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AAttributed to Henry T. Schaeffer watercolour French cathedral 50cm x 34cm together with three signed cathedral engravings including Notre Dame by E.Shallond? H.Toussaint engraving Reims Cathedral, Fred G. Farrell signed etching Notre Dame 30cm x 40cm, lithograph Lincoln Minister and T.Hunn minister Pool, Litchfield (Cathedral) signed 53cm x 42cm (8).
A group of assorted pictures, prints and engravings, including two views of Fontainebleu and L'Iste Royale; two views at Castle Eden hall; a view of Marlborough House; 'A Modern Tournament'; three photogravures of figurative subjects; Market Place, Nottingham; an engraving of figures by Ruins after Bartolozzi; an engraving 'Di Tomasso di Stefano, Fiorentino'; an etching of Poznan Katedra; 'H M The King at the age of 7 ans' a watercolour of the Library, Stanton. (qty)Provenance: From the collection of HRH The Prince Henry, Duke of Gloucester
Max Schwimmer (1895 - 1960), a collection of thirteen original sketches, 1928 - 1954: comprises six letter drawings on paper, five handwritten, to 'Leibe Gretel, Leibe Henry', signed, dated 1928 - 1938, and a typed letter drawing, 2.11.1933, 'Sehr Leibe Margarete', signed by the artist in red paint, the largest 30cm x 23cm, together with five letter cards, watercolour over ink and pencil illustrations, signed by the artist, two dated 1948 and 1954: a colour etching for a New Year Greetings card, 1948, signed and numbered 7/50 in pencil lower margin: a pencil sketch of a man and two ladies, unsigned, 30cm x 23.5cm, also a watercolour over ink sketch of Adolf Hitler and a lady friend, on paper, unsigned, 10cm x 10cm. (13) ARR
SIR FRANK BRANGWYN (1867-1956) 'CANAL, GHENT', barges in the Flemish region of Belgium, signed to lower margin, Matthews and Brooke of Bradford label verso, drypoint etching on paper, approximate image size 14cm x 11cm, mounted and framed (condition: print in good condition, staining to the mount)
Francis St Clair Miller, ''Crackpot Side, Swaledale'' signed, inscribed and numbered 21/75, etching; together with a 20th century port scene, indistinctly signed; Victor Noble Rainbird, 'Fisherfolk Northumberland' signed and inscribed watercolour; and a group of further pictures and prints (12)
John Wells (1907-2000) Untitled Signed and dated 1950, numbered 8/25, etching, 22.5cm by 15cm See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Slight time staining to paper. Light surface dirt and some debris trapped under the glass, particularly to the mount. Mount also time stained with sporadic foxing spots in places. Slight creasing to paper. Small sized foxing spot to upper left of left margin and tiny blue mark next to this. A number of small sporadic foxing spots to the reverse. Some very slightly evident within the image. Water stain to bottom edge of the mount and upper edge, these do not appear to affect the print as they are below the margins. See additional images
Norman Ackroyd CBE, RA (b.1938) ''Black Head, Co. Clare'' Signed, inscribed and numbered 4/150, dated 1996 etching and aquatint, together with a further etching by the artist ''Tearaght'' , 18cm by 10.5 cm and 5cm by 9cm respectively (2) (unframed) Provenance: Reverend Dr Richard Davey Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
John Speed (1552-1629), by and after, a two-page map, The Counti (sic) of Warwick the Shire Towne (sic) and Citie (sic) of Co:ventre (sic) described, [London]: [...] Sold by Thomas Bassett in Fleetstreet (sic), and Richard Chiswell in St. Pauls Churchyard, dated 1630 within the platemark, named-view street plans of Warwick and Conventry, the lower-right margin with the coats of arms of the Earls of Warwick of all four creations, etching and engraving with contemporaneous hand-colouring, vernacular English text to verso, 40cm x 54cm
John Speed (1552-1629), by and after, The Countie (sic) Westmorland and Kendale (sic) the Chief Towne (sic) Described, With the Armes of such Nobles as have bene (sic) Earles (sic) of either of them, aerial named-view of Kendal, [London]: Sold by George Humble in Popes head alley (sic) against the Exchange, [n.d., c. 1646], etching and engraving with contemporaneous hand-colouring, English vernacular text to verso, 39.5cm x 52cm, Hogarth-type frame
After Walter Dendy Sadler (1854-1923), a collection of five prints, various titles and subjects, signed in pencil by the artist and the engravers, London: 1921, monochrome etchings, the largest 50.5cm x 65cm, (5); Fishing, David Law (1831-1902), by and after, Coilantogle Ford, [Scottish Highlands], signed and titled within the plate, signed again in pencil, etching, 35cm x 44cm, (1), [6]
Local Interest - John Bluck. (act. 1791-1819), after Thomas Christopher Hofland RBA (1777-1843), a set of six Derbyshire landscapes, of Dovedale, Matlock Bath and Matlock, numbered consecutively from 1-6, ruled borders painted in grey wash, [London: Published by T. Barber and T. Hofland, 1805], aquatint and etching with hand-colouring, 31cm x 39cm, framed en suite in contemporaneous rosewood with gilt insets, [6]
Caricatures - George Cruikshank (1792-1878): by, Very unpleasant weather, or, the Old saying verified "Raining Cats, Dogs, & Pitchforks"!!, monogrammed A.E. within the plate, second and final state, London: Published by Thomas Mc Lean, Aug.t 1st, 1835, monochrome etching, 27cm x 42cm, (1); another, by and after, The first Shilling-day - going in -, [&], The first Shilling-day - coming out -, [of the 1851 Great Exhibition], [London: David Bogue, 1851], monochrome etchings, each 13.5cm x 20cm, framed as one, (2), [3]
Bernard Baron (1696? - 1762), after William Hogarth FRSA (1697-1764), The Right Reverend Father in God, Dr Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, ÆT. 67. A.D. 1743, [London: 1743-1744], etching, 41.5cm x 28cm, gilt and ebonised frame; Francesco Bartolozzi RA (1727-1815), after Giovanni Battista Cipriani RA (1727-1785), [The Rape of Dejanira], [London]: Publish'd as the Act directs by F. Bartolozzi 1787], monochrome etching, 26.5cm x 32cm; Pierre-Etienne Moitte (1722-1780), after Pierre-Antoine Baudouin (1723-1769), [Le Confessionnal], unlettered state, [Paris: 1777], etching and engraving, 32.5cm x 42cm, [3]
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71174 item(s)/page