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‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hermes (Wiseman 145) Signed and numbered 70/70 in pencil to margin, with Kelpr

Woolley & Wallis

Lot 121

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hermes (Wiseman 145) Signed and numbered 70/70 in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint on brown paper, part of the Children of the Gods series, 1988 56 x 37.5cm (plate); 72.5 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).

Live Auction

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hades and Persephone (Wiseman 153) Signed and numbered A/P VIII in pencil to m

Woolley & Wallis

Lot 122

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Hades and Persephone (Wiseman 153) Signed and numbered A/P VIII in pencil to margin, with Kelpra Studio blindstamp Etching and aquatint on brown Velin Arches paper, part of the Children of the Gods series, 1988 53 x 37cm (plate); 73 x 55cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet 'Children of the Gods' were a series of 10 etchings with aquatint printed with Nigel Oxley, Kelpra studio. They followed on from the drawings she made to illustrate 'Children of the Gods: Myths and Legends of Ancient Greece' (Kenneth McLeish, Longman, 1983).

Live Auction

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Anthony and Cleopatra (Wiseman 128) Signed in pencil, inscribed and numbered A

Woolley & Wallis

Lot 123

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Anthony and Cleopatra (Wiseman 128) Signed in pencil, inscribed and numbered A/P, 15/15, and with Waddington Graphics blindstamp Etching in colours on Velin Arches paper by Kelpra Studio, 1982, published by the Royal Shakespeare Company 75 x 56.7cm (plate); 87.5 x 66.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink & Lin Jammet The two actors depicted are Helen Mirren and Michael Gambon.

Live Auction

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Franklin's Tale (Wiseman 74) Etching with aquatint in black drawn on coppe

Woolley & Wallis

Lot 124

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Franklin's Tale (Wiseman 74) Etching with aquatint in black drawn on copper, on J Barcham Green paper, part of The Cantebury Tales II series of 19 etchings, 1972, published by Leslie Waddington Prints Ltd, with White Ink blindstamp 49.7 x 34.5cm (plate); 79.5 x 58cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

Live Auction

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Squire's Tale (Wiseman 73) Titled in pencil to verso Etching with aquatint

Woolley & Wallis

Lot 125

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Squire's Tale (Wiseman 73) Titled in pencil to verso Etching with aquatint in black drawn on copper, on J Barcham Green paper, part of The Cantebury Tales II series of 19 etchings, 1972, published by Leslie Waddington Prints Ltd, with White Ink blindstamp 49.7 x 34.5cm (plate); 79.5 x 57.5cm (sheet) Unframed Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet

Live Auction

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Bullring (Wiseman 133) Etching with aquatint in colours on Velin Arches paper,

Woolley & Wallis

Lot 130

‡ Dame Elisabeth Frink CH, DBE, RA (1930-1993) Bullring (Wiseman 133) Etching with aquatint in colours on Velin Arches paper, published by Waddington Graphics, 1985

Live Auction

Gabriel van Schnell (Dutch act.1908-1946) Street curving into the distance Signed and dated 1931 in plate, and signed and ded

Woolley & Wallis

Lot 152

Gabriel van Schnell (Dutch act.1908-1946) Street curving into the distance Signed and dated 1931 in plate, and signed and dedicated To Albert Dear. with my compliments GVS 1931 in pencil to margin Etching 25.1 x 32.5cm (plate) Unframed

Live Auction

Gabriel van Schnell (Dutch act.1908-1946) Etching plates Thirteen, each copper Largest 29.6 x 16.5cm; Smallest 13.4 x 7cm (13

Woolley & Wallis

Lot 159

Gabriel van Schnell (Dutch act.1908-1946) Etching plates Thirteen, each copper Largest 29.6 x 16.5cm; Smallest 13.4 x 7cm (13)

Live Auction

After Herbert Dicksee Against the Spy; Tiger lying by long grass Two, each drypoint etching Each signed with initials and dat

