We found 78391 price guide item(s) matching your search

Artist: James A. M. Whistler (American, 1834 - 1903). Title: "The Punt". Medium: Original etching & drypoint. Date: Composed 1861. Dimensions: Overall size: 6 1/16 x 8 5/16 in. (154 x 211 mm). Image size: 4 3/4 x 6 5/8 in. (121 x 168 mm).Lot Note(s): Signed in the plate, lower left. MacDonald's fourth state of six (IV/VI) with the partial removal of the signature and date in the plate, lower left, and with the engraved inscription included. Cream wove paper. Ample margins. A very good, well inked impression. Good condition; two tears in the margins, extending to the platemark but not into the image; mat burn; scattered foxing. Literature/catalogue raisonne: Kennedy 85; Glasgow 82. Provenance: Swann Auction Galleries, New York City. Comment(s): Printed by Day & Son, London. Published by the Junior Etching Club, London. [30080-1-400]

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Sur la plage, a berneval". Medium: Original etching. Date: Composed c1892. Printed later. Dimensions: Overall size: 11 1/8 x 10 in. (283 x 254 mm). Image size: 5 3/8 x 3 5/8 in. (137 x 92 mm).Lot Note(s): Signed in the plate, lower right. Cream wove paper. Full margins (deckle edges). Fine impresson. Fine condition. Literature/catalogue raisonne: Delteil 5iii. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [1398-2-300]

Artist: Karima Muyaes (Mexican, b.1960). Title: "Pareja [black and white]". Medium: Etching with sugarlift aquatint. Date: Composed 2000. Dimensions: Overall size: 15 3/4 x 15 7/8 in. (400 x 403 mm). Image size: 9 5/8 x 9 5/8 in. (244 x 244 mm).Lot Note(s): Signed and dated in pencil, lower right; titled in pencil, lower center; numbered in pencil, lower left. Edition of 10 (The color edition was 40). Pale cream wove Arches paper. Full margins. Fine impression. Fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2022. Muyaes's work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [17715-0-150]

Artist: Edouard Manet (French, 1832 - 1883). Title: "Charles Baudelaire de Face III". Medium: Etching. Date: Composed 1865. Printed later. Dimensions: Overall size: 9 3/4 x 9 1/4 in. (248 x 235 mm). Image size: 3 13/16 x 3 1/4 in. (97 x 83 mm).Lot Note(s): Signed in the plate, lower right. Inscribed with the artist's and printer's names, lower left and right. Light cream wove paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: Harris 61; Guerin 38iv. Comment(s): Manet was one of the first 19th-century artists to paint modern life and was a pivotal figure in the transition from Realism to Impressionism. [17720-2-225]

Artist: Lucian Freud (German/English, 1922-2011). Title: "Head of a Man". Medium: Offset lithograph [following the original etching]. Date: Composed 1987. Printed 1993. Dimensions: Overall size: 11 11/16 x 9 9/16 in. (297 x 243 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29180-2-600]

D.Y Cameron 'Arran', an etched print, framed under glass, 26 x 13cm together with an etching of fishing boats by William Douglas MacLeod, framed under glass, 14 x 10cm (2)

Alfred Blundell - The Black Poplar, etching, signed and titled in pencil to the margin, 48x31cm

Alfred Blundell - Temple Lock, Icklingham, etching, signed and titled in pencil to the margin 18x25cm, and three others by the artist (4)

Andrew Watson Turnball (1874-1957) - Oatwood Mills, Surrey, etching with aquatint, signed and titled in pencil, 19 x 27cm; together with Leon E Verdier (1866-?) - Pair; Venetian scenes, aquatints, each signed and titled in pencil, 26 x 21cm

Alfred Blundell (1883-1968) - Their Golden Hour, etching, signed and titled in pencil to the margin, 18 x 25cm

Assorted pictures and prints, to include Vanity Fair, topographical etching etc

Assorted pictures and prints, to include amateur watercolours, botanical engravings, Belinda Barnard apple study, nude etching etc

A framed and mounted Trevor Lloyd etching titled 'A Lonely Ruin Tamaki', signed in pencil. 15 1/2" x 12 1/2".

