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Lot 86
δ Jonathan Borofsky (b.1942)Cross HeadEtching with screenprint in colours, 1991, signed and numbered from the 32 in pencil, on wove paper, published by Gemini GEL, Los Angeles, with a 'JB & II' blindstamp, sheet 1180 x 870mm (46 1/2 x 34 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 34
δ Salvador Dali (1904-1989)Narcisse (from Quinze Gravures) (M&L 284b; Field 68-4-B)Etching printed in colours, 1968, signed and numbered from the edition of 75 in pencil, on Japon Nacré, printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, sheet 440 x 316mm (17 1/4 x 12 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 38
δ Salvador Dali (1904-1989)Père Noël (Field 66-11; M&L 297a)Etching printed in colours, 1968, signed and numbered from the edition of 100 in pencil, on wove paper, printed by Ateliers Rigal, Paris, published by Webungs- und Commerz Union Anstalt, with wide margins, plate 160 x 100mm (6 1/2 x 4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 42
δ Johnny Friedlaender (1912-1992)Untitled (two works)Lithograph printed in colours, signed and inscribed 'E.A.' in pencil, an artist's proof, together with an etching, signed and numbered from the edition of 240 in pencil, each on wove paper, the larger 760 x 560mm (30 x 22in) (2) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 37
δ Salvador Dali (1904-1989)Iseult and Brangaine (Field 70-10R; M&L 423b)Etching printed in colours, 1970, signed in pencil, from the Italian edition of 125, on Lana wove paper, printed by Ateliers Rigal, published by Pamela Verlag, with the 'GC' blindstamp, the full sheet, plate 400 x 265mm (15 3/4 x 10 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 15
δ Bill Jacklin (b.1943)Man with BibEtching, 1982, signed and numbered from the edition of 50 in pencil, on Fabriano wove paper, the full sheet, plate 297 x 225mm (11 3/4 x 8 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 80
δ Michael Craig-Martin (b.1941)Sofa (from the Catalan Suite)Etching with embossing, 2013, signed, dated and numbered from the edition of 20 in pencil, on wove paper, printed and published by Poligrafa, Barcelona, with full margins, 450 x 450mm (17 5/8 x 17 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 21
δ Norman Stevens (1937-1988)Repaired Stone and Earthwork, Avebury Stone CircleEtching with aquatint printed in colours, 1978, signed, dated, titled and numbered from the edition of 100 in pencil, on wove paper, with full margins, sheet 655 x 700mm (25 3/4 x 27 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 28
NO RESERVE δ Henri Laurens (1885-1954)A collection of platesNine wood engravings printed in colours, from the edition of an unknown size, on handmade thin wove paper, loose as issued and housed within the original cream paper wrappers with a further wood engraving in colours; together with an etching with aquatint, on wove paper, the full sheet, 400 x 250mm (15 3/4 x 9 7/8in) (1 framed, 9 unframed) (10) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 36
δ Salvador Dali (1904-1989)Le Testament de Tristan (Field 70-10U; M&L 426b)Etching printed in colours, 1970, signed in pencil, from the Italian edition of 125, on Lana wove paper, printed by Ateliers Rigal, published by Pamela Verlag, with the 'GC' blindstamp, the full sheet, plate 400 x 265mm (15 3/4 x 10 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 274
George Cruikshank, The Leader of the Parisian Blood Red Republic, or the Infernal Fiend! hand coloured etching, inscribed by the artist, torn and creased; a pamphlet by Cruikshank, Our Gutter Children [1869], inscribed by the author; another etching by Cruikshank, Coriolanus addressing the Plebeians; a caricature after Henry William Bunbury, The Delights of Islington and two folding plates from William Hogarth's Analysis of Beauty, (a small collection).