Woolley & Wallis

Lot 165

After Herbert Dicksee Against the Spy; Tiger lying by long grass Two, each drypoint etching Each signed with initials and dated 1928 in the plate 20.5 x 39.9cm; 20.8 x 38.7cm (plate) (2)

Live Auction

British School Mid 20th Century View of a Middle-Eastern courtyard with a fountain; and further architectural views Ten, one

Woolley & Wallis

Lot 175

British School Mid 20th Century View of a Middle-Eastern courtyard with a fountain; and further architectural views Ten, one inscribed Etchings Wyndham Lewis in pencil to margin Each etching Largest 19.8 x 13.1cm (plate); Smallest 13.5 x 6cm (plate) Unframed (10)

Live Auction

‡ Sir Claude Francis Barry (1883-1970) St. Marks, Venice Signed and titled in pencil to margin Etching, 1938 26.4 x 33.1cm (p

Woolley & Wallis

Lot 189

‡ Sir Claude Francis Barry (1883-1970) St. Marks, Venice Signed and titled in pencil to margin Etching, 1938 26.4 x 33.1cm (plate) Unframed Provenance: Tom Skinner, the artist's executor, and by descent

Live Auction

‡ Charles Tunnicliffe OBE, RA (1901-1979) Cattle in a farmyard Signed and numbered 39/75 in pencil to margin Etching 22.2 x 2

Woolley & Wallis

Lot 227

‡ Charles Tunnicliffe OBE, RA (1901-1979) Cattle in a farmyard Signed and numbered 39/75 in pencil to margin Etching 22.2 x 28.4cm

Live Auction

‡ Ben Nicholson OM (1894-1982) Tesserete (Lafranca 29) Signed, dated 65, and numbered 24 in pencil, with Lafranca blindstamp

Woolley & Wallis

Lot 278

‡ Ben Nicholson OM (1894-1982) Tesserete (Lafranca 29) Signed, dated 65, and numbered 24 in pencil, with Lafranca blindstamp Etching with tone and hand colouring in black ink 18.8 x 22.5cm (plate); 31.9 x 37.6cm (sheet) Provenance: Alan Cristea Gallery, London

Live Auction

‡ Ben Nicholson OM (1894-1982) Tesserete (Plate for Lafranca 29a) Scratched-through copperplate 18.5 x 22.6cm Together with B

Woolley & Wallis

Lot 279

‡ Ben Nicholson OM (1894-1982) Tesserete (Plate for Lafranca 29a) Scratched-through copperplate 18.5 x 22.6cm Together with Ben Nicholson, Tesserete, Etching, Cancellation proof, 18.9 x 22.8cm (plate) (2) Provenance: Both with Alan Cristea Gallery, London

Live Auction

‡ Joe Tilson RA (b.1928) Sea Mantra Signed, dated 1979 and numbered 34/75 in pencil to margin, and with Waddington Graphics b

Woolley & Wallis

Lot 297

‡ Joe Tilson RA (b.1928) Sea Mantra Signed, dated 1979 and numbered 34/75 in pencil to margin, and with Waddington Graphics blindstamp Etching and aquatint 73.6 x 84cm (plate)

Live Auction

‡ Chris Orr MBE, RA (b.1943) The Secret Life of Britannia Signed, titled, dated 2006, and numbered 7/10 to margin Etching and

Woolley & Wallis

Lot 345

‡ Chris Orr MBE, RA (b.1943) The Secret Life of Britannia Signed, titled, dated 2006, and numbered 7/10 to margin Etching and aquatint, with hand colouring 9.5 x 9.5cm (plate)

Live Auction

‡ Julian Trevelyan RA (1910-1988) Self portrait with cat; Two cats Two, the former signed and inscribed Lis & Alex from J

Woolley & Wallis

Lot 74

‡ Julian Trevelyan RA (1910-1988) Self portrait with cat; Two cats Two, the former signed and inscribed Lis & Alex from Julian & Mary with love in pencil to the margin, the latter signed and inscribed Alex & Lis from Julian & Mary with love in pencil to margin The former aquatint and coloured etching, the latter coloured etching 12.2 x 9.8cm; 9.8 x 14.2cm (plates) (2) Provenance: Each Dame Elisabeth Frink and Alexander Csaky (Frink estate stamps to both backing boards); By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.

