JANSSEN, HORST (1929 - 1995), "Unter Kerinnes", 1988, Aquatintaradierung auf Japanbütten, in der Platte monogrammiert, datiert und bezeichnet.. Mit Bleistift nummeriert (Ed. 55/100), signiert, datiert. Hinter Passepartout montiert. Durchmesser Platte: ca. 25 cm, Durchmesser Passepartoutausschnitt: ca. 26,5 cm, HxB Rahmen: ca. 49 x 41,5 cm. Alters - und Beriebspuren. Mit verglastem Rahmen (Altersspuren).| JANSSEN, HORST (1929 - 1995), "Unter Kerinnes", 1988, Aquatint etching on Japan laid paper, monogrammed, dated and inscribed in the plate. Numbered in pencil (Ed. 55/100), signed, dated. Mounted behind passepartout. Diameter of plate: approx. 25 cm, diameter of mount cut-out: approx. 26.5 cm, HxW frame: approx. 49 x 41.5 cm. Signs of age and rubbing. With glazed frame (traces of age).
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PORSCHE - Kristallglasradierung 911 (996) Carrera Coupe, limitiertes Pressegeschenk, das im Rahmen der Präsentation der 911 (996) Facelift Modelle in Murnau im Jahr 2001 an die eingeladenen Pressemitglieder herausgegeben wurde. HxBxT: ca. 5 x 8 x 5 cm. In Originalverpackung. Alters- und Gebrauchsspuren.| PORSCHE - Crystal glass etching 911 (996) Carrera Coupe, limited press gift, which was issued to invited members of the press as part of the presentation of the 911 (996) facelift models in Murnau in 2001. HxWxD: approx. 5 x 8 x 5 cm. In original packaging. Signs of age and use.
OSTADE, ADRIAEN VAN (1610 - 1685), "Der Raucher und der Trinker", in der Platte signiert: "Av. Ostade", Radierung auf Bütten, auf Träger montiert. HxB Platte: ca. 7,6 x 5,9 cm, HxB Blatt: ca. 7,9 x 6,3 cm, HxB Träger: ca. 32,3 x 24 cm. Alters - und Beriebspuren, leicht gebräunt, minimal fleckig.| OSTADE, ADRIAEN VAN (1610 - 1685), "The Smoker and the Drinker", signed in the plate: "Av. Ostade", etching on laid paper, mounted on support. HxW plate: approx. 7.6 x 5.9 cm, HxW sheet: approx. 7.9 x 6.3 cm, HxW support: approx. 32.3 x 24 cm. Signs of age and rubbing, slightly browned, minimally stained.
FUCHS, KARL (1872 -1968), Paar Landschaften, 20. Jh., 1.) "Pliensaubrücke in Esslingen", unten links signiert: "K. Fuchs", Öl auf Leinwand, HxB: ca. 35 x 48 cm (HxB Rahmen: ca. 41,5 x 54 cm). Alters- und Beriebspuren, Leinwand leicht wellig. Mit Rahmen (Altersspuren).2.) "Esslingen, Blick nach der Frauenkirche", Farbradierung auf Papier, mit Bleistift betitelt und signiert: "Esslingen, Blick nach der Frauenkirche", "K. Fuchs", HxB Platte: ca. 15 x 12 cm, HxB Sichtmaß Blatt: ca. 26,5 x 20,5 cm, HxB Rahmen: ca. 29 x 23 cm. Alters- und Beriebspuren. Mit verglastem Rahmen (Altersspuren).| FUCHS, KARL (1872 -1968), Pair of landscapes, 20th century, 1) "Pliensau Bridge in Esslingen", signed lower left: "K. Fuchs", oil on canvas, HxW: approx. 35 x 48 cm (HxW frame: approx. 41.5 x 54 cm). Signs of age and rubbing, canvas slightly wavy. With frame (traces of age). 2.) "Esslingen, view towards the Frauenkirche", colour etching on paper, titled and signed in pencil: "Esslingen, view towards the Frauenkirche", "K. Fuchs", HxW plate: approx. 15 x 12 cm, HxW sheet size: approx. 26.5 x 20.5 cm, HxW frame: approx. 29 x 23 cm. Signs of age and rubbing. With glazed frame (traces of age).