Artist: Philip Evergood (American, 1901 - 1973). Title: "Girl with Sunflowers". Medium: Etching. Date: Composed 1965. Dimensions: Image size: 8 1/4 x 5 15/16 in. (210 x 151 mm).Lot Note(s): Signed, titled, and numbered in pencil. Edition of 150. Cream wove paper. Full margins. Fine impression. Fine condition. Comment(s): Philip Howard Francis Dixon Evergood was born Philip Blashki, in New York City. [23505-2-225]

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme couchée (tournée à gauche)". Medium: Original etching. Date: Composed 1906. Dimensions: Overall size: 7 11/16 x 10 1/16 in. (195 x 256 mm). Image size: 5 1/2 x 7 3/4 in. (140 x 197 mm).Lot Note(s): Signed in the plate, lower right. Small edition. Cream wove paper. Very wide (full?) margins. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Delteil 15. Provenance: Swann Auction Galleries, New York City. Comment(s): According to “Gordon’s Print Prices” the auction record for another impression of this etching is $7,200 realized at Swann Auction Galleries, New York City, 10/31/2018, lot #258. [30075-2-1600]

Artist: Karima Muyaes (Mexican, b.1960). Title: "Naufragio". Medium: Color etching with drypoint and aquatint a la poupee. Date: Composed 1983. Dimensions: Overall size: 19 13/16 x 14 7/8 in. (503 x 378 mm). Image size: 11 3/4 x 9 15/16 in. (298 x 252 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Print #5 of Edition of 5. Soft handling creases; otherwise fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): The winner of the first prize in the print category at the Toronto School of Art in 1983, when the artist was 23. A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18624-0-300]

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Printed later. Dimensions: Overall size: 16 1/8 x 13 1/16 in. (410 x 332 mm). Image size: 9 1/8 x 7 1/8 in. (232 x 181 mm).Lot Note(s): Signed in reverse in the plate. The original edition was 114. Cream wove paper. Full margins (deckle edges four sides). Fine impression. Fine condition. Literature/catalogue raisonne: Bloch 680. Comment(s): Another impression of this work sold at an auction high of $1,880 in 2008. Image copyright © Artists Rights Society (ARS), New York. [25683-3-300]

Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color engraving, etching, and aquatint, with handcoloring. Date: Composed 1812. Dimensions: Overall size: 16 x 23 3/4 in. (406 x 603 mm). Image size: 12 x 21 7/8 in. (305 x 556 mm).Lot Note(s): After Jean Joseph Bostier de Bez (1780-1845). An extremely rare proof (1 of 3) before letters. Cream wove paper. The full sheet, deckle edges four sides. An excellent impression. Condition: good; some foxing and browning with color attenuation; no serious problems. Literature/catalogue raisonne: See: Beraldi, Volume 8, pg. 229; IFF2; B4. Provenance: Ex-collection Cortlandt F. Bishop, with his stamp, verso; M. Knoedler, NYC, with their labels from frame back, separate from the print, since lost. Comment(s): A rare print even with letters. We could find only three sales at auction, all with letters, in the past 25 years, the last in 1995 (sold at $1,168). The print shows a part of the Boulevard du Temple, then called the Boulevard du Crime. "Jean Pierre Marie Jazet was one of the most prominent aquatint engravers of the Napoleonic era. He worked almost exclusively in aquatint, reproducing the paintings of the grand Republican artists such as David, Vernet, de Gros, and Grenier. Although the majority of his prints were patriotic images, he also produced many fine aquatints of pastoral paintings and genre scenes. His fresh images exhibit the beauty of the medium and exemplify his amazing technical ability. His extremely complex prints are fluid yet detailed; they express the beautiful painterly technique of the medium…" Courtesy: Donald A. Heald. [24412-4-800]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the original etching. Date: Composed 1903. Printed later. Dimensions: Overall size: 6 11/16 x 8 11/16 in. (170 x 221 mm).Lot Note(s): Titled in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Printed to the edge of the sheet. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): Please note that the original image was created as an etching by Klee in 1903. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29301-1-400]

After Margaret Ann Gaug (1909-1994) (American) - 'Thetis' signed artist etching, 4.25" x 1.25", within a maple frame **The work bears a later label verso giving the title, the artist's name and the fact that the etching is a limited edition print 3/21

Lot to include a limited edition print, signed, titled and numbered in pencil by the artist, an early 20th century etching after Francis Unwin and one further print, largest approximately 39 cm x 52 cm image size. [3]

A Leonard Squirrell etching print of Wolseys Gate in Ipswich and a pastel of Blickling Hall, both framed and glazed

Alexander Creswell, 'The Quayside, St Vaast, Normandy' signed watercolour, 27cm by 37cm, together with a Piers Browne artist proof etching titled 'Ploughing Shropshire' signed and dated 1977, an E.S Booth watercolour of a seaside cottage, a sampler and two garden views (6)

A Joseph Farquharson print, 56.5cm by 82cm, together with Thomas Sydney (19th century) view of Bamburgh Castle, an Oswald Fletcher etching of Westminster, and a Colin Hunter etching of fisher folk (4)