Live Auction

‡ Julian Trevelyan RA (1910-1988) Me and Tom Signed, titled, and numbered 8/25 in pencil to margin Etching and aquatint in co

Woolley & Wallis

Lot 75

‡ Julian Trevelyan RA (1910-1988) Me and Tom Signed, titled, and numbered 8/25 in pencil to margin Etching and aquatint in colours, 1976 34.9 x 47.3cm (plate) Provenance: The Estate of Dame Elisabeth Frink & Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.

Live Auction

‡ Julian Trevelyan RA (1910-1988) Game Park Signed, titled and numbered 2/125 in pencil to margin Etching and aquatint in col

Woolley & Wallis

Lot 76

‡ Julian Trevelyan RA (1910-1988) Game Park Signed, titled and numbered 2/125 in pencil to margin Etching and aquatint in colours 34.9 x 47.2cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.

Live Auction

‡ Julian Trevelyan RA (1910-1988) Sahara Signed, titled, and inscribed artists proof in pencil to margin Etching and aquatint

Woolley & Wallis

Lot 77

‡ Julian Trevelyan RA (1910-1988) Sahara Signed, titled, and inscribed artists proof in pencil to margin Etching and aquatint in colours, 1973 35.2 x 47.6cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.

Live Auction

‡ Nicola Hicks MBE (b.1960) Chickens Signed and dated 92 Coloured chalks on brown paper 94.4 x 63cm Unframed Together with Ni

Woolley & Wallis

Lot 88

‡ Nicola Hicks MBE (b.1960) Chickens Signed and dated 92 Coloured chalks on brown paper 94.4 x 63cm Unframed Together with Nicola Hicks, Rooster, Signed, dated '93, and inscribed AP in pencil to margin, Drypoint etching, 10.8 x 9.2cm (plate), Unframed (2) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Elisabeth Frink was a mentor to the young Nicola Hicks, and in 1985 selected her for a solo exhibition The Artist of the Day, at the Flowers Gallery, London. Frink described Hicks as 'one of our most talented young sculptors, and also a most wonderful draughtsman'.

Live Auction

Wassily Kandinsky (Russian 1866-1944) Radierung für den Kreis der Freunde des Bauhauses (Etching for Circle of Friends of the

Woolley & Wallis

Lot 93

Wassily Kandinsky (Russian 1866-1944) Radierung für den Kreis der Freunde des Bauhauses (Etching for Circle of Friends of the Bauhaus) Signed in pencil to margin Drypoint, 1932 From the unnumbered edition of 100, published Kreis der Freunde des Bauhauses 19.7 x 23.5cm (plate) Provenance: Dame Elisabeth Frink (Frink estate stamp to backing board); By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet

Live Auction

OLD F/G ETCHING OF COVENTRY

Whitton & Laing Auctioneers

Lot 397

OLD F/G ETCHING OF COVENTRY

Live Auction

After Paul Mansard, 'Bataille De Verdant 1916', Le Moulin Act L'Étang de Vaux, coloured etching, 21 x 25cm, a signed Matt car

Eldreds Auctioneers & Valuers

Lot 54

After Paul Mansard, 'Bataille De Verdant 1916', Le Moulin Act L'Étang de Vaux, coloured etching, 21 x 25cm, a signed Matt cartoon and other pictures.

Live Auction

James Gillray (1757-1815) - 'Extirpation of the Plagues of Egypt;-Destruction of Revolutionary Crocodiles;-or-The British Her

East Bristol Auctions

Lot 643

James Gillray (1757-1815) - 'Extirpation of the Plagues of Egypt;-Destruction of Revolutionary Crocodiles;-or-The British Hero cleansing ye Mouth of ye Nile'. A framed and glazed hand coloured etching picture by James Gillray, published 1798 by H. Humphrey. Set within an oak frame. Measures 61cm x 68cm.

