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Lot 55

A WW1 George V era 1827 Pattern Royal Naval Officer’s sword, scabbard & belt/hangers belonging to Rear Admiral Charles Farquhar-Smith, who was the senior naval officer in charge of Western Australia during the tragic loss of all hands aboard H.M.A.S. Sydney II in 1941 and was ultimately blamed for his failure to alert higher command of the disappearance of the ship. Gilt lion’s head pommel, with mane backstrap, ray skin grip with wire wrap and gilt brass guard, showing the fouled anchor & crown, with folding/locking langet. Full bullion knot is attached. 80cm long, straight nickel blade, shows etching to both sides of fouled anchors, royal crown etc, being in mint condition, numbered to spine 04565. Leather scabbard shows twin brass lockets with hand engraved panels, twin suspension rings, coming with full leather belt, by Gieves of London, hanger straps & gilt belt buckle. Overall a near mint example, being 96 cm in length, Not named, but came from the vendor with his named bicorne cap & insignia ex Gregson’s. *See lot 324 for Farquhar-Smith’s cap & insignia lot & biography.

Lot 56

WW1 era George v era 1912 pattern Cavalry officer’s sword & scabbard. Good dark fish skin wire bound grip, with nickel guard/bowl showing correct swirling pattern engraving. 87cm long blade. Good etching to both sides of the blade, showing light surface wear & age patina, with rounded edge tip. Blade fits well into the leather scabbard. Overall length: 108cm. International buyers to organise own shipping.

Lot 2225

Anthony Gross Etching and another print Dryhugh Ahhea.

Lot 2249

A quantity of pictures to include an Etching of Westminster by David Law, an Etching of Sir Thomas Moore, Silhouettes, etc

Lot 63

Herbert Thomas Dicksee (1862-1942), c.1900, "The Watcher on the Hill", a crouching tiger on a rocky outcrop, etching with dry point, signed in pencil, image 46.5cm x 69cm, unframed. 

Lot 156

John Macdonald Aitken "A Cauld Blast" Etching, signed in pencil with an Andrew Duffy label verso, in a glazed frame, 36 x 22cm

Lot 511

After Meissonier, Black and White Etching of Napoleon on Horseback, signed by the etcher in pencil to the margin

Lot 547

Louis Icart, French (1888-1950) - 'Puppies' Pencil signed coloured etching, 45x56cm

Lot 728

Mabel Catherine Robinson (b. 1875) Street scene, hand-tinted etching, framed and mounted under glass, 22 x 29 cm

Lot 1530

A framed and glazed etching 'Highway of the Nations' by W.L.Wyllie RA -RE, 1851 -1931, image 44 x 27 cm.

Lot 235

An etching of St.James by C.Dickens, engraving of The Tolbooth Edinburgh by F.Robson, engraving of Old Courts Worcester and print of cottage by river

Lot 650

A framed & glazed coloured etching of 'Mrs Siddows in the tragedy of the Grecian daughter'

Lot 91

Large monochrome etching of the River Thames by Piers Goodman (XX) titled "Thames Townscape from Kent House" 9/25, signed in pencil & dated 1992

Lot 95

An oil on panel head of a lady, Elizabeth Fieldmann etching of cats plus other pictures

Lot 1033

Rafiee Abdul Ghani (Malaysian, b.1962). Coloured etching of an abstract, coastal landscape; with pencil signature at bottom right and inscribed 'AP II', titled: 'Remembered Landscape'; margins apparently uncut; overall dimensions 55 x 37cm; the reverse of the picture stating: Rafiee Abdul Ghani/Age 22/Address: Fine Arts Department School of Art and Design/Mara Institute of Technology/Shah Alam/Selangor/Malaysia. Provenance: The Property of a Lady. Given to the vendor's family by the organiser of a Winchester, global art Competition held in about 1984. Rafiee Ghani studied at the Mara Institute of Technology, circa 1981-85. His more contemporary work, generally oil on canvas, appears regularly at auction. See for instance, Klos Art Auction/Malaysian Modern and Contemporary Art/15-1-2017 Lot 1 where the catalogue entry states that Ghani is 'one of Malaysia's most prominent fine artists'. Compare also Sotheby's Hong Kong 'Modern and Contemporary South East Asian Art'/3-4-2017 Lot 216 for Ghani's 'The Beginning of the Red Sea'. . Overall condition good no damage found . Overall condition good no damage found

Lot 1090

Julian Trevelyan (British, 1910-1988), Tuscany, limited edition aquatint etching, signed, titled and numbered 25/30 in pencil to margin, 37cm x 55cm. . .

Lot 1099A

Ernest Stephen Lumsden (British, 1883-1945). The prayer flag Etching , 23 x 16.5 cm. .

