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Click here to subscribeRembrandt van Rijn (1606-1669)Christ driving the money changers from the templeEtching with drypoint, 1635, an excellent albeit later impression of New Hollstein's third state (of four), on laid paper without watermark, platemark 135 x 166 mm (5 1/4 x 6 1/2 in), sheet 150 x 178 mm (5 7/8 x 7 in), good margins, (unframed)Literature:New Hollstein 139 iii/iv
Rembrandt van Rijn (1606-1669)St. Jerome Kneeling in Prayer, Looking DownEtching, circa 1635, printing with some plate tone, but a later impression of New Hollstein's second state (of 2), following light re-working by Basan, on cream laid paper without watermark, platemark 113 x 80 mm (4 1/2 x 3 1/8 in), sheet 125 x 94 mm (4 7/8 x 3 3/4 in), showing some wear within the cross-hatching (unframed)Literature:New Hollstein 142 ii/ii
Rembrandt van Rijn (1606-1669)The QuacksalverEtching, 1635, a good impression of the only state, on laid paper without watermark, sheet 79 x 37 mm (3 1/8 x 1 1/2 in), trimmed within the platemark, light even toning with minor browning to the lower left corner, (unframed)Mounted together with a counterproof impression of The Quacksalver, on the same laid paper stock as above, sheet 73 x 41 mm (2 7/8 x 1 5/8 in) (unframed)Literature:New Hollstein 145 i/i
Rembrandt van Rijn (1606-1669)Bald old man with a short beardEtching, circa 1635, a good impression of New Hollstein's second state (of two) on laid paper without watermark, sheet 57 x 45 mm (2 1/4 x 1 3/4 in), trimmed within the platemark, some surface dirt (unframed)Together with: A Peasant in a high Cap, standing leaning on a StickEtching, 1639, on laid paper without watermark, but a later, slightly slipped impression of New Hollstein's final state (of 2), sheet 83 x 43 mm (3 1/4 x 1 3/4 in), trimmed within the platemark, browning and surface dirt, nicks and tears (unframed) Provenance:Property of a lady, Gloucestershire, UK Literature:New Hollstein 147; 178
Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, a good but later impression of New Hollstein's third state (of four), on laid paper with partial watermark, sheet 106 x 94 mm (4 3/16 x 3 3/4 in), trimmed to or just within the platemark, some touches of black ink within the image, small area of loss restored in the upper centre, (unframed)Literature:New Hollstein 158 iii/iv
Rembrandt van Rijn (1606-1669)The Triumph of MordecaiEtching with drypoint, circa 1641, a good but later impression of New Hollstein's third state (of four) on laid paper with 'Auvergne 1742' watermark (Hinterding Miscellaneous-F-c), platemark 173 x 214 mm (6 3/4 x 8 3/8 in), 180 x 220 mm (7 1/8 x 8 3/4 in), faint diagonal crease visible in the upper left quadrant, some toning and spotting to sheet (unframed)Provenance:Rudolf von Seydlitz (d. 1870) [L. 2283];Possibly his sale with C.G. Boerner, Leipzig, 20-24th May 1912;Property of a lady, Gloucestershire, UKLiterature:New Hollstein 185 iii/iv
Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of New Hollstein's fifth state (of six), printing with light plate tone on wove paper without watermark, platemark 181 x 217 mm (7 1/4 x 8 1/2 in), sheet 194 x 228 mm (7 5/8 x 8 7/8 in), two small perforations restored within the image, fine conservation tissue affixed verso (unframed)Literature:New Hollstein 312 v/vi
Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, a good but later impression of New Hollstein's third state (of four), before further reworking, on laid paper without watermark, sheet 209 x 161 mm (8 1/4 x 6 1/2 in), trimmed on or just within the platemark, careful repairs to each of the lower corners, minor nicks to edges, some minor losses restored in pen facsimile, (unframed)Literature:New Hollstein 286 iii/iv
Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh')Etching with drypoint, 1655, but a later impression from the cut plate, New Hollstein's fifth state (of 5), on wove paper without watermark, platemark 118 x 105 mm (4 5/8 x 4 1/8 in), sheet 134 x 120 mm (5 1/4 x 4 3/4 in), some small marginal losses to the left, fine split restored to the upper left platemark edge, (unframed) Literature:New Hollstein 292 v/v
Jan Lievens (1607-1674)Three Portraitsi) Bust of a young girl with her hair downEtching, circa 1630-1640, the second state published by Frans van den Wyngaerde, on laid paper with watermark of the letter 'M' surmounted by a crown, sheet 163 x 148 mm (6 3/8 x 5 3/4 in), thread margins (unframed)ii) Bust of an Oriental with feathered turbanEtching, circa 1630-1674, the second state published by Frans van den Wyngaerde, on thin japon wove paper without watermark, sheet 270 x 220 mm (10 5/8 x 8 5/8 in), trimmed within the platemark, tipped onto paper support at both upper corners, some spotting and surface dirt (unframed)iii) An Oriental head: plate 3 from Variae Effigies a Johanne Livio Lugd. BatavEtching, circa 1630-1632, the third state published by Frans van den Wyngaerde, on laid paper with indistinct watermark, sheet 145 x 130 mm (5 3/4 x 5 1/4 in), trimmed within the platemark and inset into window-mount, spotting and browning (unframed)Literature:Hollstein 43; 30; 39