![Augustus Edwin John, Portrait of the Artist [Dodson 6], signed in pencil, etching, 12.5cm x 10cm.](https://cdn.globalauctionplatform.com/7220e457-9dd3-4957-96e9-a9f500b6a4bc/8aec6ca5-2c22-461c-9415-a9fa0108b5fb/468x382.jpg)
Lot 278
Albert E. Hurst (20th Century) two watercolours on paper, 'Infirmary Locks, Blackburn', signed and dated 'Albert E. Hurst - 75' (lower right), 25.5 cm x 35.5 cm; 'Hikers in the Trough of Bowland', signed and dated 'Albert E. Hurst - 88' (lower right), 25.5 cm x 36 cm; together with John Barber (20th Century) acrylic on card, 'North American Squirrel', 24 cm x 23 cm; John Barber watercolour an pencil on paper, 'Midsummer Canal from the Maltings', signed and dated 'John Barber '97' and titled (lower right), 18 cm x 25 cm; and Valerie Thornton (1931-1991) limited edition coloured etching, 'Waterfront, Kings Lynn', signed, titled and numbered in pencil to margin, no 25/70, 40 cm x 62 cm (5)
Lot 294
Late 19th Century British School watercolour on paper 'View of a Castle Gardens', 34.5 cm x 24.5 cm; together with Late 19th Century British School pencil and chalk heightened with white on paper, 'Figure praying in a Crypt', monogrammed 'CW' (lower left), 16 cm x 24 cm; Early 20th Century French School coloured etching, 'Carcassonne, L'Entrée du Chateau, signed 'Barday' and titled in pencil to margin', 16 cm x 24 cm, and a reproduction print of 19th Century figures playing cricket, 17 cm x 24 cm, all framed and glazed (4)
Lot 304
Lucretia Johnson (Late 19th/Early 20th Century) watercolour on card, 'Wooded Landscape with Daffodils', signed 'Lucretia Johnson' (lower right), 26 cm x 36 cm; together with Joie Welbrook-Smith, pastel on paper 'The Test near Longparish', monogrammed 'JWS' (lower right), 36.5 cm x 47 cm; Late 19th Century British School, watercolour on paper, 'View of a Meadow with Church in the background', 19 cm x 26.5 cm, all framed and glazed, T.J.Greenwood (20th Century) limited edition etching, 'Shrew', monogrammed in the plate and signed and numbered 16/50 in pencil to margin, 8 cm x 6.5 cm (4)
Lot 332
Michael Oelman (b. 1941) limited edition coloured etching, 'Love at First Sight', signed, titled and numbered in pencil to margin, no. 142/150, Christie's blindstamp, 35.5 cm x 29.5 cm, framed and glazed; together with Glynn Thomas (b. 1946) limited edition coloured aquatint, 'Along the Stour', signed, titled and numbered in pencil to margin, no. 105/150, Christie's blindstamp, 48 cm x 34 cm, framed and glazed (2)
Lot 38
Tom McGuinness (1926-2006) ''Meeting Station'' Signed and dated (19)96, inscribed and numbered 10/50, etching, together with two further etchings by the same hand, ''Miners Going in Bye'' and ''Driller'', 12cm by 15cm (3) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 3
Robin Tanner (1904-1988) ''Wiltshire Roadmaker'' Signed, inscribed ''touched proof'' and dated 1970, etching, with a letter to the reverse from Robin Tanner to ''Jim'' James Fairbairn, together with another etching by the same hand ''Wiltshire Woodman'' 13.5cm by 15cm and 11cm by 15.5cm (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 4
Robin Tanner (1904-1988) ''Allington in Wiltshire'' Signed, inscribed ''final state'', and dated (19)70, etching, together with another by the same hand ''Wiltshire Rickyard'', 19.5cm by 24cm and 24.5cm by 25.5cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 12
Robin Tanner (1904-1988) ''Gray's Elegy'' Signed and dated 1980, etching together with two further etchings by the same hand ''June'' and ''Still is the Land'', 15.5cm by 15.5cm, 16.5cm by 19cm and 16cm by 22cm respectively (3) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 22A
Jason Hicklin (b.1966) ''Ellesmere'' Signed, inscribed and dated (20)12, numbered 2/30, etching dyptich, together with a further etching dyptich by the artist ''Canal'', 21.5cm by 126cm and 19cm by 126cm respectively (2) Provenance: Zillah Bell Gallery, Thirsk Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 22