Timed Auction

After Kurt Meyer Eberhardt (German 1895-1977) - Monochrome etching of a deer in a woodland setting, signed in pencil, 32 x 32

Wotton Auction Rooms

Lot 2255

After Kurt Meyer Eberhardt (German 1895-1977) - Monochrome etching of a deer in a woodland setting, signed in pencil, 32 x 32.5cm approx visible sheet size, in burrwood style frame

Live Auction

James Gillray (British 1756-1815) - The Introduction, monochrome caricature etching published by H Humphrey 1791, 25 x 35.5cm

Wotton Auction Rooms

Lot 2272

James Gillray (British 1756-1815) - The Introduction, monochrome caricature etching published by H Humphrey 1791, 25 x 35.5cm approx visible sheet size, together with a further late 18th century monochrome caricature etching - Give Me The Sweet Delight Of Love - A Catch, inscribed Agnes I-N, published by H Humphrey 1781, 22 x 28.5cm approx visible sheet size, both framed (2)

Live Auction

George Ernest Howman (Early 19th century British School) - Study of Loch Awe, pencil on paper, unsigned but with label verso,

Wotton Auction Rooms

Lot 2300

George Ernest Howman (Early 19th century British School) - Study of Loch Awe, pencil on paper, unsigned but with label verso, 22 x 30cm, together with a quantity of decorative early 19th century and later prints and engravings, including a signed humorous monochrome etching after Alexander Brantingham Simpson - The Duchess and The Wasp, 22 x 14cm approx, a small needlework sampler by Eliza Catharine Stone dated 1842, 18cm square approx, etc, various sizes all framed (19)

Live Auction

Frederick Landseer Maur Griggs RARE - Campden, 24 illustrations, 1949; The Engraved Works of, 1928, limited edition, two copi

Wotton Auction Rooms

Lot 411

Frederick Landseer Maur Griggs RARE - Campden, 24 illustrations, 1949; The Engraved Works of, 1928, limited edition, two copies, 74 and 64 of 125; The Etched Works of, 1941, Baynard Press, limited 104/400, modern masters of etching 1926

Live Auction

Edgar Holloway (1914-2008), framed etching. Westminster Bridge, signed, 19cm x 31cm. Band of foxing to the right hand side.

Paul Beighton Auctioneers Ltd.

Lot 386

Edgar Holloway (1914-2008), framed etching. Westminster Bridge, signed, 19cm x 31cm. Band of foxing to the right hand side.

Live Auction

Charles Naillord (1876-1941), drypoint etching, 'The Trellis', signed and numbered 1/350, 42 x 28cm and three other Boudoir e

Gorringes

Lot 1565

Charles Naillord (1876-1941), drypoint etching, 'The Trellis', signed and numbered 1/350, 42 x 28cm and three other Boudoir etchings

Live Auction

After Sir Anthony Van Dyke, etching, Petrus Breugal, plate mark 12.5 x 9cm

Gorringes

Lot 1593

After Sir Anthony Van Dyke, etching, Petrus Breugal, plate mark 12.5 x 9cm

Live Auction

Louis Icart (1888-1950), drypoint etching, Broken blue jug, signed, 45 x 33cm and a later signed photolithograph, 23 x 17cmCO

Gorringes

Lot 1596

Louis Icart (1888-1950), drypoint etching, Broken blue jug, signed, 45 x 33cm and a later signed photolithograph, 23 x 17cmCONDITION: Both have very light brown spotting, most noticeable on the smaller piece. Larger piece has some smudging to the left

Live Auction

Geoffrey Garrick, coloured etching, 'Dawn, Newlyn Harbour', signed in pencil, 20.5 x 30cm

Gorringes

Lot 1603

Geoffrey Garrick, coloured etching, 'Dawn, Newlyn Harbour', signed in pencil, 20.5 x 30cm

Live Auction

A Victorian silver mounted etched glass classical revival claret jug, by Henry Bourne, Birmingham 1875, etched with 'Night' a

Gorringes

Lot 1689

A Victorian silver mounted etched glass classical revival claret jug, by Henry Bourne, Birmingham 1875, etched with 'Night' and 'Day' after Thorvaldsen, 28cmCONDITION: Tarnish to the silver otherwise good condition. Handle is springy but there is no evidence a girdle mount is missing as it would have covered up the etching.

