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Lot 160
λ JOHN DOYLE (BRITISH B. 1928) THE BURNING BUSH IN SPRING, ETON Watercolour and bodycolour, heightened with white Signed (lower right) 39 x 60cm (15¼ x 23½ in.)Painted in 1986. Together with etching by John Doyle, Eton from the Master's Boathouse, signed in pencil, Cottagers & The Happy Cottagers, prints after George Morland, two further prints of Eton College each signed in pencil, Various sizes (6)
Lot 500
ART/GLASGOW/THEOLOGY Pilkington, the Rev. M. A Dictionary of Painters From the Revival of the Art to the Present Period New Edition, London, diced calf binding Lalanne, Maxine A Treatise on Etching Translated from the French by S.R. Koehler Sampson, Low, Marston, Searle & Rivington, London, 1880 Gilchrist, Alfred I Belong to Glasgow Robert Gibson & Sons, Glasgow, signed with the author's compliments, Dec. 1941 Together with various volumes of Transactions of the Old Glasgow Club, leatherbound Victorian Bible, two leatherbound volumes of Good Words, a plastic chess set, dominoes etc. Condition Report:Available upon request
Lot 98
Splendid Neo-Expressionist style etching on paper entitled Once Upon a Midnight after Allan Edgar Poe's poem A Raven. It represents two female nudes wearing black gloves with a male nude standing next to a violon. The sensual figures are drawn in a gestural technique with black lines set on a background of brown washes that evolve into brick reds to end in a light blue-grey sky from where an Italian duomo emerges. Signature in pencil on lower right: Illegible. Title in lower center: Once upon a midnight. Number on lower left: A.P. 4/15. Housed in a marbleized gild frame with a white mat. Frame size: 31"L x 31"H x 1.25"W. Sight size: 20"L x 20"H. Issued: 2003Edition Number: Artist Proof 4 of 15 Condition: Age related wear.
Lot 19
William Daniell (British 1769-1837), Dowlutabad the ancient Deo Gurh, hand-coloured aquatint, circa 1826, from Scenery, Costumes, and Architecture, chiefly on the Western side of India, by Captain Robert Grindlay, after Richard Gilson Reeve (British, 1803 - 1889), mounted, glazed and framed, 22.9 cm. high x 27.9 cm. Grindlay (1786-1877) served in the Bombay Native Infantry from 1804-20, rising to Captain. Captain Robert Grindlay's "Scenery, Costumes and Architecture, chiefly on the Western Side of India", issued from 1826 to 1830 was a result of his interest in architecture especially the connection between Egyptian and Hindu architecture. A number of original sketches in the book are his own. He was given views of other subjects by Captain Charles Auber, Lieutenant-Colonel John Johnson and William Westall. Several sketches in the book were handed over to professional artists to be worked up into finished compositions: William Westall, William Daniell, David Roberts, Clarkson Stanfield, Copley Fielding and George Cruikshank. The plates were engraved and coloured with unusual care: with etching by one hand supplemented by engraving by another. Even the name of the colorist, J.B. Hogarth, is given. The colouring is elaborate with shadows heightened with varnish to deepen the contrasts.
Lot 102
To Be Sold With No ReserveA group of four framed etchings by Mortimer Menpes (1855-1938),Srinagar River; Tailor of Amristar ; Srinagar River Scene; Palace at Ajmer, etching in dry point, signed in pencil and inscribed "imp", framed and glazed,13 x 15cm.; 30 x 22.5cm. 14 x 16.5; 22.5 x 27cm (4)
Lot 184
JOHANNES KIP (1652/3-1722). “The Abbey in Cirencester, The Sent of Thomas Master Esq.” black & white etching, 37cm x 39cm (framed & glazed, 58cm x 59.5cm); another coloured etching “Knole The Seat of Tho. Chester Esq.”, 32cm x 43cm (mounted, unframed). & JOHN SELL COTMAN (1782-1842) “The West front of Castle Acre Priory, black & white etching, publ. 1813 with dedication lower margin, 30cm x 43cm, framed & glazed (47.5cm x 60cm overall).
