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Lot 257
Four prints, comprising an etching with aquatint of the Pavilion, sight 32.5 x 88.5cm.; `Chain Pier at Brighton during the late Tempest`, coloured etching with aquatint by J. Bruce, c.1824, 22 x 37cm.; `General View of Brunswick Square and Adjacent Buildings`, aquatint by M. Dubourg after C. A. Busby, published 1826, 26.5 x 73.5cm.; and `Pavilion at Brighton`, coloured engraving by Newton after Gardiner, published 1801, 16 x 35cm. (4). *CR Mixed condition; some creases and folds; some spotting, foxing, wear etc.
Lot 414
Etching with engraving, c.1774, with the `Strada Felice` publication line lower right, central vertical fold as issued, unframed Image 38.5 x 59cm. Provenance: Formerly in the Collection of Auberon Waugh. *CR Image generally good; the margins with soiling and some wear; 12mm tear in lower margin.
Lot 342
Etching, printed in colours, signed, titled and inscribed `T.P.3` (trial proof?) 60.5m x 45cm.; with `Mushrooms`, colour etching with aquatint by Tessa Beaver, signed, titled and numbered 142/150, image 28 x 45.5cm. (2) * The Brunsdon etching may be a view at West Bay, Dorset. *CR Each in good condition.
Lot 284
Oil on panel 18 x 16cm. * The subject, sometimes entitled "Rehearsal of the Oratorio `Judith`", relates to the artist's etching of 1732 but the theme in oil is not known in the artist's oeuvre. Exhibited: Liverpool Gallery; Manchester Art Treasures Exhibition; The Guildhall Gallery, London (according to an inscribed label on the frame). *CR The paint surface starting to blister; needs a clean.
![Thomas Rowlandson (British, 1756-1827), Rowlandson’s Sketches from Nature by Thomas Rowlandson [1822]. Scarce complete copy w](https://cdn.globalauctionplatform.com/475a4e8b-c3b5-41b7-8b3b-b1290097f727/626f47dc-ae11-4bf1-9bf1-b149011a979b/468x382.jpg)
Lot 344
Thomas Rowlandson (British, 1756-1827), Rowlandson’s Sketches from Nature by Thomas Rowlandson [1822]. Scarce complete copy with 18 hand-coloured etching plates, to include; White Lion Inn (Middlesex), A view near Richmond, A view near Newport (Isle of Wight), Temple at Strawberry Hill, Stamford (Lincolnshire), Taunton Vale (Somersetshire), View Near Bridport (Dorsetshire), A View in Devonshire, Village of St Udy (Cornwall), West Loo (Cornwall), The Seat of M. Mitchell (Cornwall), Fowey (Cornwall), View of the River Camel (Cornwall), A View of Camelford (Cornwall), A Cottage in the Dutchy of Cornwall, View at Blisland near Bodmin (Cornwall), Clearing a Wreck on the North Coast of Cornwall and Rouler Moor (Cornwall). All plates present and intact, some patches of toning but to be expected with age. Very good copy of an extremely scarce book. Brown leather bound with gilt detailing, Sketches from Nature – Rowlandson – 1822 to spine
Lot 401
Dorset: Range of books relating to Dorset, to include; Picturesque Rambles in the Isle of Purbeck by C. E. Robinson the Etchings by Alfred Dawson [The Typographic Etching Company, London, 1882], Old Dorset by H. J. Moule [Cassell and Company, 1893], Barnes’s Poems of the Dorset Dialect [Maurice & Co, 1847], Dorset Essays by Llewelyn Powys [John Land and Bodley Head, 1935], Biblotheca Dorsetiensis by Charles Herbert Mayo [Chiswick Press, 1885], Highways and Byways in Dorset by Sir Frederuck Treves [Macmillan and Co, 1906], Blacks Guide to Dorsetshire [Adam and Charles Black, 1870], Dorsetshire Folk-Lore by John Symonds Udal [Stephen Austin & Sons Ltd, 1922, poor copy], Unknown Dorset by Donald Maxwell [John Land The Bodley Head Limited, 1927], Select Poems of Rural Life in the Dorset Dialect by William Barnes [Kegan, Paul, Trench, Trübner & Co, 1909], Pastorals of Dorset by M. E. Francis [Longmans, Green, and Co, 1901], Dorchester Antiquities by W. J. Mouler [Henry Ling, 1906], Cornish Ballads by Rev R. S. Hawker [Parker and Co, 1884], The Marches of Wessex by F. J. Harvery Darton [Nisbet & Co, 1923], The Buildings of England: Dorset [Penguin Books, 1972], Devonshire & Cornwall Illustrated by J. Britton & E. W. Brayley (without plates), The Natural History of Selborne by Gilbert White [The Folio Society, 1962], The Dorset Year Book 1964-65. Plus, Album of Postcards with postcards relating to Dorset, to include; Bournemouth, Home Fleet Portland, Weymouth, High Street Weymouth, Lyme Regis, Swanage, Lulworth Cove, Roman Bridge Preston near Weymouth etc (42). Total books 17. Very mixed condition throughout, condition report unavailable for this lot, viewing required for condition check. (17)