Live Auction

A COLLECTION OF PRINTS to include five Michael Blaker open edition prints, Daniel Giraud Elliot prints of cats, some fading,

Richard Winterton Auctioneers

Lot 393

A COLLECTION OF PRINTS to include five Michael Blaker open edition prints, Daniel Giraud Elliot prints of cats, some fading, prints of Anne Curtis drawings for the Royal Shakespeare Theatre, Charles Crmmbie golf prints, metal etching prints of sailing ships by Ralph S.Coventry, Renoir print 'Dance at le Moulin De La Galette' etc, all framed, largest approximate size 70cm x 88cm including frame (27)

Live Auction

A Ltd Ed etching, after Cheffeins, padlock, numbered 2/78, indistinctly signed, framed and glazed, 18 x 24cm, and an etching,

1818 Auctioneers

Lot 356

A Ltd Ed etching, after Cheffeins, padlock, numbered 2/78, indistinctly signed, framed and glazed, 18 x 24cm, and an etching, after Alfred Hartley, lake scene, signed, framed and glazed, 23 x 26cm

Timed Auction

An etching, artists proof, attributed to Otto Gerhardt, Woman at her toilet, framed and glazed, 40 x 30cm

1818 Auctioneers

Lot 362

An etching, artists proof, attributed to Otto Gerhardt, Woman at her toilet, framed and glazed, 40 x 30cm

Timed Auction

An etching after J A McNeil Whistler, Chelsea, framed and glazed, 18 x 24cm
Not signed
NICE CONDITION

1818 Auctioneers

Lot 381

An etching after J A McNeil Whistler, Chelsea, framed and glazed, 18 x 24cm Not signed NICE CONDITION

Timed Auction

F. Leslie Thompson (Illinois 1889-1965) Colored etching titled "A Breezy Day". Pencil signed and titled in lower margin. Gall

Helmuth Stone Gallery

Lot 135

F. Leslie Thompson (Illinois 1889-1965) Colored etching titled "A Breezy Day". Pencil signed and titled in lower margin. Gallery label verso. Image Size: 13.75 in. Overall Framed Size: 23 x 19 in. Framed behind glass.

Live Auction

William Lippincott (New York, 1849 - 1920) "An Idyl" oil on canvas painting. Signed lower right. With old labels verso. House

Helmuth Stone Gallery

Lot 15

William Lippincott (New York, 1849 - 1920) "An Idyl" oil on canvas painting. Signed lower right. With old labels verso. Housed in a gilt frame. Provenance: Important New York City private collection. Lippincott taught at the National Academy of Design and also attended the Pennsylvania Academy of Fine Arts. He exhibited in the Paris Salons until 1882 and then returned to the United States where he set up a studio in New York City. He exhibited regularly for more than 40 years at the National Academy of Design, elected an associate member in 1884 and a full academician in 1897. In addition to the National Academy, Lippincott was a member of the New York Etching Club, Philadelphia Sketch Club, and American Watercolor Society. Sight Size: 10.5 x 14 in. Overall Framed Size: 19 x 25 in.

Live Auction

Raoul Dufy (French, 1875-1953) Etching. Pencil signed lower right, numbered (36/100) lower left. L'Art D'Aujourd'hui #5. Delu

Helmuth Stone Gallery

Lot 200

Raoul Dufy (French, 1875-1953) Etching. Pencil signed lower right, numbered (36/100) lower left. L'Art D'Aujourd'hui #5. Deluxe Edition with an original eau-forte signed and numbered in pencil by Dufy. Peintures dessins Estampes Sculptures de notre temps. Spring 1925. Limited in 100 copies with an original eau-forte by Raul Dufy signed and numbered by the artist. Image Size: 7.5 x 5.5 in. Overall Framed Size: 15.75 x 14 in. Framed behind glass.