Jacques Bellange (1575-1616)The Holy Family with Mary Magdalene and Saint AnneEtching with stipple, circa 1612-1616, a good impression of the first state (of 2), printing with plate-tone on laid paper without visible watermark, sheet 335 x 242 mm (13 1/4 x 9 1/2 in), laid onto paper support, several areas of loss restored with facsimile, small repairs to nicks and tears to extremities, minor handling creases, spotting and surface dirt (unframed)Provenance:Property of a lady, Gloucestershire, UKLiterature:Walch p. 214;cf. Hartley, Jacques Bellange, Printmaker of Lorraine, BM 1997, cat. no. 4
δ Marc Chagall (1887-1985)Le Pot de Terre et le Pot de Fer (See Cramer Books 22)Etching with extensive hand-colouring in gouache, 1952, the edition was 40, as included in the deluxe edition of Les Fables de la Fontaine, published by Tériade, Paris, on BFK Rives paper, with full margins, 382x297mm (15 x 11 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Marc Chagall Le Veau d'Or (see Cramer 30)Etching with extensive hand-colouring in watercolour, 1958, initialled in pencil, numbered from the edition of 100, as included in The Bible, published by Tériade, Paris on Arches paper, with full margins, 320 x 252mm (12 5/8 x 10in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Le Corbusier (1887-1965)Unité. Hands and Architect ToolsThe rare etching, 1965, numbered from the edition of 10, one of the ten monochrome proofs included in the deluxe edition of Unité, printed by Atelier Crommelynck, published by AC Mazo, Paris, on BFK Rives paper, with full margins, 570 x 450mm (22 ½ x 17 ¾ in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Venus (Field 74-17b)Etching, 1974, signed in pencil, numbered from the edition of 75, published by Ediciones Polygrafa, Barcelona, on Richard de Bas hand-made paper, with full margins, 760 x 560mm (29 7/8 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Vision de Paris (73-1-K)Etching with aquatint printed in colours, 1973, signed in pencil, numbered from the edition of 250, on Richard de Bas handmade wove paper, with full margins, sheet 585 x 795mm (23 x 31 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)San Francisco. Golden Gate Bridge (Field 70-4-E)Etching in bistre, 1970, signed and inscribed E.A. in pencil, an artist's proof aside from the edition of 150, published by Jean Schneider, Basel, on BFK Rives paper, with full margins, sheet 650 x 495mm (27 3/8 x 19 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)La Dentellière (Field 58-1)Etching, 1958, the second state (of two), signed in pencil, countersigned, dated 1978 and inscribed For Doctor Schibel in brown ink, numbered from the edition of 50, on Guarro wove paper, with printed text at left of sheet, with full margins, sheet 350 x 499mm (13 ¾ x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Don Quichotte and Sancho Panza (Field 68-1)Etching with aquatint printed in colours, 1968-80, the second state (of two), signed in pencil, numbered from the edition of 200, on Auvergne wove paper, with full margins, 495 x 390mm (19 ½ x 15 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Paul Delvaux (1897-1994)Sept Dialogues avec Paul Delvaux (Jacob 76-80)The complete album, 1971, comprising one etching with aquatint printed in colours and four etchings, each signed in pencil, numbered from the edition of 150, all on BFK Rives paper, with full margins, and with the book bound as issued with printed paper wrappers, all loose within the washed silk covered portfolio, overall size 390 x 290mm (15 3/8 x 11 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
BOXING INTEREST: A FRAMED SET OF PORTRAITS OF PUGILISTS a full-length portrait of 'Gentleman' John Jackson flanked by head and shoulders portraits of Ned Turner, Ned Painter, George Cooper and Bob Gregson, monochrome engravings, 33cm x 41cm; a coloured etching 'A Visit to the Fives Court', 18.5cm x 23cm; a coloured etching 'Art of Self Defence' 12.5cm x 17.5cm; a cover of Sportsman's Magazine featuring Phelps and Martin, No.32, Vol III, October 3rd 1846, coloured, 26cm x 19.5cm; a humourous work after Henry Mayo Bateman 'Hair and Art', 24cm x 17.5cm; and a reproduction of 'The Great Fight between Broome and Hannan' 24.5cm x 34cm (6)
Derby interest; an 1810 etching entitled Francis Noel Clarke Mundy Esquire, and his grandson William Mundy of Markeaton, near Derby, published on May 12, 1810 by Mr R Reinagle, No1 Upper Conway Street, painted by Mr R Reinagle, engraved by Charles Turner, fitted in a black frame, 58cms high x 62cms wide approx
JULIAN HARTNOLL. Two Christmas cards signed by Hartnoll and dated 1987 and 1984, one lithograph the other gold paint, together with a wood engraving by GEORGE MACKLEY. 'Coltsfoot', and etching of a squirrel on a branch, a little book of cats by alice and a coloured etching signed in pencil 'Journeys of Icarus I' 95 / 95 title page, smallest 7 x 10 cm, largest 48 x 48 cm
REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DIE AUFERWECKUNG DES LAZARUS Radierung auf chamoisfarbenem Papier. BM 35,5 x 25 cm (R. 57,5 x 45,5 cm). Seitenverkehrte Wiederholung des Blattes. In ein Passepartout eingelegt und hinter Glas gerahmt (ungeöffnet). REMBRANDT HARMENSZOON VAN RIJN (AFTER) 1606 Leiden - 1669 Amsterdam THE REVIVAL OF LAZARUS Etching on paper. Sheet size 35,5 x 25 cm (f. 57,5 x 45,5 cm). Reversed repetition of the theme. Framed in a passepartout and behind glass (not opened).
