* Gillray (James, after). Metallic Tractors, circa 1801, hand-coloured etching with aquatint, two copies of the smaller version published in 'London und Paris', circa 1802, one with bright contemporary hand colouring, the other toned overall, old folds, each approximately 180 x 220 mm, together with Germans Eating Sour Krout, circa 1803, hand-coloured etching, published in 'London und Paris', old folds, 170 x 220 mm, with Heath (William). Slugs in a Saw Pit Hell to Pay, or the Direful Courage of Dolla Lolla, S. W. Fores, 1810, etched caricature with contemporary hand-colouring, trimmed to the image and laid on later paper, 240 x 370 mm, plus Grant (C. J.). Emigration of the Clergy or a Translation to India to Convert the Innocent Indoos, December 1830, etching with contemporary hand-colouring, toned and stained, two margins torn with slight loss to the printed surface of the upper left corner, laid on card, 240 x 365 mm, and Palser (Thomas, publisher). Plate 1. A Meeting of Freemasons for the Reception of Apprentices. The Junior Warden Introducing in the Lodge the Candidate to be Initiated and Entered Apprentice, Jany. 30th 1809, aquatint with contemporary hand-colouring, old folds, some staining and spotting, laid on later card, 210 x 320 mm, framed and glazed, with four hand-coloured stipple engravings of genre scenes, trimmed to the image, each approximately 410 x 545 mm, framed and glazed, plus Hollar (W. & King D.). Fourteen Topographical views, including examples from 'Monasticum Anglicarnum', [1655 or later], uncoloured etched views of ecclesiastical buildings, various sizes and condition, 13 framed and glazed and one mounted, together with approximately 55 British and foreign topographical views, small format, all mounted, with Mercator (Gerard & Jondius J.). Lancastria, Cestria, Caernarvan, Denbich, Flint..., circa 1631, uncoloured engraved regional map, 155 x 205 mm, mounted, framed and glazed, plus an uncoloured wood engraved broadside of the Coronation of William IV, old folds, slight staining and creasing, 430 x 550 mm, framed and glazedQTY: (approx.80)NOTE:The first described item shows Dr Elisha Perkins (1741-1799), who was an American quack doctor and the inventor of a pair of electrified metallic tractors said to cure various diseases. His son Benjamin, advertised the 'cure' in various periodicals between 1798 and 1802. The cartoon shows Dr Perkins applying his invention to the boils on the nose of a citizen possibly intended to represent John Bull. The lean detached physician is contrasted with the stout and highly distressed patient undergoing 'therapy'. The second item shows five gluttonous Germans dining enthusiastically at Weyler's in Castle Street in Leicester Square. Weyler was born in Vienna and at his establishment sauerkraut and sausages were always to be had.
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* Baratta (Antonio, 1724-1787). Dessein du Spectacle, que leurs Excellences Messeurs Nicolas Michieli, et Philipe Calbo Sages préposés au Trésor, ont donné par décret du Senat au Grand Duc, et á la Grande Duchesse de Russie, dans le très Noble Theatre à S. Benoit le 22 Janvier 1782, etching and engraving on laid paper, after Giambattista Canal (1745-1825), with later hand-colouring, some old restoration and small holes, with a little loss to centre of image, some marks and light soiling to margins, plate size 50 x 62.5cm (19 5/8 x 24 5/8 ins)QTY: (1)
* Gillray (James). The King of Brobdingnag and Gulliver (plate 2nd) - Scene "Gulliver manoeuvring with his little Boat in the Cistern"..., H. Humphrey, Feby. 10th 1804, etching and aquatint with contemporary hand-colouring, slight overall toning, repaired marginal closed tears, pencil marginalia identifying the principal participants, 340 x 445 mm, mounted, framed and glazedQTY: (1)NOTE:BM Satires 10227.
L. Van den Beigh (20th Century School) 'The Devil's pool', etching, signed and dated '37 in pencil lower righy, 37.5cm x 25cm and another by the same artist 'The apprentice witch', engraving, signed in pencil lower right, 24cm x 37cm (2) Apprentice witch with no glass. Foxing and some discolouration to both. Both with scuffs and display wear to the frame.