MARIO FORTUNY: A large set of curtains in coral and taupe with coronets and acanthus leaf scrolls (3 pairs). 282cm drop x 140cm wide approxSome sun fading on some panels to the edge. Mariano FortunyA Spanish fashion designer and early Interior Designer and Inventor born in 1871 in Granada, opened his first Couture House in 1906 in Venice.As a young man Fortuny travelled throughout Europe seeking out artists he admired including the composer Richard Wagner for whom he later did many set and stage and lighting designs including his famous lighting dome. The young Fortuny had many talents : painting, sculpting, architecture, etching, and stage lighting and he patented and registered more than 20 inventions in Paris between 1901 and 1934.The achievements Fortuny is most well-known for were made in the field of Fashion and Interior Design.His Parisian wife Henriette Negrin was an experienced dressmaker who helped construct many of his dress designs and from 1902 they lived in the Palazzo Pesaro Orfei in Venice surrounded by the artwork of his renowned painter father and Fontuny's own collection. He called the Palazzo his "think tank" in which he had many rooms set up for his experiments and inventions as well as inspiration.Fortuny manufactured his own dyes and pigments for his fabrics using ancient methods and he began printing on velvets and silks dyeing them himself and using a press which he invented using wooden blocks onto which he engraved the pattern.His famous pleated dresses the Delphos, the Klismos and the Knossos and his printed fabrics are seen as fine works of art today and are in many Museum and private Collections around the world. His workshops continue to dye and print in Venice , in the Giudecca, as before, and still use Fortuny's secret techniques and specifications . His Palazzo in Venice is a world-renowned Museum.These curtain panels were made in the U.S in the 1960's from fabric purchased in Venice from the Fortuny Atelier and are part of a larger set.

William Wilson, by, from a drawing by Pillement, 'Shepherd and Shepherdess', etching; another, 'Le Cordonnier Hollandois', early 19th century etching; the east prospect of Sheffield, a 20th century reproduction, (3).

A 19th century rectangular gilt wall mirror, etching panel top, 75cm x 41cm

Sheila Oliver Honeysuckle and Poppiescoloured etching, plate size 29.5 x 30cm, limited edition 9/10 signed in pencil , framed 

Buddha Feng Shuai by Patrice Murciano, along with a watercolour of a badger and an early 20th Century Continental etching 

An etching by EJ Maybery of John Knox's house, Edinburgh, in frame

Framed etching of Nelson with belt buckle made from copper, off Nelsons flagship 

Henry Wilkinson - Limited edition coloured etching - Springer Spaniel, 42/200, signed lower right, 32cm x 25cm, framed and glazed

Palmer, Samuel, et al., Etchings for the Art-Union of London by the Etching Club,1857, 30 plates as per contents list including three by Samuel Palmer (The Sleeping Shepherd, The Rising Moon, The Sky-Lark) and others including W. Holman Hunt, J. E. Millais and T. Creswick, on india paper mounted, occasional spotting, outer edges of mounts browned, original cloth gilt, loose in binding, folio

Meryl Watts (1910-1992) - 'White Rabbit', signed artist's proof also inscribed with the title, limited edition print 19/50, also inscribed verso, coloured wood cut, 9.5" x 14.5"; together with three further prints, one black and white etching signed Holloway of haystacks besides trees, another wood block print depicting soldiers on horseback and another artist's signed print by F. Morley Fletcher depicting a tranquil river landscape, various sizes (4)

Cecil Charles Windsor Aldin (1870-1935) - 'Ploughing', a farmer with two shire horses ploughing a field, signed artist's proof, black and white etching, limited edition print 30/100, also inscribed on the artist's original label verso, black and white etching, 9.75" x 13.75" (pl)

English School (19th century) - 'Market Place, Norwich', black and white stone lithograph, 8.75" x 11"; together with a collection of various prints and other pictures which include advertising memorabilia for growing cucumbers, and various powders as well as Daniels Eureka Manure, other advertising memorabilia for Cadbury's Milk Chocolate, all taken from the Daniels Brothers Magazine published in Norwich, 1889, a wool work picture depicting the head of Tutankhamun, a photograph of Costessey Hall, east front, an old engraving of King Louis XVIII, another print depicting the surrender of Napoleon to Captain Maitland, various book plates one depicting Norwich Cathedral, another depicting South Gate, Lynn, Norfolk, a signed etching by G.H. Bloome depicting Red Mount Chapel, Lynn, another of The Tower of The Grey Friars Monastery, Lynn, Norfolk, various other reproductions, various sizes (a collection)

