We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Lot 419
John Wells (1907-2000) Untitled signed John Wells, dated 1950 and numbered 8/25 in pencil in the bottom margin inscribed on the reverse `Michael from John August 1953` etching image size 17.25 x 12cm. Provenance:An exchange of work John Wells was born in London, trained as a doctor at University College Hospital. He learned to paint at evening classes at St Martins School of Art. From 1936-1945 he worked as a general practitioner for the Isles of Scilly. In 1945 he moved to Newlyn to pursue a full time career as an artist. Co-founder of The Crypt Group and The Penwith Society of Artists. He worked with Barbara Hepworth and exhibited regularly in London, the provinces and abroad. His works of geometric abstraction were influenced by Naum Gabo, Ben Nicholson and Barbara Hepworth. An exhibition at the Tate, St. Ives in 2007 celebrated the centenary of his birth.
Lot 425
Ben Nicholson (1894-1982) Untitled drypoint etching signed Ben Nicholson in the margin inscribed 2nd Proof image 20 x 15cm, unframed. Provenance:A gift from the artist Ben Nicholson was born in Denham, Buckinghamshire. His father was the painter Sir William Nicholson. He attended the Slade School of Art in 1910-11. In 1922 he had his first solo exhibition at the Adelphi Gallery, London and soon after painted abstract paintings influenced by Cubism and by 1927, inspired by Rousseau and early Folk Art, he had evolved a primitive style. He met Mondrian and Picasso who both had influences on his work. In 1939 Nicholson moved to St Ives with his wife Barbara Hepworth, the sculptor. They initially stayed with Adrian Stokes in Carbis Bay. Nicholson entered a period of painting landscapes and coloured abstract reliefs, and then linear abstract painting. He joined the St Ives Society in 1943 and in 1949 was a founder member of The Penwith Society. In 1951 Nicholson and Hepworth divorced and he left Cornwall in 1957.
Lot 15963
Edward Ardizzone (British 1900-1979), Corseted woman and four nudes, ink sketch on the rear of a private view card, initialled in ink, framed and glazed bearing Sally Hunter Fine Art gallery label, numbered 5, exhibited Edward Ardizzone with his friends and relations , Sally Hunter and Patrick Seale Fine Art, December 1986; together with an etching after Frederick Slocombe (British, 1847-1920) entitled A College Walk , signed and titled in pencil, framed and glazed and a contemporary coloured floral still life print, indistinctly signed and inscribed Proof , framed and glazed (3)" The Ardizzone ink sketch 9.5cm x 20cm, the etching, 28cm x 18cm, the coloured print, 57cm x 80cm All in good condition, unexamined out of frames. View on auctionatrium.com
Lot 1933
WILLIAM LIONEL WYLLIE, RA (1851-1931) PORTSMOUTH IN WAR-TIME: MINESWEEPERS PUTTING TO SEA Etching, c.1915-16, signed and inscribed with title in pencil 9.5 x 25cm.; with another etching by Wyllie, "Large and Small Thornycroft Vessels in a North Sea Engagement", unsigned, 19.5 x 24.5cm. (2) ++ The former with light staining; the latter generally good
Lot 2039
LESLIE MOFFAT WARD (1888-1978) AN INTERESTING SELECTION OF PRINTS to include Cement Works near New Hythe, signed etching; Evening at Poole; The Newfoundland Warehouse, Poole; The Harbour Office, Poole, three lithographs, two signed, 1911 and 1916; Shop Front by Lamplight, lithograph; and Coastal Walkers, lithograph, signed, 1949, various sizes. (6) Provenance: This lot (and the next two) were formerly in the artist`s personal collection until acquired by a collector in c.1979. * Ward`s technical skills as a printmaker and draughtsman do not disguise his concerns for the burgeoning industrialisation of provincial England alongside the decay of older traditional workplaces. These three lots reflect his awareness of the encroachment of progress and, simultaneously, his love of the unpsoilt environs of Poole, the Medway and east London. ++ Some soft old handling creases, handling marks etc on a few
Lot 389
Jacques Callot Vue de Louvre etching c.1630 on l Jacques Callot Vue de Louvre etching c.1630 on laid paper signed in plate lower left [Lieure 667] 160 x 325mm. unframed Condition report: trimmed into the plate both left and right with cumulative surface loss of ca.15mm. small printer`s crease upper centre surface dust.
Lot 390
Giovanni Benedetto Castiglione (1609-1664) Diogene Giovanni Benedetto Castiglione (1609-1664) Diogenes seeking an honest man etching on thick laid paper c.1646 217 x 305mm. [B.21; PE.15] unframed Condition report: On thick laid paper with soft central vertical fold lined with wove paper fine even spotting and slight surface dirt.
Lot 395
After Daniel Hopfer The Lovers etching on thin lai After Daniel Hopfer The Lovers etching on thin laid paper a close copy of the 2nd state c.1550 or later 225 x 155mm. unframed Condition report: margins at sides thread margins above and below pin hole at upper left corner very small loss at upper right corner slight creasing.
Lot 398
Rembrandt Harmensz. van Rijn. The Raising of Lazar Rembrandt Harmensz. van Rijn. The Raising of Lazarus: the small plate A.M. Hind`s copy etching second state [B.72 II] c.1642 151 x 113mm *** Ex collection of A.M. Hind former Keeper of Prints at the British Museum thence by descent. Condition report: narrow margins mounted at sheet edges onto support slight spotting a repair to upper left corner outside platemark.
Lot 419
George Cruikshank The Admiral in St. Petersburgh o George Cruikshank The Admiral in St. Petersburgh or Poor Will foil`d again caricature broadside depicting the Duke of Clarence (later William IV) unsuccessfully wooing the sister of Tsar Alexander the Grand Duchess Anna Pavlovna satirical verse printed below [BM Satires 12020] original hand-coloured etching above letterpress text panel 1813 360 x 230mm; with a pair of lithographs of Russian costume figures on horseback St Petersburgh Chez Beggrow 1819 each c.350 x 440mm (3) Condition report: the first named trimmed on or just within the platemark shaving right edge of image a repaired tear into the verse laid on paper support.The second two with dampstaining.
![Thomas Rowlandson A Man of Feeling [BM Satires 11 Thomas Rowlandson A Man of Feeling [BM Satires 11783] hand-coloured etching](http://lot-images.atgmedia.com/SR/1574/2809466/443-20111617753_468x382.jpg)
Lot 444
James Abbott McNeill Whistler Bibi Lalouette etchi James Abbott McNeill Whistler Bibi Lalouette etching with drypoint [Kennedy 51 II] signed and dated 1859 in the plate 225 x 150mm Condition report: laid on board support surface abrasions across lower portion of the plate and in the side margins.
Lot 461
Stanley Anderson R.E. St Mary le Bow etching with Stanley Anderson R.E. St Mary le Bow etching with drypoint signed in pencil at lower right 245 x 185mm; with a mixed group of 34 early 20th century etchings by Saloman van Abb‚ E. Wardle J. Chalmers-Park Joseph Kirkpatrick Florence Page A.R. Blundell C.B. Prescott N.W. Keates and others including 22 duplicates (35)
![Sir Frank Brangwyn Valentre Bridge Cahors [G.178 Sir Frank Brangwyn Valentre Bridge Cahors [G.178] etching with drypoint prin](http://lot-images.atgmedia.com/SR/1574/2809466/468-20111617918_468x382.jpg)
Loading...-
71174 item(s)/page