Lot 1120

Graham Clarke (British, b.1941). 'Waterloo Volunteers', coloured etching Artists Proof. Signed and titled to margin. 43 x 34cm. Framed and glazed. . .

Lot 1121

Graham Clarke (British, b.1941). 'Hastings Job', coloured etching limited edition print. Signed, titled and numbered 160/200 to margin. 43 x 34cm. Framed and glazed. . .

Lot 1122

Graham Clarke (British, b.1941). 'Alfred King', coloured etching limited edition print. Signed, titled and numbered 1/400 to margin. 23 x 27cm. Framed and glazed. . .

Lot 1123

Graham Clarke (British, b.1941). 'Old Vic', coloured etching limited edition print. Signed, titled and numbered 7/400 to margin. 23 x 27cm. Framed and glazed. . .

Lot 1124

Graham Clarke (British, b.1941). 'Young Oskins', coloured etching limited edition print. Signed, titled and numbered 7/400 to margin. 23 x 27cm. Framed and glazed. . .

Lot 1125

Graham Clarke (British, b.1941). 'Your Expert', coloured etching limited edition print. Signed, titled and numbered 7/400 to margin. 23 x 27cm. Framed. . .

Lot 1134

§ Henry Moore (British, 1898-1986). Leopard Etching, signed in pencil, plate V, numbered 65/65, plate size, 24.9 x 19.5cm. Please note that Artists Resale Right maybe additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). . § Overall condition good no dame found has not been out of the frame . § Overall condition good no dame found has not been out of the frame

Lot 355

Chas Chaplin - 'Under Repair' Limited Edition monochrome etching 18/30 bears a signature & dated 1968; and 'Shandy Barrow' Limited Edition monochrome etching 14/30 bears a signature & dated 1973 both 8'' x 10'' framed HSR

Lot 345

Frank Short, An Original Etching Of An Anglers Bridge, Signed In Pencil

Lot 346

An Original Etching View Of A Street Scene, Signed In Pencil

Lot 370

Frank Short, An Original Landscape Study Etching, Signed In Pencil

Lot 372

A Framed Pencil Study Street Scene, Signed William Walker, Together With A Further Etching

Lot 179

Richard TOOVEYHarbourEtchingSigned9 x 14 cmPlus one other etching by the same artist

Lot 29

Valerie WILSON nee Knight (1950-2004)Four etchingsOne signed Together with one other etching by a different hand

Lot 30

Valerie WILSON nee Knight (1950-2004)Two still lifesAn etching and a drawing

Lot 519

Michael FOREMAN (1938)CuckooEtchingSigned, tilted and numbered #33/60Plate size 24 x 17 cmTogether with an etching by Eric WARD, 'The Dolly Penreath off St Ives Harbour

Lot 54

Margo MAECKELBERGHE (1932-2014)Etching, Christmas cardSigned and dated December 71#10/4012.4 x 10cm

Lot 82

Anton LOCKStudy for HorsesPencil on paperSigned15 x 12 cmPlus a signed etching from the same artistAnd 3 other works

Lot 93

Tony O'MALLEYUntitled Drypoint etching Signed Artists Proof III dated 1974Further signed and inscribed to the back31 x 11cm

Lot 196

'Ring of Stone', limited edition print, signed and dated, together with a George Atkinson etching

Lot 280

"The End of the Season", etching with hand colouring, contained in sealed sleeve

Lot 45

Berenice Sydney (British 1944-1983) Untitled (Mauve & Green) Etching and aquatint printed in colours, 1972 Signed in pencil, dated 6'72 and inscribed AP I Plate: 50 x 43cm (19½ x 16¾ in.) Unframed

Lot 51

Berenice Sydney (British 1944-1983) Squares and Circles (Pink, Blue & Red) Etching and aquatint printed in colours, 1969 Signed in pencil, dated 5'69 and inscribed AP Plate: 20 x 15cm (7¾ x 5¾ in.) Unframed

Lot 5043

A Victorian Copeland style white bisque oval biscuit box, moulded in relief with swags and ribbons, with a silver plated handled mount and cover, 25cm high over handle; a Royal Doulton figure, Antoinette, HN2326; Charles Mayes Wigg, by and after, Horning Ferry Hotel, near Wroxham, Norfolk, signed in pencil, etching no.9 of 20, 14.5cm x 18cm, framed (3)

Lot 769

Anthony Gross (1905 - 1984), by, La Sierra de Guadarrama, Madrid, monogrammed and dated 1924 within plate, signed, titled and dated 1924 in pencil by the artist in margin, drypoint etching, 16cm x 31.5cm

Lot 5250

Pictures and Prints - Michael Blaker, by and after, Garden in Paris, coloured etching 38/40; others, local interest, Wollaton Hall and Newstead Abbey, engravings; etc.