Jean Vyboud (1872-1944) 'Untitled nude', etching, signed in pencil lower right, 13cm x 11cm and one other by the same artist, also signed in pencil lower right, 13cm x 11cm, framed together, overall measurement including the outer frame is 26cm x 36cm (2) Overall minimal display wear and small marks to the frame, otherwise seems ok.
Georges Braque (1882-1963) 'Theogonie d'Hesiode', etching, with printed signature to the mount lower right, 39.5cm x 31.5cmProvenance: With 'The Redfern Gallery Ltd, 20 Cork Street, Burlington Gardens, Bond Street, London, W1, July 12th 1963' label to the reverse. Overall ok, with minimal discolouration and display scuffs to the frame, otherwise seems ok.
FACIES CIVITATIS GLASGOW AB ORIENTE ESTEVO - THE PROSPECT OF YE TOWN OF GLASGOW FROM YE NORTH EAST; 18th century hand coloured engraving, 28.5 x 43.5cm, with a James Duffield Harding lithograph, 'Sycamore', from the series 'The Park and the Forest, printed by Hullmandel, c1841, 42.5 x 32cm, and a James McNeil Whistler (1834-1903), etching, 'Battersea Bridge', 12.5 x 20cm, all framed and glazed (3)
PAUL CÉSAR HELLEU (FRENCH 1859-1927) PORTRAIT DE FEMME AU CHAPEAU A PLUME Etching and drypoint Signed in pencil and inscribed 16 (lower left) and with blindstamps (lower left and lower right) Plate: 56 x 35cm Condition Report: Some light surface staining inside the plate, possibly where the work has been previously mounted/framed. Some further light handling marks throughout and some water damage to the bottom of the mount. The sheet is also slightly undulating. Framed under glass and unexamined out of frame.Condition Report Disclaimer
![Radicalism. [Hertfordshire broadside] Whitehall February 25, 1800. Whereas it has been humbly represented to the King th](https://cdn.globalauctionplatform.com/dd6a871c-4004-4de9-8ca5-b05100f2d0b7/8a8f442a-95ff-413e-a3d7-b05100fdac0e/468x382.jpg)
Radicalism. [Hertfordshire broadside] Whitehall February 25, 1800. Whereas it has been humbly represented to the King that an Inflammatory Hand-Bill [...], Hitchin: Printed by J. Bedford Bookseller and Stationer, dated 1800, letterpress printing, 33 x 21cm, [British Army caricature] attributed to Isaac Cruikhank - Winging a shy cock, London: S.W. Fores, 1808, hand-coloured etching, 25 x 35cm, etc The broadside browned, otherwise good. The caricature browned in places and with some foxing, staining, but the colours good. The rest mixed.
British Marine School, 19th c - British Man-of-War, gouache, 20 x 26cm, English School, 19th c - Foxhunter, pencil and watercolour on paper, 19 x 23.5cm, J. Schuman - "Eve", artist's proof, signed, titled and inscribed in pencil, etching, 15 x 9cm, other pictures and prints, various, (20) Marine gouache with some surface wear. Foxhunter browned and stained. Etching with ripple, stained mount. The others in mixed condition.
![Old Master and Later Prints. Adriaen Collaert (c. 1560–1618) after Maerten de Vos (1532–1603), [Auditus], the Allegory of Sou](https://cdn.globalauctionplatform.com/dd6a871c-4004-4de9-8ca5-b05100f2d0b7/52051791-2b5f-48e0-8120-b05100f95075/468x382.jpg)
Old Master and Later Prints. Adriaen Collaert (c. 1560–1618) after Maerten de Vos (1532–1603), [Auditus], the Allegory of Sound from the Five Senses, n.d. [c. 1600], engraving, 23 x 29.5cm, Charles David (c. 1598 - c. 1632) after Antonio Tempesta (1555–1630), The Defeat of the Amalikits by the Hebrews, n.d. [c. 1620], etching, 21 x 29cm, another Old Master engraving after Adam Frans van der Meulen (1632-1690), figures traversing through an Italianate landscape, n.d. [second-half 17th c], etching, trimmed, 30.5 x 40cm, [&] after David Roberts RA, RBA (1796-1864), Interior View of a Dilapidated Church, signed and dated 1831 within the print but later, chromolithograph, 25.5 x 20cm, (4) Unexamined out of frames. The Old Masters appear generally fair-good, some light markings and wear, folds and creases. The David Roberts good.