Norman Ackroyd, large etching, mid summer morning - Charleston, signed in pencil, 1989, no. 15/60, image 60cm x 66cm, framedA few tiny fox marks in the top margin, generally very good

Norman Ackroyd, etching, Ballymaloe House Co. Cork, signed in pencil, 1988, numbered 50/90, image 51cm x 39cm, framedVery good condition

Frank Brangwyn, etching, Bernard Bergl, ex libris 1914, signed in pencil, plate 16cm x 13cm, framedSlight paper discolouration, no foxing, modern mount, oak frame

Graham Clarke, coloured etching, Tilly's, signed in pencil, artist's proof, image 28cm x 34cm, framedVery good condition

Graham Clarke, coloured etching, The Sweet Nightingale, signed in pencil, no. 127/400, image 25cm x 27cm, framedVery good condition

Graham Clarke, coloured etching, Bon Chance, The Shores of Albion Recede, signed in pencil, no. 270/400, image 43cm x 53cm, framedVery good condition

Tilopa Monk, coloured etching, abstract, sheet size 53cm x 76cm, unframedSlight creasing and possibly very slight paper discolouration

A Fragment, etching, thought to be depicting Vita Sackville West, image 18cm x 6.5cm, framedEven paper discolouration

Albany Howarth (1872 - 1936), etching, old houses and stocks, Aldbury Herts, signed in pencil, image 30cm x 37cm, framedGood condition

French School, coloured etching, La Provence, indistinctly signed in pencil, image 21cm x 34cm, framedGood condition

18th century satirical colored etching on paper titled "The Sailor's Pleasure," published by Carington Bowles. The print includes a poem that reads: "When Storms and Tempests all are o'er, And Jack receives his Cash on Shore, Then for his Doxies all he'll send, What's dearly earn'd he'll freely spend." Marked "Printed for Carington Bowles, Map & Printfeller at No. 69 St. Pauls Church Yard, London." along the lower center.Sight; height: 13 7/8 in x width: 9 7/8 in. Framed; height: 20 3/4 in x width: 16 3/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 13 7/8 in x width: 9 7/8 in. Framed; height: 20 3/4 in x width: 16 3/4 in.

Nic Jonk (Dutch, 1928-1994). Group of four prints on paper depicting a mother and child and nude women. Two prints housed in a portfolio with Nic Jonk's signature printed on the front cover with "de nereïden grootschermer holland." Inside cover reads (in Dutch): "map no 127/150, 21 juni 1981 de derde map van nic jonk met 3 zeefdrukken in een oplaag van 150 in 10 kleuren gedrukt op 300 grams economos etching bij henk vander vet te's-gravenhage uitgegeven door. de nereïden grootschermer holland eerder uitgegeven 18 mai 1980 eerste map 12 april 1981 tweede map." Print of the mother and child pencil signed, dated "Sept 30 1985," and inscribed "for Bob" in the bottom center. Standing nude editioned in pencil 127/150 in the bottom left and pencil signed and dated 1981 in the bottom right. Crouching nude with "Epreuve d' Artiste" (Artist's proof) written in pencil in the lower left. Pencil signed and dated 1979 in the bottom right. Nude woman lying down editioned in pencil IV/XI in the lower left. Signed in pencil "To my best friends Hannah and Bob." in the bottom center and pencil signed and dated 1991 in the lower right.Crouching nude; height: 27 5/8 in x width: 19 5/8 in. Nude woman lying down; height; 27 1/2 in x width: 35 1/2 in. Mother and Child; height: 19 1/2 in x width: 12 1/2 in. Standing nude; height: 23 1/2 in x width: 17 5/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Crouching nude; height: 27 5/8 in x width: 19 5/8 in. Nude woman lying down; height; 27 1/2 in x width: 35 1/2 in. Mother and Child; height: 19 1/2 in x width: 12 1/2 in. Standing nude; height: 23 1/2 in x width: 17 5/8 in.

Francisco José de Goya y Lucientes (Spanish, 1746-1828). Etching and aquatint on paper titled "Loyalty," ca. 1816. The print depicts a group of contorted figures, some fighting.Sight; height: 8 in x width: 12 in. Framed; height: 21 1/2 in x width: 25 1/2 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 8 in x width: 12 in. Framed; height: 21 1/2 in x width: 25 1/2 in.