Lot 828

Seven volumes of 'Modern Masters of Etching: Etchers and Etching' by Joseph Pennell and a Victorian photo album

Lot 29

A SIGNED F. H. ROUND ETCHING OF PENKRIDGE CHURCH

Lot 29A

A SIGNED F. H. ROUND ETCHING OF A PORTRAIT OF A GENTLEMAN

Lot 463

William Walcot (1874-1943), The Quadrangle, St Bartholomew's Hospital, signed in pencil, etching, 14 x 25cm (PL), together with three further etchings signed Henry Rushby and titled 'Fountains Abbey', 'Paris' and 'Horse Guards', various sizes (4)

Lot 294

ROWLES framed etching - battleship at sea 30 x 21 cms

Lot 1

*Léonard Tsuguharu Foujita (French/Japanese, 1886-1968),LA PETITE AFRICAINEEtching and aquatint in colours, 1929, signed and numbered 80/100 in pencil, from 'Les Enfants', published by Les Éditions Artistiques Apollo, Paris, on Chine-collé paper, with marginsimage 35 x 26.1cm, framed*Artist's Resale Right may apply to this lot.

Lot 104

*Richard Bawden (British, b.1936)THE APPLE TREEEtching and aquatint printed in colours, signed, titled and numbered 10/85 in pencil, on wove paper, with full marginsimage 40.3 x 52.8cm, framed*Artist's Resale Right may apply to this lot.

Lot 115

*Gillian Ayres (British, 1930-2018)SIKAR IIEtching with aquatint and carborundum printed in colours with extensive hand colouring in acrylic paint, 1993, signed, dated and numbered 56/100 in pencil, on heavy wove paper, with full marginssheet 108.7 x 107cm, mounted*Artist's Resale Right may apply to this lot.

Lot 122

*Chris Plowman (British, 1952-2009)THE EDGE OF TOWNEtching and aquatint, 1983, signed, dated, titled and numbered 13/35 in pencil, on wove paper, with full marginssheet 63 x 90cm, unframed*Artist's Resale Right may apply to this lot.

Lot 127

*Terry Frost (British, 1915-2003)THAMAR AND AMNON (KEMP 105)Aquatint with etching printed in colours, 1989, signed in pencil, from the series 'Eleven Poems by Federico Garcia Lorca', the edition was 75, published by Austin/Desmond Contemporary Books, on wove paper, the full sheet printed to the edgessheet 55.5 x 37.5cm, framed*Artist's Resale Right may apply to this lot.

Lot 129

*Bryan Pearce (British, 1929-2007)STILL LIFE WITH JUGEtching, 2001, signed, dated and numbered 49/75 in pencil, with Curwen Chilford blindstamp, on wove paper, with full marginssheet 28.2 x 28.8cm, framed*Artist's Resale Right may apply to this lot.

Lot 133

*Bernard Meadows (British, 1915-2005)UNTITLED (WATCHING FIGURE)Etching, 1976, signed and dated in pencil, on wove paper, with full marginsimage 15 x 8.8cm, framed*Artist's Resale Right may apply to this lot.

Lot 134

*Keith Coventry (British, b.1958)CRACK PIPESEtching, 1999, signed, dated and numbered 3/20 in pencil, on wove paper, with full marginssheet 27 x 39cm, framed*Artist's Resale Right may apply to this lot.

Lot 140

*Norman Stevens (British, 1937-1988)FLOWERS FROM MADEIRA, ARACEAE, ANTHURIUM ANDREANUMEtching, 1980, signed, dated, titled and inscribed 'Artist's Proof' in pencil, aside from the edition of 100, on wove paper, with full marginsimage 53 x 65cm, framed*Artist's Resale Right may apply to this lot.

Lot 151

*David Hockney (British, b.1937)CORPSE ON FIRE (TOKYO 88)Etching and aquatint, 1969, signed and numbered 56/100 in pencil, from 'The Boy Who Left Home to Learn Fear' for 'The Brothers Grimm Fairy Tales', on wove paper, with full marginssheet 45 x 40.8cm, unframed*Artist's Resale Right may apply to this lot.

Lot 166

*Paula Rego (Portuguese, b.1935)CROW Etching with aquatint, 1994, signed and numbered 41/80 in pencil, from the series 'Nine London Birds', published by the Byam Shaw School of Art, London, on wove paper, with full marginssheet 40.5 x 30.5cm, framed *Artist's Resale Right may apply to this lot.

Lot 167

*Paula Rego (Portuguese, b.1935)THE CROW'S HOUSE Etching with aquatint, 1994, signed and inscribed 'A/P' in pencil, an artist's proof, on wove paper, with full margins plate 17.7 x 26.5cm, framed *Artist's Resale Right may apply to this lot.

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