A 1796 pattern infantry officer's sword. Brass fold down guard, knuckle guard and pommel. Wooden handle that would of formally had a wire binding around it. Steel single edged blade, with fuller to both sides and flat spine. No visible makers marks or blade etching. Approximately: 96cm length. Condition: generally poor. One part of the brass guard is missing, and also the wire binding to the handle. The blade has darkened and is quite heavily pitted.
An 1897 pattern infantry officers sword by Fenton Brothers Ltd, Sheffield. Pierced nickel plated steel guard, with crown and cypher of George V. Shagreen grip with wire binding, chequered backpiece and knopped pommel. Leather washer at ricasso, steel blade with deep fuller to both sides. Etched George V cypher, crown and royal coat of arms to both sides of blade. Proof mark and makers mark near the ricasso. Complete with leather covered field scabbard. Approximately 103cm in scabbard. Condition: sword is very good, but the scabbard is at fault. Nickel plating to guard is mostly intact and show minimal service wear. The blade is clean and bright with very clear etching. The scabbard is split to the wood, and there is leather missing to the last third portion of the scabbard.
An 1821 pattern light cavalry officers sword by Pulford & Co, London. Shagreen grip with wire binding, chequered pommel and 3 bar steel guard. Single edged slightly curved blade with flat spine, short section near tip becoming double edged. Leather washer at the ricasso, plus proof mark and and makers mark. Profusely etched decoration, and the VR monogram and crown to both sides. One side also has a family crest and what appears to be initials GMC. Complete with original leather sword knot, and black painted scabbard with two suspension rings. Approximately 101cm in scabbard - blade length 81cm. Condition: generally good, with service wear. Shagreen grips intact, but loss of wire binding to part of the grip. The steel parts of the guard have darkened over time, and there is some mottling and darker patches here and there. The blade is in good order, with similar areas of mottling and darkening. The etching has rubbed in places, resulting in a loss of detail. Scabbard shows a small dent to one side, and normal areas of paint loss. Leather sword knot has some surface cracking in places, but remains supple.
A SMALL QUANTITY OF PAINTINGS AND PRINTS, to include two A. M. Bumstead landscape watercolours, approximate sizes 15cm x 24cm, a n oil on board painting depicting a mountainous landscape, a pen and ink wash depiction of Quonians Lane in Lichfield by Mike Cuttle, a Harriet Brigdale etching depicting elephants 17/100, a Christine Thouzeau etching 'L'Eevntail', an unsigned watercolour landscape, an etching of the inside of a church signed Linford, etc
SIX DECORATIVE PICTURES, comprising John Bampfield (1947) a coastal scene at sunset, signed bottom right, oil on board, approximate size 30cm x 91cm, Gordon E. Miles (1947) two aquatint etchings 'Storm-Rick' depicting hayricks in a field with storm clouds above, approximate plate size 40cm x 50cm and 'willow cluster, Stafford and Worcester canal' depicting trees reflected in water, approximate plate size 30cm x 30cm, both from an editions of 150, Tessa Beaver (1932-2018) aquatint etching 'Church at Santa Eulalia Del Rio, Ibiza', from an edition of 100, approximate size 39cm x 55cm including visible margins and two Hannah Cole lithograph prints 'Daisies' and 'Through the dune flowers', approximate sizes 33cm x 33cm
A SMALL QUANTITY OF PRINTS, to include a signed limited edition Henry Wilkinson dry point etching depicting two Spaniels, from an edition of 150, approximate size 27cm x 36cm including visible margins, five reproduction George Finch Mason horse racing prints, three photographs depicting point to point winning horses 1925-1929, map of Staffordshire published by Pigot & Co, assorted other prints etc
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include two early 20th century portraits of a male and female figures, unsigned oil on canvas, unsigned early 20th century oil on board landscape, William James Muller print 'Eel pots at Goring' signed and etched by Alfred Louis DeBaines, Henry Wilkinson etching depicting a spaniel chasing a duck, Dale Payson print 'Red Dish', Winslow Homer print 'Breezing up', Frederick Arthur Bridgman print 'Lawn Tennis Club 1891', together with other assorted paintings and prints etc, largest approximate size including frame 140cm x 108cm
▴ Edmund Blampied RBA RE (1886-1966)An elderly woman peeling potatoespen and ink and charcoal, signed 'Blampied' l.c.25 x 25cm;together with:'Deux Petit Verres'etching, signed 'E.Blampied' in pencil l.l., and numbered '39/100' l.r.plate 26 x 26cm (2)Provenance: With St Hellier Galleries, Jersey.Condition ReportFramed: 58 x 42.5cm and 55 x 51cm'An elderly woman peeling potatoes': some light spots of foxing starting to emerge. A small brown stain bottom left edge, please see images.'Deux Petit Verres': Time staining. The work has been framed with an acidic mount. Not viewed out of glazed frames.