Live Auction

Jean-Francois Millet (French, 1814 - 1875) "Le Retour des Champs" Etching. Signed in plate lower right. This impression is fr

Helmuth Stone Gallery

Lot 201

Jean-Francois Millet (French, 1814 - 1875) "Le Retour des Champs" Etching. Signed in plate lower right. This impression is from the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet. Image Size: 4.75 x 7 in. Overall Framed Size: 15 x 21 in. Framed behind glass.

Live Auction

Georges Rouault (French, 1878-1951). Etching and aquatint. Titled "Christ au Fauborg", plate from "Passion". Monogrammed and

Helmuth Stone Gallery

Lot 204

Georges Rouault (French, 1878-1951). Etching and aquatint. Titled "Christ au Fauborg", plate from "Passion". Monogrammed and dated (1935) in plate lower right. Image Size:11.5 x 8 in. Overall Framed Size: 22.5 x 18.75 in. Framed behind archival glass.

Live Auction

Federico Castellon (American, 1914-1971), Taos Tryst Etching. Pencil signed lower right. Published by Associated American Art

Helmuth Stone Gallery

Lot 205

Federico Castellon (American, 1914-1971), Taos Tryst Etching. Pencil signed lower right. Published by Associated American Artists, and retains their label to frame verso, matted and framed Image Size: 8.25 x 12.25 in. Overall Size: 15.75 x 19.75 in. Framed behind glass.

Live Auction

After Rembrandt "Self Portrait Drawing at a Window" Etching. Image Size: 6 x 5 in. Overall Framed Size: 25 x 24 in. Framed be

Helmuth Stone Gallery

Lot 300

After Rembrandt "Self Portrait Drawing at a Window" Etching. Image Size: 6 x 5 in. Overall Framed Size: 25 x 24 in. Framed behind glass.

Live Auction

Louis Icart (1888 - 1950) Pencil Signed Colored Etching of an Elegant Woman Reclining. Pencil signed lower right. Image Size:

Helmuth Stone Gallery

Lot 308

Louis Icart (1888 - 1950) Pencil Signed Colored Etching of an Elegant Woman Reclining. Pencil signed lower right. Image Size: 15 x 18 in. Overall Framed Size: 18 x 22 in. Framed behind glass.

Live Auction

Hank Virgona (New York, 1929-2019) "Equal Justice For All" Etching. Pencil signed and titled in lower margin. Sight Size: 6.5

Helmuth Stone Gallery

Lot 317

Hank Virgona (New York, 1929-2019) "Equal Justice For All" Etching. Pencil signed and titled in lower margin. Sight Size: 6.5 x 8 in. Overall Framed Size: 13.5 x 15.5 in. Framed behind glass.

Live Auction

Dali, Framed Colored Etching. Pencil signed lower right, numbered (224/300) lower left. Image Size: 20.5 x 27 in. Overall Fra

Helmuth Stone Gallery

Lot 426

Dali, Framed Colored Etching. Pencil signed lower right, numbered (224/300) lower left. Image Size: 20.5 x 27 in. Overall Framed Size: 32 x 37 in. Framed behind glass.

Live Auction

Salvador Dali (1904 - 1989) Original self-portrait surrealist etching. On arches paper. Pencil signed and numbered (137/175)

Helmuth Stone Gallery

Lot 74

Salvador Dali (1904 - 1989) Original self-portrait surrealist etching. On arches paper. Pencil signed and numbered (137/175) in lower portion. Comes with original purchase receipt from Galerie Orangerie Verlag from back in 1968 for BF 4,000.Provenance: Private Longboat Key, Florida estate. Image size: 20.75 x 16 in. Overall framed size: 30.5 x 22 in. Framed behind glass.