Group of five lithographs. Includes Laurie Bolton "Three and One," Don Millken "Ivan Is," Samuel Maitin "Garden," a Leonard Baskin etching, and Laurie Bolton "Wings."Laurie Bolton Three and One; height: 13 in x width: 20 1/8 in. lvan Is; height: 23 in x width: 18 1/2 in. Laurie Bolton Wings; height: 15 in x width: 22 1/4 in. Leonard Baskin; height: 22 in x width: 26 in. Samuel Maitin Garden; height: 23 1/4 in x width: 15 1/2 in. Don Millken Ivan Is; height: 23 1/2 in x width: 18 1/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Laurie Bolton Three and One; height: 13 in x width: 20 1/8 in. lvan Is; height: 23 in x width: 18 1/2 in. Laurie Bolton Wings; height: 15 in x width: 22 1/4 in. Leonard Baskin; height: 22 in x width: 26 in. Samuel Maitin Garden; height: 23 1/4 in x width: 15 1/2 in. Don Millken Ivan Is; height: 23 1/2 in x width: 18 1/4 in.

After Rembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "Bust of Man Wearing a High Cap," depicting a seated man looking off to the right. Initialed and dated 1630 in the plate along the upper left. With Certificate of Authenticity from Park West Gallery. A 20th Century impression printed by Marjorie Van Dyke for the Millennium edition.Sight; height: 5 in x width: 4 1/4 in. Framed; height: 22 5/8 in x width: 21 7/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 5 in x width: 4 1/4 in. Framed; height: 22 5/8 in x width: 21 7/8 in.

Eric Fischl (American, b. 1948). Etching and aquatint on wove paper titled "Dark Figure," from the "Four Aquatints" suite, 1989. The artwork depicts a group of nude figures on a beach. Signed and dated in pencil along the lower left. Numbered 77/100 in pencil along the lower center. Published by Parasol Press, Ltd. New York.Sight; height: 35 1/2 in x width: 54 in. Framed; height: 39 3/4 in x width: 58 3/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 35 1/2 in x width: 54 in. Framed; height: 39 3/4 in x width: 58 3/8 in.

Paul Cadmus (American, 1904-1999). Etching on paper titled "Stewart's" depicting a rowdy bar or diner scene full of people surrounding a table. Signed in pencil along the lower right. Titled and numbered "13/35" and "II" in pencil along the lower left. Second edition of 2, printed in 1979 and conceived in 1934.Provenance: Estate of Paul Cadmus (d. 1999) afterwards Jon Anderson (d. 2018).Height: 14 1/2 in x width: 18 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 14 1/2 in x width: 18 in.

Georges Henri Rouault (French, 1871-1958). Posthumous etching on paper titled "Satan II" from the series "Fleurs du Mal I," 1926. Signed and dated 1926 in plate along the lower right. Inscribed along the verso with a description of the piece.Provenance: Private collection, Minnesota.Sight; height: 14 3/8 in x width: 10 5/8 in. Framed; height: 18 1/2 in x width: 14 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 14 3/8 in x width: 10 5/8 in. Framed; height: 18 1/2 in x width: 14 in.

Style of Pablo Picasso (Spanish, 1881-1973). Etching on paper depicting four abstract female nude figures. Three of the figures stand over one figure who is sitting on the ground. Signed and dated 6.3.37 in pencil along the lower right.Sight; height: 8 1/2 in x width: 11 in. Framed; height: 16 1/2 in x width: 17 5/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 8 1/2 in x width: 11 in. Framed; height: 16 1/2 in x width: 17 5/8 in.

WILLIAM STRANG RA, RE (SCOTTISH 1859-1911) GRIEF AND CONSOLATION Etching with drypoint, signed and inscr. 2nd state, 15 x 20cm (6 x 8") Ewan Mundy Fine Art Ltd label verso Condition Report: The etching and paper are found to be in good condition with no significant issues.

Gillian Ayres C.B.E., R.A. (British, 1930-2018)Juno and the Paycock Lift-ground etching with carborundum printed in colours, with extensive hand-painting, 1993, on heavy wove, signed, dated and inscribed 'PP 2/3' in pencil, one of three printer's proofs aside from the numbered edition of 25, printed by Jack Shirreff at 107 Workshop, Wiltshire, with full margins, 1069 x 1070mm (42 1/8 x 42 1/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Damien Hirst (British, born 1965)Fate, from 'Butterfly Etchings' Etching and aquatint printed in colours, 2009, on wove, signed and inscribed 'PP 1/2' in pencil, one of two printer's proofs aside from the numbered edition of 45, published by Other Criteria, London, with full margins, 472 x 392mm (18 5/8 x 15 3/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Linear Movement (Lynton G77) Etching and aquatint printed in colours, 1992, chine collé on wove, signed with the initials, dated and numbered 9/90 in pencil, co-published by Marlborough Graphics Ltd., London and 2RC Edizioni d'arte, Rome, with margins, 360 x 448mm (14 1/8 x 17 5/8in)(PL)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com