GIOVANNI BATTISTA PIRANESI 1720 Venedig - 1778 Rom VEDUTA DEL MAUSOLEO D'ELIO ADRIANO (ORA CHIAMATO CASTELLO S. ANGELO) Radierung auf Bütten, mit Mittelfalz. DM 43 x 55 cm (R. 68 x 79 cm). Unten rechts in der Platte bez. 'Piranesi Archit. dis. et inc.'; unten Mitte mit ausführlicher Bildlegende. Gebräunt, leicht fleckig. Im Passepartout und hinter Glas gerahmt (ungeöffnet). GIOVANNI BATTISTA PIRANESI 1720 Venice - 1778 Rome VEDUTA DEL MAUSOLEO D'ELIO ADRIANO (ORA CHIAMATO CASTELLO S. ANGELO) Etching on hand-made paper, with centre-fold. Print size 43 x 55 cm (f. 68 x 79 cm). Inscribed in the plate in the lower right 'Piranesi Archit. dis. et inc.'; in the lower centre legend with description. Brownish, min. spotty. Framed in a passepartout and behind glass (not opened).
EDGAR DEGAS 1834 Paris - 1917 ebenda DANSEUSE METTANT SON CHAUSSON (ca. 1892) Radierung auf chamoisfarbenem Papier. BM 32,5 x 24,5 cm, DM 17,5 x 11,5 cm (R. 38 x 29,5. Leicht gebräunt, min. fleckig, Randbesch. Posthumer Druck. 2. Zustand (von 2) nach der rayierten Platte. Aus einer Auflage von ca. 150 Exemplaren. Herausgegeben von Ambroise Vollard, Paris, 1918. Hinter Glas gerahmt (ungeöffnet). Literatur: Delteil 36; Adhémar 60. EDGAR DEGAS 1834 Paris - 1917 ibidem DANSEUSE METTANT SON CHAUSSON (ca. 1892) Etching on paper. Sheet size 32,5 x 24,5 cm, print size 17,5 x 11,5 cm (f. 38 x 29,5 cm). Min. brownish, min. spotty, damaged at the margins. Posthumous print. 2nd state (of 2) after the cancelled plate. From an edition of ca. 150 copies. Published by Ambroise Vollard, Paris, 1918. Framed behind glass (not opened). Literature: Delteil 36; Adhémar 60.
CONCORD AND CAVENDISH MORTON (20TH CENTURY) 'Rhapsody in Blue' and 'Spring Rhapsody', two wood engravings in colour, each pencil signed in the margin and the former dated 1934, 37 x 47cm and 34.5 x 50cm respectively; and J*W* King, Kings College, Cambridge, etching, pencil signed in the margin, 20 x 33.5cm (3)
CONSTANCE MARY POTT (1862-c1930) The Strand, etching pencil signed in the margin, 19 x 23.5cm; another by the same hand - Mrs Henry Pott (mother of Constance); an overpainted photographic miniature of the same sitter; a letter from the artist; a further etching; an etching by Hedley Fitton; and one further by G. Keeling (7)
OLIVER OMMANNEY (20TH CENTURY) The Trundle, 1987, oil on board, 14 x 20cm; another by the same hand - 'Nr Donnington', 9.5 x 19cm; Robert R. Greenhalf (b.1950) 'Cookley Lock', signed, watercolour, 31 x 23.5cm; and Michael Chaplin (20th Century): 'Molly Rose', etching, pencil signed in the margin, titled and numbered 66/200, etching, 29 x 37.5cm (4)
WILLIAM HOGARTH Mr Garrick in the Character of Richard the 3rd, etching on chine applique, 41.5 x 51cms; two further Hogarth etchings to include: Scholars at a lecture and The Company of Undertakers; two small pencil signed etchings by Robert and Luigi Kasimir; and nine further engravings, mostly unframed (14)
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