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Lot 1
David Oxtoby- 'Mingus', etching with aquatint printed in green, signed, dated '74 and numbered 19/30 in pencil, 17.5x13.8cm: together with three other aquatints printed in colours from the same series, all similarly signed numbered and dated, and a further two prints by Sarah Grilo, signed and numbered in pencil, (6), (unframed).
![Jenkins (James). The Naval Achievements of Great Britain from the Year 1793 to 1817, [pub. 1817, or later], hand-col. vign.](http://lot-images.atgmedia.com/SR/10729/2086008/63-5-10729_468x382.jpg)
Lot 1
Jenkins (James). The Naval Achievements of Great Britain from the Year 1793 to 1817, [pub. 1817, or later], hand-col. vign. title, fifty-five fine hand-col. aqua. plts., correct as list, uncol. etching of the Bombardment of Algiers & the Battle of Trafalgar, light waterstain to frontis., a.e.g., later crimson half morocco, gilt dec. spine with raised bands, 4to. Good bright impressions of all the plates, this copy bound without the portraits of Lord Nelson or Earl of St. Vincent, and without the outline etchings, as usual. Abbey, Life, 337. (1)
Lot 1
Allen (Frederick E.). Port Madoc Harbour orig. etching, signed by the artist in pencil to lower margin, approx. 18 x 12.5 cms., mounted, together with Wilson (Edgar), Rotherhythe, 1917, orig. etching, inscribed to lower margin `Rotherhythe by the late Edgar Wilson', approx. 9 x 11 cms., mounted (2)
Lot 1
London. Collins (Henry G.), New Plan of London from an Actual Survey, 1851, uncoloured engraved plan, approx. 300 x 450 mm, together with five 18th century engraved plans of parts of London, including two showing John Evelyn's Plan for Rebuilding the City of London in 1666, seven 18th century engraved views of parts of London, mostly from Stow's Survey, including St. Pauls, Lambeth Palace, Vauxhall Gardens, etc., plus others including full page ILN wood engraved views, an etching of London Bridge, etc. (28)
Lot 1
Marc Chagall, 1887-1985 mein leben. hochzeit (kornfeld 16iiic) Etching with drypoint, signed in pencil, numbered 110/110, published by Paul Cassirer, Berlin, 1923, on laid paper, with full margins, white foxmarks, some extending into image, paper discoloration and light-staining Sheet 225x286mm.; 8.875x11.25in.
Lot 1
H.G. Hampton: black and white etching, depicting castle front with cottages beside, signed in pencil bottom right, no.91, 9 1/4in x 14in; along with two framed engravings, hand-coloured, from drawings by Tho. H. Shepherd: St. Andrew's Place, Regent's Park and York House, St. James' Park, 8 3/4in x 10 1/4in (three).
Lot 1
Irving (Washington) The Sketch Book of Geoffrey Crayon, Gent., 2 vol., frontispiece, plates, captioned tissue guards, illustrations, decorative borders, original decorated cloth, gilt, slip-case, Nickerbocker Press, 1899 - Dulac (Edmund) The Country Dancer Calendar, 1920, colour illustration pasted on, calendar booklet tipped in at lower end, original card, 31cm x 25cm., 1920 - Robinson (W. Heath), H.M. Bates, et al. Life Without Printing Ink, 6 colour plates, advertisement leaf, original pictorial boards, silk tie to upper corner, corners bruised, [c.1920] - Sturio (The) Modern Masters of Etching, 10 vol. only (of 33) plates tipped in, bookplate on verso of front covers, original boards, title label laid down, 1924; and 29 others, Illustrated, including 22 vol. Penguin Modern Painters, some duplicates, v.s. (44).
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71174 item(s)/page