Lot 1314
AN ART DECO WALNUT COCKTAIL CABINET, fitted with two glazed doors with geometric etching, flanking a fall front door, that's enclosing a fitted interior, above a single drawer and cupboard door, raised on cabriole legs, width 124cm x depth 34cm x height 118cm (condition report: general signs of wear and usage, two keys, other imperfections)
Lot 308
MICHAEL LEUNIG (AUSTRALIA 1945) 'THE BEAST IN THE NIGHTIE', an artist proof etching on paper depicting a fantasy creature, signed and titled to lower margin, approximate size 31cm x 34cm, frame size 55cm x 57cm, Condition Report: print is in good condition, hair trapped being the glass, dirty mark to the frame
Lot 313
JOHN HOWARD (BRITISH 1958) 'PYRAMIDE DI BIRMINGHAM', a limited edition dry point etching depicting an industrial style landscape 6/10, signed titled and dated 1991 to lower margin, approximate size 43cm x 48cm, frame size 64cm x 68cm, Condition Report: spot of insect debris to the mount, paint of the frame is rubbed in places (artist resale rights apply)
Lot 505
A SMALL SELECTION OF PAINTINGS AND PRINTS, comprising a Sue Howells watercolour of a scene in Barbados, initialled and dated (19)91, approximate size 15cm x 18cm, a Claire Davies pen and watercolour 'The Farm Sale' depicting figures attending a sale, an oil on board depicting a figure beside a swimming pool, signed and dated Simpson (20)08, approximate size 24cm x 36cm, a David Gay watercolour beach scene, an unsigned pen and watercolour depicting a garden pathway, an indistinctly signed Venetian scene dated 2015, a limited edition Ugo Baracco aquatint etching depicting a Venetian scene, an Erté poster published 1980 by Mirage Editions and a Steve McCurry print of Antarctica
Lot 76
John Taylor Arms (1887 - 1953) "From the Ponte Vecchio" Original etching. Pencil signed, dated 1925 and inscribed "To my friends Luis and Sonia Mora with affectionate regards John Taylor Arms" in lower margin. Provenance: From the estate of Francis L. Mora. Sight Size: 11 x 15 in. Overall Framed Size: 22 x 26 in. Framed behind glass.
Lot 75
John Taylor Arms (1887 - 1953) "Shadows of Venice" Original pencil signed etching. Pencil signed and inscribed "To my friend F. Louis Mora, grateful and affectionately John Taylor Arms". Signed and dated in pencil lower right. Provenance: From the estate of Francis L. Mora. Sight Size: 10 x 11.5 in. Overall Framed Size: 18.5 x 19.5 in. Framed behind glass.
Lot 30
After Pablo Picasso (1881-1973) Title: "Bethsabee" (Bathsheba), created 1966 Aquatint (etching) in color; margins intact Published by Atelier Crommelynck (Paris, France) Numbered (48/300) and signed in pencil "Picasso" in lower margin. Purchased from CenterArt Galleries (Honolulu, HI) in 1981. Plate Size: 10.25 x 14 3/8 in. Overall Framed Size: 24 x 27 in. Framed behind plexiglass. The grand tale of Bethsheba and King David dates back to biblical times, referenced mainly in the Hebrew Bible, but also the Christian Bible, and Qur'an as well. After catching a glimpse of the beautiful Bethsheba bathing, King David had fallen desperately in love, only to find her married to a soldier in his army currently fighting in battle. After ordering his death to legally wed Bethsheba, King David sends her a letter both proclaiming his sympathy and also his love. In this colorful and elegant scene by Picasso, we see Bethsheba reading this letter, in a graceful indifference that makes it unclear of both her thoughts and her feelings. Picasso renders the composition perfectly with a delicate balance of ruby reds and soft pinks and greens.
Lot 268
William (Will) Dyson (1880-1938), Thomas Carlyle or Alas! Nothing to Denounce, etching, signed and titled in pencil in the margin, image size 28cm x 21cm, overmounted and framed, together with two other monochrome prints, Sir William Nicholson (1872-1949), James Pryde, framed, and L. Michele Franklin (b.1958), Figure in the Landscape, limited edition 1/25 (3)
Lot 2136
Louis-Marin Bonnet (1736-1793), "The Little Farm", Etching and pastel, late 18th century, frame 12 1/2" x 15", an etching of "Cambridgeshire Ferry" by R.W. MacBeth (1848-1910), frame 17 1/4" x 12 1/2", and an etching of "Salisbury Cathedral from the River", signed in pencil by Maud F. Sharp, R.A., published 1944, 11 3/4" x 15 1/4".
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71174 item(s)/page