood engravings by Ian Stephens, incluidng Gardens, singed and dated 1995, number 41/50, 19x12cm, and Morton Mathews, The Wheelwright, etching.Qty: 7

Herbert Thomas Dicksee RE (1862-1942)'The Closed Door' (an alert recumbent patient terrier)etching on Japanese vellumplate 37 x 56cmCondition ReportFramed size: 57.5 x 75.5cm.Not examined out of glazed frame, housed in an acidic mount that has yellowed, time staining to the sheet giving it off-white tone, some whitish marks under the glass, please see images.

Richard Beer (British b. 1928). Etching. St Pauls. Numbered edition of 75 copies. Hand coloured, signed and framed. H.82 W.60 cm.

THEO VAN RYSSELBERGHE (1862-1926)Nu debout, baigneuse 1897 Monogramme de l'artiste en bas à droiteDédicacée dans la marge 'épreuves pour Madame Ad. Stoclet'Eau-forte, pointe sèche, imprimée en sanguine en noir Rechtsonder gemonogrammeerd door de kunstenaarGesigneerd in de marge 'épreuves pour Madame Ad. Stoclet' Ets, droge naald, gedrukt in rood krijt in zwartMonogrammed lower right by the artistDedicated in the margin 'épreuves pour Madame Ad. Stoclet'Etching, drypoint, printed in red chalk in black29,8 x 14,7 cm (image)34 x 19,5 cm (feuille à vue)EncadréeFootnotes:Provenance / HerkomstAdolphe Stoclet Collection, acquired in the early 20th centuryFor further information on this lot please visit Bonhams.com

John Hassell & William Nicholls after Philip Reinagle Fishermenartist's proof hand coloured etching with aquatint45 x 58cm; framed 54 x 67cm

§ Edmund Blampied (Channel Islands 1886-1966) The Meadow Roadsigned in ink 'E. Blampied' (lower right)drypoint etching24.7 x 36.9cm (Pl.) Framed 41 x 52.5cm