Lot 751
Five framed drawings, etchings and prints, to include: Ian Cruikshank - pencil study of figures on a walk, signed; 'The Ring' drypoint etching titled and indistinctly signed 'Leonard...' below; Jane Lampard - 'Winter Morning, Goldwick Farm', signed print; Japanese illustration of a procession over a bridge, pen on paper, inscribed above; together with one other reproduction print of an etching, largest frame: 33 x 35 cm (5)
Lot 752
Seven 19th-20th century paintings and prints, to include: Peter Coate - Farm buildings near Wellow, watercolour on paper, signed below, 24 x 33 cm; Alfred-Louis Brunet-Debaines - Etching of Trafalgar Square, signed in print and pencil below, 17 x 25.5 cm; Lithographic print of view of Stroud, inscribed and dated 'Stroud, Gloucestershire, 1848' to margin; Denis Warren - 'Oria' (Lake Lugano), signed with title inscribed to margin; together with Village scene with iron pump, watercolour signed indistinctly and dated 1941 verso; together with two Victorian portrait photographs with gilt slips, all framed and glazed (7)
Lot 753
Six framed paintings and prints to include: two watercolours by F. Wirgman - 'The Old Mill Lemington Spa' (1933) and Warwickshire' (1947), both signed and dated, both framed, each frame approx. 43 x 53 cm; Watercolour study of Dartmoor, initialled and dated 1907; J.C. Stadler after A. Pugin - Chapel of Christ College, aquatint in colours; Tom Waghorn - 'Boston Stump' signed etching; together with a print titled 'Sunset on the Maas' to margin, all framed (6)
Lot 792
Eighteen 19th-20th century framed prints and paintings to include: Elizabeth Barnes - limited edition etching of a branch of flowers, 3/96; After G. Darmour - 'Punch, or the London Charivari' hand coloured; After Snaffles - 'The Finest View in Europe; Four fantasy themed gouache paintings of nature and mermaids, and others, largest frame: approx. 32 x 38 cm (18)
Lot 793A
Four framed artworks by different artists to include: Marie Lawrencin - Girl with ukulele, coloured etching, signed; A.H. Randell - Two figures frolicking, pen on paper, signed below; L. Haase - girl in jester outfit, watercolour, signed and dated '1933' below; together with an ink on silk painting of a French huntsman with horn and hound, unsigned, largest frame: 36 x 50 cm (4)
Lot 187
To include 'Whatever Flames Upon the Night' (inspired by the W B Yates poem 'The Tower'), etching, numbered, titled and signed below the plate mark '5-50 Whatever Flames Upon the night, Fanchon Fröhlich', 44cm x 28cm and 'Ambiguity Hubris D'artiste', etching, titled and signed below the plate mark 'Ambiguity Hubris D'artiste, Fanchon Fröhlich', 22cm x 16cm.Qty: 2'Whatever Flames Upon the Night' with some surface dirt, dirt below the mount and light mount burn.'Ambiguity Hubris D'artiste' with mount burn and slight warping.
Lot 201
'Misty Arundel', screen print on paper, signed, dated and numbered to the mount 'Derek Jones 1985' with artists label to the back. 30cm x 20cm.'Ninewar', etching, signed, titled and dated 'D Jones '81' outside of the plate mark. 10cm x 8cm.'Winter Trees', lithograph, signed outside of the plate mark 'D Jones'. 30cm x 19cm.'Tiger', coloured lithograph on paper, signed within the print 'David Kosta'. 54cm x 79cm. In generally good condition. Some fading to the David Kosta. Some surface dirt.
Lot 218
To include a follower of George Baxter, a portrait of a beauty, watercolour on paper, 13cm x 8cm; in the manner of George Cruickshank, 'Dutch Courage', pencil on paper, 20cm x 32cm; after J M W Turner RA, engraved by W Say 'Marine Dabblers', etching on paper, 22cm x 30.5cm; early 19th century English School, sleeping lady, watercolour on paper, 25cm x 23cm; 18th-century British school, 'The Horse and Carriage', pencil on paper, initialled lower right 'G.E.C.', 17cm x 25.5cmQty: 5Light toning and foxing to the paper throughout. Some dents, nicks and scratches out of the frames. The after Turner is unframed.