Live Auction

S. Goodway, "Edinburgh Castle", signed etching, housed in a glazed ebonised frame (AF), the etching 23.5cm x 19.5cm

Bishop & Miller Auctioneers Ltd

Lot 92

S. Goodway, "Edinburgh Castle", signed etching, housed in a glazed ebonised frame (AF), the etching 23.5cm x 19.5cm

Timed Auction

Freda Marston (1895-1949), street scene with church tower, signed etching, housed in a glazed ebonised frame, the etching 16.

Bishop & Miller Auctioneers Ltd

Lot 93

Freda Marston (1895-1949), street scene with church tower, signed etching, housed in a glazed ebonised frame, the etching 16.5cm x 27.5cm

Timed Auction

RACHEL 'ANN' LE BAS NEAC (1923-2020), 'Pigs', etching 18cm x 25cm, signed, numbered and titles in pencil, framed (Rowley gall

Lots Road Auctions

Lot 357

RACHEL 'ANN' LE BAS NEAC (1923-2020), 'Pigs', etching 18cm x 25cm, signed, numbered and titles in pencil, framed (Rowley gallery label verso). (Subject to ARR - please see Buyers Conditions)

Live Auction

THOMAS BLINKS (1860-1912) 'Jack Russell, Terrier and Ferrets', etching, 53cm x 40cm, framed.

Lots Road Auctions

Lot 358

THOMAS BLINKS (1860-1912) 'Jack Russell, Terrier and Ferrets', etching, 53cm x 40cm, framed.

Live Auction

Early 20thc School, Scandinavian Port Scene, etching, signed indistinctly (9cm x 17cm)

Ramsay Cornish Auctioneers & Valuers

Lot 123

Early 20thc School, Scandinavian Port Scene, etching, signed indistinctly (9cm x 17cm)

Live Auction

Thomas Hart (British 1830-1916): 'Castle Rock, Lynton', watercolour signed, titled on the mount, Geoffrey H Douthwaite (Brit

David Duggleby Auctioneers & Valuers

Lot 1027

Thomas Hart (British 1830-1916): 'Castle Rock, Lynton', watercolour signed, titled on the mount, Geoffrey H Douthwaite (British 20th century): Scarborough Harbour, watercolour signed, and a drypoint etching of Chester indiscinctly signed in pencil, max 33cm x 47cm (3) - Condition Report

Live Auction

Rowland Langmaid (British 1897-1956): 'Barges on the Thames before Westminster', etching signed in pencil with Academy Proof

David Duggleby Auctioneers & Valuers

Lot 1083

Rowland Langmaid (British 1897-1956): 'Barges on the Thames before Westminster', etching signed in pencil with Academy Proof blindstamp 21cm x 27cm - Condition Report

Live Auction

William Walcot (British 1874-1943): 'Arc San Carlo, Naples', drypoint etching signed in pencil pub.1921, 19cm x 17cm Provenan

David Duggleby Auctioneers & Valuers

Lot 1084

William Walcot (British 1874-1943): 'Arc San Carlo, Naples', drypoint etching signed in pencil pub.1921, 19cm x 17cm Provenance: with The Chadwick Gallery, Warwickshire, label verso - Condition Report

Live Auction

William Walcot (British 1874-1943): 'Piazza San Marco, Venice', drypoint etching signed in pencil pub. 1917, 10cm x 12.5cm -

David Duggleby Auctioneers & Valuers

Lot 1085

William Walcot (British 1874-1943): 'Piazza San Marco, Venice', drypoint etching signed in pencil pub. 1917, 10cm x 12.5cm - Condition Report

Live Auction

William Lee Hankey (1869 - 1952) Denise, Etching, With Blind Stamp & Signed in pencil, in a glazed frame, 14 x 22cm

Franklin Browns

Lot 183

William Lee Hankey (1869 - 1952) Denise, Etching, With Blind Stamp & Signed in pencil, in a glazed frame, 14 x 22cm

Live Auction

78391 item(s)

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