▴ James Coignard (French, 1925-2008)Untitled etching and collage on handmade paper, signed 'J.Coignard' l.c., and numbered '15/15' l.l.75 x 56cmCondition ReportFramed: 110 x 95cmLight cockling, the work appears to be stuck down by the corners. The edges are deckled as would be expected of handmade paper. Not viewed out of glazed frame but presents well overall.
▴ James Coignard (French, 1925-2008)Untitled etching and collage on handmade paper, signed 'J.Coignard' l.r., and numbered '15/15' l.l.75 x 56cmCondition Reportoverall: 110 x 95cmLight cockling, the work appears to be stuck down by the corners. The edges are deckled as would be expected of handmade paper. Not viewed out of glazed frame but appears to be in good overall condition.
Five pictures: 1. TATTON WINTER (1855-1928) - 'Parc de Blossax', hand-coloured etching, signed lower right in pencil and guild stamps lower left margin. Museums Gallery publisher's label verso detailing title and medium. (Glazed ebonised frame 45 x 48 cm). 2. EILEEN GORMANSTON (1883-1964) - 'In the Glen of Aherlow', watercolour (22 x 28 cm). Watercolour Society of Ireland paper label verso detailing the artist as Vicountess Gormanston of Gormanston Castle, Co. Neath and price of £4. Later glazed frame (36.5 x 44.5 cm). 3. two papyri (the frames 18 x 44 cm and 35 x 42 cm) 4. a limited edition print, signed, titled and numbered 'Stow-on-the-Wold - 740 / 850' in pencil. (Frame 27 x 30 cm).
Three pieces: 1. a surrealist-style coloured lithographic print with gilt highlights, central vase-type motif flanked to the left by claret and gilt highlighted stylised wallpaper, smaller vase shapes to the right (40.5 x 53 cm); 2. abstract watercolour - swirling circles and bow-shaped 'slashes' against a vertical panelled back, initialled T. W. lower right (36.5 x 49 cm). Painted distressed frame. 3. coloured etching: birds on water study with a 'danger' sign before sandbanks and industrial-style buildings (27.5 x 42 cm).
Five pieces: 1. BERNARD CUNNINGHAM (d. 1918) - 'The Two Fours', gouache (34.5 X 22 cm, frame size 41 x 28.5 cm); 2. Paddle boat on Windermere, watercolour, monogrammed lower left (25 x 37 cm, frame size 37 x 48 cm); 3. After CHARLES HERBERT CLARK - Yachts heading out to sea, etching, signed Chas. H. Clark lower right and with Fine Art Trade Guild and M.N.D. blind stamp lower left (17.5 x 23.5 cm, frame size 30 x 40.5 cm); 4. Irish? oil on canvas board, initialled W.L. lower left. (24.5 x 34.5 cm, frame size 34 x 44 cm); 5 After NEVILE R. WILKINSON - 'Stella Maris', Medici Society print.
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