OSTADE, ADRIAEN VAN (1610 - 1685), "Der Tanz unter der Laube", um 1652, in der Platte signiert: "Av. Ostade", Radierung auf Bütten, auf alten Träger und hinter Passepartout montiert. HxB Platte: ca. 12,5 x 17 cm, HxB Blatt: ca.13,7 x 18,2 cm, HxB Passepartout: ca. 26,1 x 37,8 cm. Um die deutlich ausgeprägte Plattenkante ein ca. 4 - 7 mm breiter Rand. Alters - und Beriebspuren, leicht gebräunt, kleine Quetschfalte am linken Rand.| OSTADE, ADRIAEN VAN (1610-1685), "The Dance under the Arbour", c. 1652, signed in the plate: "Av. Ostade", etching on laid paper, mounted on old support and behind passepartout. HxW plate: approx. 12.5 x 17 cm, HxW sheet: approx. 13.7 x 18.2 cm, HxW passepartout: approx. 26.1 x 37.8 cm. A margin approx. 4 - 7 mm wide around the clearly pronounced platemark. Traces of age and rubbing, slightly browned, small crease in left margin.
MÜLLER, RICHARD (1874-1954), "Erlegter Riesenhummer am Strand", 1930, Radierung/Papier, in der Platte signiert und datiert 'R. Müller 1930', darunter mit Bleistift num. 48/90, Trockenstempel links 'ORIGINALRADIERUNG' und rechts 'PROF. RICHARD MÜLLER DRESDEN', HxB: Platte ca. 21,5x42 cm, Passepartoutausschnitt ca. 25,5x45 cm, Außenmaße Rahmen ca. 57x76 cm. Leichte Altersspuren. Im Passepartout hinter Glas gerahmt. | MÜLLER, RICHARD (1874-1954), "Erlegter Riesenhummer am Strand", 1930, etching/paper, signed and dated in the plate 'R. Müller 1930', numbered 48/90 in pencil below, dry stamp 'ORIGINALRADIERUNG' on the left and 'PROF. RICHARD MÜLLER DRESDEN' on the right, HxW: plate approx. 21.5x42 cm, mat cut-out approx. 25.5x45 cm, outer frame dimensions approx. 57x76 cm. Slight signs of age. Framed behind glass in passepartout. BEI EINEM ZUSCHLAG ÜBER € 400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.
After Rembrandt van Rijn (1606-1669) - An etching on paper depicting a boat by lake with town in the background. Signed bottom left. Circa 1650. Framed & glazed. Measures approx. 19cm x 24cm Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art.
Charles Watson (1846-1927), "Chelsea", a monochromatic riverscape with figures attending to small docked vessels along the River Thames, beyond sits the bustling city of London, dry point etching, signed, titled and dated within etching 1879, in card mount and ebonised and gilt frame under glass, 48.5 cm x 37 cm overall [Watson exhibited at the Royal Academy, the Glasgow Institute of Fine Arts amongst many other galleries and institutions.]
Frank Henry Mason (1875-1965) an etching of 'Scarborough', pencil signed, titled and dated Aug 23 1919 to lower margin 12 x 17cm together with John Hassell (1767-1825) after Thomas Bradley 'Barton Ferry', engraving pub. 9th July 1801, inscribed 'To the Corporation of the Mayor and Burgesses of the Town and Borough of Kingston upon Hull etc. image 33 x 49cm and a print of Holy Trinity Church, Hull 16 x 23cm.
Sir James Peile KCSI (1833-1901), two grey wash landscapes 'Lincoln On the Witham' image 18 x 16.5cm and 'Ripon from Studley' 15 x24cm both titled and dated but unsigned with annotations verso together with an etching by Alfred Bentley (1879-1923) of 'Richmond Castle' pencil signed lower margin, image 24 x 32cm.
Otto Weber RA, RE, RI, ARWS (1832-1888) German"Rough Weather for Ploughing"Signed, inscribed and dated c.1880 to gallery label verso, etching, together with a quantity of further mixed works to include a black and white pastel sketch of a fish wife resting by a boat by M F W Mowat, signed and dated 1905, "Yorkshire Hayfield" after Sir Frank Short, an etching in aquatint "Conversation Piece- Tommy Grantham's Stables, West Grimstead" by Geoffrey Sparrow, a watercolour "The Marsh Fool" by M.S Hagerty, etc. 22cm by 30cm and various sizes (10)
After Henri Charles Muller(French, 1784-1846)"Vue de l'hospice du mont Saint Bernard", the French Army gather by the hospice of Mt. St. Bernard,etching and aquatint,42 x 56cms, in frame.Notes: original label for W. M. Power, "carver, gilder, frame specialist and restorer of old pictures", Westminster.