Lot 349
Comprising of two watercolours, the first a mountainous landscape with a lake, watercolour on paper, signed and dated 'Sege Lake, 1880'; the second of fishermen in the surf, watercolour on paper; together with a needlework picture of The Hay Wain; a needlework picture of a house and garden; and a hand coloured etching of a mother and child in an oval gilt frame.The mountainous landscape 17.5cm x 25cm. The fishermen 16.5cm x 24cm. The Hay Wain 26cm x 38cm. The house and garden 44.5cm x 61cm. The etching 24cm x 18cm.Qty: 4In generally good condition. Some losses to the frames. Light sun bleaching overall. The slip in the frame on the largest has come loose. Toning throughout the etching.
Lot 360
The lot comprising of etchings of various country houses: Shipton Court; Burford Priory; Chastleton; Broughton Castle; and Minster Lovell Priory. Together with two small hand-coloured etchings of children at play; a watercolour of fishermen by a mill; a hand-coloured etching of Mahon Harbour; and a hand-coloured engraved map of Menorca.In various conditions. The frame of Shipton Court is cracked.
Lot 493
A SMALL QUANTITY OF DECORATIVE PAINTINGS AND PRINTS ETC, comprising a John Straw watercolour depicting wild flowers, approximate size 20cm x 16cm, an indistinctly signed portrait of a male figure wearing Alpine clothing, dated 1949, oil on canvas, approximate size 49cm x 39cm, Emily Estelle Rice watercolour of St Ives circa 1959, three Astrid Knight pen, watercolours and mixed media landscapes, two Caroline Tate mixed media studies, Alison signed etching numbered 1/1, a signed Alice Barnwell etching 'The Wolds' with Rembrandt Guild blind stamp - loose in the mount, two Brenda Dawkin floral watercolours, W.A. Tait floral watercolour and a Philip Solden study of a tree
Lot 74
20th Century Continental School, etching, A harbour view, possibly Port of Valletta, Malta, signed to the lower right, framed, mounted, and under glass, measuring 14cm x 17cm, & 22cm x 27cm overall, together with three other pictures, to comprise a hand coloured map of Westmorland, Cumbria, a gouache painting of a fashionable lady, and a sketch of mice on toadstools (4)
Lot 100
Original vintage art advertising poster for an exhibition of rare Pablo Picasso engravings (from 1905 to the present day) / Gravures Rares (de 1905 a nos jours) at Galerie 65 Cannes from 9 April to 12 May 1966 featuring Picasso's 1904 etching The Frugal Meal / Le Repas Frugal printed in 1913 of a thin man with his arms around a lady sitting behind a table with a small piece of bread and bottle of wine for their meal set within a border, the exhibition information text above and below with Picasso's signature. The notable Spanish artist and sculptor Pablo Picasso (1881-1973) was one of the founders of Cubism in the early 20th century. Fair condition, staining, creasing, tears, paper skimming. Country of issue: France, designer: Pablo Picasso, size (cm): 76x53, year of printing: 1966.
Lot 107
Original vintage advertising poster titled 'New Orleans, LA - Dixieland Hall', with an etching artwork illustrating a scene from a jazz bar or parlour. Featuring a pianist, trumpeter and a jazz band on stage with audience looking. Excellent condition, minor fold. Country of issue: USA, designer: Francisco McBride, size (cm): 56x44.5, year of printing: 1968.
Lot 1047
Leonard Russell Squirrell (1893-1979) - Early spring in Suffolk, etching, signed in pencil to the margin, 18 x 25cmSlight wave to the sheet.Discoloured where the mount edge touch the sheet.The mount is obscuring the plate mark on three sides and possibly some of the image.Not examined out of frame.
Lot 1803
LIEBERMANN, MAX (1847-1935), "Netzeflickerinnen", Radierung/Papier, in der Platte signiert 'Liebermann', HxB: Platte ca. 23x31 cm, Blatt ca. 42x59. Gebräunt und part. fleckig, gewellt und Knicke (von gerollter Lagerung), am oberen Rand Reste von Monturstreifen, am unteren Rand minim. beschnitten.| LIEBERMANN, MAX (1847-1935), "Netzeflickerinnen", etching/paper, signed 'Liebermann' in the plate, HxW: plate approx. 23x31 cm, sheet approx. 42x59. Tanned and part. stained, wavy and creases (from rolled storage), remnants of clothing strips on the upper edge, minimal on the lower edge. circumcised.
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