Jason Hicklin (b.1966) ''Mere'' Signed, inscribed and dated (20)12, numbered 2/30, black and white etching dyptich, together with a further black and white etching dyptich ''The Mere'', by the same hand, 19.5cm by 126cm, 19cm by 129cm respectively (2) Provenance: Zillah Bell Gallery, Thirsk Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 1
Robin Tanner (1904-1988) ''Christmas'' Signed, inscribed ''final state'' 1929, etching, 35.5cm by 28.5cm See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business ''My etched world is also an ideal world - a world of pastoral beauty that could be ours if we did by desire it passionately enough…'' Robin Tanner Born in Bristol, the son of a carpenter. Later moving to Chippenham in North West Wiltshire, Robin Tanner attended the grammar school there and spent a year in the town as a student teacher. In 1922 he went up to London to study teaching at Goldsmiths' College and subsequently took up a teaching position in Greenwich. During this time Tanner returned to Goldsmiths' to attend evening courses in etching. In 1926 a visit to a major retrospective of the work of Visionary and Neo-Romantic artist Samuel Palmer at the Victoria and Albert Museum proved a seminal moment in his life. Palmer's almost mystical vision of the English pastoral landscape - with his depictions of moonlit cornfields and the like - would serve to set the young artist on the path he would follow for the rest of his career. After completing his first etching in 1926 - A Tithe Barn - Tanner increasingly focused on art and he became part of the revival in English etching that was emerging at the time. In 1928 he returned to Wiltshire to etch full-time and produced some of his finest works, such as Martin's Hovel and Harvest Festival. However, the market for etchings crashed soon after this move, caused by the economic depression of 1929 and the growing dominance of photography as the preferred medium for illustrations in printed material. Setting aside a career as an artist, Tanner returned to teaching having married his childhood sweetheart, Heather, and settled in Kington Langley near Chippenham. Tanner had a passion for teaching fine art, was a great exponent of arts, crafts, poetry and music in schools, and from 1935 to 1964 was an H. M. Inspector of Primary Schools - a role in which he excelled. However, throughout his career he continued to pursue other private artistic endeavours and publishing several books with his wife. Following his retirement in 1964, Tanner once again dedicated himself to printmaking. His highly detailed etchings depicting pastoral scenes in North West Wiltshire are infused with an otherworldly atmosphere - at once timeless depictions of English rural life and idealised, often wistful scenes of a changing world. Lots 1-13 formed part of the collection of the late James Fairbairn of York, a colleague and firm friend of Tanner's. James was a fellow H. M. Inspector of Schools and made many trips to visit the Tanners' home in Kington Langley and in 1978 organised a holiday for Robin, Heather, Dietrich Hanff (a Jewish refugee adopted by the couple) and himself to York, Northumbria and the Scottish Borders. The etchings came directly into Fairbairn's collection from Tanner by gift and purchase; whilst many items from the collection were dispersed by bequests in Fairbairn's will, the current vendor received the substantial residue.
Lot 15
Norman Ackroyd CBE, RA (b.1938) ''Carp Lake'' Signed and dated 1988, inscribed and numbered 26/90, black and white etching, 47cm by 64cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Some slight handling creases/ cockling to margins. Otherwise appears in good condition. Not examined out of the frame.
Lot 2
Robin Tanner (1904-1988) ''Hedge Flowers'' Signed and dated 1936, etching, together with two further etchings by the same hand, ''February'' and ''Flowers of May'', 27cm by 19.5cm, 29cm by 18.5cm and 30.5cm by 21.5cm respectively (3) See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
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71174 item(s)/page