§ Leonard Brammer (1906-1994) Whitfield Tip, North Staffordshire, 1955signed 'L. G. Brammer' (lower right) etching19.5 x 27.5cmNot examined out of the frame, margins are obscured by the mount so not available for inspection. Paper support appears slightly toned throughout, though this is uniform and even. Otherwise appears in nice condition.
§ Richard Smith CBE (1931-2016) Two of a Kind IIa (yellow line on green)signed and dated 'R. Smith 78' (lower right); numbered 57/80etching on folded paper with paperclips, unframed70.5 x 78.5cmNumerous shallow handling creases visible throughout under raking light, some deeper creases in the central panel and along the lower edge. Left hand side with deckled edge. The paper support is slightly toned though this is even and uniform. There are a small number of handling marks, but in overall good condition.
§ Richard Smith CBE (1931-2016) Garden Citysigned and dated 'R.Smith 76' (lower centre); numbered 10/50etching and collaged string, unframed70 x 76.5cmDeckled edges to all sides. Pigment has retained well on the paper support. On the left hand fold there is a small pin hole (see images) and a small brown accretion. There are some other minor accretions elsewhere, though these do not interfere with the image and are mostly localised to the edges. Under raking light there are two creases to the left hand panel, they are running parallel to each other (approx 5cm apart). Sheet is slightly toned, though this is uniform and even throughout.
§ Dame Elisabeth Frink CH, RA (1930-1993) Horse, 1972signed 'Frink' (lower right); numbered 59/75etching, published by Lund Humphrey's, London28.5 x 23cmProvenance:Sale; Bonhams, 8 June 2016, lot 36Not examined out of the frame, margins obscured by mount so not available for inspection. Some very slight undulation of the paper support and one negligible instance of foxing to the right of the numbering (image four), the lower left of the plate with some small blemishes, possibly intrinsic to the work. Overall appears in nice, clean condition.
James Tissot (1836-1902) Le Dimanche Matin - a cancelled plateetching and drypoint, printed by Delâtre, Paris, unframed42 x 21cmEtching has been hinge mounted to board with two pieces of brown tape, the right hand margin has been trimmed resulting in an uneven appearance, there is also a closed tear (approx 2-3cm) to the right hand margin and some minor nibbles to the left hand edge, though this is easily obscured by the mount. The image is typically age toned, though this is even and uniform in nature, only deepening in colour at the edges where the paper support meets the mount, the margins also display age toning. Around the margins there are some minor accretions and the sheet shows some very minor undulation. Otherwise, the image appears in good order overall.
After Jonathan Fisher and Others Prints & Engravings: "Jerpoint Abbey," & "Fenner Rock on the River Boyne," published 1792 & 1794, each approx. 18cms x 27cms (7" x 10 1/2"), matching frames; [R. Cresswell Boak] "Bray Head & Killiney Strand, Co. Wicklow," coloured etching, signed approx. 15cms x 26cms (6" x 10"). (3)
A KUKRI STYLE KNIFE, two 30mm bullets, a Dragoon Guard Spelter Figure and a plate, the Kukri has etching on the blade and comes in its leather knife sheath and two smaller knives inside, the 30mm bullets are inert and come with white metal tops, the spelter figure stands on a wooden plinth and is a replica of a 1815 1st Kings Dragoon guard Sargeant, the plate was made in Germany in 1996 and is number 33 of 450 and was produced to celebrate the presentation of a new standard in may 1996, also included are three RAF charity badges, a military cup with handles and a military bandage and two small radiation detectors, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
MASSON, André (1896 Balagny-sur-Thérain - 1987 Paris) "Leda"Radierung. Bleistiftsignatur. Exemplar: 22/50. Druckplatte: 26,5 x 20,7 cm, Blatt: 34,7 x 29 cm. Französischer Maler, Grafiker und Bildhauer; bedeutender Vertreter des Surrealismus, Wegbereiter des Informel, des Abstrakten Expressionismus und des Action Painting. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:08 Uhr (CET) MASSON, André (1896 Balagny-sur-Thérain - 1987 Paris) "Leda"Etching. Pencil signature. Copy: 22/50. Printing plate: 26.5 x 20.7 cm, sheet: 34.7 x 29 cm. French painter, graphic artist and sculptor; important representative of Surrealism, pioneer of Art Informel, Abstract Expressionism and Action Painting. About 24 Feb 2024 | probably 11:08 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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